1865 in animation

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Contents

Years in animation: 1862   1863   1864   1865   1866   1867   1868
Centuries: 18th century  ·  19th century  ·  20th century
Decades: 1830s   1840s   1850s   1860s   1870s   1880s   1890s
Years: 1862   1863   1864   1865   1866   1867   1868

Events in 1865 in animation.

Events

Births

December

Related Research Articles

<span class="mw-page-title-main">Zoetrope</span> Pre-cinema animation device

A zoetrope is a pre-film animation device that produces the illusion of motion, by displaying a sequence of drawings or photographs showing progressive phases of that motion. A zoetrope is a cylindrical variant of the phénakisticope, an apparatus suggested after the stroboscopic discs were introduced in 1833. The definitive version of the zoetrope, with replaceable film picture film strips, was introduced as a toy by Milton Bradley in 1866 and became very successful.

<i>Snow White and the Seven Dwarfs</i> (1937 film) Animated Disney film

Snow White and the Seven Dwarfs is a 1937 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. Based on the 1812 German fairy tale by the Brothers Grimm, the production was supervised by David Hand, and was directed by a team of sequence directors, including Perce Pearce, William Cottrell, Larry Morey, Wilfred Jackson, and Ben Sharpsteen. It is the first animated feature film produced in the United States and the first cel animated feature film.

<span class="mw-page-title-main">Phenakistiscope</span> First widespread animation device that created a fluid illusion of motion

The phenakistiscope was the first widespread animation device that created a fluid illusion of motion. Dubbed Fantascope and Stroboscopische Scheiben by its inventors, it has been known under many other names until the French product name Phénakisticope became common. The phenakistiscope is regarded as one of the first forms of moving media entertainment that paved the way for the future motion picture and film industry. Similar to a GIF animation, it can only show a short continuous loop.

<span class="mw-page-title-main">Precursors of film</span> Methods and tools preceding true cinematographic technology

Precursors of film are concepts and devices that have much in common with the later art and techniques of cinema.

<span class="mw-page-title-main">Snow White's Enchanted Wish</span> Dark ride at Disney theme parks

Snow White's Enchanted Wish is a dark ride at the Disneyland, Tokyo Disneyland, and Disneyland Paris theme parks, and formerly at the Magic Kingdom. Located in Fantasyland, it is one of the few remaining attractions that was operational on Disneyland's opening day in 1955, although it has seen several different redesigns over its history. The ride's story is based on Disney's 1937 film, Snow White and the Seven Dwarfs, their first animated feature film.

<span class="mw-page-title-main">Otis Harlan</span> American actor (1865–1940)

Otis Harlan was an American actor and comedian. He voiced Happy, one of the Seven Dwarfs in the Disney animated film Snow White and the Seven Dwarfs. This made him the earliest born actor to feature in a Disney film and one of the earliest born known American voice actors.

<span class="mw-page-title-main">Seven Dwarfs</span> Fictional characters in the fairy tale "Snow White"

The Seven Dwarfs are fictional dwarfs in the 1812 fairy tale Snow White by the Brothers Grimm and other renditions and adaptations.

<span class="mw-page-title-main">Snow White (Disney character)</span> Title character from Disneys 1937 animated film Snow White and the Seven Dwarfs

Snow White is a fictional character and a main character from Walt Disney Productions' first animated feature film Snow White and the Seven Dwarfs (1937). Voiced by Adriana Caselotti, the character is derived from the 1812 fairy tale collected by the Brothers Grimm.

<i>The Goddess of Spring</i> 1934 American film

The Goddess of Spring is a 9-minute Silly Symphonies animated Disney short film. The Symphony is imbued with operatic themes and is often cited as melodramatic. It was released in 1934, and its production was important to the future development of Disney's Snow White and the Seven Dwarfs animation. Each Silly Symphony was a technological marvel at the time and proceeded to further advancements in the animation industry.

<span class="mw-page-title-main">History of film technology</span> Aspect of motion picture history

The history of film technology traces the development of techniques for the recording, construction and presentation of motion pictures. When the film medium came about in the 19th century, there already was a centuries old tradition of screening moving images through shadow play and the magic lantern that were very popular with audiences in many parts of the world. Especially the magic lantern influenced much of the projection technology, exhibition practices and cultural implementation of film. Between 1825 and 1840, the relevant technologies of stroboscopic animation, photography and stereoscopy were introduced. For much of the rest of the century, many engineers and inventors tried to combine all these new technologies and the much older technique of projection to create a complete illusion or a complete documentation of reality. Colour photography was usually included in these ambitions and the introduction of the phonograph in 1877 seemed to promise the addition of synchronized sound recordings. Between 1887 and 1894, the first successful short cinematographic presentations were established. The biggest popular breakthrough of the technology came in 1895 with the first projected movies that lasted longer than 10 seconds. During the first years after this breakthrough, most motion pictures lasted about 50 seconds, lacked synchronized sound and natural colour, and were mainly exhibited as novelty attractions. In the first decades of the 20th century, movies grew much longer and the medium quickly developed into one of the most important tools of communication and entertainment. The breakthrough of synchronized sound occurred at the end of the 1920s and that of full color motion picture film in the 1930s. By the start of the 21st century, physical film stock was being replaced with digital film technologies at both ends of the production chain by digital image sensors and projectors.

<span class="mw-page-title-main">Barrier-grid animation and stereography</span> Animation method

Barrier-grid animation or picket-fence animation is an animation effect created by moving a striped transparent overlay across an interlaced image. The barrier-grid technique originated in the late 1890s, overlapping with the development of parallax stereography (Relièphographie) for 3D autostereograms. The technique has also been used for color-changing pictures, but to a much lesser extent.

For the history of animation after the development of celluloid film, see history of animation.

Events in 1891 in animation.

Events in 1878 in animation.

Events in 1877 in animation.

Events in 1870 in animation.

Events in 1868 in animation.

Events in 1866 in animation.

Events in 1860 in animation.

References

  1. Herbert, Stephen. (n.d.) From Daedaleum to Zoetrope, Part 1. Retrieved May 31, 2014.
  2. "Mikroskop, A. Krüss Hamburg". Museum optischer Instrumente.
  3. Chik, Caroline (2014). "La photographie sérielle et séquentielle. Origines et ambiguïtés". Cinémas. 24 (2–3): 187–215. doi: 10.7202/1025153ar . S2CID   161777075.
  4. Ludvík Souček, Jak se světlo naučilo kreslit (How the light learned to draw), SNDK, Prague, 1963, pp. 106–7.
  5. "Luikerwaal - Mechanical special effects slides". www.luikerwaal.com.
  6. Herbst, Helmut. Drei Bildbeschreibungen und eine Liste. Der Filmpionier Guido Seeber. pp. 15–41 in C. Müller und H. Segeberg (ed.) Die Modellierung des Kinofilms. Munich, 1998.
  7. Hischak, Thomas S. (2011), Disney Voice Actors: A Biographical Dictionary, McFarland, p. 95, ISBN   978-0786462711.
  8. Kaufman 2012b, p. 63.

Sources