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The principal Sikh scripture is the Adi Granth (First Scripture), more commonly called the Guru Granth Sahib. The second most important scripture of the Sikhs is the Dasam Granth. Both of these consist of text which was written or authorised by the Sikh Gurus.
Within Sikhism the Sri Guru Granth Sahib or Adi Granth is more than just a scripture. Sikhs consider this Granth (holy book) to be a living Guru. The holy text spans 1430 pages and contains the actual words spoken by the Gurus of the Sikh religion and the words of various other Saints from other religions including Hinduism and Islam.
The word 'bir' (Gurmukhi : ਬੀੜ, romanized: Bīṛa; alternatively spelt as 'birh') in Sikhism refers to a complete volume of a Sikh scripture as an individual corpus. [1] [2] The term "Bir" is derived from the Sanskrit verb vīḍ which means "to make strong or firm, strengthen, fasten, or to be strong, firm or hard." [2] The word puratan biran refers to an ancient manuscript of a Sikh scripture. [3] The first birs in Sikh history were the Kartarpuri Bir (also known as the Adi Bir, meaning "first corpus") and the Bhai Bhanno Bir. [2] Copies of these corpuses are also referred to as "Birs". [2] Hath-likhat biran refers to a hand-written manuscript whilst patthar shappa refers to volumes of Sikh scriptures published through stone lithography, prior to the introduction of the modern printing press. [3]
The word 'pothi' (Gurmukhi : ਪੋਥੀ, romanized: Pōthī) originally meant 'book' in Old Punjabi (cognate to 'pustak' in Hindi, with both derviving from the Sanskrit word pustaka). [4] However, amongst Sikhs the term evolved to refer to a sacred book, especially one containing Gurbani or scriptural texts and of a moderate size. [5] [6] [4] Initially, the corpurses of the earlier Sikh gurus were termed as pothis rather than as birs. [4] The literary corpus that Guru Nanak passed down to his successor, Guru Angad, is referred to as a pothi. [4]
A gutka (Gurmukhi : ਗੁਟਕਾ, romanized: Guṭakā) is an extract of Gurbani, which is smaller in size in-comparison to a Pothi and contains lesser amounts of hymns or specific selections. [7] [4] [8] They became popularized in the 18th century, when state-enacted oppression of Sikhs forced them to be ever on the move and the portable nature of gutkas served well in this time. [8] They became further hyped with the introduction of the printing press in the Punjab in the 19th century. [8]
The term 'Lakhri' referred to the scribe of manuscripts. [9]
The term used to label the language employed by the Sikh gurus in their compositions is Sant Bhasha , a composite literary language of North India that borrows vocabulary from a variety of regional and historical lects. [10] [11] [12] [13]
Guru Arjan decided to employ the Gurmukhi script of his predecessors when he compiled the Adi Granth. [5] Kavi Santokh Singh, in his Suraj Prakash , explains the reasonings for why he did so as follows: [5]
In a perfect state of oneness, the Guru called Gurdas in his presence.
Seating him close by, [the Guru] voiced the purpose: “Bhai, listen to our hope.3
Create cohesive benevolent Grinth [Braj form of 'Granth']-Anthology in the Gurmukhi [alphabets].
