"(I Don't Want to Go to) Chelsea" | ||||
---|---|---|---|---|
Single by Elvis Costello and the Attractions | ||||
from the album This Year's Model | ||||
B-side | "You Belong to Me" | |||
Released | 3 March 1978 | |||
Genre | New wave [1] | |||
Length | 3:06 | |||
Label | Radar | |||
Songwriter(s) | Elvis Costello | |||
Producer(s) | Nick Lowe | |||
Elvis Costello singles chronology | ||||
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Official video | ||||
"(I Don't Want to Go to) Chelsea" on YouTube |
"(I Don't Want to Go to) Chelsea" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1978 second album, This Year's Model . Written by Costello while working as a computer programmer, the song was lyrically inspired by films Costello had been watching as well as childhood trips to Chelsea. Musically the song featured influence from bands such as the Who and the Kinks and is notable for Bruce Thomas's prominent bassline.
"Chelsea" was released as the debut single from This Year's Model, reaching number 16 in the UK and charting in other countries. The release was accompanied by a music video. The song has since received positive reception from critics and remains a staple of Costello's live set.
"(I Don't Want to Go to) Chelsea" was written by Costello in the mid-1970s while working as a computer programmer. Costello recalled the night he wrote the song:
Early one morning, I snuck my guitar into the office, as I knew I'd be working late into the night. Once everyone else had gone home and I was alone in the otherwise darkened building, with just the hum and chatter of the computer terminal and the far-off light of a coffee machine next to the stairwell where murderers lurked, I wrote '(I Don't Want to Go to) Chelsea'. [2]
Lyrically, the song was influenced partially by "a late run of '60s films set in London on the BBC" that Costello had been watching at the time. Costello was also inspired by trips he had taken with his father to Chelsea in his youth; Costello explained, "I'd gone with my Dad to a few of the more enduring clothing haunts of Chelsea on a rare outing together. ... Now Chelsea seemed even more of an unattainable neighborhood. It stood for both the groovy past and was reported in the papers as the hot-bed of the new punk ferment". [2]
The song was recorded quickly; bassist Bruce Thomas recalled, "We literally did the best tracks on [ This Year's Model ]—"Pump It Up", "Chelsea"—in one afternoon. It was like Motown. We'd just go in, play them, and that was it". [3] Bruce Thomas credited John Entwistle's bassline on "My Generation" as an inspiration for his performance. [4]
"(I Don't Want to Go to) Chelsea" was based on what Costello described as a "stop-start chord sequence borrowed from the Who" combined with a "clickerty-clackerty guitar figure off an old Rocksteady record by the Pioneers". [5] [6] In his album notes for Girls Girls Girls , Costello wrote that the song "[m]ight have been just a poor relation to 'All Day and All of the Night', 'I Can't Explain' or even 'Clash City Rockers' had it not been for Bruce Thomas' great bassline. Meanwhile I was trying to fit in this lick from an old Pioneers record, though which one I can't recall." [7] Costello later commented on the song's combination of influences, "[It] has effectively three hooks [Costello's guitar, Bruce Thomas's bass, and Thomas's drums] and you would have struggled to pinpoint where the ideas had originated". [5]
Pete Thomas said of his drum part on the song, "The precedent of some fancy drumming had been set. 'Watching the Detectives' had that drum intro. 'Chelsea' is me saying, 'If Elvis Costello is going to have fancy drum intros, I'm doing one'. It was one of the first few takes. If you really listen to it, I'm trying out stuff all the way through". [8] Costello later claimed that Thomas had lifted the drum intro from Mitch Mitchell's performance on the Jimi Hendrix Experience's song "Fire". [5] Organist Steve Nieve uses a deliberately out of tune Vox Continental organ on the song; Costello described the keyboard sound as "thin" and "evil". [9] Costello cited the song as an example of This Year's Model's "spiky and sour" sound, which was created through "a solitary box of tricks to delay and detune" the instruments. [5]
"(I Don't Want to Go to) Chelsea" was released as the debut single from Costello's second album This Year's Model on 3 March 1978. The B-side was "You Belong to Me", another song from This Year's Model. The single was Costello's second chart hit in the UK, peaking at number 16 on the UK Singles Chart over a chart stay of ten weeks. [10] The single reached number 12 in Ireland [11] and number 93 in Australia. The song received glowing critical attention at the time, with the NME concluding, "The single's so good, the very act of releasing it amounts to bragging on a colossal scale". [3] The song was released on This Year's Model on 17 March 1978, though it was omitted on US versions of the album for being too British. [12]
