143 | ||||
---|---|---|---|---|
Studio album by | ||||
Released | September 20, 2024 | |||
Studio |
| |||
Genre | ||||
Length | 33:34 | |||
Label | Capitol | |||
Producer |
| |||
Katy Perry chronology | ||||
| ||||
Singles from 143 | ||||
|
143 is the seventh studio album by American singer Katy Perry. [1] It was released on September 20, 2024, by Capitol Records. The album title represents the phrase "I love you", [a] and is also Perry's symbolic "angel number". [b] As her first album since Smile (2020), 143 includes themes of self-love and empowerment, inspired by her motherhood.
In order to create a "dance party" album, she worked with previous collaborators Max Martin, Dr. Luke, and Stargate, while also approaching first-time collaborators Vaughn Oliver and Rocco Did It Again!. Dr. Luke's involvement in the album was widely criticized because of fellow singer Kesha's sexual assault allegations against him. 143 features guest appearances from German singer Kim Petras and American rappers JID, 21 Savage and Doechii.
Three singles preceded the album's release: "Woman's World" was released as the lead single on July 11, 2024. The song peaked at number 63 on the US Billboard Hot 100 and number 47 on the UK singles chart. It was followed by the single "Lifetimes" on August 8, and "I'm His, He's Mine" featuring Doechii on September 13. Commercially, the album debuted at number six on both the US Billboard 200 chart and the UK Albums Chart, while reaching the top ten in eight other countries. In support of the album, Perry is set to embark on the Lifetimes Tour in 2025.
143 received negative reviews from music critics, becoming the worst-reviewed album of Perry's career. They criticized the album as a product of Perry's creative stagnancy, and considered its songwriting subpar and the production outdated and insipid; several compared 143 to AI-generated music.
In August 2020, Katy Perry released her sixth studio album, Smile. It received mixed reviews from critics [2] and was dubbed by journalists as a commercial disappointment. [3] In August 2023, Perry confirmed in a Good Morning America interview that she was working on new material from a "place of love". [4] The next February, she made an appearance on Jimmy Kimmel Live! and announced her exit from the American Idol judges' panel following the conclusion of the twenty-second season, wanting to "go out and feel that pulse to my own beat" and release new music after being "in the studio for a while". [5] Two months later, Perry told Access Hollywood that she was working on a "very bright and joyful" album. [6]
Rolling Stone reported in June 2024 that Perry had "reconnected" with producers who worked with her before, including Max Martin, Stargate, and Dr. Luke. [7] During a livestream via her social media on July 10, 2024, Perry described 143 as a dance album: "This record is super high energy, it's super summer, it's very high BPM. We just had a family dance party to one of the songs, and it's just full of so much joy, so much love, so much light." Perry also stated that an acoustic follow-up album was in the works. [8]
During an exclusive interview with Zane Lowe, she explained that the album title is her symbolic "angel" number: "A couple years ago, we were going through a little bit of a hard time medically in our family, and it was a little bit scary, and I started seeing 143 in many different ways, not just, like, on the phone. It was just like trippy, almost. And I looked it up, and it's code for 'I love you.' I really believe it was my angels, my guides, saying, 'I love you. We got you. We're going to protect you. You're exactly where you're meant to be. You're on the path". [9] [c]
143 is a pop, [11] [12] dance-pop, [13] [14] and Europop album, [12] addressing themes around love, motherhood and feminism. [15]
Perry revealed on July 10, 2024, that her seventh album is titled 143 and will be released on September 20, 2024, by Capitol Records, aligned with her headlining live performance at the Rock in Rio Festival, in Brazil. [16] To further excite her fans, she went on a social media livestream that day and teased new songs from the album, including "Nirvana", "Gimme Gimme" featuring 21 Savage, and "I'm His, He's Mine" featuring Doechii, which samples "Gypsy Woman" by Crystal Waters. [8] During her interview with Lowe, Perry shared snippets of two other 143 tracks: "Lifetimes" and "Gorgeous". [17] The album was available as eight vinyl variants, four CD variants, a cassette tape, and multiple digital download variants with exclusive bonus tracks. [18] [19]
The lead single, "Woman's World", was released on July 11, 2024. [20] The song and its music video were received negatively by critics and the audience. Several journalists attributed it to the "bad taste" of the album's marketing, which they found unhelpful to Perry's perceived commercial decline with Witness and Smile. Perry's collaboration with Dr. Luke, who has been accused of sexual harassment by American singer Kesha, was also widely criticized. [21]
A second single, "Lifetimes", was released on August 8, 2024. Its music video, which revealed 143's track list, was accused of trespassing on ecologically protected dunes by the government of Balearic Islands, Spain. [22] [23] [24] [25]
Perry performed "I'm His, He's Mine" with Doechii and "Lifetimes" in a medley at the 2024 MTV Video Music Awards on September 11, [26] with the song being released as a single two days later on September 13. [27] On the album's release day, Perry performed "Woman's World", "Gimme Gimme", "Gorgeous", "I'm His, He's Mine" and "Lifetimes" at Rock in Rio. Perry performed "Gorgeous" and "Lifetimes" at the 2024 AFL Grand Final on September 28. [28] [29] [30] The album's singles underperformed on the charts. [12] [31] [32]
Perry conducted a one-off concert, Katy Perry: Night of a Lifetime, on December 11 at the Methodist Central Hall, Westminster in London. The special recorded and set to be aired on December 21 at ITV1.
