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Established | 18 February 2009 |
---|---|
Location | Bangalore |
Coordinates | 12°59′23″N77°35′17″E / 12.989705°N 77.588150°E |
Type | Art gallery |
Collections | Painting of renowned Indian artists. |
Collection size | 500 |
Owner | Government of India |
Nearest car park | On site (no charge) |
Website | http://ngmaindia.gov.in/ngma_bangaluru.asp |
National Gallery of Modern Art is an art gallery in Bangalore. It was inaugurated in the year 2009. It showcases modern Indian art and houses paintings by Raja Ravi Verma, Jamini Roy, Amrita Sher-Gil, Rabindranath Tagore and a large number of modern and contemporary artists. [1] Equipped with an auditorium, a public art reference library, a cafeteria, and a museum shop cum facilitation block, the NGMA Bengaluru looks ahead to becoming a hub of art activities and a major cultural centre at Bengaluru. The gallery organizes and hosts talks on art and culture by speakers, seminars, film screenings as well as workshops and guided walks throughout the year. [2]
The gallery was being refurbished in 2006 to open as the third site of NGMA. This follows a prolonged period of development and controversy. [3] The sprawling, 100 year old Manikyavelu Mansion once belonged to Vilum Manickavelu Mudaliar the, a Yuvaraja of Mysore. Mudalier was not born into aristocracy, but rather married into it. He became a successful business owner after leasing several manganese and chrome mines on lease. According to the documents in the NGMA archives, the building was bought by Mudalier early on in his career. The archivists at the NGMA are certain that Mudalier and his family lived in the mansion for quite some years. However, due to financial problems, the house was put on auction and was acquired by the City Improvement Trust, currently the BDA, and then transferred to the Housing Board in the 1960s. In 2000, the Ministry of Kannada and culture sub-leased the mansion to the Ministry of Culture. It became the chosen location for the southern centre the NGMA. [4] Restoration began in 2003, and opened on 18 February 2009 under the curatorial ship of Sobha Nambisan. [5]
In Bangalore, it is functional in Manikyavelu mansion on Palace road in the city of Bengaluru. [6]
NGMA Bangalore currently houses approximately 500 exhibits that are spread across a corridor, tiny rooms and large spacious halls that span two floors. You could cover this in between 1 and 2 hours. The exhibits have been displayed - classified into broad categories - according to different time periods, art schools and by artists. One can see paintings by Raja Ravi Verma, Jamini Roy, Amrita Sher-Gil, the Tagore brothers and Rabindranath Tagore and a large number of Modern and Contemporary artists. The NGMA has modern, post-modern and traditional Indian art work. It hosts art work from the 18th Century to present day. Sculptures by the likes of S. Dhanpal and Kanayi Kunhiraman as well as artworks by Arpita Singh and Anjolie Ela Menon are a part of the extensive collection. [6] The display includes Indian miniatures, colonial artists, Bengal School and post-independence artists which led to the birth of modern and post-modern art of today. In addition to permanent display of the paintings and sculptures, this NGMA also showcases national and international exhibitions regularly. [2]
The Salar Jung Museum is an art museum located at Dar-ul-Shifa, on the southern bank of the Musi River in the city of Hyderabad, Telangana, India. It is one of the notable National Museums of India. Originally a private art collection of the Salar Jung family, it was endowed to the nation after the death of Salar Jung III. It was inaugurated on 16 December 1951.
Ratan Parimoo is an Indian art historian from Kashmir, who has worked as an art educator, pedagogue, artist and former director of the Lalbhai Dalpatbhai Museum, Ahmedabad. Ratan Parimoo was one of the founder members of Baroda Group.
The National Gallery of Modern Art (NGMA) is the premier art gallery under Ministry of Culture, Government of India. The main museum at Jaipur House in New Delhi was established on 29 March 1954 by the Government of India, with subsequent branches at Mumbai and Bangalore. Its collection of more than 17,000 works by 2000 plus artists includes artists such as Thomas Daniell, Raja Ravi Verma, Abanindranath Tagore, Rabindranath Tagore, Gaganendranath Tagore, Nandalal Bose, Jamini Roy, Amrita Sher-Gil as well as foreign artists. Some of the oldest works preserved here date back to 1857. With 12,000 square meters of exhibition space, the Delhi branch is one of the world's largest modern art museums.
