1864 in animation

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Years in animation: 1861   1862   1863   1864   1865   1866   1867
Centuries: 18th century  ·  19th century  ·  20th century
Decades: 1830s   1840s   1850s   1860s   1870s   1880s   1890s
Years: 1861   1862   1863   1864   1865   1866   1867

Events in 1864 in animation.

Events

Births

January

March

Specific date unknown

Deaths

June

November

Related Research Articles

<span class="mw-page-title-main">Charles Babbage</span> English mathematician, philosopher, and engineer (1791–1871)

Charles Babbage was an English polymath. A mathematician, philosopher, inventor and mechanical engineer, Babbage originated the concept of a digital programmable computer.

<span class="mw-page-title-main">Magic lantern</span> Type of image projector

The magic lantern, also known by its Latin name lanterna magica, was an early type of image projector that used pictures—paintings, prints, or photographs—on transparent plates, one or more lenses, and a light source. Because a single lens inverts an image projected through it, slides were inserted upside down in the magic lantern, rendering the projected image correctly oriented.

<span class="mw-page-title-main">Persistence of vision</span> Optical illusion

Persistence of vision is the optical illusion that occurs when the visual perception of an object does not cease for some time after the rays of light proceeding from it have ceased to enter the eye. The illusion has also been described as "retinal persistence", "persistence of impressions", simply "persistence" and other variations. A very commonly given example of the phenomenon is the apparent fiery trail of a glowing coal or burning stick while it is whirled around in the dark.

<span class="mw-page-title-main">Zoetrope</span> Pre-cinema animation device

A zoetrope is a pre-film animation device that produces the illusion of motion, by displaying a sequence of drawings or photographs showing progressive phases of that motion. A zoetrope is a cylindrical variant of the phénakisticope, an apparatus suggested after the stroboscopic discs were introduced in 1833. The definitive version of the zoetrope, with replaceable film picture film strips, was introduced as a toy by Milton Bradley in 1866 and became very successful.

<span class="mw-page-title-main">John Herschel</span> English polymath (1792–1871)

Sir John Frederick William Herschel, 1st Baronet was an English polymath active as a mathematician, astronomer, chemist, inventor and experimental photographer who invented the blueprint and did botanical work.

<span class="mw-page-title-main">Phenakistiscope</span> First widespread animation device that created a fluid illusion of motion

The phenakistiscope was the first widespread animation device that created a fluent illusion of motion. Dubbed Fantascope and Stroboscopische Scheiben by its inventors, it has been known under many other names until the French product name Phénakisticope became common. The phenakistiscope is regarded as one of the first forms of moving media entertainment that paved the way for the future motion picture and film industry. Similar to a GIF animation, it can only show a short continuous loop.

<span class="mw-page-title-main">Thaumatrope</span> Optical toy featuring a spinning disk with pictures on each side

A thaumatrope is an optical toy that was popular in the 19th century. A disk with a picture on each side is attached to two pieces of string. When the strings are twirled quickly between the fingers the two pictures appear to blend into one. The toy has traditionally been thought to demonstrate the principle of persistence of vision, a disputed explanation for the cause of illusory motion in stroboscopic animation and film.

<span class="mw-page-title-main">George Albert Smith (filmmaker)</span> British filmmaker (1864–1959)

George Albert Smith was an English stage hypnotist, psychic, magic lantern lecturer, Fellow of the Royal Astronomical Society, inventor and a key member of the loose association of early film pioneers dubbed the Brighton School by French film historian Georges Sadoul. He is best known for his controversial work with Edmund Gurney at the Society for Psychical Research, his short films from 1897 to 1903, which pioneered film editing and close-ups, and his development of the first successful colour film process, Kinemacolor.

<span class="mw-page-title-main">Precursors of film</span> Methods and tools preceding true cinematographic technology

Precursors of film are concepts and devices that have much in common with the later art and techniques of cinema.

<span class="mw-page-title-main">Henri Rivière (painter)</span> French artist and designer

Henri Rivière was a French artist and designer best known for his creation of a form of shadow play at the Chat Noir cabaret, and for his post-Impressionist illustrations of Breton landscapes and the Eiffel Tower.

<span class="mw-page-title-main">Simon von Stampfer</span> Austrian mathematician (1792–1864)

Simon Ritter von Stampfer, in Windisch-Mattrai, Archbishopric of Salzburg today called Matrei in Osttirol, Tyrol – 10 November 1864 in Vienna) was an Austrian mathematician, surveyor and inventor. His most famous invention is that of the stroboscopic disk which has a claim to be the first device to show moving images. Almost simultaneously, a similar device was developed in Belgium.

<span class="mw-page-title-main">Projector</span> Optical device that projects an image or moving images onto a surface

A projector or image projector is an optical device that projects an image onto a surface, commonly a projection screen. Most projectors create an image by shining a light through a small transparent lens, but some newer types of projectors can project the image directly, by using lasers. A virtual retinal display, or retinal projector, is a projector that projects an image directly on the retina instead of using an external projection screen.

