Fulfillingness' First Finale | ||||
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Studio album by | ||||
Released | July 22, 1974 | |||
Studio |
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Genre | Progressive soul [1] | |||
Length | 42:21 | |||
Label | Tamla | |||
Producer |
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Stevie Wonder chronology | ||||
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Singles from Fulfillingness' First Finale | ||||
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Fulfillingness' First Finale is the seventeenth studio album by American singer, songwriter, musician, and producer Stevie Wonder, released on July 22, 1974, by Tamla, a subsidiary of Motown Records. It is the fourth of five albums from what is considered Wonder's "classic period". [2] [3] [4]
The album was Wonder's second to top the Billboard Top LPs & Tapes chart, where it remained for two weeks, and also reached number one on the Billboard Soul LPs chart, where it spent eight non-consecutive weeks between October 5 and Christmas 1974. [5] At the 17th Annual Grammy Awards, it won in three categories: Album of the Year (Wonder's second consecutive win in this category), Best Male Pop Vocal, and Best Male Rhythm and Blues Vocal Performance (for "Boogie On Reggae Woman") at the ceremony held in 1975. Retrospectively, the album was voted number 413 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000) [6] and included in the book 1001 Albums You Must Hear Before You Die . [7]
Review scores | |
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Source | Rating |
AllMusic | [8] |
The Austin Chronicle | [9] |
Christgau's Record Guide | A− [10] |
Encyclopedia of Popular Music | [11] |
The Great Rock Discography | 7/10 [12] |
Los Angeles Times | [13] |
MusicHound Rock | 4/5 [14] |
Q | [15] |
The Rolling Stone Album Guide | [16] |
The Village Voice | B+ [17] |
Following the epic scope and social consciousness themes of Innervisions , Fulfillingness' First Finale, in contrast, projected a more reflective, personal, and somber tone. The musical arrangements used in several songs, especially the bleak "They Won't Go When I Go" and the understated "Creepin'", were sparse compared to those of some of Wonder's other 1970s tracks. Wonder had not completely foregone social commentary, as evidenced by the Billboard Hot 100 number-one single "You Haven't Done Nothin'", which launched a pointed criticism of the Nixon administration bolstered by clavinet, drum machine, and a cameo by the Jackson 5.
All songs written by Stevie Wonder, except "They Won't Go When I Go", written by Wonder and Yvonne Wright.
"Smile Please"
"Heaven Is 10 Zillion Years Away"
"Too Shy to Say"
"Boogie On Reggae Woman"
"Creepin'"
"You Haven't Done Nothin"
"It Ain't No Use"
"They Won't Go When I Go"
"Bird of Beauty"
"Please Don't Go"
Year | Chart | Position |
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1974 | Soul Albums | 1 |
Top LP's & Tape |
Year | Single | Billboard Hot 100 | Billboard Hot Soul Singles |
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1974 | "You Haven't Done Nothin'" | 1 | 1 |
"Boogie on Reggae Woman" | 3 | 1 |
The 17th Annual Grammy Awards were presented March 1, 1975, and were broadcast live on American television. They recognized accomplishments by musicians from the year 1974.
Talking Book is the fifteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on October 27, 1972, by Tamla, a subsidiary of Motown Records. This album and Music of My Mind, released earlier the same year, are generally considered to mark the start of Wonder's "classic period". The sound of the album is sharply defined by Wonder's use of keyboards and synthesizers.
Innervisions is the sixteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on August 3, 1973, by Tamla, a subsidiary of Motown Records. A landmark recording of Wonder's "classic period", the album has been regarded as completing his transition from the "Little Stevie Wonder" known for romantic ballads into a more musically mature, conscious, and grown-up artist. On the album, Wonder continued to experiment with the revolutionary T.O.N.T.O. synthesizer system developed by Malcolm Cecil and Robert Margouleff, and Innervisions became hugely influential on the future sound of commercial soul and black music.
"Superstition" is a song by American singer-songwriter Stevie Wonder. It was released on October 24, 1972, as the lead single from his fifteenth studio album, Talking Book (1972), by Tamla. The lyrics describe popular superstitions and their negative effects.