The Bengal School of Art, commonly referred as Bengal School, was an art movement and a style of Indian painting that originated in Bengal, primarily Calcutta and Shantiniketan, and flourished throughout the Indian subcontinent, during the British Raj in the early 20th century. Also known as 'Indian style of painting' in its early days, it was associated with Indian nationalism (swadeshi) and led by Abanindranath Tagore (1871–1951), and was also being promoted and supported by British arts administrators like E. B. Havell, the principal of the Government College of Art and Craft, Kolkata from 1896; eventually it led to the development of the modern Indian painting.
Indian painting has a very long tradition and history in Indian art. The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like the Bhimbetka rock shelters. Some of the Stone Age rock paintings found among the Bhimbetka rock shelters are approximately 10,000 years old. Because of the climatic conditions in the Indian subcontinent, very few early examples survive today.
Amrita Sher-Gil was a Hungarian–Indian painter. She has been called "one of the greatest avant-garde women artists of the early 20th century" and a pioneer in modern Indian art. Drawn to painting from an early age, Sher-Gil started formal lessons at the age of eight. She first gained recognition at the age of 19, for her 1932 oil painting Young Girls. Sher-Gil depicted everyday life of the people in her paintings.
Jamini Roy was an Indian painter. He was honoured by the Government of India the award of Padma Bhushan in 1954. He remains one of the most famous pupils of Abanindranath Tagore, another praised Indian artist and instructor. Roy's highly simplified, flattened-out style, and reminiscent of European modern art was influenced by the “bazaar” paintings sold at Indian temples as talismans.
Nandalal Bose was one of the pioneers of modern Indian art and a key figure of Contextual Modernism.
Paresh Maity is an Indian painter. He is a prolific painter in a short career span. In 2014, Government of India conferred upon him its fourth-highest civilian award the Padma Shri.
Ramkinkar Baij was an Indian sculptor and painter, one of the pioneers of modern Indian sculpture and a key figure of Contextual Modernism.
Sree Chitra Art Gallery is an art gallery in Thiruvananthapuram, India, established in 1935. It is located in the northern grounds of the Napier Museum. It was inaugurated by Chithira Thirunal Balarama Varma. The gallery features a unique collection of traditional and contemporary paintings, including the works of Raja Ravi Varma, Nicholas Roerich, Svetoslav Roerich, Jamini Roy, Rabindranath Tagore, V. S. Valiathan, C. Raja Raja Varma, and K. C. S. Paniker. There are approximately 1100 paintings at the gallery.
Manishi Dey was an Indian painter of the Bengal School of Art. Manishi Dey was the younger brother of Mukul Dey, a pioneering Indian artist and dry point etcher. Their two sisters, Annapura and Rani, were accomplished in arts and crafts as well.
The modern Indian art movement in Indian painting is considered to have begun in Calcutta in the late nineteenth century. The old traditions of painting had more or less died out in Bengal and new schools of art were started by the British. Initially, protagonists of Indian art such as Raja Ravi Varma drew on Western traditions and techniques including oil paint and easel painting. A reaction to the Western influence led to a revival in primitivism, called as the Bengal school of art, which drew from the rich cultural heritage of India. It was succeeded by the Santiniketan school, led by Rabindranath Tagore's harking back to idyllic rural folk and rural life. Despite its country-wide influence in the early years, the importance of the school declined by the 'forties' and now it is as good as dead.
Raman Siva Kumar, known as R. Siva Kumar, is an Indian contemporary art historian, art critic, and curator. His major research has been in the area of early Indian modernism with special focus on the Santiniketan School. He has written several important books, lectured widely on modern Indian art and contributed articles to prestigious international projects such as the Art Journal, Grove Art Online or The Dictionary of Art, Oxford University Press.
The Last Harvest was an exhibition of Rabindranath Tagore's paintings to mark the 150th anniversary of Tagore's birth. It was commissioned by the Ministry of Culture, India and organised with the National Gallery of Modern Art (NGMA). It consisted of 208 paintings drawn from the collections of Visva Bharati and the NGMA. The exhibition was curated by art historian R. Siva Kumar. Asia Art Archive later classified the exhibition as a "world event".
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