List of music considered the worst

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This list consists of albums or songs considered the worst examples of popular music, based on reviews, polls and sentiment from music critics, musicians and the public.

Contents

Albums

1960s–1970s

Philosophy of the World , The Shaggs (1969)
The Shaggs were formed in 1965 by the teenage sisters Dorothy, Betty and Helen Wiggin. Though they had no interest in becoming musicians, they were forced to write, rehearse and record an album by their father, who believed that his mother had predicted their rise to fame. [1] They composed bizarre songs with untuned guitars, erratic time signatures, disconnected rhythms, wandering melodies and rudimentary lyrics about pets and families. [2] After their album, Philosophy of the World, was reissued in 1980, Rolling Stone suggested that it was the worst album ever recorded. [3] In 2022, Vice wrote that it was the "best worst album of all time". [4] It developed a cult following, [5] with fans including Frank Zappa and Kurt Cobain. [1] [6]
Lord Sutch and Heavy Friends , Screaming Lord Sutch (1970)
Screaming Lord Sutch, a pioneer of shock rock, was backed on this album by a supergroup including some of Britain's best known-rock musicians, such as Led Zeppelin's Jimmy Page and John Bonham, Jeff Beck, session keyboardist Nicky Hopkins, and Noel Redding of The Jimi Hendrix Experience. Many of the guest musicians disowned the album upon its release. It was mentioned as the worst record ever released in a 1998 BBC poll. [7] Rolling Stone called Sutch "absolutely terrible" and lamented that the guest musicians were made to sound "like a fouled parody of themselves". [8]
Attila, Attila (1970)
Attila is the only album by the psychedelic rock duo Attila, which featured a young Billy Joel. Stephen Thomas Erlewine of AllMusic called it "the worst album released in the history of rock & roll—hell, the history of recorded music itself." Joel himself has described it as "psychedelic bullshit". [9]
Tony Sings the Great Hits of Today! , Tony Bennett (1970)
Bennett, in the midst of a career collapse, recorded the album under duress on orders from Clive Davis at Columbia Records. It consisted of cover versions of popular songs of the 1960s, and though some effort was made to select songs that were in line with Bennett's Great American Songbook standards, [10] he was not eager to record the material. [11] Retrospective reviews by Allmusic and Time consider the album a "disaster". [12] [13] Bennett refused to sing The Beatles' "Eleanor Rigby," instead reciting the song in the style of William Shatner. [13] The album led to Bennett's departure from the label, [14] from which his career would not recover until the 1980s.
Having Fun with Elvis on Stage , Elvis Presley (1974)
The album is a compilation of excerpts from Presley's concerts, containing almost no actual music and instead consisting mainly of banter and jokes between numbers without context. The album was devised by Colonel Tom Parker to serve as a Presley recording for which he would own all of the rights and thus be entitled to all of the profits, since there would be no songs. It topped Jimmy Guterman and Owen O'Donnell's titular list in the 1991 book The Worst Rock and Roll Records of All Time. [15]
Metal Machine Music , Lou Reed (1975)
Consisting entirely of manipulated recordings of audio feedback, Metal Machine Music was ranked at number two in The Worst Rock 'n' Roll Records of All Time. [16] In 2005, Q magazine included the album in a list of "Ten Terrible Records by Great Artists" and ranked it #4 in its list of the 50 worst albums of all time.
Soundtrack to Sgt. Pepper's Lonely Hearts Club Band, Various artists (1978)
The glam rock and disco Beatles cover soundtrack album was named the "worst ever" on Maxim's April 2000 list of pop albums from the 1970s to 1990s. [17] [18] The Sgt. Pepper's movie soundtrack was the first album in history to achieve "return platinum" status as stores took over four million copies of it off their shelves to ship back to their distributors. RSO Records destroyed hundreds of thousands of copies, crippling the company with a large financial loss. [19]

1980s–1990s

Elvis' Greatest Shit , Elvis Presley (1982)
A posthumous bootleg compilation album consisting largely of outtakes and a selection of Presley's movie soundtrack songs of the 1960s that was made to deliberately highlight the worst of his career. Critics largely agreed that the compiler of the record succeeded in picking Presley's worst work. [20] [21] [22] [23]
Thank You , Duran Duran (1995)
Thank You is a cover album named the worst-ever album by Q magazine in March 2006. [24] Q's deputy editor Gareth Grundy said: "Duran Duran was the one that united everyone in agreement. We put it on in the office to remind ourselves how bad it was. Sometimes these things are redeemed by some sort of kitsch or novelty value, but it didn't even have that. It's not funny for even a split second and not even the sort of thing that you would put on for a laugh if you were drunk." Ken Scott, the engineer of the album, also thought "it turned out pretty badly" and the band considered it commercial suicide. [25] Chris Gerard of Metro Weekly ranked it as Duran Duran's worst album. [26]

