The Indus Valley Civilisation (IVC), also known as the Indus Civilisation, was a Bronze Age civilisation in the northwestern regions of South Asia, lasting from 3300 BCE to 1300 BCE, and in its mature form 2600 BCE to 1900 BCE. Together with ancient Egypt and Mesopotamia, it was one of three early civilisations of the Near East and South Asia, and of the three, the most widespread, its sites spanning an area from much of Pakistan, to northeast Afghanistan, and northwestern India. The civilisation flourished both in the alluvial plain of the Indus River, which flows through the length of Pakistan, and along a system of perennial monsoon-fed rivers that once coursed in the vicinity of the Ghaggar-Hakra, a seasonal river in northwest India and eastern Pakistan.
The Indus script, also known as the Harappan script, is a corpus of symbols produced by the Indus Valley Civilisation. Most inscriptions containing these symbols are extremely short, making it difficult to judge whether or not they constituted a writing system used to record the as-yet unidentified language(s) of the Indus Valley Civilisation. Despite many attempts, the 'script' has not yet been deciphered, but efforts are ongoing. There is no known bilingual inscription to help decipher the script, which shows no significant changes over time. However, some of the syntax varies depending upon location.
The Didarganj Yakshi is one of the finest examples of very early Indian stone statues. It used to be dated to the 3rd century BCE, as it has the fine Mauryan polish associated with Mauryan art. But this is also found on later sculptures and it is now usually dated to approximately the 2nd century CE, based on the analysis of shape and ornamentation, or the 1st century CE. The treatment of the forelock in particular is said to be characteristically Kushan.
The ancient site at Kot Diji was the forerunner of the Indus Civilization. The occupation of this site is attested already at 3300 BCE. The remains consist of two parts; the citadel area on high ground ), and outer area. The Pakistan Department of Archaeology excavated at Kot Diji in 1955 and 1957.
Several periodisations are employed for the periodisation of the Indus Valley Civilisation. While the Indus Valley Civilisation was divided into Early, Mature, and Late Harappan by archaeologists like Mortimer Wheeler, newer periodisations include the Neolithic early farming settlements, and use a stage–phase model, often combining terminology from various systems.
This was the first known bronze hoard discovered in the Gangetic valley and consists of a set of 18 Jain bronzes. The Chausa hoard, thus named after the place of discovery: Chausa or Chausagarh is located in the Buxar district of Bihar state, India.
Neminātha, also known as Nemi and Ariṣṭanemi, is the twenty-second Tīrthaṅkara of Jainism in the present age. Neminatha lived 81,000 years before the 23rd Tirthankara Parshvanatha. According to traditional accounts, he was born to King Samudravijaya and Queen Shivadevi of the Yadu dynasty in the north Indian city of Sauripura. His birth date was the fifth day of Shravana Shukla of the Jain calendar. Krishna, who was the 9th and last Jain Vasudev, was his first cousin.
Jainism is a religion founded in ancient India. Jains trace their history through twenty-four tirthankara and revere Rishabhanatha as the first tirthankara. The last two tirthankara, the 23rd tirthankara Parshvanatha and the 24th tirthankara Mahavira are considered historical figures. According to Jain texts, the 22nd tirthankara Neminatha lived about 5,000 years ago and was the cousin of Krishna.
Uttar Pradesh, a state in north India has a long association with Jainism. Today the state is home to a number of Jain monuments, such as Jain Temples and Jain Tirths. There are around 213,267 Jains in Uttar Pradesh according to 2011 Census of India.
Jain sculptures or Jain idols are the images depicting Tirthankaras. These images are worshiped by the followers of Jainism. The sculpture can depict any of the twenty-four tirthankaras with images depicting Parshvanatha, Rishabhanatha, or Mahāvīra being more popular. Jain sculptures are an example of Jain art. There is a long history of construction of Jain sculptures. Early examples include Lohanipur Torsos which has been regarded to be from the Maurya period, and images from the Kushan period from Mathura.
Ayagapata (Hindi:अयागपट्ट) or Ayagapatta is a type of votive slab associated with worship in Jainism.
Jain art refers to religious works of art associated with Jainism. Even though Jainism has spread only in some parts of India, it has made a significant contribution to Indian art and architecture.
Pakistan is home to many archaeological sites dating from Lower Paleolithic period to Mughal empire. The earliest known archaeological findings belong to the Soanian culture from the Soan Valley, near modern-day Islamabad. Soan Valley culture is considered as the best known Palaeolithic culture of Central Asia. Mehrgarh in Balochistan is one of the most important Neolithic sites dating from 7000 BCE to 2000 BCE. The Mehrgarh culture was amongst the first culture in the world to establish agriculture and livestock and live in villages. Mehrgarh civilization lasted for 5000 years till 2000 BCE after which people migrated to other areas, possibly Harappa and Mohenjo-daro. Harappa and Mohenjo-daro are the best known sites from the Indus Valley civilization.
Kankali Tila is a mound located at Mathura in the Indian state of Uttar Pradesh. The name of the mound is derived from a modern temple of Hindu goddess Kankali. The famous Jain stupa was excavated here in 1890-91 by Alois Anton Führer.
The Northern Satraps, or sometimes Satraps of Mathura, or Northern Sakas, are a dynasty of Indo-Scythian ("Saka") rulers who held sway over the area of Punjab and Mathura after the decline of the Indo-Greeks, from the end of the 1st century BCE to the 2nd century CE. They are called "Northern Satraps" in modern historiography to differentiate them from the "Western Satraps", who ruled in Sindh, Gujarat and Malwa at roughly the same time and until the 4th century CE. They are thought to have replaced the last of the Indo-Greek kings in the Punjab region, as well as the Mitra dynasty and the Datta dynasty of local Indian rulers in Mathura.
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths", and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent.
Mauryan polish describes one of the frequent characteristics of architecture and sculptures of the Maurya Empire in India, which gives a very smooth and shiny surface to the stone material, generally of sandstone or granite. Mauryan polish is found especially in the Ashoka Pillars as well as in some constructions like the Barabar Caves. The technique did not end with the empire, but continued to be "used on occasion up to the first or second century A.D.", although the presence of the polish sometimes complicates dating, as with the Didarganj Yakshi. According to the archaeologist John Marshall: the "extraordinary precision and accuracy which characterizes all Mauryan works, and which has never, we venture to say, been surpassed even by the finest workmanship on Athenian buildings".
The Jain stupa was a type of stupa erected by the Jains for devotional purposes. A Jain stupa dated to the 1st century BCE-1st century CE was excavated at Mathura in the 19th century, in the Kankali Tila mound.
Panchasara Parshwanath temple is a Jain temple located in Patan, Gujarat. The temple was constructed in 8th century during the reign of Vanaraja Chavda of Chavda dynasty.
The Pārśvanātha āyāgapaṭa, is a large stone slab discovered in Kankali which has an image of Parshvanatha, dating back to reign Sodasa, of Indo-Scythian Northern Satrap, the ruler Sodasa in Mathura. The tablet in the State Museum Lucknow. It is an important example of Mathura art.