In Patti composed by revered Nanak, beautiful are the thirty-five [alphabets].4
Scribe the entire Gurbani in them; it is very easy to study them. Those graced with great intellect shall practice it to learn.5
They will study and reflect for many years, then they may realize the essence. With heart filled with devotion, scribe that essence in Gurmukhi with ease.6
Intellectuals can scribe it in Sanskrit and [Perso-Arabic] language of the Turks. It will spread all over quickly as the oil over water.7
Householders [busy] earning have less wisdom; those seeking education can study it with ease. The great pathway will be revealed, and those treading it will never go astray any time.8
Therefore, scribe them in Gurmukhi alphabets; it will be availed in the whole world. Devoted ones will study with ease; they will realize freedom is in Hari-1’s [Guru Nanak] remembrance.9
Their greatness is very beautiful; Gurmukhi’s identity will be known in the world. Ones who will witness, study, and scribe will respect it,
ones who acknowledge it as the eliminator of sins-transgressions will love it.”10
— Kavi Santokh Singh, Sri Gur Pratap Suraj Granth (Ras 3, Adhiai 41)
Starting with the founder of the faith, Guru Nanak, sacred compositions recorded and devised by Sikhs were kept in a pothi. [5] Guru Nanak would pass his personal pothi down to his successor, Guru Angad, who would himself pass it down to his successor and so-on and so-forth. [5] Eventually, Guru Arjan collected the scattered pothis linked to his predecessors and published the Adi Granth in 1604, assisted in his endeavor by Bhai Gurdas acting as the scribe. [5] [14] The reason for him doing so has been said to have been that heretical sects, such as Minas, were using the pen-names of earlier Gurus and attempting to circulate their compositions as sanctified Sikh writings. [5] Scholars Mandanjit Kaur and Piar Singh state the following regarding the motivations of the Guru for assembling an authoritative canonical text: [5]
Stray compilations of them [sabads] were in circulation. Conscious or unconscious interference in their text, often prompted by a desire to round off a word or a phrase or to regulate its metrical flow in accordance with the whim of the singer, was not an uncommon phenomenon. To check this, the need to place an authentic version of the bānī in the hands of the readers seemed paramount. The corpus of the bānī left by the third and the fourth Gurus, as also composed by Guru Arjun himself, had grown enormously. There was a need to regulate it, lest it should be lost. There was a danger of its being interpolated by imitators too. Guru Arjun, therefore, thought it fit to compile the whole corpus of gurubānī in a befitting way and, thus, leave behind himself an authorized version of the Sikh Scripture.
— Mandanjit Kaur and Piar Singh, Guru Arjan and His Sukhmani by Kapur Singh, introductory section
Various recensions of the primary Sikh canon, the Guru Granth Sahib, are known aside from the two primary ones most recognized by Sikhs today (Kartarpuri and Damdami). [14] The recension published by Guru Arjan in 1604 would come to be known as the Kartarpuri Bir (also known as the Adi Bir [2] ). [14] The original manuscript of the Kartarpuri Bir is preserved by the Sodhi family inhabiting Kartarpur, Jalandhar district. [14]
Another recension, known as the Bhai Banno Bir (also known as the Bhai Bhannowali Bir [2] ), was also in circulation. [14] The composition of this recension is traced back to 1604 by Bhai Banno, a prominent follower of the Guru, who prepared an unauthorized copy of the composition of Guru Arjan when the Guru asked him to get the leafs bound together into a manuscript at Lahore. [14] [15] [16] [17] [18] Another view is that it was prepared in 1642 by a certain Banno of Khara Mangat (located in modern-day Gujrat district). [14] This composition contains many extraneous, superfluous, and apocryphal writings, including sectoral Mina compositions and compositions of the female Bhakti saint, Mirabai. [14] [19] [20] [21] [22]
There further existed a third recension, known as the Lahori Bir. [14] The Lahori Bir was composed in around 1610 and was found in a shrine in Pakistan. [14] The Lahori Bir is mostly similar to the sancitfied Kartarpuri Bir, however differences lay in the ordering of Bhagat (devotional poets) and Bhatt (bardic poets) compositions found at the end of the scripture. [14]
Guru Gobind Singh would later publish the Damdami recension (also spelt as 'Damdama') of the Adi Granth with Bhai Mani Singh acting as the scribe. [5] The reason for him doing so has been said to be the unauthorized recensions of the Adi Granth scattered around, especially the Banno recension which contained unauthorized additions. [14] This is the recension in-which the guruship was given to in 1708 and rechristened as the Guru Granth Sahib, however the original Damdami manuscript was lost during the Vadda Ghalughara in 1762. [5] [14] Two exact copies of the Damdami recension, one manuscript dating to 1682 and the other dated to 1691, were kept at the Sikh Reference Library and are presumed to be lost forever after the library was burnt down by Indian forces during Operation Blue Star in 1984. [14]
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Guru Granth Sahib ਗੁਰੂ ਗ੍ਰੰਥ ਸਾਹਿਬ |
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Popular compositions |
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Poetical metres, modes, measures, and rhythms |
The principal Sikh scripture is the Adi Granth (First Scripture), more commonly called the Guru Granth Sahib . The Sikhs do not regard this as their "holy book" but as their perpetual and current "guru", guide or master. It was called Adi Granth until Guru Gobind Singh, the tenth and final guru in human form, conferred on it the title of the guru in 1708, after which it was called Sri Guru Granth Sahib, or Guru Granth Sahib for short. The Granth has 1430 Ang Sahib (ang meaning limb since the Guru Granth Sahib is not a book but it is the eternal Guru for Sikhs) divided into 39 chapters. All copies are exactly alike. The Sikhs are forbidden from making any changes to the text within this scripture.