Since its release, "Chelsea" has been praised by music critics. AllMusic's Stephen Thomas Erlewine praised the song for being "underscored with sexual menace", while the same site's Tom Maginnis called it a "brilliant ska-inflected rocker". [13] [1] Kit Rachlis of Rolling Stone praised Costello for the "precision" with which he described Chelsea, while Morgan Troper of PopMatters said, "It's almost not worth listening to Model unless it's a version that contains 'Chelsea', as the song's presence is essential to This Year's Model's overall impact". [12] [14] Dave Lifton of Ultimate Classic Rock named the song as the 7th best Elvis Costello song, proclaiming it the "standout" from This Year's Model and calling it "a perfect example of the mixture of chaos and skill [the Attractions] brought". [15] Martin Chilton of the Daily Telegraph named the song Costello's 15th best. [16]
Costello has since performed the song frequently, including at his set for Woodstock '99. [17] A live version of the song, described as "excellent" by Maginnis, appeared on the album Live at the El Mocambo . [1]
The video shows the band performing in an unfurnished, light-drenched, wholly white set, and uses a simple shrinking square zoom effect. After a photo-montage effect with still photographs of Costello, the video opens with him playing the opening guitar riff in close-up. The video then alternates between the band playing together and shots of Costello singing in an increasingly contorted pose.
The video, directed by Paul Flattery, employs the same set as the video for "Pump It Up" and all the musicians can be seen wearing the same clothes. Bassist Bruce Thomas had injured his hand a few weeks previously and can be seen wearing a bandage mitt. [18]
Talking about the video Costello said: "The director quickly found out that I could walk on the sides of my ankles. That was a trick that I'd learned not in vaudeville school but at the hands of a vaguely sadistic doctor. When it was determined that I had flat feet as a child, I was first told I would never make it in the army, then I was taught to pick up a ball of socks with my feet like a monkey and do that trick with my ankles in an attempt to strengthen my arches." [19]
Chart (1978) | Peak position |
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Australia ( Go-Set ) | 93 |
Ireland (IRMA) [20] | 12 |
UK Singles (OCC) [21] | 16 |
Declan Patrick MacManus, better known by his stage name Elvis Costello, is an English singer, songwriter, record producer, author and television host. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 until early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 500,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 until the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
This Year's Model is the second studio album by the English singer-songwriter Elvis Costello, released on 17 March 1978 through Radar Records. After being backed by Clover for his debut album My Aim Is True (1977), Costello formed the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —as his permanent backing band. Recording sessions took place at London's Eden Studios in eleven days between late 1977 and early 1978. Nick Lowe returned as producer, and Roger Béchirian acted as engineer. Most of the songs were written prior to the sessions, and debuted live during the latter half of 1977.
My Aim Is True is the debut studio album by the English singer-songwriter Elvis Costello, originally released in the United Kingdom on 22 July 1977 through Stiff Records. Produced by Stiff artist and musician Nick Lowe, the album was recorded from late 1976 to early 1977 over six four-hour studio sessions at Pathway Studios in Islington, London. The backing band was the California-based country rock act Clover, who were uncredited on the original release due to contractual difficulties. At the time performing as D.P. Costello, Costello changed his name to Elvis after Elvis Presley at the suggestion of the label, and adjusted his image to match the rising punk rock movement.
The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve (keyboards), Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.
"Oliver's Army" is a song written by English musician Elvis Costello and performed by Costello and the Attractions, from the former's third studio album Armed Forces (1979). The song is a new wave track that was lyrically inspired by the Troubles in Northern Ireland and includes lyrics critical of the socio-economic components of war. Costello had travelled to Northern Ireland and was influenced by sights of British soldiers patrolling Belfast. Musically, the song features a glossy production and a keyboard performance inspired by ABBA, creating a juxtaposition between the lyrics and music that both critics and Costello have pointed out.
Flowers in the Dirt is the eighth solo studio album by Paul McCartney. The album was released on 5 June 1989 on Parlophone, as he was embarking on his first world tour since the Wings Over the World tour in 1975–76. It earned McCartney some of his best reviews for an album of original songs since Tug of War (1982). The album made number one in the United Kingdom and Norway and produced several hit singles. The album artwork was a collaboration between artist Brian Clarke, who painted the canvas and arranged the flowers, and Linda McCartney, who produced the cover photography.