Music of My Mind is the fourteenth studio album by American singer, songwriter, and musician Stevie Wonder. It was released on March 3, 1972, by Tamla Records, and was Wonder's first to be recorded under a new contract with Motown that allowed him full artistic control over his music. For the album, Wonder recruited electronic music pioneers Malcolm Cecil and Robert Margouleff as associate producers, employing their custom TONTO synthesizer on several tracks. The album hit No. 21 in the Billboard LP charts, and critics found it representative of Wonder's artistic growth, and it is generally considered by modern critics to be the first album of Wonder's "classic period".
Silver Rain is an album by bassist Marcus Miller. Named after a poem by Langston Hughes, it was released in 2005.
Cyclone is the eighth studio album by Tangerine Dream and the first in their canon to feature proper vocals and lyrics. The cover is a painting by band leader Edgar Froese.
3 + 3 is the eleventh album released by the Isley Brothers for the Epic label under their T-Neck imprint on August 7, 1973. In 2020, the album was ranked at 464 on Rolling Stone's 500 Greatest Albums of All Time list.
"You Haven't Done Nothin" is a 1974 funk single by Stevie Wonder, taken from his album Fulfillingness' First Finale and featuring background vocals by the Jackson 5. The politically aware song became Wonder's fourth Number-1 pop hit and his tenth Number-1 soul hit. It also reached Number 1 in Canada. In the UK the single spent five weeks on the chart, peaking at Number 30.
"Boogie On Reggae Woman" is a 1974 funk song by American Motown artist Stevie Wonder, released as the second single from his seventeenth studio album, Fulfillingness' First Finale, issued that same year. Despite the song's title, its style is firmly funk/R&B and neither boogie nor reggae. It continued Wonder's successful Top Ten streak on the pop charts, reaching number three and also spent two weeks at number one on the soul charts. Billboard ranked it as the No. 26 song for 1975. At the 17th Grammy Awards, Stevie Wonder won the Best R&B Vocal Performance, Male for this song.
Lite Me Up is a pop album with a strong disco-funk feel by Herbie Hancock. It was Hancock's twenty-eighth album and first release without producer David Rubinson since 1969. On this album, Hancock was influenced by his long-time friend, producer Quincy Jones and sessions included many musicians associated with Jones including Steve Lukather and Jeff Porcaro of Toto. The album was the first on which Hancock played the Synclavier, a digital polyphonic synthesizer.
The Dream Weaver is a solo album by American singer and musician Gary Wright released in July 1975.
Free is a studio album by jazz bassist Marcus Miller, released in 2007.
Perfect Angel is the second studio album by American singer Minnie Riperton, released on May 24, 1974 by Epic Records. The album contains the biggest hit of Riperton's career, "Lovin' You", which topped the U.S. Pop Singles chart for one week in early April 1975.
Tap Step is a studio album recorded by Chick Corea in 1979 & 1980. It features previous Corea collaborators Flora Purim, Joe Farrell, Stanley Clarke and Gayle Moran, along with percussionists Airto, Don Alias and Laudir de Oliveira.
"Living for the City" is a 1973 single by Stevie Wonder from his Innervisions album. It reached number 8 on the Billboard Hot 100 chart and number 1 on the R&B chart. Rolling Stone ranked the song number 104 on their 2004 list of the "500 Greatest Songs of All Time".
Love Brought Me Back is the fifth album by D. J. Rogers, released in 1978. It was recorded at Bolic Sound and Total Experience Recording Studio. It was Rogers' first Columbia Records album.
Keeping Our Love Warm is the sixth studio album by the American duo Captain & Tennille. Issued in 1980, it was their final full-length release recorded for Casablanca Records.
"Golden Lady" is a song by the American musician Stevie Wonder, released in 1973 on his album Innervisions. While it was never released as a single, the album itself peaked at number 4 on the Billboard Top 200. The love song, written by Stevie Wonder, contrasts with the other songs on the record that comment upon societal issues within America. Examples include his comments on drug addiction within the song "Too High" and his political commentary on US President Richard Nixon in "He's Misstra Know-It-All".
Free Beer and Chicken is an album by blues musician John Lee Hooker recorded in California in 1974 and released by the ABC label the same year.