Expiatory Chapel | |
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Chapelle expiatoire | |
48°52′25.5″N2°19′22.9″E / 48.873750°N 2.323028°E | |
Location | 29 rue Pasquier, 8th arrondissement of Paris |
Country | France |
Denomination | Roman Catholic |
Website | Official website |
History | |
Status | Memorial Chapel |
Founded | 1816 |
Founder(s) | Louis XVIII, Duchess of Angoulême |
Consecrated | January 21, 1824 |
Architecture | |
Functional status | Museum |
Heritage designation | Monument Historique PA00088809 [1] |
Designated | 1914 |
Architectural type | church |
Construction cost | 3,000,000 livres |
Specifications | |
Length | 168 feet (51 m) |
Width | 93.5 feet (28.5 m) [2] |
The Chapelle expiatoire ("Expiatory Chapel") [3] is a chapel located in the 8th arrondissement of Paris, France. The chapel was constructed on the grounds where King Louis XVI and Queen Marie Antoinette had been buried after they had been guillotined, and it is therefore dedicated to them.
The closest métro station is Saint-Augustin .
The chapel was designed in 1816 by the French Neo-Classical architect Pierre-François-Léonard Fontaine, who, with his partner Charles Percier, figured among Napoleon's favourite architects. Fontaine's assistant Louis-Hippolyte Lebas oversaw the construction. The chapel was partly constructed on the grounds of the former Madeleine Cemetery, where King Louis XVI and Queen Marie Antoinette had been buried after they had been guillotined.
King Louis XVIII shared the 3 million livres expense of building the Chapelle expiatoire with the Duchess of Angoulême. Construction took ten years, and the chapel was inaugurated in 1826 in the presence of King Charles X. When he blessed the cornerstone of the Chapelle expiatoire, Hyacinthe-Louis de Quélen, Archbishop of Paris, called in vain for an amnesty of the exiled members of the National Convention.
The Chapelle expiatoire stands on a slight rise. There are two buildings separated by a courtyard which is surrounded by an enclosed cloister-like precinct, a peristyle, that isolates the chapel from the outside world. The building on Rue Pasquier is the entrance. There is an inscription above the entrance, which reads (translated):
King Louis XVIII raised this monument to consecrate the place where the mortal remains of King Louis XVI and Queen Marie-Antoinette, transferred on 21 January 1815 to the royal tomb of Saint-Denis, reposed for 21 years. It was finished during the second year of the reign of Charles X, year of grace 1826. [4]
In the courtyard are cenotaphs to those who were known to be buried in this location.
The chapel itself is entered through a pedimented tetrastyle portico, of a sombre Doric order. It contains a domed space at the center of a Greek cross, formed by three coffered half-domed apses with oculi that supplement the subdued natural light entering through the skylight of the main dome. The cubic, semicylindrical and hemispheric volumes recall the central planning of High Renaissance churches as much as they do a Greco-Roman martyrium. White marble sculptures of the king and queen in ecstatic attitudes were made by François Joseph Bosio and Jean-Pierre Cortot. There is also a bas-relief by French sculptor François-Antoine Gérard (who also did some of the other carvings) showing the exhumation and removal of the remains of Louis XVI and Marie Antoinette to the Basilica of St Denis.
The crypt contains a black and white marble altar intended to mark the place where the royal remains were found.
The Chapelle expiatoire is without doubt the most uncompromising late neoclassical religious building of Paris. Chateaubriand found it "the most remarkable edifice in Paris". The chapel's severe geometry is unrelieved by sculpture, as can be seen by the view from rue d'Anjou.
In 1862, the cypresses which surrounded the chapel were cut down, and a public park (Square Louis XVI) was created around the complex.
In May 1871 the Paris Commune demanded that the Chapel be torn down. This was never put into effect.
Every January 21, a memorial mass is held in the chapel to commemorate the death of Louis XVI.
The Chapel was severely damaged by storm in 2009.
Marie Antoinette was the last queen of France prior to the French Revolution. She was born an archduchess of Austria, and was the penultimate child and youngest daughter of Empress Maria Theresa and Emperor Francis I. She became dauphine of France in May 1770 at age 14 upon her marriage to Louis-Auguste, heir apparent to the French throne. On 10 May 1774, her husband ascended the throne as Louis XVI and she became queen.
Louis XVI was the last king of France before the fall of the monarchy during the French Revolution.
Louis XVIII, known as the Desired, was King of France from 1814 to 1824, except for a brief interruption during the Hundred Days in 1815. Before his reign, he spent 23 years in exile from France beginning in 1791, during the French Revolution and the First French Empire.
The Basilica of Saint-Denis is a large former medieval abbey church and present cathedral in the commune of Saint-Denis, a northern suburb of Paris. The building is of singular importance historically and architecturally as its choir, completed in 1144, is widely considered the first structure to employ all of the elements of Gothic architecture.