"Radio Radio" is a song written by Elvis Costello and performed by Elvis Costello and the Attractions. The song originated as a Bruce Springsteen-inspired song called "Radio Soul" that Costello had written in 1974. In 1977, Costello reworked the song to feature a more aggressive arrangement and more direct, sarcastic lyrics that criticised the commercialism of British radio. Costello and the Attractions recorded the song around the time of his second album, This Year's Model.
Taking Liberties is a compilation album by English singer-songwriter Elvis Costello, consisting of tracks not previously released on his albums as released in the United States. It is largely made up of B-sides, but features three previously unreleased recordings. It was released only in the US and Canada; its track listing is very similar to that of the UK release Ten Bloody Marys & Ten How's Your Fathers. The differences are that on the latter, the tracks "Night Rally", "Sunday's Best" and "(I Don't Want to Go to) Chelsea" are replaced by "Watching the Detectives", "Radio, Radio" and "(What's So Funny 'Bout) Peace, Love, and Understanding".
The Best of Elvis Costello and the Attractions is a compilation album by English musician Elvis Costello and his backing band the Attractions, released in 1985. It was the first of what would be many career-spanning compilation albums of previously released material for Costello.
"Pump It Up" is a 1978 song by Elvis Costello and the Attractions. It originally appeared on Costello's second album This Year's Model, which was the first he recorded with the backing group the Attractions. Written as an ironic response to his time during the Stiffs Live Tour and inspired by "Subterranean Homesick Blues" by Bob Dylan, "Pump It Up" features a stomping rhythm and ironic lyrics.
"Man Out of Time" is a song written by new wave musician Elvis Costello and performed by Elvis Costello and the Attractions on their 1982 album, Imperial Bedroom. With lyrics detailing a political scandal, "Man Out of Time" features a lush arrangement that was a conscious departure from the aggressive style of Costello's previous work.
"Watching the Detectives" is a 1977 single by English singer-songwriter Elvis Costello. Inspired by the Clash and Bernard Herrmann, the song features a reggae beat and cynical lyrics.
"Girls Talk" is a new wave song written by Elvis Costello and first recorded by Dave Edmunds in 1978. Costello gave an early version of the song to Edmunds, who reworked the song and released it on his album Repeat When Necessary. Edmunds' version peaked at number four on the UK Singles Chart and number 12 in Ireland, becoming one of Edmunds' most successful career singles.
"(The Angels Wanna Wear My) Red Shoes" is a song written and recorded by Elvis Costello for his 1977 debut album My Aim Is True. Written by Costello on a train ride to Liverpool in 1976, the song features lyrics, according to Costello, about "romantic disappointment". The song features Byrds-inspired music with an intro contributed by John McFee of Costello's then-backing band Clover.
"I Want You" is a song written by Elvis Costello and recorded with his backing band the Attractions. It was released on his 1986 album Blood & Chocolate.
Wise Up Ghost is a collaborative studio album by British singer/songwriter Elvis Costello and American hip hop group the Roots. The album was released on 17 September 2013, by Blue Note Records. The album's first single "Walk Us Uptown" was released on 23 July 2013.
"Lipstick Vogue" is a song by Elvis Costello. It was recorded by him with the Attractions as the penultimate track of his 1978 album This Year's Model. In his album notes for Girls Girls Girls Costello recalled that the song was inspired by "the rhythms of the Metropolitan line colliding with a song by The Byrds called 'I See You'. I didn't mention this bit to Pete Thomas at the time, so what you hear is all his own work". Allmusic reviewer Tom Maginnis wrote that it "serves as a showcase for the new group's extraordinary energy and impressive skill, while Costello plays the role of the scornful cynic, spitting bitter words of one who has suffered third-degree burns at the hands of love".
"Welcome to the Working Week" is a song written by and first recorded by Elvis Costello in 1977 for his debut album My Aim Is True. A sardonic comment on the working life aimed at a more privileged woman, the song features a brief runtime and unpolished production. Released as the B-side to "Alison", the song has since attracted critical acclaim from music writers.
"This Year's Girl" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions for his 1978 album This Year's Model. Inspired by the Rolling Stones song "Stupid Girl", the song's lyrics criticizing fashion saw some critics allege misogyny, a theme which Costello strongly denied was present in the song in subsequent interviews.
"The Other End (Of the Telescope)" is a song by American band 'Til Tuesday, which was released in 1988 on their third and final studio album Everything's Different Now. The song was written by Aimee Mann and Elvis Costello. Costello recorded his own version of the song for his 1996 album All This Useless Beauty.
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