2000s–2020s

Playing with Fire , Kevin Federline (2006)
The only album recorded by Kevin Federline, ex-husband of Britney Spears, Playing with Fire is review aggregator Metacritic's lowest-scoring album, with a rating of 15. [27] It was also a commercial failure, with first-week sales of only 6,000 in the U.S. [28]
Chinese Democracy , Guns N' Roses (2008)
This album was mired in development hell for eight years, and it received widely polarized responses ranging from very positive to scathing. Popular music historian Stephen Davis named it "the worst album ever." [29] Music editor Ayre Dworken [30] wrote: "Chinese Democracy is the worst album I have heard in years, if not in all my life of listening to music." [31] It was included in Wired magazine's unranked list of the "5 Audio Atrocities to Throw Down a Sonic Black Hole" [32] and placed first on Guitar Player's "10 Awful Albums by 10 Amazing Bands" list. [33] Chinese Democracy was ranked as the worst record of 2008 by several publications, including Time Out New York , Asbury Park Press and IGN . [34] [35] [36] The Chicago Tribune noted the record in its end-of-year appraisal of 2008's worst in arts and entertainment. [37] However, Rolling Stone, The Guardian , Spin , ABC News and Ultimate Classic Rock all included the album on best-of year-end lists. [38] [39] [40] [41] [42]
Eoghan Quigg , Eoghan Quigg (2009)
Quigg's only album was met with derision and has been described by numerous reviewers as the worst record ever made. [43] One such writer was Peter Robinson of The Guardian, who called it an "album so bad that it would count as a new low for popular culture were it possible to class as either culture... or popular". [44] and said on his Popjustice website that "decades into the future, Eoghan Quigg's album Eoghan Quigg will be the one that scoops the accolade" of worst record of all time. [45] Gigwise placed the album at number one on its 20 Worst Albums of 2009 list. [46]
Lulu , Lou Reed and Metallica (2011)
Pitchfork Media's Stuart Berman awarded the album a score of 1.0/10 and wrote that Lulu disappoints even in its "worst of all time" status; "for all the hilarity that ought to ensue here, Lulu is a frustratingly noble failure." [47] NME also noted that the album was "one of the worst reviewed albums ever" and "one of the most critically panned albums of recent years". [48] In response to massive backlash from Metallica fans, Lou Reed stated: "I don't have any fans left. After Metal Machine Music, they all fled. Who cares? I'm in this for the fun of it." [49] David Bowie and Reed's widow Laurie Anderson, however, have praised the album. [50]
Streets in the Sky , the Enemy (2012)
Daily Record writer Rick Fulton reported that several of his readers considered Streets in the Sky to be "among the very worst releases of the year [2012], and indeed, all time". [51] Critics were similarly harsh; the album is the second-lowest-rated ever at review aggregator site AnyDecentMusic?, [52] and was the worst-reviewed of 2012 at fellow aggregator Album of the Year. [53] John Calvert of Drowned in Sound awarded the record an unprecedented 0/10 and described it as "the un-music"; [54] Neil Kulkarni in The Quietus agreed that the album is not "actually music" and is akin to "shite, in the noonday sun, attracting flies". [55] Both critics wished for no further recordings from the band. [54] [55]
Nine Track Mind , Charlie Puth (2016)
Doreen St. Félix in The New Yorker wrote, "Full of bland doo-wop ballads, 'Nine Track Mind' was, according to Metacritic, one of the worst-reviewed albums of all time. Puth seemed a genuine talent strained by nostalgia-baiting and the exigencies of social media." [56] Pitchfork Media's Jia Tolentino wrote, "Puth cannot fill this frame of sentimentality with any genuine sentiment: The album's emotional range covers the spectrum from light longing to light infatuation, contributing to the overall sense that 'Nine Track Mind' is aimed exclusively at hairlessness: children, prepubescents, the discomfitingly waxed." [57]
Father of All Motherfuckers , Green Day (2020)
Loudwire reported the album was the worst reviewed rock album of the 21st century, based on a study of the harshness of language in negative and mixed critical reviews as well as user reception. [58]

Songs

The following songs have been named by critics, broadcasters, composers, and listeners as the "worst ever". Examples of sources include VH1's "50 Most Awesomely Bad Songs Ever" and Blender magazine's "Run for Your Life! It's the 50 Worst Songs Ever!".

