1877 in animation

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Contents

Years in animation: 1874   1875   1876   1877   1878   1879   1880
Centuries: 18th century  ·  19th century  ·  20th century
Decades: 1840s   1850s   1860s   1870s   1880s   1890s   1900s
Years: 1874   1875   1876   1877   1878   1879   1880

Events in 1877 in animation.

Events

Births

February

May

July

August

Related Research Articles

<span class="mw-page-title-main">Zoetrope</span> Pre-cinema animation device

A zoetrope is a pre-film animation device that produces the illusion of motion, by displaying a sequence of drawings or photographs showing progressive phases of that motion. A zoetrope is a cylindrical variant of the phénakisticope, an apparatus suggested after the stroboscopic discs were introduced in 1833. The definitive version of the zoetrope, with replaceable film picture film strips, was introduced as a toy by Milton Bradley in 1866 and became very successful.

<span class="mw-page-title-main">Émile Reynaud</span> French inventor (1844–1918)

Charles-Émile Reynaud was a French inventor, responsible for the praxinoscope and was responsible for the first projected animated films. His Pantomimes Lumineuses premiered on 28 October 1892 in Paris. His Théâtre Optique film system, patented in 1888, is also notable as the first known instance of film perforations being used. The performances predated Auguste and Louis Lumière's first paid public screening of the cinematographe on 26 December 1895, often seen as the birth of cinema.

<span class="mw-page-title-main">Praxinoscope</span> Animation device

The praxinoscope was an animation device, the successor to the zoetrope. It was invented in France in 1877 by Charles-Émile Reynaud. Like the zoetrope, it used a strip of pictures placed around the inner surface of a spinning cylinder. The praxinoscope improved on the zoetrope by replacing its narrow viewing slits with an inner circle of mirrors, placed so that the reflections of the pictures appeared more or less stationary in position as the wheel turned. Someone looking in the mirrors would therefore see a rapid succession of images producing the illusion of motion, with a brighter and less distorted picture than the zoetrope offered.

<span class="mw-page-title-main">Aleksandr Khanzhonkov</span>

Aleksandr Alekseevich Khanzhonkov was a pioneering Russian cinema entrepreneur, film director and screenwriter. He is known for producing Defence of Sevastopol, Russia's first feature film, as well as Ladislas Starevich's ground-breaking stop motion animation. Most of his career was in Russian Empire. During 1923-1926 he worked in the Soviet Union, where his career ended with a financial scandal, however his past achievements earned him a personal pension and an apartment from the state.

<span class="mw-page-title-main">Théâtre Optique</span>

The Théâtre Optique is an animated moving picture system invented by Émile Reynaud and patented in 1888. From 28 October 1892 to March 1900 Reynaud gave over 12,800 shows to a total of over 500,000 visitors at the Musée Grévin in Paris. His Pantomimes Lumineuses series of animated films include Pauvre Pierrot and Autour d'une cabine. Reynaud's Théâtre Optique predated Auguste and Louis Lumière's first commercial, public screening of the cinematograph on 28 December 1895, which has long been seen as the birth of film.

The decade of the 1870s in film involved some significant events.

For the history of animation after the development of celluloid film, see history of animation.

Events in 1900 in animation.

Events in 1899 in animation.

Events in 1894 in animation.

Events in 1893 in animation.

Events in 1892 in animation.

Events in 1889 in animation.

Events in 1888 in animation.

Events in 1887 in animation.

Events in 1882 in animation.

Events in 1880 in animation.

Events in 1879 in animation.

Events in 1878 in animation.

References

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  23. Marina Parkhomenko. Life and Death of Aleksandr Khanzhonkov interview with granddaughter Irina Orlova, Evening Donetsk newspaper № 153 (7825), October 17, 2003 (in Russian)
  24. Irina Orlova (2007). Dedicate My Life to Cinema. — Donetsk: Promin, 127 pages (Biography)
  25. Interview with Aleksandr Khanzhonkov's granddaughter Irina Orlova from the Evening Donetsk newspaper № 73, May 18, 2007 (in Russian)
  26. Maxim Medvedev. A slave of cinema in the garden of the parting paths Archived 2022-02-18 at the Wayback Machine article at Chastny Korrespondent, August 8, 2014 (in Russian)

Sources