Edward Lee Morgan was an American jazz trumpeter and composer.
Henry "Hank" Mobley was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players like Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions included "Double Exposure," "Soul Station", and "Dig Dis," among others.
Trane's Blues is a compact disc credited to the jazz musician John Coltrane, released in 1999 on Blue Note Records, catalogue 98240. It comprises recordings from sessions for Blue Note and United Artists Records as a sideman for Paul Chambers, Sonny Clark, Johnny Griffin, and Cecil Taylor that were issued respectively on their Whims of Chambers, Sonny's Crib, A Blowin' Session, and Hard Driving Jazz albums. Two selections are from Coltrane's own 1957 Blue Train, and "One for Four" had been previously unissued. "Trane's Blues" had been issued on the compilation High Step in 1975, previously known as "John Paul Jones" and named after himself, the bass player Chambers, and the drummer Philly Joe Jones. Like Prestige Records before them, as Coltrane's fame grew long after he had stopped recording for the label, Blue Note used varied recordings, often those where Coltrane had been merely a sideman, and reissued them as a new album with Coltrane's name prominently displayed. In this case, the Big Four conglomerate EMI continued that earlier practice.
Cornbread is an album by American jazz trumpeter Lee Morgan. Recorded in September 1965 but released on the Blue Note label in early 1967, the album features performances by Morgan, along with sidemen Herbie Hancock, Billy Higgins, Jackie McLean, Hank Mobley, and Larry Ridley.
Straight No Filter is an album by jazz saxophonist Hank Mobley, recorded mostly in 1963 but not released on the Blue Note label until 1985. The CD edition compiles performances recorded at four different sessions from 1963 to 1966.
Sonic Boom is an album by jazz trumpeter Lee Morgan, recorded on April 14 and 28, 1967 but not released on the Blue Note label until 1979. The 2003 CD reissue added seven tracks recorded on September 12 & October 10, 1969 which were first released on the original double LP edition of The Procrastinator. Therefore, the CD edition includes performances by Morgan with two line-ups: the first one with tenor saxophonist David "Fathead" Newman, pianist Cedar Walton, bassist Ron Carter, and drummer Billy Higgins, whilst the second features trombonist Julian Priester, tenor saxophonist George Coleman, pianist Harold Mabern, bassist Walter Booker, and drummer Mickey Roker. The Sonic Boom session is notable for the rare contribution of David "Fathead" Newman, who made only two Blue Note appearances during his career, the other being with Lonnie Smith.
The Rajah is an album by jazz trumpeter Lee Morgan released on the Blue Note label. It was recorded on November 29, 1966 but not released until 1985, and features performances by Morgan, Hank Mobley, Cedar Walton, Paul Chambers and Billy Higgins. The recording was found in the Blue Note vaults by Michael Cuscuna in 1984.
Charisma is an album by jazz trumpeter Lee Morgan featuring performances by Morgan, Jackie McLean, Hank Mobley, Cedar Walton, Paul Chambers and Billy Higgins, recorded on September 29, 1966, but not released label until 1969, on the Blue Note.
No Room for Squares is an album by jazz tenor saxophonist Hank Mobley recorded on March 7 & October 2, 1963 and released on the Blue Note label. It features performances by Mobley, trumpeters Lee Morgan and Donald Byrd, pianists Andrew Hill and Herbie Hancock, bassists John Ore and Butch Warren, and drummer Philly Joe Jones. Material recorded at the March 7 session was also included on The Turnaround! with the entire session collected for the first time on the 1989 CD edition of Straight No Filter. The 1989 CD issue of No Room for Squares collects the entire October 7 session save an alternate take of "Carolyn" that was first issued in 2019 as part of The Complete Hank Mobley Blue Note Sessions 1963-70.
The Turnaround! is an album by jazz tenor saxophonist Hank Mobley recorded on March 7, 1963 and on February 4, 1965. It was released in 1965 by Blue Note Records. It features performances by Mobley with trumpeter Donald Byrd, pianist Herbie Hancock, bassist Butch Warren and drummer Philly Joe Jones from the earlier session and trumpeter Freddie Hubbard, pianist Barry Harris, bassist Paul Chambers and drummer Billy Higgins from the latter.
A Caddy for Daddy is an album by jazz saxophonist Hank Mobley recorded on December 18, 1965, and released on the Blue Note label in 1967. It features performances by Mobley with trumpeter Lee Morgan, trombonist Curtis Fuller, pianist McCoy Tyner, bassist Bob Cranshaw and drummer Billy Higgins.
A Slice of the Top is an album by jazz saxophonist Hank Mobley recorded on March 18, 1966. The album was not released on the Blue Note label until 1979. It features performances by Mobley with a larger than usual ensemble of trumpeter Lee Morgan, euphonium player Kiane Zawadi, tuba player Howard Johnson, alto saxophonist James Spaulding, pianist McCoy Tyner, bassist Bob Cranshaw, and drummer Billy Higgins. The arrangements were written by Duke Pearson. On the original LP, Reggie Workman was mistakenly identified on the sleeve as the bassist.
Hi Voltage is an album by jazz tenor saxophonist Hank Mobley recorded on October 9, 1967 and released on the Blue Note label the following year. It features performances by Mobley with alto saxophonist Jackie McLean, trumpeter Blue Mitchell, pianist John Hicks, drummer Billy Higgins, and bassist Bob Cranshaw.
Third Season is an album by the jazz tenor saxophonist Hank Mobley recorded on February 24, 1967, but not released on the Blue Note label until 1980 as LT 1081. It contains performances by Mobley with trumpeter Lee Morgan, alto saxophonist James Spaulding, pianist Cedar Walton, bassist Walter Booker, drummer Billy Higgins, and guitarist Sonny Greenwich.
Reach Out! is an album by jazz saxophonist Hank Mobley recorded and released by the Blue Note label in 1968. It features performances by Mobley with trumpeter Woody Shaw, guitarist George Benson, pianist LaMont Johnson, bassist Bob Cranshaw, and drummer Billy Higgins.
The Flip is an album by the jazz saxophonist Hank Mobley recorded on July 12, 1969 in Paris, France, and released on the Blue Note label. It features performances by Mobley with four European-based musicians: trumpeter Dizzy Reece, trombonist Slide Hampton, pianist Vince Benedetti, bassist Alby Cullaz, and drummer Philly Joe Jones.
Consequence is an album by American saxophonist Jackie McLean recorded in 1965, but not released on Blue Note until 1979 as LT-994. In 1993, it was released as part of the four-disc Mosaic compilation The Complete Blue Note 1964-66 Jackie McLean Sessions, which was limited to 5,000 copies. In 2005, it was finally released on a limited edition CD as Blue Note 11428.
New and Old Gospel is an album by American saxophonist Jackie McLean recorded in 1967 and released on the Blue Note label. It features McLean in a quintet with saxophonist Ornette Coleman, pianist LaMont Johnson, bassist Scotty Holt and drummer Billy Higgins.
Monday Night at Birdland is a live album which was recorded at Birdland in 1958 by tenor saxophonists Hank Mobley and Billy Root, trombonists Kai Winding and Curtis Fuller, and trumpeter Lee Morgan. It was first released by the Roulette label. Symphony Sid wrote the liner notes.
Another Monday Night at Birdland is a live album which was recorded at Birdland in 1958 by tenor saxophonists Hank Mobley and Billy Root, trombonist Curtis Fuller, and trumpeter Lee Morgan. It was released by the Roulette label.