1950s–1960s

"Yes, Sir, That's My Baby", Harry Kari and His Six Saki [ sic ] Sippers (1953)
The mock-Japanese novelty record (a cover of a 1925 hit) was one of many released by dialect comic Harry Stewart under an alias (most of his others were under the name Yogi Yorgesson). While Stewart's records routinely got bad reviews in the press, a brief but particularly scathing review in Billboard [59] may have earned the record enough publicity to chart on the magazine's own charts and prompted radio stations to play it. One radio disc jockey disparaged the record on-air as "the worst record (he had) ever heard" when playing it, and the record's poor quality inspired those in the music industry to record intentionally bad songs in the belief that they could become hits, such as "There's a New Sound". [60]
"!aaaH-aH ,yawA eM ekaT oT gnimoC er'yehT", Napoleon XIV (1966)
The B-side of "They're Coming to Take Me Away, Ha-Haaa!," a novelty hit for Jerry Samuels as Napoleon XIV, consists solely of the A-side played in reverse. [61] In Dave Marsh's 1981 book The Book of Rock Lists, Marsh describes the song as the most obnoxious song to have ever been placed in a jukebox, noting that it once caused a diner with 40 customers to be evacuated in the time it took to play the record in its entirety. [62]
"Paralyzed", Legendary Stardust Cowboy (1968)
This record features T Bone Burnett on drums and consists of one-chord strums, mostly unintelligible screaming, and an abrupt bugle solo. It was identified in the 1994 book The New Book of Rock Lists as the worst song ever released by a major label. [63] Rhino Records also included it on The World's Worst Records.
"MacArthur Park", Richard Harris (1968)
In 1992, Miami Herald journalist Dave Barry conducted a poll among his readers, who selected the Harris original as the worst track ever recorded, both in terms of "Worst Lyrics" (written, along with melody, by Jimmy Webb) and "Worst Overall Song". [64] This is despite the fact that it topped the music charts in Europe and Australia, won the 1969 Grammy Award for Best Arrangement Accompanying Vocalists, and would again become a number-one hit during the disco era in the form of a 1978 cover by Donna Summer; it would also be spoofed by Weird Al Yankovic in 1993 as "Jurassic Park". [65]
"Ob-La-Di, Ob-La-Da", the Beatles (1968)
This Paul McCartney composition was loathed by bandmates John Lennon and George Harrison, [66] [67] and was voted the worst track ever recorded in a listener poll organized by Mars Inc. [68] It was also ranked #48 on Blender magazine's "50 Worst Songs Ever". [69]

1970s–1980s

"(You're) Having My Baby", Paul Anka (1974)
The No. 1 worst song as voted by CNN.com users in 2006, the song was criticized for its perceived patronizing take on pregnancy from the expecting father's point of view. [70]
"Dance with Me", Reginald Bosanquet (1980)
A disco song with lyrics narrated in the style of a British newscast by a former ITN news anchor, it was voted number one in the "Bottom 30" by listeners of British DJ Kenny Everett in 1980. [71]
"The Birdie Song", the Tweets (1981)
A straight rendition of the "Chicken Dance" by Werner Thomas, "The Birdie Song" was voted the most annoying track of all time in a 2000 Dotmusic poll. [72] The Clash guitarist Mick Jones also named it the worst song ever written (along with "Billy Don't Be a Hero" by Paper Lace), [73] as did Simon Burnton in The Guardian. [74]
"Ebony and Ivory", Paul McCartney featuring Stevie Wonder (1982)
This duet used the materials that constitute the black and white keys on a piano as a metaphor for racial harmony. It ranked number one in a BBC 6 Music poll of the worst duets in history [75] and number 10 in Blender's poll of worst songs ever, and has been described as "saccharine" for its heavy-handed approach to its subject. [76] [77]
