The Śvētāmbara is one of the two main branches of Jainism, the other being the Digambara. Śvētāmbara means "white-clad", and refers to its ascetics' practice of wearing white clothes, which sets it apart from the Digambara "sky-clad" Jains, whose ascetic practitioners go nude. Śvētāmbaras, unlike Digambaras, do not believe that ascetics must practice nudity.
Parshvanatha, also known as Parshva and Parasnath, was the 23rd of 24 Tirthankaras of Jainism. He is the only Tirthankara who gained the title of Kalīkālkalpataru.
Padmāvatī is the protective goddess or śāsana devī (शासनदेवी) of Pārśvanātha, the twenty-third Jain tīrthāṅkara, complimenting Parshwa yaksha, the shasan deva. She is a yakshi of Parshwanatha.
Suparshvanatha, also known as Suparśva, was the seventh Jain Tīrthankara of the present age (avasarpini). He was born to King Pratistha and Queen Prithvi at Varanasi on 12 Jestha Shukla in the Ikshvaku clan. He is said to have attained moksha at Shikharji on the sixth day of the dark half of the month of Phālguna.
Uttar Pradesh, a state in north India has a long association with Jainism. Today the state is home to a number of Jain monuments, such as Jain Temples and Jain Tirths. There are around 213,267 Jains in Uttar Pradesh according to 2011 Census of India.
Jain sculptures or Jain idols are the images depicting Tirthankaras. These images are worshiped by the followers of Jainism. The sculpture can depict any of the twenty-fourtirthankaras with images depicting Parshvanatha, Rishabhanatha, or Mahāvīra being more popular. Jain sculptures are an example of Jain art. There is a long history of construction of Jain sculptures. Early examples include Lohanipur Torsos which has been regarded to be from the Maurya period, and images from the Kushan period from Mathura.
Ayagapata (Hindi:अयागपट्ट) or Ayagapatta is a type of votive slab associated with worship in Jainism.
Jain art refers to religious works of art associated with Jainism. Even though Jainism has spread only in some parts of India, it has made a significant contribution to Indian art and architecture.
The Akota Bronzes represent a rare and important set of 68 Jain images, dating to between the 6th and 12th centuries AD, which were found in the vicinity of Akota near Baroda in the Indian state of Gujarat. It includes rare Gupta period bronzes that have been widely used for comparison of Gupta period art.
The Northern Satraps, or sometimes Satraps of Mathura, or Northern Sakas, are a dynasty of Indo-Scythian rulers who held sway over the area of Eastern Punjab and Mathura after the decline of the Indo-Greeks, from the end of the 1st century BCE to the 2nd century CE. They are called "Northern Satraps" in modern historiography to differentiate them from the "Western Satraps", who ruled in Gujarat and Malwa at roughly the same time and until the 4th century CE. They are thought to have replaced the last of the Indo-Greek kings in the Eastern Punjab, as well as the Mitra dynasty and the Datta dynasty of local Indian rulers in Mathura.
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths", and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent.
The Kankali Tila tablet of Sodasa, also called the Iryavati stone tablet, or Amohini ayagapata, is a large stone slab discovered in Kankali which mentions the rule of the Northern Satraps ruler Sodasa in Mathura. The tablet in the State Museum Lucknow. It is an important example of Mathura art.
Jivantasvami images represent the Jain Tirthankara Mahavira as a prince, with a crown and ornaments. The Jina is represented as standing in the kayotsarga pose. Jivantasvami images have been used only in the Shvetambara Jain tradition, they are unknown in the Digambara tradition.
The Vasu Doorjamb Inscription is an early 1st-century CE Sanskrit inscription in Brahmi script dedicated to the deity Vāsudeva, related to the Vaishnavism tradition of Hinduism. It is also one of the several dedicatory inscriptions from Mathura bearing the name of the Indo-Scythian Northern Satrap ruler Sodasa, which are useful as historic markers for the first half of the 1st century CE.
The Lohanipur torso is a damaged statue of polished sandstone, dated to the 3rd century BCE ~ 2nd century CE, found in Lohanipur village, a central Division of Patna, ancient Pataliputra, Bihar, India. There are some claims however for a later date, as well as of Graeco-Roman influence in the sculpting.The Lohanipur torso is thought to represent a Jaina Tirthankara.
In 1956, 240 Jain bronze idols were discovered dating back to early medieval to medieval period. The Vasantgarh hoard, thus named after the place of discovery, Vasantgarh is located in the Sirohi District of Rajasthan, India.
The Jain stupa was a type of stupa erected by the Jains for devotional purposes. A Jain stupa dated to the 1st century BCE-1st century CE was excavated at Mathura in the 19th century, in the Kankali Tila mound.
Pakbirra Jain temples is a group of three Jain temples in Pakbirra village in Purulia district of West Bengal.
The Ahichchhatra Jain temples is a group of Jain temples in Ahichchhatra village in Aonla tehsil of Bareilly district in Uttar Pradesh. Ahichchhatra is believed to be the place where Parshvanatha, the 23rd Tirthankar of Jainism, attained Kevala Jnana.
Indo-Scythian art developed under the various dynasties of Indo-Scythian rulers in northwestern India, from the 1st century BCE to the early 5th century CE, encompassing the productions of the early Indo-Scythians, the Northern Satraps and the Western Satraps. It follows the development of Indo-Greek art in northwestern India. The Scythians in India were ultimately replaced by the Kushan Empire and the Gupta Empire, whose art form appear in Kushan art and Gupta art.