The Guru Granth Sahib was compiled by Guru Arjan Dev, the fifth guru of the Sikhs. The work of compilation was started in 1601 and finished in 1604. The Granth, called "Pothi Sahib" by Guru Arjan, was installed at Harmandir Sahib (House of God) with much celebration.
The Guru Granth Sahib is widely accepted as containing the works of six Gurus, fifteen Bhagats (devotional poets), elevent Bhatts (bardic poets), and four Gursikhs (devoted Sikhs). [14] The SGPC version of the Guru Granth Sahib has the works of 6 Gurus while the Nihang version has the works of 7 gurus including one couplet by Guru Har Rai.[ citation needed ]
The Guru Granth Sahib can be divided into three main sections: [14]
Japji Sahib is a Sikh prayer, that appears at the beginning of the Guru Granth Sahib – the scripture and the eternal guru of the Sikhs. It was composed by Guru Nanak, the founder of Sikhism. It begins with Mool Mantra and then follow 38 paudis (stanzas) and completed with a final Salok by Guru Angad at the end of this composition. The 38 stanzas are in different poetic meters.
Japji Sahib is the first composition of Guru Nanak, and is considered the comprehensive essence of Sikhism. Expansion and elaboration of Japji Sahib is the entire Guru Granth Sahib . It is first Bani in Nitnem. Notable is Guru Nanak's discourse on 'what is true worship' and what is the nature of God'. According to Christopher Shackle, it is designed for "individual meditative recitation" and as the first item of daily devotional prayer for the devout. It is a chant found in the morning and evening prayers in Sikh gurdwaras. It is also chanted in the Sikh tradition at the Khalsa initiation ceremony and during the cremation ceremony.
Varan Bhai Gurdas is the name given to the 40 varan (chapters) of writing by Bhai Gurdas. They have been referred to as the "Key to the Guru Granth Sahib" by Guru Arjan Dev, the fifth Sikh guru. He was the first scribe of Guru Granth Sahib and a scholar of great repute. From his work, it is clear that he had mastery of various Indian languages and had studied many ancient Indian religious scriptures. [23]
The following languages are found in this Granth:
The first published translation of the Guru Granth Sahib into Sindhi was done in 1959 by Jethanand B. Lalwani of Bharat Jivan Publications. He used his entire personal savings and produced 500 copies. Lalwani later took out loans to make a reprint in 1963.
The knowledge that enshrines and illuminates Guru Granth Sahib does not recommend translation; instead a direct learning connection with Guru Granth Sahib is only advised. This recommendation reduces learner's bias through secondary translations and middle channels that could mislead a learners' journey.