"True", Spandau Ballet (1983)
"True" was noted as the worst song ever by St. Petersburg Times music columnist Sean Daly [78] and The Guardian journalist Luke Williams; [74] Williams's colleague Michael Hann described the track as "dreadful wine-bar soul". [79] Seattle Post-Intelligencer critic Robert Jamieson called it the worst love song of all time. [80] The track also appeared in the Houston Press' "10 Songs We Never, Ever Want to Hear Again, Ever" [81] while the line "I bought a ticket to the world but now I've come back again" was included in NME's "50 Worst Pop Lyrics of All Time." [82]
"Agadoo", Black Lace (1984)
The song was voted the worst song of all time by a panel of professional music writers and industry experts published in a 2003 Q poll, which deemed it "magnificently dreadful" and reminiscent of "the school disco you were forced to attend, your middle-aged relatives forming a conga at a wedding party, a travelling DJ act based in Wolverhampton, every party cliche you ever heard." [83] [84] It was banned from being played on BBC Radio 1 for a period because it was not viewed as a "credible" song. [85]
"Sussudio", Phil Collins (1985)
Critic Michael Saunders in the Sun-Sentinel named "Sussudio" as the worst song of the rock era, describing it as "insipid" and "indefensibly stupid". [86] Guardian journalist Tom Service wrote: "'Sussudio' brings me out in a cold sweat... there's no colder or more superficial sound in popular music." [87] Michael Musto in The Village Voice listed it as the second worst song ever and said that it "could have been the theme song for the Third Reich, it was that insidious and evil". [88] Creative Loafing Charlotte writer Matt Brunson called it the worst song of the 1980s. [89] The track has also been criticized for sounding too similar to Prince's "1999"; [90] Mark Caro in the Chicago Tribune labelled it a "ripoff". [91]
"We Built This City", Starship (1985)
This single from the band's studio album Knee Deep in the Hoopla is often cited as the worst song of all time. [92] It was ranked number one on Blender magazine's list of the worst songs of all time (with Craig Marks deeming it "a real reflection of what practically killed rock music in the '80s") [93] [94] and Rolling Stone's list "The 10 Worst Songs of the 1980s". [95] It has also been called the worst song of all time by GQ [96] and The A.V. Club , and named one of the worst songs of all time in a readers' poll in the New York Post . The group's co-lead singer Grace Slick has called it "the worst song ever" and "awful". [94] [96]
"Don't Worry, Be Happy", Bobby McFerrin (1988)
This song was named by Village Voice critic Michael Musto as the worst of all time [88] and topped Q100 DJ Bert Weiss's list of tracks he would forever ban from radio. [97] In its "50 Worst Songs Ever", Blender said that "it's difficult to think of a song more likely to plunge you into suicidal despondency than this" and lambasted its "appalling" lyrics. [94]
"Kokomo", the Beach Boys (1988)
"Kokomo" appeared on Blender 's list of the 50 worst songs [98] and Dallas Observer 's list of the ten worst songs by great artists. [99] MEL Magazine named it the worst summer song, and wrote that "a lot of us have taken immense delight in hating this 1988 smash". [100] NME named the "Kokomo" music video one of the worst ever. [101] Tom Breihan of Stereogum wrote that "people hate 'Kokomo' ... [it] has a reputation as a monument to mediocrity. To this day, it serves as a textbook cautionary tale of a once-beloved group poisoning its own legacy and goodwill by making smarmy '80s yuppie pablum." [102]