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 3.7/10 [33] |
Metacritic | 37/100 [34] |
Review scores | |
Source | Rating |
AllMusic | [35] |
Clash | 5/10 [36] |
The Daily Telegraph | [37] |
Exclaim! | 3/10 [38] |
The Guardian | [12] |
The Independent | [39] |
The Line of Best Fit | 2/10 [40] |
NME | [41] |
Pitchfork | 4.5/10 [42] |
Rolling Stone | [43] |
143 received negative reviews from music critics, who dubbed it Perry's worst work. [d] At Metacritic, which assigns a weighted mean rating out of 100 to reviews from mainstream critics, the album received an average score of 37, based on 18 reviews, indicating "generally unfavorable reviews". [34] It marked the lowest-rated album of Perry's career and the lowest-rated album of the 2020s decade on the website. [48]
Several reviews considered 143 an unimpressive and insubstantial record from Perry. Alexis Petridis of The Guardian dubbed 143 a mediocre pop album "some way short of total catastrophe." [12] The New Yorker critic Amanda Petrusich, Financial Times 's Ludovic Hunter-Tilney, and PopMatters ' Peter Piatkowski said that Perry has lost the frivolity and "cartoonish eccentricity" that used to make her songs "dexterous and funny". [14] [49] [50] Clash 's Robin Murray, [36] Slant 's Tom Williams, [51] The Times 's Ed Potton, [52] and NME 's Nick Levine felt 143 was a dull, unsatisfying listen with very little highlights. [53] Tanatat Khuttapan of The Line of Best Fit dubbed 143 an album of "mindless club fillers", [54] while The Daily Telegraph 's Helen Brown referred to it as an inept "disastrous" album. [37] Slate 's Carl Wilson, [55] Business Insider India 's Callie Ahlgrim, [56] and The Arts Desk 's Guy Oddy said the album has no redeeming songs after its three singles. [57]
Critics took issue with what they considered as an outdated music production. Petridis, [12] Murray, [36] Radio New Zealand's Jared Richards, [32] and Los Angeles Times ' Mikael Wood felt that Perry's music does not fit in a pop scene defined by the fresh sounds of Sabrina Carpenter and Chappell Roan. [11] Dubbing the album "genuinely bad", Wilson regarded Perry as "an invasive species pushing into environments where she doesn't belong, namely the 2020s." [55] To The Independent 's Roisin O'Conner, 143 is out of touch, held back by "commercial aspirations to have any real fun". [58] Chris Kelly of The Washington Post , Maura Johnston of Rolling Stone , and Hunter-Tilney agreed that 143 is a failed attempt in rekindling Perry's prime, resulting in perfunctory pop music that is "as dated as a Vine". [59] [14] [60]
Multiple critics compared the album's quality and content to those of artificial intelligence (AI) generated music, [61] [3] [62] [15] with some suspecting AI could have been involved in the making. [37] [63] Others felt that 143 confirms Perry's perceived loss of creativity after having been a prominent pop star of the 2010s; Fred Thomas of AllMusic opined, "143 rings the death knell for Perry". [64] [65] [66] [50] [58] 143 was declared a generic and derivative album in reviews from Thomas, [65] Juzwiak, [42] Sowman-Lund, [63] Victoria Wasylak of Paste , [13] John Murphy of musicOMH , [67] Mark Kennedy of Associated Press, and Wren Graves of Consequence . They found the songs to be boring, "uninspired", "forgettable" and "lifeless", describing the songwriting as hollow and formulaic. [68] [15] Exclaim! critic Sydney Brasil wrote, "It's confusing why Perry continues to make such soulless music when she has enough resources to quietly quit and be remembered dearly". [38] Variety writer Steven J. Horowitz described 143 as a "flat" album of lyrical clichés and "limp" music production, marking a new creative low for Perry. Horowitz argued that Perry's decision to reflect on her older catalog to create new music was a bad creative decision. [3]