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Dasam Granth ਦਸਮ ਗ੍ਰੰਥ |
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Main compositions |
Apocryphal compositions (Asfottak Banis) |
Various aspects |
Poetical metres, modes, measures, and rhythms |
This is regarded as the second holiest book of the Sikhs and is called the Dasam Granth – the book of the tenth guru. [24] The Granth was compiled three years after the guru's death and it was Mata Sundri, the widow of the guru, who asked Bhai Mani Singh, a contemporary of the guru, to collect all the hymns composed by the guru and prepare a Granth of the Guru. However, the narrative of Bhai Mani Singh being the collector and compiler of Guru Gobind Singh's writings is strongly based on a letter purported to be Bhai Mani Singh writing to Mata Sundari. The authenticity of this letter has been challenged by scholars like Rattan Singh Jaggi, who claim the writing style does not match Bhai Mani Singh's time period and the letter only surfaced in the 1920's. [25] It was completed in 1711. In its present form it contains 1428 pages and 16 chapters as listed below. The Nihang Dasam Granth contains 70 chapters.
The following are the main banis regularly recited by devoted amritdhari Sikhs:
The Sarbloh Granth (Punjabi: ਸਰਬਲੋਹ ਗ੍ਰੰਥ, sarabalŝha grantha) also called Manglacharan Puran, is a voluminous book contains collections of various writings of Guru Gobind Singh, Poets and other Sikhs. Sarbloh Granth literally means "the Granth or Scripture of all-steel or iron". Khalsa Mahima is part of this Granth. This Granth contains hymns of greatness of Panth and Granth. Khalsa Mahima is authentic hymn of Guru Gobind Singh of this granth. [26]
Large amounts of historical Sikh scriptural manuscripts have been systematically "cremated" (burnt to destruction) [27] [28] over the years at secretive ‘Angitha Sahib’ gurdwaras in Punjab and around India under the guise of kar seva . [29] [30] This practice is criticized for systematically destroying historical manuscripts rendering them unable to be researched, archived, repaired, or conserved for future generations. There have been instances of so-called Satkar Sabhas (or Satkar Committees) stealing historical manuscripts from their traditional custodians and refusing to return them. [31] [32] [33] [34] The SGPC has been criticized for the poor "restoration" methods it has conducted on historical manuscripts of Sikh scriptures. [35]
Panjab Digital Library in collaboration with the Nanakshahi Trust took up digitization of Sikh scriptures in 2003. Thousands of manuscripts have been digitized and are available online at Panjab Digital Library.
Digitization efforts which began in 2008 are also ongoing at the Sikh Reference Library to scan the scriptural manuscripts and other literature held within its collection. [36] [37] [38]
On 6 September 2023, the SGPC announced plans to digitize Sikh literature and scriptures kept in the collection of Sri Guru Ramdas Library in Amritsar. [39] There are plans to make the digitized works available to the public on a website in the near future. [39]
The Guru Granth Sahib is the central holy religious scripture of Sikhism, regarded by Sikhs as the final, sovereign and eternal Guru following the lineage of the ten human gurus of the religion. The Adi Granth, its first rendition, was compiled by the fifth guru, Guru Arjan (1564–1606). Its compilation was completed on 29 August 1604 and first installed inside the Golden Temple in Amritsar on 1 September 1604. Baba Buddha was appointed the first Granthi of the Golden Temple. Shortly afterwards Guru Hargobind added Ramkali Ki Vaar. Later, Guru Gobind Singh, the tenth Sikh guru, added hymns of Guru Tegh Bahadur to the Adi Granth and affirmed the text as his successor. This second rendition became known as the Guru Granth Sahib and is also sometimes referred to as the Adi Granth.
The following outline is provides an overview of Sikhism, or Sikhi.
Gurbani is a Sikh term, very commonly used by Sikhs to refer to various compositions by the Sikh Gurus and other writers of Guru Granth Sahib. In general, hymns in the central text of the Sikhs, the Guru Granth Sahib, are called Gurbani. Among Amritdhari Sikhs, a few texts from Dasam Granth which are read as Nitnem, like Tav-Prasad Savaiye and Chaupai, are also considered Gurbani. In Adi Granth, Gurbani is a sound which comes directly from the Supreme and the text is a written form of the same in worldly language and scripts. It is also called Guru’s Bani. Gurbani are explanations of qualities of the Primal Lord and Soul which a Sikh should comprehend and with which they can attain the supreme state.