1990s–2000s

"Ice Ice Baby", Vanilla Ice (1990)
Spinner editors ranked this the second-worst track in history, [103] while Blender staff placed it fifth. [94] A Houston Press critic named it as the worst song ever by an artist from Texas, and claimed that it "set back the cause of white people in hip-hop [by] a decade". [104]
"Achy Breaky Heart", Billy Ray Cyrus (1992)
The song has appeared on multiple "worst songs ever" lists. It was named the worst of all time in The Independent on Saturday, [105] and was ranked second in Blender's "50 Worst Songs Ever". [94] It also placed first in a Sydney Morning Herald reader poll to determine the worst track of the 1990s, [106] and was voted by Chicago Tribune readers as the worst song of 1992. [107]
"Could It Be Magic", Take That (1992)
This cover of the 1971 Barry Manilow track was voted the worst song in history in a 2004 public poll organized by Diesel. NME's Anthony Thornton said of the result, "Thank God that 'Could It Be Magic?' has finally been recognized as the worst song in the world. It is the kind of track that makes you wake up screaming." [108]
"What's Up?", 4 Non Blondes (1993)
Carl Barât of The Libertines and Stuart Braithwaite of Mogwai have both named "What's Up?" the worst song ever. [109] [110] Dean Ween of Ween called it "as bad as music gets... Everything about the song is so awful that if I sat down and tried to write the worst song ever, I couldn't even make it 10 percent of the reality of how awful that song is." [111] Tara Dublin in The Huffington Post called it "without question, the worst song of the 1990s". [112]
"Mr Blobby", Mr Blobby (1993)
The self-titled Christmas release credited to the Noel's House Party character is regarded by many as the worst single [113] [114] of all time. It has been ranked near the top of various "worst songs" lists compiled by journalists [115] [116] and polls by the BBC, The Guardian, and Channel 4. [117] [118] [119]
"Cotton Eye Joe", Rednex (1994)
The Eurodance track was ranked number 1 in CBS News' "Top 10 Worst Songs From 'Jock Jams'", describing the song as an "unholy hybrid of country-fried fiddle kitsch and relentless Hi-NRG drum sequencing." [120] Démar Grant of Toronto Star called it the worst song of the 90s, and described the song as "straight drivel with no chaser." [121] Fozzy's lead singer Chris Jericho considers it to be his least favorite song (alongside Mambo No. 5 and Scatman), stating that "No one has ever waited for or wanted an EDM-hillbilly country mix or mashup." [122] It was also ranked #38 on Blender magazine's "50 Worst Songs Ever", [94] and featured in NME's "32 Of The Very Worst UK Number One Singles Of All Time". [123]
"Barbie Girl", Aqua (1997)
The novelty dance track [124] has been included on lists including Rolling Stone's "Worst Songs of the Nineties" (at number one) [125] and in NME's unranked list "32 of the Very Worst UK Number One Singles of All Time". [126] NME named it the Worst Single of 1998. [127]
"Life", Des'ree (1998)
One verse has been voted as having the worst lyrics ever in polls by the BBC, [128] The Independent, [129] and the Herald Sun: [130] "I don't want to see a ghost/It's the sight that I fear most/I'd rather have a piece of toast/Watch the evening news."
"Nookie", Limp Bizkit (1999)
"Nookie" was listed at number 1 in BuzzFeed's list of the 30 worst songs ever written, with Ryan Broderick saying that "it should be against the law to be Fred Durst." [131]
"Thong Song", Sisqó (2000)
"Thong Song" placed first in a St. Paul Pioneer Press reader poll to determine the worst song in history. [132] It has also been labelled as sexist. [133]
"The Christmas Shoes", NewSong (2000)
The song has appeared on various "worst Christmas song" lists. [134] [135] [136] [137] [138] It was named "The Worst Christmas Song Ever" in 2011 by Gawker following a survey of commenters. [139]
"Who Let the Dogs Out?", Baha Men (2000)
The song ranked atop Spinner's "Top 20 Worst Songs Ever". [140]
"Cheeky Song (Touch My Bum)", the Cheeky Girls (2002)
The song was voted the no. 1 "worst pop record" by Channel 4 viewers in a poll broadcast in January 2004. [141]
"Big Yellow Taxi", Counting Crows featuring Vanessa Carlton (2003)
A cover of the 1970 Joni Mitchell song, "Big Yellow Taxi" was featured in the film Two Weeks Notice . The Village Voice named this cover the worst song of the 2000s. [142] NME also included it on its list of the worst songs of the 2000s [143] and Ultimate Classic Rock highlighted the song in its Terrible Classic Rock Covers series. [144] The Village Voice's scathing review of the cover is archived and displayed on Mitchell's website. [145]
"You're Beautiful", James Blunt (2005)
"You're Beautiful" was voted by music fans as the most irritating track ever recorded in a OnePoll survey. [146] Spike writer D. Sussman called it "the worst song in the history of mankind", [147] and Gigwise editors placed it first in "The 20 Worst Love Songs of All Time". [148] It also ranked first in Heavy.com's recounting of the worst tracks of the 2000s. [149] In 2014, Blunt issued a public apology for the record's overexposure, which he blamed on the record company's promotion techniques. [150]
"My Humps", the Black Eyed Peas (2005)
Robert Christgau described "My Humps" as "a Black Eyed Peas sex trifle some consider the worst record of all time". [151] Oakland Tribune music columnist Oliver Wang reported that the track is "considered by most critics as either the worst song of this decade or in all of recorded music history". [152] Writers who have named it as the worst track ever include Nathan Rabin in The A.V. Club, [153] Laura Barton in The Guardian, [154] Joseph Kugelmass in PopMatters [155] and Shaun Bruce in The Stranger; [156] Bruce stated that it "may actually represent the nadir of human achievement". [156] It ranked at first place in a Rolling Stone reader poll of the all-time "20 Most Annoying Songs" [157] and its lyrics were voted the worst in the history of dance music in a Global Gathering survey. [158]
"Rockstar", Nickelback (2006)
The Guardian's Peter Robinson called "Rockstar" "the worst thing of all time." [159] It was listed at number 2 in BuzzFeed's list of the thirty worst songs ever written, with Ryan Broderick opining: "'Rockstar' is the most unequivocally terrible [song] of their catalog. If aliens came to Earth and asked why everyone hates Nickelback so much, this song would be a perfect explanation." [131] A 2008 Popjustice poll voted "Rockstar" as the worst single of the year. [160]

