"Alison" | ||||
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Single by Elvis Costello | ||||
from the album My Aim Is True | ||||
B-side | "Welcome to the Working Week" | |||
Released | 21 May 1977 | |||
Recorded | 1977 | |||
Genre | ||||
Length | 3:21 | |||
Label | Stiff (UK) Columbia (US) | |||
Songwriter(s) | Elvis Costello | |||
Producer(s) | Nick Lowe | |||
Elvis Costello singles chronology | ||||
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"Alison" is a song written by and first recorded by Elvis Costello in 1977 for his debut album My Aim Is True on Stiff Records. Costello claimed the song was written as an ode to a woman he saw working at a supermarket, though he has remained vague on the meaning. Though Costello's single never charted, it has become one of his most famous songs.
Linda Ronstadt, who covered the song and released her version in 1979, had a moderate hit with it.
The song "Alison" was included on Elvis Costello's debut studio album My Aim Is True as the fifth track, and was released in 1977. As "Alison" was recorded before the Attractions formed, his backing band on the track was Clover. Costello has divulged little on the meaning of the song other than to say that it is about "disappointing somebody" [4] and to deny suggestions that the lines "somebody better put out the big light" and "my aim is true" refer to murder. He has also declined to reveal who the song is about, writing in the liner notes for Girls Girls Girls , "Much could be undone by saying more." [5] [6] The line "my aim is true" gives the album its title. Costello has also said that the musical idea for the chorus, breaking up the line "I know this world is killing you", in a staccato fashion, derives from the manner that the line "Life ain't so easy when you're a ...", precedes the title refrain, on "Ghetto Child", by The Detroit Spinners. [7] "Alison" is written in the key of E major. [8]
However, in his 2015 autobiography Unfaithful Music & Disappearing Ink, Costello wrote: "I've always told people that I wrote the song 'Alison' after seeing a beautiful checkout girl at the local supermarket. She had a face for which a ship might have once been named. Scoundrels might once have fought mist-swathed duels to defend her honour. Now she was punching in the prices on cans of beans at a cash register and looking as if all the hopes and dreams of her youth were draining away. All that were left would soon be squandered to a ruffian who told her convenient lies and trapped her still further". [9]
"Alison" was released as a single in the United Kingdom with a B-side of "Welcome to the Working Week", and as two singles in the United States; one with a mono version of the same song on the B-side, the other with "Miracle Man". The US (and Canadian) single versions of "Alison" are unique in that it is remixed to add a string section. [10] Record World called it "a stirring ballad" and said that "the strings add a dimension the song lacked in its original version and should help send it to the top." [11]
The single did not chart; as the album on which it was included did reach the top 40 on the album charts, the song did get airplay in the U.S. on album-oriented rock radio. In 2004, Rolling Stone ranked it No. 318 on their list of the 500 Greatest Songs of All Time and Entertainment Weekly voted it as one of Costello's top 10 greatest tunes. [12] The Telegraph named it Costello's second greatest song only after "Oliver's Army", calling it "a wonderful song about unrequited love." [13]
"Alison" | ||||
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Single by Linda Ronstadt | ||||
from the album Living In The USA | ||||
B-side | "Mohammed's Radio" | |||
Released | April 1979 | |||
Recorded | 1978 | |||
Genre | Country rock, new wave | |||
Length | 3:20 | |||
Label | Asylum Records | |||
Songwriter(s) | Elvis Costello | |||
Producer(s) | Peter Asher | |||
Linda Ronstadt singles chronology | ||||
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Linda Ronstadt recorded a cover version of "Alison" for her studio album Living in the USA , in 1978, which sold over 2 million copies. Released as the disc's fourth single in the spring of 1979 on Asylum Records, it was produced by her longtime producer Peter Asher. Ronstadt's B-side to "Alison" was "Mohammed's Radio", also produced by Asher.
Ronstadt's version of "Alison" was a moderate hit, reaching number 30 in the U.S. on the Billboard adult contemporary chart. [14] Her single also reached number 66 in the UK Singles chart. [15] Years later, Costello joked that he might have been publicly derisive of Ronstadt's version, "but I didn't mind spending the money that she earned me". [16] Costello donated royalties from Ronstadt's version to the African National Congress after she played at Sun City in South Africa. [17]
Declan Patrick MacManus, known professionally as Elvis Costello, is an English singer, songwriter, record producer, author and television presenter. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), is widely regarded as one of the best debuts in popular music history. It spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 through early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 400,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 through the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
My Aim Is True is the debut studio album by the English singer-songwriter Elvis Costello, originally released in the United Kingdom on 22 July 1977 through Stiff Records. Produced by Stiff artist and musician Nick Lowe, the album was recorded from late 1976 to early 1977 over six four-hour studio sessions at Pathway Studios in Islington, London. The backing band was the California-based country rock act Clover, who were uncredited on the original release due to contractual difficulties. At the time performing as D.P. Costello, Costello changed his name to Elvis after Elvis Presley at the suggestion of the label, and adjusted his image to match the rising punk rock movement.
"Oliver's Army" is a song written by Elvis Costello and performed by Costello and the Attractions, from the former's third studio album Armed Forces (1979). The song is a new wave track that was lyrically inspired by the Troubles in Northern Ireland and includes lyrics critical of the socio-economic components of war. Costello had travelled to Northern Ireland and was influenced by sights of British soldiers patrolling Belfast. Musically, the song features a glossy production and a keyboard performance inspired by ABBA, creating a juxtaposition between the lyrics and music that both critics and Costello have pointed out.