The Dasam Granth is a collection of various poetic compositions attributed to Guru Gobind Singh. The text enjoyed an equal status with the Adi Granth, or Guru Granth Sahib, in the eighteenth and nineteenth centuries and were installed side by side on the same platform. The Dasam Granth lost favor during the colonial period when reformist Singh Sabha Movement scholars couldn't contextualize the reworkings of Puranic stories or the vast collection of 'Tales of Deceit' Sri Charitropakhyan.
Sukhmani Sahib, known under the title of Gauri Sukhmani in the scripture, is usually translated to mean Prayer of Peace is a set of 192 padas present in the holy Guru Granth Sahib, the main scripture and living Guru of Sikhism from Ang 262 to Ang 296. This Gurbani text was written by the 5th Guru, Guru Arjan (1563–1606) at Amritsar in around 1602. Guru Arjan first recited the bani at Gurdwara Barth Sahib in the Gurdaspur district of Punjab, India.
The Sarbloh Granth or Sarabloh Granth, also called Manglacharan Puran or Sri Manglacharan Ji, is a voluminous scripture, composed of more than 6,500 poetic stanzas. It is traditionally attributed as being the work of Guru Gobind Singh, the tenth Sikh guru. Scholars, on the other hand, attribute the work to after the Guru's death, being authored by an unknown poet. The work is mostly revered by the Nihang sect.
Nitnem is a collection of Sikh hymns (Gurbani) to be read minimally 3 different times of the day. These are mandatory and to be read by every Amritdhari Sikh as expressed in the Sikh Rehat Maryada. Optionally additional prayers may be added to a Sikh's nitnem. There are five hymns (Five Banis) to be done during Amrit Vela, the Rehras Sahib hymn for the evening and Kirtan Sohila for the night. The morning and evening prayers should be followed by an Ardaas.
Sikh music, also known as Gurbani Sangeet , and as Gurmat Sangeet, or even as Shabad Kirtan, is the classical music style that is practised within Sikhism. It exists in institutional, popular, and folk traditions, forms, and varieties. Three types of Sikh musicians are rababis, ragis, and dhadhis. Sikh music exists in various melodic modes, musical forms, styles, musicians, and performance contexts.
A Granthi is a person, female or male, of the Sikh religion who is a ceremonial reader of the Guru Granth Sahib, which is the holy book in Sikhism, often read to worshipers at Sikh temples called a Gurdwara.
Krodh is derived from the Sanskrit word krodha (क्रोध), which means wrath or rage. This is a state of mind recognized in Sikh philosophy as a spring of desire and is as such classified as one of the five evils.
Varan Bhai Gurdas, also known as Varan Gyan Ratnavali, is the name given to the 40 vars which is traditionally attributed to Bhai Gurdas.
Ragmala, alternatively spelt as Raagmala or Ragamala is a composition of twelve verses that names various raga. These raga appear in the saroops of Guru Granth Sahib, after the compositions of Guru Arjan entitled Mundavani
Bhat Vahis were scrolls or records maintained by Bhatts also known as Bhatra. The majority of Bhat Sikhs originate from Punjab and were amongst the first followers of Guru Nanak. Bhat tradition and Sikh text states their ancestors came from Punjab, where the Raja Shivnabh and his kingdom became the original 16th century followers of Guru Nanak, the founder of Sikhism. The Raja's grandson Prince Baba Changa earned the title ‘Bhat Rai’ – the ‘Raja of Poets, and then settled himself and his followers all over India as missionaries to spread the word of Guru Nanak, where many northern Indians became Bhat Sikhs. The majority were from the northern Brahmin caste ,(Bhat ) as the Prince Baba Changa shared the Brahmin heritage. The sangat also had many members from different areas of the Sikh caste spectrum, such as the Hindu Rajputs and Hindu Jats who joined due to Bhat Sikh missionary efforts. The Bhats also contributed 123 compositions in the Sri Guru Granth Sahib (pp.1389–1409), known as the "Bhata de Savaiyye". There hereditary occupations consisted of bards, poets, missionaries, astrologists, genealogists, salesmen.