2010s–2020s

"Baby", Justin Bieber featuring Ludacris (2010)
The official music video for "Baby" was the most disliked clip on YouTube until 2018. [161] It was voted the worst song ever in a 2014 Time Out poll. [162]
"Miracles", Insane Clown Posse (2010)
CraveOnline deemed this the worst rap song of all time and the most embarrassing rap moment of all time. [163] The Phoenix deemed it the worst song ever recorded. [164] The lyrics have been called the worst of all time, most notably: "Fucking magnets, how do they work? And I don't wanna talk to a scientist / Y'all motherfuckers lying, and getting me pissed." [164] [165] [166] [167]
"We Are the World 25 for Haiti", Artists for Haiti in 2010 (2010)
This is a remake of the 1985 hit song "We Are the World," which was written by American musicians Michael Jackson and Lionel Richie and recorded by various prominent singers to benefit famine relief in Africa. The cover version was released on February 12, 2010 during the opening ceremony of the 2010 Winter Olympics as a CD single and music download. The song was panned by contemporary music reviewers, with criticism focused on the song's new musical additions as well as the choice of artists who appear on the track. However, the song was commercially successful worldwide, charting within the top 20 in multiple countries. [168]
"Friday", Rebecca Black (2011)
"Friday" has been widely described as the worst song ever recorded, attracting derision for its lyrical content and heavy use of Auto-Tune. [169] The song became an Internet meme and the subject of multiple parodies and ridicule. [170]
"Swagger Jagger", Cher Lloyd (2011)
Missing Andy singer Alex Greaves named this the worst track ever. [171] The song appeared in NME's unranked list "32 of the Very Worst UK Number One Singles of All Time". [172]
"Hot Problems", Double Take (2012)
ABC News stated that this was the worst song of 2012 and of all time. [173] [174]
"Chinese Food", Alison Gold (2013)
Produced by Patrice Wilson, also responsible for "Friday", "Chinese Food" has been called the worst song of all time by publications including The Huffington Post and Los Angeles Times [175] [176] and the worst song of 2013 by Time. [177] The song and video have been criticized for using racist stereotypes of Chinese people. [178] [179] [180]
"Literally I Can't", Play-N-Skillz, featuring Redfoo, Lil Jon, and Enertia McFly (2014)
Billboard ranked the song first on in its "The 10 Worst Songs of the 2010s (So Far)" list. [181] Music Weekly named it the worst song of 2014. [182] Several media outlets considered it misogynistic. [183]
"Stimulated", Tyga (2015)
Ebony called "Stimulated" "the worst song anyone has ever created", citing the track's lyrics being about rapper Tyga engaging in sex with an underage girl and featuring "the wors[t] lines anyone has ever written." [184] Many publications took issue with the lines "They say she young, I should've waited / She a big girl, dog, when she stimulated" and noted that the track samples the song "Children" by Robert Miles. [185] [186] [184] [187]
"It's Everyday Bro", Jake Paul featuring Team 10 (2017)
Uproxx ranked the song first on its "The Worst Songs of 2017" list. [188] "It's Everyday Bro" was also No. 1 on Consequence of Sound 's "The Absolute Worst Pop Lyrics of 2017" list. The song was criticized for apparently nonsensical lyrics such as "I just dropped some new merch and it's selling like a god church" and "England is my city". It became the fourth-most-disliked YouTube video as well as the second-most-disliked YouTube music video (behind "Baby" by Justin Bieber) of 2017. [189] The song ignited a wave of diss tracks, most notably RiceGum and Alissa Violet's "It's Every Night Sis". [190]
"Facts", Tom MacDonald and Ben Shapiro (2024)
Exclaim! and The Mary Sue called "Facts" the worst song ever. Writing for Exclaim!, Alex Hudson wrote that the song is "a three-minute self-parody that speed-runs through every talking point that anti-woke dogmatists are weirdly obsessed with", while Rachel Ulatowski of The Mary Sue considered its lyrics racist and transphobic. [191] [192] For HotNewHipHop , Alexander Cole wrote that Shapiro's verse was among the worst ever recorded and that he "sounds like an AI version of himself". He likened his delivery to Epic Rap Battles of History . [193]

Others

In 1953, following the success of Harry Kari's "Yes, Sir...," Tony Burrello and Tom Murray, bitter that their more serious music was struggling to find an audience without success, decided to launch Horrible Records to intentionally record the worst music possible. [60] The label recorded one single, "There's a New Sound" by Burrello, B-sided by "Fish", sung by former silent film actress Leona Anderson. [194]

In 1997, artists Komar and Melamid and composer Dave Soldier released "The Most Unwanted Song," designed after surveying 500 people to determine the most annoying lyrical and musical elements. These elements included bagpipes, cowboy music, an opera singer rapping and a children's choir that urged listeners to go shopping at Walmart. As described by the online service UbuWeb, "The most unwanted music is over 25 minutes long, veers wildly between loud and quiet sections, between fast and slow tempos... with each dichotomy presented in abrupt transition." The conceptual artists also recorded "The Most Wanted Song", a love song designed based on survey results to feature the most popular subject and instrumentation. Both tracks include, as an in-joke, references to philosopher Ludwig Wittgenstein. [195]

Classical music media has run fewer "worst-ever" lists than have been produced for pop music, either for composers or individual pieces. There have been articles on the worst recorded versions (including those of Florence Foster Jenkins) [196] and the worst classical album covers. [197]

The worst song to appear in a film is annually awarded the Golden Raspberry Award for Worst Original Song. This "award" was given from the ceremony's inception in 1980 until 1999 and resurfaced in 2002. It parodies the Academy Award for Best Original Song.