The Conciergerie is a former courthouse and prison in Paris, France, located on the west of the Île de la Cité, below the Palais de Justice. It was originally part of the former royal palace, the Palais de la Cité, which also included the Sainte-Chapelle. Two large medieval halls remain from the royal palace. During the French Revolution, 2,780 prisoners, including Marie Antoinette, were imprisoned, tried and sentenced at the Conciergerie, then sent to different sites to be executed by the guillotine. It is now a national monument and museum.
The Place de la Concorde is one of the major public squares in Paris, France. Measuring 7.6 ha in area, it is the largest square in the French capital. It is located in the city's eighth arrondissement, at the eastern end of the Champs-Élysées.
The Church of Sainte-Marie-Madeleine, or less formally, La Madeleine, is a Catholic parish church on Place de la Madeleine in the 8th arrondissement of Paris. It was planned by Louis XV as the focal point of the new Rue Royal, leading to the new Place Louis XV, the present Place de la Concorde. It was dedicated in 1764 by Louis XV, but work halted due to the French Revolution. Napoleon Bonaparte had it redesigned in the Neoclassical style to become a monument to the glory of his armies. After his downfall in 1814 construction as a church resumed, but it was not completed until 1842. The building is surrounded on all four sides by columns in the Corinthian style. The interior is noted for its frescoes on the domed ceiling, and monumental sculptures by François Rude, Charles Marochetti and other prominent 19th-century French artists.
Île de la Cité is an island in the river Seine in the center of Paris. In the 4th century, it was the site of the fortress of the area governor for the Roman Empire. In 508, Clovis I, the first King of the Franks, established his palace on the island. In the 12th century, it became an important religious center, the home of Notre-Dame cathedral, and the royal chapel of Sainte-Chapelle, as well as the city hospital, the Hôtel-Dieu. It is also the site of the city's oldest surviving bridge, the Pont Neuf.
Louis Joseph de Bourbon was Prince of Condé from 1740 to his death. A member of the House of Bourbon, he held the prestigious rank of Prince du Sang.
Marie-Thérèse Charlotte was the eldest child of King Louis XVI and Queen Marie Antoinette of France, and their only child to reach adulthood. In 1799 she married her cousin Louis Antoine, Duke of Angoulême, the eldest son of Charles, Count of Artois, henceforth becoming the Duchess of Angoulême. She was briefly Queen of France in 1830.
Baron François Joseph Bosio was a Monegasque sculptor who achieved distinction in the first quarter of the nineteenth century with his work for Napoleon and for the restored French monarchy.
The grand appartement de la reine is the Queen's grand apartment of the Palace of Versailles.
The present chapel of the Palace of Versailles is the fifth in the history of the palace. These chapels evolved with the expansion of the château and formed the focal point of the daily life of the court during the Ancien Régime.
Louis-Hippolyte Lebas was a French architect working in a rational and severe Neoclassical style.
The Palais de la Cité, located on the Île de la Cité in the Seine River in the centre of Paris, is a major historic building that was the residence of the Kings of France from the sixth century until the 14th century, and has been the center of the French justice system ever since, thus often referred to as the Palais de Justice. From the 14th century until the French Revolution, it was the headquarters of the Parlement of Paris. During the Revolution it served as a courthouse and prison, where Marie Antoinette and other prisoners were held and tried by the Revolutionary Tribunal. Since the early 19th century, it has been the seat of the Tribunal de grande instance de Paris, the Court of Appeal of Paris, and the Court of Cassation. The first of these moved to another Parisian location in 2018, while the other two jurisdictions remain located in the Palais de la Cité as of 2022.
Louis XVI, former King of France since the abolition of the monarchy, was publicly executed on 21 January 1793 during the French Revolution at the Place de la Révolution in Paris. At his trial four days prior, the National Convention had convicted the former king of high treason in a near-unanimous vote; while no one voted "not guilty", several deputies abstained. Ultimately, they condemned him to death by a simple majority. The execution by guillotine was performed by Charles-Henri Sanson, then High Executioner of the French First Republic and previously royal executioner under Louis.
Errancis Cemetery or Cimetière des Errancis is a former cemetery in the 8th arrondissement of Paris and was one of the cemeteries used to dispose of the corpses of guillotine victims during the French Revolution.
Madeleine Cemetery is a former cemetery in the 8th arrondissement of Paris and was one of the four cemeteries used to dispose of the corpses of guillotine victims during the French Revolution. The cemetery was named after Mary Magdalene, known in French as Sainte-Madeleine.
Léonard-Alexis Autié, also Autier, often referred to simply as Monsieur Léonard, was the favourite hairdresser of Queen Marie Antoinette and in 1788–1789 founded the Théâtre de Monsieur, "the first resident theatre in France to produce a year-round repertory of Italian opera."
The French Restoration style was predominantly Neoclassicism, though it also showed the beginnings of Romanticism in music and literature. The term describes the arts, architecture, and decorative arts of the Bourbon Restoration period (1814–1830), during the reign of Louis XVIII and Charles X from the fall of Napoleon to the July Revolution of 1830 and the beginning of the reign of Louis-Philippe.