The history of the Dasam Granth is related to the time of creation and compilation of various writings by Guru Gobind Singh in form of small booklets, some of which are Sikh prayers. The first combined-codex manuscripts of the Dasam Granth were created during the Guru period. It is also said that after 1708, the Dasam Granth was allegedly compiled by Mani Singh Khalsa, contributed by other Khalsa armymen under direct instructions of Mata Sundari and this volume is recognized as Sri Dasam Granth Sahib. The present day Dasam Granth includes Jaap Sahib, Akal Ustat, Bachitar Natak, Chandi Charitar Ukati Bilas, Chandi Charitar II, Chandi di Var, Gyan Prabodh, Chaubis Avtar, Rudra Avtar, 33 Sawaiye, Khalsa Mahima, Shashtar Nam Mala Purana, Ath Pakh-yaan Charitar Likh-yatay and Zafarnamah.
The Guru Granth Sahib, is the central religious text of Sikhism, considered by Sikhs to be the final sovereign Guru of the religion. It contains 1430 Angs, containing 5,894 hymns of 36 saint mystics which includes Sikh gurus, Bhagats, Bhatts and Gursikhs. It is notable among foundational religious scriptures for including hymns from writers of other religions, namely Hindus and Muslims. It also contains teachings of the Sikh gurus themselves.
Dharam Singh is a Nihang theologian, writer, preacher known for exegesis and expositions of Adi Granth and Dasam Granth. Enrolled as Nihang in Budha Dal, he worked as a secretary and participated in various religious conventions. He contributed the view of Sikh Religion on Human Rights in German Book, Menschenrechte im Weltkontext. In February 2015, he was the very first speaker of the dialogue series entitled Religion Matters established by the German Federal Ministry of Economic Cooperation and Development (BMZ). On letter call from SGPC, he had written various articles in response to Gurbaksh Singh Kala Afghana, who spoke against Amrit and Dasam Granth.
Baba Buddha was a prime figure in early Sikhism.
Satta Doom, also spelt as Satta Dum, was a drummer and author of eight verses found within the Guru Granth Sahib.
A steek or teeka [other spellings may exist such as stik or tika] is an exegesis or commentary on a Sikh Religious Text, usually Gurbani, but can also include other writings like the Ghazals of Bhai Nand Lal. An author of a steek or teeka is known as a teekakar. A steek always includes an explanation, or viakhya of the specific religious text, but depending on the complexity of the steek, it can also include footnotes, commentary, and contexts to the specific verses and where they were first written/revealed.
Santhiya or Santhya is the correct pronunciation (ucharan) of Gurbani, taught in the manner of the 10th Sikh Guru, Guru Gobind Singh. It is comparable to the Islamic tajwid. Santhiya is almost always taught via a giani, who then teaches a vidyarthi (student). Educated vidyarthis can also teach other Sikhs santhiya. It involves the precise recitation and flow (rhythm) of the Gurbani that is being recited. Color codes to stop and pause, known as vishraams, are commonly used to dictate the flow and rhythm of the recitation. Gurbani which is recited by a person who has taken santhiya is known as "shudh ucharan"
(1) n.f. same as ਬੀਹੜ reserve forest or pasture; a volume or recension (of Sikh scripture), corpus of Guru Granth Sahib. (2) v. imperative form of ਬੀੜਨਾ fix, lay.
BIR, a term used for a recension or copy of the Guru Granth Sahib, is derived from Skt. [Sanskrit] verb vid. meaning "to make strong or firm, strengthen, fasten, or to be strong, firm or hard." The Punjabi verb birana which means "to fix, bind or fasten (something) firmly, or to lay (a gun)" is from the same root. Guru Arjan having compiled the Holy Book deputed one of his leading disciples, Bhai Banno, to go and get the volume bound in Lahore, perhaps because facilities for proper binding did not then exist at Amritsar. Bhai Banno utilized the opportunity to have another copy transcribed and he got both volumes "fastened and bound." These bound copies came to be called the Adi Bir and Bhai Bannovali Bir. Further copies made from these two recensions were also called birs. For birs (recensions) of Sikh Scripture, see SRI GURU GRANTH SAHIB. The word bir in Punjabi is also used for reserved forest or village land set aside as common pasture.