Some publications have compiled lists of the "worst" music videos ever. [198] [199] [200] Album cover artwork has also been subject to "all-time worst" lists. [201] [202] [203] [204] Individual tastes can vary widely such that very little consensus can be achieved. For example, the winning song in a CNN email poll received less than five percent of the total votes cast. [70]

See also

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"Smells Like Teen Spirit" is a song by the American rock band Nirvana. It is the opening track and lead single from the band's second album, Nevermind (1991), released on DGC Records. The unexpected success of the song propelled Nevermind to the top of several albums charts at the start of 1992, an event often marked as the point when grunge entered the mainstream. It was Nirvana's biggest hit, charting high on music industry charts around the world in 1991 and 1992, and was number one on the charts in Belgium, France, New Zealand and Spain. It was met with wide critical acclaim, and described as an "anthem for apathetic kids" of Generation X. Although Nirvana grew uncomfortable with the mainstream and commercial attention the song brought to them, listeners and critics continue to praise "Smells Like Teen Spirit" as one of the greatest songs of all time. Having sold over 13 million units worldwide, "Smells Like Teen Spirit" is one of the best selling songs of all time.

<span class="mw-page-title-main">The Strokes</span> American indie rock band

The Strokes are an American rock band formed in New York City in 1998. The band is composed of lead singer and primary songwriter Julian Casablancas, guitarists Nick Valensi and Albert Hammond Jr., bassist Nikolai Fraiture, and drummer Fabrizio Moretti. They were a leading group of the early-2000s post-punk revival and garage rock revival movements.

<i>Closer</i> (Joy Division album) 1980 studio album by Joy Division

Closer is the second and final studio album by the English rock band Joy Division, released on 18 July 1980 by Factory Records. Produced by Martin Hannett, it was released two months after the suicide of the band's lead singer and lyricist Ian Curtis. The album reached No. 6 on the UK Albums Chart and peaked at No. 3 in New Zealand in September 1981. Closer was also named NME Album of the Year. It was remastered and re-released in 2007.

<i>Pablo Honey</i> 1993 studio album by Radiohead

Pablo Honey is the debut studio album by the English rock band Radiohead, released on 22 February 1993 in the UK by Parlophone and on 20 April 1993 in the US by Capitol Records. It was produced by Sean Slade, Paul Q. Kolderie and Radiohead's co-manager Chris Hufford.

<i>Another Green World</i> 1975 studio album by Eno

Another Green World is the third solo studio album by English musician Brian Eno, released by Island Records on 14 November 1975. The album marked a transition from the rock-based music of Eno's previous releases towards his late 1970s ambient work. Only five of its fourteen tracks feature vocals, a contrast with his previous vocal albums.

<i>The Stone Roses</i> (album) 1989 studio album by the Stone Roses

The Stone Roses is the debut studio album by English rock band the Stone Roses. It was recorded mostly at Battery Studios in London with producer John Leckie from June 1988 to February 1989 and released later that year on 2 May by Silvertone Records.

<span class="mw-page-title-main">Losing My Religion</span> 1991 single by R.E.M.

"Losing My Religion" is a song by the American alternative rock band R.E.M., released in February 1991 by Warner Bros. as the first single from their seventh album, Out of Time (1991). It developed from a mandolin riff improvised by the guitarist, Peter Buck, with lyrics about unrequited love.

<i>Either/Or</i> (album) 1997 studio album by Elliott Smith

Either/Or is the third studio album by American singer-songwriter Elliott Smith. Either/Or was recorded in several locations, mostly in Portland, Oregon – while Smith was still a member of Heatmiser – and was produced by Smith, Tom Rothrock and Rob Schnapf. Either/Or was released on February 25, 1997, on the Kill Rock Stars record label, following Heatmiser's dissolution. Book-ended by its two singles, "Speed Trials" and "Ballad of Big Nothing", Either/Or did not chart in the US, but was acclaimed by critics.

<i>Turn On the Bright Lights</i> 2002 studio album by Interpol

Turn On the Bright Lights is the debut studio album by American rock band Interpol. It was released in the United Kingdom on August 19, 2002, and in the United States the following day, through independent record label Matador Records. The album was recorded in November 2001 at Tarquin Studios in Bridgeport, Connecticut, and was co-produced, mixed and engineered by Peter Katis and Gareth Jones. Its title is taken from a repeated line in the song "NYC".