On a positive note, Billboard author Rania Aniftos regarded 143 as a "characteristically Katy Perry" album that her fans are "sure to enjoy". [69] Some reviewers, such as Horowitz, Petridis, and Khuttapan, declared "Wonder" as the best track of the album, complimenting the display of sincere emotion. [12] [3] [54] Rich Juzwiak of Pitchfork considered 143 a confident "flop" album after the "back-to-back flops" of Witness (2017) and Smile, and felt that releasing albums that are so-bad-it's-good could be a part of Perry's appeal. [42] The Spinoff 's Stewart Sowman-Lund agreed, naming Prism (2013) as Perry's last success. [63] Hunter-Tilney remarked that "a so-bad-it's-good reassessment" is 143's last resort and pondered if the album could be "reborn as a kitsch classic for its sheer badness". [14]
The album's critical reception was a topic of media coverage. Nick Levine of the BBC opined that the album's reception "may also have been hampered by a toxic combination of misogyny and ageism that tends to affect female artists over 35." [70] Ahlgrim argued that one might believe the criticism "is overblown or prejudicial, a cliché result of herd mentality" but said that is not the case with 143 and that "the adverse reaction [...] is very much earned, if even a little generous." [61]
143 debuted at number six on the US Billboard 200 chart, marking Perry's seventh top-ten album. [71] It opened with 48,000 album equivalent units, of which 37,500 were sales, 10,000 were streaming-equivalent units (translated from 13.11 million on-demand streams), and 500 track-equivalent units. [19] It marked the singer's second-lowest first-week sales debut on the Billboard 200, surpassing only One of the Boys (2008), which sold 47,000 copies in its opening week, [72] [73] and departed from the charts after a total of two weeks, making it Perry's shortest running album to date. Some journalists noted that Perry's perceived commercial decline continued with 143. [3] [12] As of December 2024, the album has sold 100,000 units.
The album fared better in Europe, surpassing the first-week performance of Perry's previous release, Smile (2020), in multiple countries. It debuted at number six on the UK Albums Chart with 9,250 album equivalent units, her best first-week sales in the country since Witness (2017), and became her sixth top-ten album. [74] [75] In Spain, the album entered the chart at number three, becoming her highest-charting album in the country since Witness (2017). [76] Similarly, the album debuted at number six in Italy, beating the number ten peak of Smile (2020). [77] The album also reached number six and number five on the Belgian Flanders and Wallonia charts, respectively, becoming her fifth consecutive top-ten album in both regions. [78]
In Australia, 143 reached number two on the ARIA Top 50 Albums Chart, and remained on the chart for a second week at number twenty. [79] The album also reached the top-ten in New Zealand and Scotland. [80] [81]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Woman's World" |
|
| 2:43 |
2. | "Gimme Gimme" (featuring 21 Savage) |
|
| 2:57 |
3. | "Gorgeous" (featuring Kim Petras) |
|
| 3:17 |
4. | "I'm His, He's Mine" (featuring Doechii) |
|
| 3:18 |
5. | "Crush" |
| Dr. Luke | 2:57 |
6. | "Lifetimes" |
|
| 3:12 |
7. | "All the Love" |
|
| 3:15 |
8. | "Nirvana" |
|
| 2:51 |
9. | "Artificial" (featuring JID) |
|
| 2:43 |
10. | "Truth" |
|
| 2:57 |
11. | "Wonder" |
| 3:24 | |