POTHI, popular Punjabi form of the Sanskrit pustaka (book), derived from the root pust (to bind) via the Pali potthaka and Prakrit puttha. Besides Punjabi, the word pothi meaning a book is current in Maithili, Bhojpuri and Marathi languages as well. Among the Sikhs, however, pothi signifies a sacred book, especially one containing gurbani or scriptural texts and of a moderate size, generally larger than a gutka but smaller than the Adi Granth, although the word is used even for the latter in the index of the original recension prepared by Guru Arjan and preserved at Kartarpur, near Jalandhar. In Puratan Janam Sakhi, the earliest-known life story of Guru Nanak, the book of hymns which he gave to his successor, Guru Angad, is called pothi. Guru Arjan, Nanak V, probaly [sic] alluding to the Adi Granth pronounces pothi to be "the abode of God" for it contains "complete knowledge of God" (GG, 1226). At several places in the Guru Granth Sahib, pothi refers to sacred books of the Hindus as distinguished from those of the Muslims for which the words used are kateb and Qur'an.
The collection of those Sabads was safeguarded in the Pothi by each Guru and handed over to the next Guru, who added more sabads. In Indic tradition, even today, Pothi refers to a text, manuscript, or book. ... Guru Arjan Sahib collected all the Pothis and initiated the definitive anthology. It was commenced in 1604. It is also known as Adi Granth or Kartarpuri Bir. Guru Gobind Singh Sahib added the sabads of Guru Teghbahadar Sahib and elevated its status to Guru Granth Sahib in 1708. It is also known as Damdami Bir.
SGGS Gurmukhi/Hindi to Punjabi-English/Hindi Dictionary
Pothī. ਗ੍ਰੰਥ, ਪੁਸਤਕ, ਧਾਰਮਕ ਗ੍ਰੰਥ। book, sacred book. ਉਦਾਹਰਨ: ਪੋਥੀ ਪੁਰਾਣੁ ਕਮਾਈਐ ॥ Raga Sireeraag 1, 33, 2:1 (P: 25).
SGGS Gurmukhi-English Dictionary
[P. n.] The book, religious text
SGGS Gurmukhi-English Data provided by Harjinder Singh Gill, Santa Monica, CA, USA.
English Translation
n.f. book, especially a sacred book.
Mahan Kosh Encyclopedia
ਨਾਮ/n. ਪੁਸ੍ਤਕ. ਕਿਤਾਬ. ਗ੍ਰੰਥ। 2. ਸ਼੍ਰੀ ਗੁਰੂ ਗ੍ਰੰਥ ਸਾਹਿਬ.{1380} "ਪੋਥੀ ਪਰਮੇਸਰ ਕਾ ਥਾਨ." (ਸਾਰ ਮਃ ੫).
Footnotes:
{1380} ਕਰਤਾਰਪੁਰ ਵਾਲੇ ਸ਼੍ਰੀਗੁਰੂ ਗ੍ਰੰਥਸਾਹਿਬ ਜੀ ਦੇ ਤਤਕਰੇ ਵਿੱਚ "ਪੋਥੀ" ਸ਼ਬਦ ਸਾਡੇ ਧਰਮਗ੍ਰੰਥ ਲਈ ਵਰਤਿਆ ਹੈ.
English Translation: n.m. breviary, handbook of prayers; small wooden piece; cleat.