<span class="mw-page-title-main">History of film technology</span> Aspect of motion picture history

The history of film technology traces the development of techniques for the recording, construction and presentation of motion pictures. When the film medium came about in the 19th century, there already was a centuries old tradition of screening moving images through shadow play and the magic lantern that were very popular with audiences in many parts of the world. Especially the magic lantern influenced much of the projection technology, exhibition practices and cultural implementation of film. Between 1825 and 1840, the relevant technologies of stroboscopic animation, photography and stereoscopy were introduced. For much of the rest of the century, many engineers and inventors tried to combine all these new technologies and the much older technique of projection to create a complete illusion or a complete documentation of reality. Colour photography was usually included in these ambitions and the introduction of the phonograph in 1877 seemed to promise the addition of synchronized sound recordings. Between 1887 and 1894, the first successful short cinematographic presentations were established. The biggest popular breakthrough of the technology came in 1895 with the first projected movies that lasted longer than 10 seconds. During the first years after this breakthrough, most motion pictures lasted about 50 seconds, lacked synchronized sound and natural colour, and were mainly exhibited as novelty attractions. In the first decades of the 20th century, movies grew much longer and the medium quickly developed into one of the most important tools of communication and entertainment. The breakthrough of synchronized sound occurred at the end of the 1920s and that of full color motion picture film in the 1930s. By the start of the 21st century, physical film stock was being replaced with digital film technologies at both ends of the production chain by digital image sensors and projectors.

<span class="mw-page-title-main">Barrier-grid animation and stereography</span> Animation method

Barrier-grid animation or picket-fence animation is an animation effect created by moving a striped transparent overlay across an interlaced image. The barrier-grid technique originated in the late 1890s, overlapping with the development of parallax stereography (Relièphographie) for 3D autostereograms. The technique has also been used for color-changing pictures, but to a much lesser extent.

Moses Holden was an English astronomer, known particularly for giving magic lantern lectures on astronomy.

For the history of animation after the development of celluloid film, see history of animation.

Events in 1874 in animation.

Events in 1867 in animation.

References

  1. Babbage, Charles (1864). Passages from the Life of a Philosopher. Longman, Green, Longman, Roberts, & Green. pp.  189.
  2. Gray, Frank. "Smith, G.A. (1864-1959)". BFI Screenonlinee. Retrieved 2011-04-24.
  3. Gray, Frank. "George Albert Smith". Who's Who in Victorian Cinema. Retrieved 2011-04-24.
  4. Oppenheim, Janet (1988). The Other World: Spiritualism and Psychical Research in England, 1850-1914. Cambridge University Press. p. 144. ISBN   0-521-34767-X.
  5. Hall (1964), pp. 120–123.
  6. Gray, Frank (2009), "The Kiss in the Tunnel (1899), G.A. Smith and the Rise of the Edited Film in England", in Grieveson, Lee; Kramer, Peter (eds.), The Silent Cinema Reader, Routledge (published 2004), ISBN   978-0415252843
  7. Hall (1964), p. 172.
  8. Fields, Armond (1983). Henri Rivière. Henri Rivière (1st ed.). Salt Lake City: G.M. Smith/Peregrine Smith Books. p. 6. ISBN   978-0-87905-133-4. OCLC   9759446.
  9. Catalogue, Henri Rivière: The Thirty-Six Views of the Eiffel Tower (1888-1902), Watermarks Gallery, Pittsboro, NC, 1995.
  10. Phillip Dennis Cate and Mary Shaw (eds), The Spirit of Montmartre: Cabarets, Humor and the Avant-Garde, 1875-1905, Rutgers University Press, 1996, pp.55-58 excerpted on line as Henri Riviere: Le Chat noir and 'Shadow Theatre' .
  11. Jouvanceau, Pierre (2004). The Silhouette Film. Pagine di Chiavari. trans. Kitson. Genoa: Le Mani. ISBN   88-8012-299-1.
  12. Olivier Calon, Benjamin Rabier, Paris, Tallandier, 2004 ISBN   2-84734-102-1
  13. "Bienvenue à la Vache Qui Rit (1921)". National Institute of Industrial Property (France) (INPI) (in French). 12 January 2016. open the "+" beside "Combien de portions de...". Retrieved 2023-03-20.
  14. Sutton, Charles William (1891). "Holden, Moses"  . In Lee, Sidney (ed.). Dictionary of National Biography . Vol. 27. London: Smith, Elder & Co. p. 121.
  15. "Holden, Moses". Oxford Dictionary of National Biography (online ed.). Oxford University Press. 23 September 2004. doi:10.1093/ref:odnb/13494.(Subscription or UK public library membership required.)
  16. Stampfer, Simon (1833). Die stroboscopischen Scheiben; oder, Optischen Zauberscheiben: Deren Theorie und wissenschaftliche anwendung, erklärt von dem Erfinder [The stroboscopic discs; or optical magic discs: Its theory and scientific application, explained by the inventor] (in German). Vienna and Leipzig: Trentsensky and Vieweg. p. 2.
  17. "Lectures". Bulletin de l'Académie Royale des Sciences et Belles-Lettres de Bruxelles (in French). Vol. III, no. 1. Brussels: l'Académie Royale. 1836. pp. 9–10.
  18. "Stroboscopische Scheiben (optische Zauberscheiben)". Wiener Zeitung. 2 May 1833. p. 4.

Sources