Total length: | 33:34 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
12. | "I Woke Up" |
| Dr. Luke | 2:28 |
13. | "Has a Heart" |
|
| 2:49 |
14. | "No Tears for New Year's" |
| Dr. Luke | 3:23 |
15. | "OK" |
|
| 2:38 |
Total length: | 44:55 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
12. | "Has a Heart" |
|
| 2:49 |
Total length: | 36:23 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
12. | "No Tears for New Year's" |
| Dr. Luke | 3:23 |
Total length: | 36:57 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
12. | "I Woke Up" |
| Dr. Luke | 2:28 |
13. | "No Tears for New Year's" |
| Dr. Luke | 3:23 |
14. | "Gimme Gimme" (solo version) |
|
| 2:44 |
Total length: | 42:09 |
No. | Title | Writer(s) | Length |
---|---|---|---|
12. | "Woman's World" (live from Brazil) |
| 3:18 |
13. | "California Gurls" (live from Brazil) |
| 3:17 |
14. | "Teenage Dream" (live from Brazil) |
| 3:43 |
15. | "Part of Me" (live from Brazil) |
| 4:03 |
16. | "Dark Horse" (live from Brazil) |
| 2:48 |
17. | "Never Really Over" (live from Brazil) |
| 3:36 |
18. | "Wide Awake" (live from Brazil) |
| 3:41 |
19. | "Lifetimes" (live from Brazil) |
| 3:11 |
Total length: | 1:01:11 |
Notes
Musicians
Technical
Visuals
Chart (2024) | Peak position |
---|---|
Australian Albums (ARIA) [89] | 2 |
Austrian Albums (Ö3 Austria) [90] | 8 |
Belgian Albums (Ultratop Flanders) [91] | 6 |
Belgian Albums (Ultratop Wallonia) [92] | 5 |
Canadian Albums (Billboard) [93] | 42 |
Croatian International Albums (HDU) [94] | 7 |
Dutch Albums (Album Top 100) [95] | 13 |
French Albums (SNEP) [96] | 14 |
German Albums (Offizielle Top 100) [97] | 16 |
Greek Albums (IFPI Greece) [98] | 62 |
Irish Albums (OCC) [99] | 20 |
Italian Albums (FIMI) [100] | 6 |
Japanese Digital Albums (Oricon) [101] | 29 |
Japanese Hot Albums ( Billboard Japan ) [102] | 74 |
Japanese Western Albums (Oricon) [103] | 21 |
New Zealand Albums (RMNZ) [104] | 9 |
Polish Albums (ZPAV) [105] | 15 |
Portuguese Albums (AFP) [106] | 20 |
Scottish Albums (OCC) [107] | 4 |
Spanish Albums (PROMUSICAE) [108] | 3 |
Swedish Physical Albums (Sverigetopplistan) [109] | 18 |
Swiss Albums (Schweizer Hitparade) [110] | 12 |
UK Albums (OCC) [111] | 6 |
US Billboard 200 [112] | 6 |
Region | Date | Format(s) | Edition | Label | Ref. |
---|---|---|---|---|---|
Various | September 20, 2024 | Standard | Capitol | [18] | |
| HMV/Target | [82] [83] | |||
| September 23, 2024 | Digital download | 143: I Love You More | [87] [113] | |
Japan | September 25, 2024 | CD | Japan | Universal Music Japan | [84] |
United States | September 26, 2024 | Digital download | 143: I Love You IRL | Capitol | [88] |
Various | December 20, 2024 |
| 1432 | [114] |
"This Is How We Do" is a song by American singer Katy Perry from her fourth studio album, Prism (2013). Perry co-wrote the track with its producers Max Martin and Klas Åhlund and recorded it in Stockholm, Sweden. The song was released as the album's fifth and final single along with its music video on July 31, 2014. "This Is How We Do" is a dance-pop song influenced by hip hop, having "synth squiggles" and "melodic dots" as its main instrumentation. Lyrically, it has Perry sing-talking about her hangout routine with her friends. The song's official remix featuring American rapper Riff Raff was released on August 25, 2014.
Katheryn Elizabeth Hudson, known professionally as Katy Perry, is an American singer, songwriter, and television personality. Perry is one of the best-selling music artists in history, having sold over 143 million units worldwide. She is known for her influence on pop music and her camp style, being dubbed the "Queen of Camp" by Vogue and Rolling Stone.
