"So in Love" | ||||
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Single by Orchestral Manoeuvres in the Dark | ||||
from the album Crush | ||||
B-side |
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Released | 13 May 1985 | |||
Studio |
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Genre | ||||
Length | 3:29 | |||
Label | Virgin | |||
Songwriter(s) | ||||
Producer(s) | Stephen Hague | |||
Orchestral Manoeuvres in the Dark singles chronology | ||||
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Alternative cover | ||||
Music video | ||||
"Orchestral Manoeuvres In The Dark - So In Love" on YouTube |
"So in Love" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD),released as the first single from their sixth studio album Crush (1985). It reached the top 30 of both the UK Singles Chart and the US Billboard Hot 100,becoming their first entry on the latter. The track was a top 10 hit in Belgium and Holland.
The single's artwork and its accompanying promotional video were influenced by the Mexican Day of the Dead festival.
Although "So in Love" was the first single from Crush,it was one of the last songs written for the album. It was originally dropped until band member Martin Cooper persuaded Andy McCluskey and Paul Humphreys to make a demo for the song. Andy McCluskey said it was about the painful end of a relationship. It was their first hit in the United States,after five years of trying to "break" the States, [1] peaking at No. 26 on the Billboard Hot 100. [2] The song reached No. 27 on the UK Singles Chart. [3]
The single's artwork,by XL Design,and its accompanying promotional video were influenced by the Mexican Day of the Dead festival. [1]
The first approximately 50,000 copies of the 7" singles were released as a limited edition double-pack in a gatefold sleeve. [1] There were four different 12" singles released,and one of these was also released as a picture disc. The first issue had the normal version of the song on the A-side,with an extended version of "Concrete Hands" on the B-side. Later issues included remixes of "So in Love" on the A-sides. Three remixes were made:the "Extended Version","New Extended Version",and the "Brand New Extended Version",also known as the "Special American Dance Remix".[ citation needed ]
BBC Radio 2 DJ David Hamilton selected "So in Love" as his "Record of the Week",for the week of 13 May 1985. [4] Robin Smith of Record Mirror wrote,"How can you resist a song like 'So in Love'? A misty piece of McCluskey romance tinged with sadness before showing its true claws on the chorus." [5] Rolling Stone 's Paul Evans retrospectively described the track,and follow-up release "Secret",as "flawless singles". [6] Dave Thompson of AllMusic called the song a "rich and sumptuous number" with "adamant beats,swelling synths,and dense textures". [7]
On the other hand, Spin 's John Leland viewed "So in Love" as a "limp romantic ballad" and accused OMD of "aping the Smiths without the Smiths' ability to transform their banality into awkward grace". [8]
AFI lead vocalist Davey Havok recalled,"I became perpetually stuck to my single speaker cassette player,fingers poised to hit record when ['So in Love'] came on the radio. Its warm croon masked cold sentiment." [9] KROQ ranked "So in Love" the 17th-greatest song of 1985; [10] in a poll of 6,852 Slicing Up Eyeballs readers,it was voted the 27th-best track of the year. [11]
"Concrete Hands" was released on the B-side of the 7" singles,and an extended version on the B-side of the 12" singles. It was also released on the Navigation:The OMD B-Sides compilation album in 2001. The lyrics were made of lines written on postcards sent by Andy McCluskey to his girlfriend. [1] "Maria Gallante" was an extra song on the 12" releases and can also be found on the second disc of the 7" double pack. Until now,it is not available on CD. The song takes its title from the Caribbean island Marie-Galante,although the lyrics deal with a girl. [1] "White Trash" is a song from the band's fifth studio album Junk Culture (1984). This live recording was recorded at Hammersmith Odeon on 3 October 1984,and was only released on the double 7".
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The official music video for the song was directed by Andy Morahan, [12] and filmed on-location in the Province of Almería, in Spain. [13] The daytime scenes were shot in the village of Alhabia. Additional scenes were filmed in the Tabernas Desert, with night scenes on city streets filmed in the capital Almería (specifically El Paseo and Cabo de Gata Avenue).