"Radio Radio" is a song written by Elvis Costello and performed by Elvis Costello and the Attractions. The song originated as a Bruce Springsteen-inspired song called "Radio Soul" that Costello had written in 1974. In 1977, Costello reworked the song to feature a more aggressive arrangement and more direct, sarcastic lyrics that criticised the commercialism of British radio. Costello and the Attractions recorded the song around the time of his second album, This Year's Model.
"You're No Good" is a song written by Clint Ballard Jr., first performed by Dee Dee Warwick for Jubilee Records in 1963 with production by Jerry Leiber and Mike Stoller. It has since been covered by many artists, including charting versions by Betty Everett in 1963, The Swinging Blue Jeans in 1964, and Linda Ronstadt in 1974, whose version was a number 1 hit in the United States.
"Veronica" is a song by Elvis Costello, released in 1989 as the lead single from the album Spike. The song was co-written by Costello with Paul McCartney, and was co-produced with T-Bone Burnett and Kevin Killen, and features Paul McCartney on his iconic Höfner bass. In 2004, Entertainment Weekly voted it one of Costello's top ten greatest tunes.
"Less than Zero" is the debut single by Elvis Costello, released in 1977 on Stiff Records. It is the eighth track on Costello's debut album, My Aim Is True. Written about British fascist Oswald Mosley, the song features what AllMusic described as a "slow, slinky [and] sinister" melody.
Simple Dreams is the eighth studio album by the American singer Linda Ronstadt, released in 1977 by Asylum Records. It includes several of her best-known songs, including her cover of the Rolling Stones song "Tumbling Dice" and her version of the Roy Orbison song "Blue Bayou", which earned her a Grammy nomination for Record of the Year. The album also contains covers of the Buddy Holly song "It's So Easy!" and the Warren Zevon songs "Poor Poor Pitiful Me" and "Carmelita". The album was the best-selling studio album of her career, and at the time was the second best-selling album by a female artist. It was her first album since Don't Cry Now without long-time musical collaborator Andrew Gold, though it features several of the other Laurel Canyon-based session musicians who appeared on her prior albums, including guitarists Dan Dugmore and Waddy Wachtel, bassist Kenny Edwards, and producer and multi-instrumentalist Peter Asher.
Living in the USA is the ninth studio album by American singer Linda Ronstadt, released in 1978. The album was Ronstadt's third and final No. 1 on the Billboard 200 album chart.
"Almost Blue" is a song recorded by English group Elvis Costello and the Attractions from their sixth studio album, Imperial Bedroom (1982). Written by Costello and produced by Geoff Emerick, the track shares the name of the group's previous 1981 studio album. It was released on 2 July 1982 along with the rest of Imperial Bedroom, and would later be included on side two of The Best of Elvis Costello and the Attractions (1985). A traditional pop song, "Almost Blue" contains lyrics that compare a former relationship to a present one.
Mad Love is the tenth studio album by singer Linda Ronstadt, released in 1980. It debuted at #5 on the Billboard album chart, a record at the time and a first for any female artist, and quickly became her seventh consecutive album to sell over one million copies. It was certified platinum and nominated for a Grammy.
"I Can't Let Go" is a song co-written by Al Gorgoni and Chip Taylor, who also wrote "Wild Thing". "I Can't Let Go" was originally recorded by blue-eyed soul singer Evie Sands' on George Goldner's Blue Cat label, which was popular in New York City in 1965. The song became popular in 1966 for the group the Hollies, who charted at number two in the UK Singles Chart with their version. Linda Ronstadt covered the song in 1980 and had a number 31 hit on the US Billboard Hot 100 chart.
"Watching the Detectives" is a 1977 single by English singer-songwriter Elvis Costello. Inspired by the Clash and Bernard Herrmann, the song features a reggae beat and cynical lyrics.
Linda Ronstadt, Stone Poneys and Friends, Vol. III is the third and final studio album by The Stone Poneys, released on April 29, 1968. Singer Linda Ronstadt would release her first solo album the following year.
"Girls Talk" is a new wave song written by Elvis Costello and first recorded by Dave Edmunds in 1978. Costello gave an early version of the song to Edmunds, who reworked the song and released it on his album Repeat When Necessary. Edmunds' version peaked at number four on the UK Singles Chart and number 12 in Ireland, becoming one of Edmunds' most successful career singles.
"High Fidelity" is a song written and performed by new wave musician Elvis Costello on his 1980 album, Get Happy!! Written about an adulterous couple where one member still hopes for reconciliation, "High Fidelity" reflected the personal struggles that Costello had been suffering at the time as a result of increased fame and controversy. Musically, the song was influenced by Motown and was initially performed in a slower style inspired by David Bowie's Station to Station.
"45" is a song by Elvis Costello from his 2002 album When I Was Cruel, written by Costello. The second single released from the album, it reached number 92 in the UK charts. To date, it is his last single to chart in the United Kingdom.
"Welcome to the Working Week" is a song written by and first recorded by Elvis Costello in 1977 for his debut album My Aim Is True. A sardonic comment on the working life aimed at a more privileged woman, the song features a brief runtime and unpolished production. Released as the B-side to "Alison", the song has since attracted critical acclaim from music writers.
"Baby, Walk On" is a song originally recorded by American country music singer Matraca Berg. It was her first single release, and it appears on her 1990 debut album Lying to the Moon. A second version, titled just "Walk On", was released by Linda Ronstadt in 1995.
"Watch Your Step" is a song written by new wave musician Elvis Costello and performed by Costello and the Attractions on their 1981 album, Trust. Originating from lyrics he wrote as a 20-year-old, "Watch Your Step" was inspired by Costello's experiences on tour as well as by dub music. The song was originally a louder rock song, but the final released version is slower and quieter.
while the more mellow "Alison" combines slightly jazzy guitars and soulful vocals. This great melancholy pop song was written about a checkout girl at a local supermarket and features the line which gives this album its title.
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