Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
In heraldry, tenné is a "stain", or non-standard tincture, of orange, light brown or orange-tawny colour.
In heraldry, a compartment is a design placed under the shield, usually rocks, a grassy mount, or some sort of other landscape upon which the supporters are depicted as standing. Care must be taken to distinguish true compartments from items upon which supporters are merely resting one or more feet, or, sometimes, mere heraldic badges or pure decoration under the shield, and, conversely, care must also be taken in very unusual cases such as the coat of arms of Belize, in which what may be taken to be a crest, the mahogany tree rising above the shield, is really part of the compartment. It is sometimes said to represent the land held by the bearer. As an official part of the blazon it is a comparatively late feature of heraldry, often derived from the need to have different supporters for different families or entities, although sometimes the compartment is treated in the blazon separately from the supporters.
The coat of arms of Nova Scotia is the heraldic symbol representing the Canadian province of Nova Scotia. It is the oldest provincial achievement of arms in Canada, and the oldest British coat of arms in use outside Great Britain. It is blazoned as follows: Argent, a saltire azure charged with an escutcheon of the Royal Arms of Scotland.
Tincture is the limited palette of colours and patterns used in heraldry. The need to define, depict, and correctly blazon the various tinctures is one of the most important aspects of heraldic art and design.
In heraldry, variations of the field are any of a number of ways that a field may be covered with a pattern, rather than a flat tincture or a simple division of the field.
In heraldry, an ordinary is a one of the two main types of charges, beside the mobile charges. An ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge.
The coat of arms of Toronto, Ontario, Canada, was designed by Robert Watt, the Chief Herald of Canada at the time, for the City of Toronto after its amalgamation in 1998. The arms were granted by the Canadian Heraldic Authority on 11 January 1999.
The coat of arms of the Slovak Republic consists of a red (gules) shield, in early Gothic style, charged with a silver (argent) double cross standing on the middle peak of a dark blue mountain consisting of three peaks. Extremities of the cross are amplified, and its ends are concaved. The double cross is a symbol of its Christian faith and the hills represent three symbolic mountain ranges: Tatra, Fatra, and Matra.
The most basic rule of heraldic design is the rule of tincture: metal should not be put on metal, nor colour on colour. This means that the heraldic metals or and argent should not be placed on each other, nor may any of the colours be placed on another colour. Heraldic furs as well as "proper" are exempt from the rule of tincture.
In classical heraldry, vert is the tincture equivalent to the colour "green". It is one of the five dark tinctures (colours). The word vert is simply the French word for "green". It is used in English in the sense of a heraldic tincture since the early 16th century. In Modern French, vert is not used as a heraldic term. Instead, the French heraldic term for green tincture is sinople. This has been the case since c. the 16th century. In medieval French heraldry, vert also meant "green" while sinople was a shade of red. Vert is portrayed by the conventions of heraldic "hatching" by lines at a 45-degree angle from upper left to lower right, or indicated by the abbreviation vt. when a coat of arms is tricked.
Portuguese heraldry encompasses the modern and historic traditions of heraldry in Portugal and the Portuguese Empire. Portuguese heraldry is part of the larger Iberian tradition of heraldry, one of the major schools of heraldic tradition, and grants coats of arms to individuals, cities, Portuguese colonies, and other institutions. Heraldry has been practiced in Portugal at least since the 11th century, however it only became standardized and popularized in the 16th century, during the reign of King Manuel I of Portugal, who created the first heraldic ordinances in the country. Like in other Iberian heraldic traditions, the use of quartering and augmentations of honor is highly representative of Portuguese heraldry, but unlike in any other Iberian traditions, the use of heraldic crests is highly popular.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
Hungarian heraldry generally follows German heraldry in its artistic forms, but has its own distinctive character. It is classified to Central and Eastern European heraldry.
Irish heraldry is the forms of heraldry, such as coats of arms, in Ireland. Since 1 April 1943 it is regulated in the Republic of Ireland by the Office of the Chief Herald of Ireland and in Northern Ireland by Norroy and Ulster King of Arms. Prior to that heraldry on the whole island of Ireland was a function of the Ulster King of Arms, a crown office dating from 1552. Despite its name the Ulster King of Arms was based in Dublin.
Finnish heraldry has a common past with Swedish heraldry until 1809 and it belongs to German heraldric tradition.
The coat of arms of Dalmatia is the heraldic symbol used for the historical region of Dalmatia on the eastern coast of Adriatic Sea. It is also featured on the crest of the coat of arms of Croatia.
In heraldic achievements, the helmet or helm is situated above the shield and bears the torse and crest. The style of helmet displayed varies according to rank and social status, and these styles developed over time, in step with the development of actual military helmets. In some traditions, especially German and Nordic heraldry, two or three helmets may be used in a single achievement of arms, each representing a fief to which the bearer has a right. For this reason, the helmets and crests in German and Nordic arms are considered essential to the coat of arms and are never separated from it.
Altafulla (Or, a mount gules surmounted by a leaf vert)