No. | Title | Length |
---|---|---|
1. | "So in Love" | 3:29 |
2. | "Concrete Hands" | 3:46 |
No. | Title | Length |
---|---|---|
1. | "So in Love" | 3:29 |
2. | "Concrete Hands" | 3:46 |
3. | "Maria Gallante" | 2:53 |
4. | "White Trash" (Live at Hammersmith Odeon) | 4:44 |
No. | Title | Length |
---|---|---|
1. | "So in Love" | 3:29 |
2. | "Concrete Hands" (extended) | 4:15 |
3. | "Maria Gallante" | 2:53 |
No. | Title | Length |
---|---|---|
1. | "So in Love" (extended) | 5:35 |
2. | "Concrete Hands" (extended) | 4:15 |
3. | "Maria Gallante" | 2:53 |
No. | Title | Length |
---|---|---|
1. | "So in Love" (new extended version) | 5:35 |
2. | "Concrete Hands" (extended) | 4:15 |
3. | "Maria Gallante" | 2:53 |
No. | Title | Length |
---|---|---|
1. | "So in Love" (brand new extended version) | 5:35 |
2. | "Concrete Hands" (extended) | 4:15 |
3. | "Maria Gallante" | 2:53 |
No. | Title | Length |
---|---|---|
1. | "So in Love" (Special American Dance Remix) (12" version) | 5:20 |
2. | "So in Love" (Special American Dance Remix) (7" version) (actually the album version) | 3:29 |
No. | Title | Length |
---|---|---|
1. | "So in Love" (Special American Dance Remix) | 5:40 |
2. | "Concrete Hands" (extended) | 3:29 |
Weekly charts
| Year-end charts
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Junk Culture is the fifth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the experimental Dazzle Ships (1983), OMD and Virgin intended for the group to shift towards a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from pop, dance, Latin and black music. Frontman Andy McCluskey characterised Junk Culture as "the catchiest, poppiest album [OMD] ever made".
Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.
Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.
Crush is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, Crush is notable for moving the group towards a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past.
The Pacific Age is the seventh studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 29 September 1986 by Virgin Records. It was the last of two OMD studio albums produced by Stephen Hague, after Crush (1985). The record exhibits the same refined production values as its predecessor while venturing into the realm of mid-1980s sophisti-pop, retreating further from the group's experimental beginnings.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"If You Leave" is a 1986 song by English electronic band Orchestral Manoeuvres in the Dark (OMD). It was recorded for the soundtrack to the film Pretty in Pink (1986), in which it is played prominently during the final scene. Along with 1980's "Enola Gay", the track has been described as OMD's signature song.
"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison, although Humphreys is positioned higher in the mix. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.
"Enola Gay" is an anti-war song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), and the only single taken from their second studio album Organisation (1980). Written by lead vocalist and bassist Andy McCluskey, it addresses the atomic bombing of Hiroshima by the aircraft Enola Gay on 6 August 1945, toward the conclusion of World War II. As is typical of early OMD singles, the song features a melodic synthesizer break instead of a sung chorus.
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"Pandora's Box" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released by Virgin on 24 June 1991 as the second single from their eighth studio album, Sugar Tax (1991). The song, which deals with the less glamorous side of celebrity, was inspired by silent film actress Louise Brooks and is named after the 1929 film Pandora's Box in which she starred.
"Secret" is a 1985 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their album Crush. Paul Humphreys sings lead vocals on the track. It became their second US Billboard Hot 100 entry, peaking at number 63, and also made number 34 on the UK Singles Chart.
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"Messages" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD) from their self-titled debut studio album (1980). A re-recorded version of the song was released on 2 May 1980 as the album's third and final single, reaching number 13 on the UK Singles Chart and becoming OMD's first top-40 entry. As with their debut single "Electricity", "Messages" features a melodic synth break instead of a sung chorus.
"Locomotion" is a song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 2 April 1984 as the lead single from their fifth studio album, Junk Culture (1984). It was one of the band's biggest European hits, charting within the Top 5 in the UK, Ireland, Belgium and the Netherlands, while also peaking at No. 14 in Germany.
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The discography of English electronic band Orchestral Manoeuvres in the Dark (OMD) includes 14 studio albums and 46 singles, among other releases. The group issued their debut single, "Electricity", in 1979, and achieved several international top 10 hits during the 1980s and 1990s, including their signature songs "Enola Gay" (1980) and "If You Leave" (1986). OMD's albums Architecture & Morality (1981), The Best of OMD (1988) and Sugar Tax (1991) were certified platinum or higher in the UK; the gold-certified Dazzle Ships (1983) became one of the band's more influential works.
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