Shona music is the music of the Shona people of Zimbabwe. There are several different types of traditional Shona music including mbira, singing, hosho and drumming. Very often, this music will be accompanied by dancing, and participation by the audience. In Shona music, there is little distinction between the performer and the audience, both are often actively involved in the music-making, and both are important in the religious ceremonies where Shona music is often heard.[citation needed]
The mbira is a traditional instrument of the Shona People often used in religious ceremonies. There are several different varieties of mbira including the mbira dzavadzimu and mbira nyunga nyunga.
Shona music is well known as representative of mbira ("thumb piano") music. The performer of the "kushaura" (lead mbira part) often acts also as the lead vocalist, selecting a known melody or mbira pattern to accompany selected lyrics, usually a phrase or a few lines of text which are then commented upon improvisationally. The performer of the "kutsinira" (second mbira part) plays a pattern which interlocks with the "kushaura" in a way that creates the repeated notes which identify mbira music. The "kutsinira" part is sometimes the same part as the "kushaura", but following the kushaura one pulse behind. The mbira players are accompanied by another less active singer who plays the hosho (a rattle) and responds to the improvised lyrics of the singer and, most importantly, embellishes and complements the lead vocal melody. (Garfias 1971)[citation needed]
Drumming
Drums are always associated with dance and can be used for various dances.
Shona music is often accompanied by the hosho, a hollowed-out maranka gourd containing hota seeds or other objects that is shaken to generate a sound.[citation needed]
Ancient Shona music
Traditional ancient Shona musics consist of mbira dzavadzimu played by multiple players, hosho and ngoma drums. Ancient shona music is mainly played at spiritual ceremonies called bira.
Shona music has become popular in the West and even in the East such as Japan. Shona mbira has been taught in British and American Universities in musicology classes. Transcriptions carried out as part of fieldwork. In the United States, Shona music has become popular in Colorado, California, the Pacific Northwest and in some places of Argentina, largely due to the seeding influence of musicians including Dumisani Maraire, Ephat Mujuru, Thomas Mapfumo and Erica Azim.[citation needed]
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Shona music on marimba
Shona marimbas are diatonic and are made with F#s and without. They are different from other marimbas through their larger keys and resonators beneath the keys (to produce a buzzing sound). There are four kinds of marimba played in a band, namely bass, baritone, tenor and soprano. Bass has the largest keys and resonators and the shortest range, requiring large sticks to play. Baritone is the next in size, with one octave more than the bass. It also has large resonators and large sticks, although not as large as bass. Tenor and soprano use the same sticks. Tenor has two octaves, with the higher octave being the same as the lower octave of soprano. Soprano plays the lead part, with tenor providing rhythm. Bass and baritone play similar parts, forming the backbone of the song. Marimba is very popular in schools in Zimbabwe, with most schools having at least one band.
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Nonesuch Explorer Series 79703-2, Zimbabwe: The African Mbira: Music of the Shona People (2002). Liner notes by Robert Garfias (1971).
Nonesuch Explorer Series 79704 Zimbabwe: The Soul of Mbira: Traditions of the Shona People (1973). Produced by Paul Berliner
Musical instruments 2: (LP) Reeds (Mbira). (1972) The Music of Africa series. 1 LP disc. 331⁄3 rpm. mono. 12 in. Recorded by Hugh Tracey. Kaleidophone, KMA 2.
Mbira Music of Rhodesia, Performed by Abram Dumisani Maraire. (1972). Seattle: University of Washington Press, Ethnic Music Series. Garfias, R. (Ed.). 1 LP disc. 331⁄3 rpm. mono. 12 in. UWP-1001. This disc features Maraire exclusively on Nyunga Nyunga mbira. A 12-page booklet by Maraire is included, describing the background, composition, and performance of nyunga-nyunga mbira music.
Further reading
Berliner, Paul (1981). The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe. University of California Press. ISBN0-520-04268-9.
Tracey, Andrew. (1970). How to play the mbira (dza vadzimu). Roodepoort, Transvaal, South Africa: International Library of African Music.
Tracey, Hugh. (1961). The evolution of African music and its function in the present day. Johannesburg: Institute for the Study of Man in Africa.
Tracey, Hugh. (1969). The Mbira class of African Instruments in Rhodesia (1932). African Music Society Journal, 4:3, 78-95.
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Mbira are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs, the right forefinger, and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020.
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