Roger Joseph Ebert was an American film critic, film historian, journalist, essayist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013. Ebert was known for his intimate, Midwestern writing style and critical views informed by values of populism and humanism. Writing in a prose style intended to be entertaining and direct, he made sophisticated cinematic and analytical ideas more accessible to non-specialist audiences. Ebert frequently endorsed foreign and independent films he believed would be appreciated by mainstream viewers, championing filmmakers like Werner Herzog and Errol Morris, as well as Martin Scorsese, whose first published review he wrote. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. Neil Steinberg of the Chicago Sun-Times said Ebert "was without question the nation's most prominent and influential film critic," and Kenneth Turan of the Los Angeles Times called him "the best-known film critic in America."
Eugene Kal Siskel was an American film critic and journalist for the Chicago Tribune. He is best known for co-hosting various movie review television series with colleague Roger Ebert.
Behind the Green Door is a 1972 American pornographic film, widely considered one of the genre's "classic" pictures and one of the films that ushered in the Golden Age of Porn (1969–1984). Featuring Marilyn Chambers, who became a mainstream celebrity, it was one of the first hardcore films widely released in the United States and the feature-length directorial debut of the Mitchell brothers.
Radley Metzger was an American pioneering filmmaker and film distributor, most noted for popular artistic, adult-oriented films, including Thérèse and Isabelle (1968), Camille 2000 (1969), The Lickerish Quartet (1970), Score (1974), The Private Afternoons of Pamela Mann (1974), The Image (1975), The Opening of Misty Beethoven (1976) and Barbara Broadcast (1977). According to one film reviewer, Metzger's films, including those made during the Golden Age of Porn (1969–1984), are noted for their "lavish design, witty screenplays, and a penchant for the unusual camera angle". Another reviewer noted that his films were "highly artistic — and often cerebral ... and often featured gorgeous cinematography". Film and audio works by Metzger have been added to the permanent collection of the Museum of Modern Art (MoMA) in New York City.
The Opening of Misty Beethoven is an American pornographic comedy film released in 1976. It was produced with a relatively high budget and filmed on elaborate locations in Paris, New York City and Rome with a musical score, and owes much to its director Radley Metzger. According to author Toni Bentley, The Opening of Misty Beethoven is considered the "crown jewel" of the Golden Age of Porn (1969–1984).
Beyond the Valley of the Dolls is a 1970 American satirical musical melodrama film starring Dolly Read, Cynthia Myers, Marcia McBroom, Phyllis Davis, John LaZar, Michael Blodgett, and David Gurian. The film was directed by Russ Meyer and screenwritten by Roger Ebert from a story by Ebert and Meyer.
Mark Rappaport is an American independent/underground film director and film critic, who has been working since the 1960s.
Beyond and Back is a 1978 American documentary/"death-sploitation flick" produced and distributed by Sunn Classic Pictures that deals with the subject of near death experiences.
Blue Movie is a 1969 American erotic film written, produced and directed by Andy Warhol. It is the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States, and is regarded as a seminal film in the Golden Age of Porn (1969–1984), which, before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969 with the release of Blue Movie at the Elgin Theater, and later, the New Andy Warhol Garrick Theatre, in New York City. Blue Movie helped inaugurate the "porno chic" phenomenon, in which porn was publicly discussed by celebrities and taken seriously by film critics, in modern American culture, and shortly thereafter, in many other countries throughout the world. According to Warhol, Blue Movie was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film starring Marlon Brando and released a few years after Blue Movie was made. Viva and Louis Waldon, playing themselves, starred in Blue Movie.
The Lickerish Quartet is a 1970 erotic drama film produced and directed by Radley Metzger. It was filmed in Italian and later dubbed into English. The film was written by Metzger and Michael DeForrest.
The term "Golden Age of Porn", or "porno chic", refers to a 15-year period (1969–1984) in commercial American pornography, in which sexually explicit films experienced positive attention from mainstream cinemas, movie critics, and the general public. This American period, which had subsequently spread internationally, and that began before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969, with the theatrical release of the film Blue Movie directed by Andy Warhol, and, somewhat later, with the release of the 1970 film Mona produced by Bill Osco. These films were the first adult erotic films depicting explicit sex to receive wide theatrical release in the United States. Both influenced the making of films such as 1972's Deep Throat starring Linda Lovelace and directed by Gerard Damiano, Behind the Green Door starring Marilyn Chambers and directed by the Mitchell brothers, 1973's The Devil in Miss Jones also by Damiano, and 1976's The Opening of Misty Beethoven by Radley Metzger, the "crown jewel" of the Golden Age, according to award-winning author Toni Bentley. According to Andy Warhol, his Blue Movie film was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after Blue Movie was shown in theaters.
Tell Me That You Love Me, Junie Moon is a 1970 American comedy-drama film directed and produced by Otto Preminger. The film is based on the 1968 novel of the same name by Marjorie Kellogg.
Gay pornography is the representation of sexual activity between males. Its primary goal is sexual arousal in its audience. Softcore gay pornography also exists; which at one time constituted the genre, and may be produced as beefcake pornography directed toward heterosexual female, homosexual male and bisexual audiences of any gender.
The Private Afternoons of Pamela Mann is a 1974 American hardcore adult film starring Barbara Bourbon and directed by Radley Metzger that is considered one of the classics of the Golden Age of Porn (1969–1984). It was a step forward in the development of the genre, as it had a plot and good acting. The movie can be seen as a meditation on voyeurism, due to the trope of Mann being spied on by a private detective hired by her husband, and the production of pornography itself, as the detective films her sexual encounters.
Barbara Broadcast is an American adult erotic film released in 1977. The film was directed by Radley Metzger and filmed in several elaborate locations in New York City, including the Olympia ballroom and restaurant in the Royal Manhattan Hotel.
Naked Came the Stranger is an American adult erotic film released in 1975. The film was directed by Radley Metzger and filmed in several elaborate locations in New York City.
The Tale of Tiffany Lust, also known as Body Lust, is a 1979 American pornographic film. It was directed by Radley Metzger but credited for convenience to French director and occasional Metzger collaborator Gérard Kikoïne, who may have served as an advisor. The film was shot in several locations in New York City. It opened in France on 27 June 1979 under the title Dolly l'initiatrice, but was not released in the U.S. until 1981.
The World of Henry Paris is a 1981 American compilation film documentary of the 1970s erotic films directed by Radley Metzger, working under the alias name of "Henry Paris".
The Sins of Ilsa is a 1985 American adult erotic film, based on a novel by Iris Murdoch, that was filmed in New York City and, for exteriors, in Paris. The film is notable as the last film directed by Radley Metzger and, as of November 2019, has not yet been released publicly.