Mahan Kosh Encyclopedia: ਸੰ. ਗੁਟਿਕਾ. ਨਾਮ/n. ਗੋਲੀ. ਵੱਟੀ। 2. ਤੰਤ੍ਰਸ਼ਾਸਤ੍ਰ ਅਨੁਸਾਰ ਸਿੱਧਾਂ ਦੀ ਇੱਕ ਪ੍ਰਕਾਰ ਦੀ ਗੋਲੀ, ਜਿਸ ਨੂੰ ਮੂੰਹ ਵਿੱਚ ਰੱਖਕੇ ਹਰ ਥਾਂ ਜਾਣ ਦੀ ਸ਼ਕਤੀ ਹੋਜਾਂਦੀ ਹੈ. ਮੰਤ੍ਰਵਟੀ. "ਗੁਟਕੇ ਬਲਕੈ ਬਹੁ ਉਡਜਾਵੈ." (ਚਰਿਤ੍ਰ ੮੫) "ਗੁਟਕਾ ਮੁੰਹ ਵਿਚ ਪਾਇਕੈ ਦੇਸ ਦਿਸੰਤਰ ਜਾਇ ਖਲੋਵੈ." (ਭਾਗੁ) 3. ਛੋਟੇ ਆਕਾਰ ਦੀ ਪੋਥੀ. ਜਿਵੇਂ- ਪਾਠ ਦਾ ਗੁਟਕਾ.
GUTKA, a small-sized missal or breviary containing chosen hymns or banis from Sikh Scriptures. The etymology of the term gutka may be traced back to Sanskrit gud (to guard, preserve) or gunth (to enclose, envelop, surround, cover) through Pali gutti (keeping, guarding). A late-eighteenth-century scholar of Udasi sect spelt the word as gudhka. It is obligatory for Sikhs to recite certain texts and prayers as part of their daily devotions. This led to the practice of writing them down in gutkas or pothis (larger in size than gutkas). Keeping or carrying of gutkas must have gained greater vogue among the Sikhs during the early eighteenth century when disturbed conditions forced them to be ever on the move. They kept them sheathed with their gatras or cross-belts as they rode out from place to place. Gutkas became really popular with the advent of the printing press and the rise of the Singh Sabha movement during the last quarter of the nineteenth century. Various types of gutkas made their appearance. The most common were Nitnem gutkas, which contained banis meant to be recited daily, namely Japu, Jaapu, Savaiyye, Anandu for the morning, Rahrasi and Benati Chaupai for the evening and Sohila at bedtime. Some also contained Shabad Hazare, Asa ki Var and Sukhmani, although the last two banis were also available in separate volumes. Another gutka which has gained currency under the title is Sundar Gutka containing besides all the above banis, compositions for occasional recitation such as Barah Maha (Twelve Months) and hymns appropriate to birth, marriage and funeral ceremonies and rites. The commonest script is Gurmukhi, although gutkas published in Devanagari and Persian scripts are also available.
Remarkably, neither is the Qur'an written in Urdu language, nor are the Hindu scriptures written in Hindi, whereas the compositions in the Sikh holy scripture, Adi Granth, are a melange of various dialects, often coalesced under the generic title of Sant Bhasha.
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: CS1 maint: others (link)...all old manuscripts were sent to Goindval for "cremation" in the late 1980s
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: CS1 maint: location missing publisher (link) CS1 maint: others (link)The persons who go to a dera are not allowed to perform ceremonies connected with marriage, death etc., by invoking Guru Granth Sahib. A sahejdhari Sarpanch of Shakarpura village in Haryana used to organize Akhand Path of Guru Granth Sahib every year. But last year (December, 2007), the 'satkar sabha' members threatened to forcibly take away the Guru Granth Sahib by disrupting the Akhand Path unless the Sarpanch accepted siropa. Instances are there when certain Gurdwaras did not give 'Bir' to dalit Sikhs to perform marriage or death ceremonies. The 'Birs' of Guru Granth Sahib are being removed from various public places, even from the houses of Sikhs under the pretext of non-observance of maryada. Large number of 'Birs' has been removed from various places in Madhya Pradesh. These 'Sirs' are being consigned to the almirahs in gurdwaras.
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