One of the Boys is the second studio album by American singer Katy Perry. It was released on June 17, 2008, by Capitol Records. She collaborated on the album with producers Greg Wells, Dr. Luke, Dave Stewart, Max Martin, and Ted Bruner among others, and wrote most of the songs in collaboration with other producers and writers. However, the title track, "Thinking of You", and "Mannequin" were all written by Perry alone. The EP Ur So Gay, containing the song of the same name, was released in 2007 to generate interest in the singer and the album.
"Hot n Cold" is a song by American singer Katy Perry. The song was written by Perry, Dr. Luke, and Max Martin and produced by Luke and Benny Blanco for her second studio album, One of the Boys (2008). It was released as the album's second single on September 9, 2008. The lyrics address an unstable romantic relationship caused by a partner's mood swings.
American singer Katy Perry has released seven studio albums, seven extended plays (EP), 40 singles, and 11 promotional singles. According to Recording Industry Association of America, Perry has sold 121.5 million digital singles and 19 million albums in the United States. She is also the sixth best-selling digital singles artist in the United States. Throughout her career, Perry has sold 48 million album units and 135 million singles worldwide, making her one of the best-selling music artists of all time. Billboard listed her as the fourth top female artist of the 2010s decade and the 61st greatest artist of all time. Perry has scored nine number one songs on Billboard Hot 100 and three number one albums on Billboard 200.
"California Gurls" is a song recorded by American singer Katy Perry. It served as the lead single for her third studio album, Teenage Dream (2010). The song features verses from rapper Snoop Dogg. Both artists co-wrote the song with Bonnie McKee and its producers Dr. Luke, Benny Blanco, and Max Martin. According to Perry, "California Gurls" is an answer song to "Empire State of Mind" (2009), by Jay-Z and Alicia Keys. Its mid-tempo production incorporates disco-pop and funk-pop with influences of new wave and electropop. Its lyrics are an ode to the state of California, in which both Perry and Snoop Dogg were born and raised.
Teenage Dream: The Complete Confection is a reissue of American singer-songwriter Katy Perry's third studio album, Teenage Dream (2010). It was released on March 23, 2012, by Capitol Records, nearly two years after the original album. Perry collaborated with producers including Tricky Stewart to refine leftover material from the recording sessions at Playback Recording Studio for Teenage Dream. The final product features three newly recorded songs, which incorporate pop styles previously seen in the original album, an acoustic version of "The One That Got Away" and three additional official remixes.
Prism is the fourth studio album by American singer Katy Perry. It was released by Capitol Records on October 18, 2013. While the album was initially planned to be "darker" than her previous material, Prism ultimately became a prominently dance-inspired record. Perry worked with several past collaborators, while enlisting new producers and guest vocals. Much of Prism revolves around the themes of living in the present, relationships, and self-empowerment. The album garnered generally positive reviews with critics praising its lyrics for being more "mature" and personal, while others considered Prism to be more formulaic than her previous material.
"Roar" is a song by American singer Katy Perry. It was released on August 10, 2013, by Capitol Records as the lead single from her fourth studio album, Prism (2013). Perry co-wrote the song with Bonnie McKee and its producers Dr. Luke, Max Martin, and Cirkut. It is a power pop song containing elements of arena rock and lyrics centering on standing up for oneself and self-empowerment.
"Dark Horse" is a song by American singer Katy Perry featuring American rapper Juicy J. It was originally released on September 17, 2013, by Capitol Records as the first promotional single from Perry's fourth studio album, Prism (2013). Three months later, it was released as the third official single on December 17. Both artists co-wrote the song with its producers, Max Martin, Cirkut, and Dr. Luke, alongside Sarah Hudson. It was conceived by Perry and Hudson during a writing session in Perry's hometown of Santa Barbara, California, and Juicy J was later commissioned for a verse on the song.
Witness is the fifth studio album by American singer Katy Perry. It was released on June 9, 2017, by Capitol Records. For the album, Perry worked with numerous producers, including Jeff Bhasker, Mark Crew, Duke Dumont, Jack Garratt, Oscar Holter, Illangelo, Ilya, Max Martin, Ali Payami and Shellback. Witness is an electropop album that delves into dance and EDM genres, with lyrics on self-empowerment and feminism. Perry described it as an album of "liberation" and "purposeful pop".