<span class="mw-page-title-main">We Built This City</span> 1985 single by Starship

"We Built This City" is the debut single by American rock band Starship, from their 1985 debut album Knee Deep in the Hoopla. It was written by English musicians Martin Page and Bernie Taupin, who were both living in Los Angeles at the time, and was originally intended as a lament against the closure of many of that city's live music clubs.

<span class="mw-page-title-main">Kokomo (song)</span> 1988 single by the Beach Boys

"Kokomo" is a song by the American rock band the Beach Boys from the 1988 film Cocktail and album Still Cruisin'. Written by John Phillips, Scott McKenzie, Mike Love, and Terry Melcher, the song was released as a single in July 1988 by Elektra Records and became a number one hit in the US and Australia. It was the band's first original top-20 single in 20 years and their first number-one hit in 22 years as well as their final top 40 hit.

<i>Sister</i> (Sonic Youth album) 1987 studio album by Sonic Youth

Sister is the fourth studio album by American alternative rock band Sonic Youth, released on SST Records on June 1. 1987. The album continued the band's move away from the no wave movement towards alternative rock song structures, while maintaining an experimental approach.

<span class="mw-page-title-main">Arctic Monkeys</span> English rock band

Arctic Monkeys are an English rock band formed in Sheffield in 2002. The group consists of lead singer Alex Turner, drummer Matt Helders, guitarist Jamie Cook and bassist Nick O'Malley; bassist and co-founder Andy Nicholson left the band in 2006.

<span class="mw-page-title-main">Enter Shikari</span> British rock band

Enter Shikari are a British rock band formed in St Albans in 1999 by bassist Chris Batten, lead vocalist and keyboardist Rou Reynolds, and drummer Rob Rolfe. In 2003, guitarist Rory Clewlow joined the band to complete its current line-up, and it adopted its current name. In 2006, they performed to a growing fanbase at Download Festival as well as a sold-out concert at the London Astoria. Their debut studio album, Take to the Skies, was released in 2007 and reached number 4 in the Official UK Album Chart, and has since been certified gold in the UK. Their second, Common Dreads, was released in 2009 and debuted on the UK Albums Chart at number 16; while their third, A Flash Flood of Colour, was released in 2012 and debuted on the chart at number 4. Both have since been certified silver in the UK. The band spent a considerable amount of time supporting the latter release through the A Flash Flood of Colour World Tour, before beginning work on a fourth studio album, The Mindsweep, which was released in 2015. Their fifth studio album The Spark was released in 2017. Their sixth album Nothing Is True & Everything Is Possible was released in April 2020. Their seventh and latest album, A Kiss for the Whole World, was released on 21 April 2023 which gave them their first-ever No. 1 album.

<i>The Undertones</i> (album) 1979 studio album by the Undertones

The Undertones is the 1979 debut album by the Undertones. The album was recorded at Eden Studios in Acton, West London in January 1979 and was released in May that year. The original release included just one single release: "Jimmy Jimmy" and an album version of "Here Comes the Summer", which was never released as a single.

<i>Album – Generic Flipper</i> 1982 studio album by Flipper

Album – Generic Flipper is the debut studio album by the noise rock band Flipper. It was released in April 1982 through Subterranean Records. It is also referred to as Album, Album: Generic, Generic Flipper and just Generic. It was issued on CD for the first time by American Recordings in 1992 and later deleted. In 2008, the rights reverted to Flipper, and the album was reissued on December 9, 2008, by Water Records. Former Nirvana bassist Krist Novoselic, who joined Flipper in 2006, contributed liner notes to the new reissue.

<i>Is This It</i> 2001 studio album by The Strokes

Is This It is the debut studio album by American rock band the Strokes. It was first released on July 30, 2001 in Australia, with RCA Records handling the release internationally and Rough Trade Records handling the United Kingdom release. It was recorded at Transporterraum in New York City with producer Gordon Raphael during March and April 2001. For their debut, the band strived to capture a simple sound that was not significantly enhanced in the studio. Building on their 2001 EP The Modern Age, the band members molded compositions largely through live takes during recording sessions, while lead singer and songwriter Julian Casablancas continued to detail the lives and relationships of urban youth.

<i>White Blood Cells</i> 2001 studio album by The White Stripes

White Blood Cells is the third studio album by American rock duo the White Stripes, independently released by the Sympathy for the Record Industry on July 3, 2001. Recording took place in Memphis, Tennessee at Easley-McCain Recording over three days, and was produced by guitarist and lead vocalist Jack White. Production was rushed in order to capture a "real tense feeling" and the band's energy, and was their first album to be mastered in a studio.

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