"Chained to the Rhythm" is a song by American singer Katy Perry from her fifth studio album, Witness (2017). It was released on February 10, 2017, through Capitol Records as the lead single from the album. The song features vocals from Jamaican singer Skip Marley. The artists co-wrote the track with its producers Max Martin and Ali Payami, with additional writing from Sia. It is a dance-pop, disco and dancehall song, with lyrics about political awareness.
Funk Wav Bounces Vol. 1 is the fifth studio album by Scottish DJ and record producer Calvin Harris. It was released on 30 June 2017 by Columbia Records. The album features guest appearances by Frank Ocean, Migos, Schoolboy Q, PartyNextDoor, DRAM, Young Thug, Pharrell Williams, Ariana Grande, Future, Khalid, Travis Scott, Snoop Dogg, John Legend, Nicki Minaj, Katy Perry, Big Sean, Kehlani, Lil Yachty, and Jessie Reyez, as well as prominent writing contributions from Starrah. It is also Harris' first album not to feature his vocals.
"Swish Swish" is a song by American singer Katy Perry featuring Trinidadian rapper Nicki Minaj from the former's fifth studio album Witness. The song was initially released as a promotional single on May 19, 2017, and later as the album's third single. The house-inspired EDM and hip hop song was written alongside Sarah Hudson, Starrah, producer Duke Dumont, and additional producer PJ "Promnite" Sledge, with Roland Clark receiving writing credits for the sampling of his song "I Get Deep", and Noah "Mailbox" Passovoy receiving additional and vocal production credits.
Smile is the sixth studio album by American singer Katy Perry. It was released on August 28, 2020, by Capitol Records, three years after its predecessor Witness (2017). Perry worked with various producers on the album, such as Josh Abraham, Carolina Liar, the Daylights, G Koop, Andrew Goldstein, Oligee, Oscar Görres, Oscar Holter, Ilya, Ian Kirkpatrick, the Monsters & Strangerz, Charlie Puth, Stargate and Zedd. She described Smile as her "journey towards the light, with stories of resilience, hope, and love". Primarily a pop record, Smile is characterized by themes of self-help and empowerment.
"Smile" is a song by American singer Katy Perry for her sixth studio album of the same name (2020). It was released on July 10, 2020, by Capitol Records as the second single from the album, along with the album's pre-order. Musically, it is a nu-disco song which samples Naughty by Nature's 1999 song "Jamboree". On the song, Perry talks about expressing her gratitude for changes in her life. A version featuring American rapper Diddy is featured on some vinyl versions of the album, while remixes of the song by Giorgio Moroder and Joel Corry have also been released to promote the song.
"What Makes a Woman" is a song by American singer Katy Perry from her sixth studio album Smile. It was released as album's first promotional single on August 20, 2020. It was written by Perry, Sarah Hudson, Jacob Kasher Hindlin, John Ryan, and song's producer Johan Carlsson, with additional production by Elvira Anderfjärd. Perry acknowledged that the song was written to her daughter, Daisy Bloom. It received polarized reviews, with most of critics praising Perry's performance and song's production, with lyrics being mainly panned. The track was given with two visuals: acoustic performance published on the same day as the song, and animated video released as a part of The Smile Video Series on September 1, 2020.
"Cry About It Later" is a song by American singer Katy Perry from her sixth studio album, Smile (2020). It is a mid-tempo break-up pop song written by Perry, Noonie Bao, Sasha Sloan, and the track's producer Oscar Holter. The song gatherned positive reviews from music commntary, with Holter's production being praised. However some critics pointed out how the next album track, "Teary Eyes", is identical in subject matter to "Cry About It Later" – postponement of sorrow in favor of short-term pleasure.
"Lifetimes" is a song by American singer Katy Perry from her seventh studio album, 143 (2024). It was released as the second single through Capitol Records alongside an accompanying music video on August 8, 2024. The Italo house dance song was inspired by Perry's love for her daughter.
"I'm His, He's Mine" is a song by American singer Katy Perry featuring American rapper Doechii, from Perry's seventh studio album 143 (2024). It was released as the third single through Capitol Records alongside an accompanying music video on September 13, 2024, and was sent to contemporary hit radio on October 1, 2024 and Italian radio on October 8, 2024.