| Blues & Roots | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | March 1960 [1] | |||
| Recorded | February 4, 1959 | |||
| Studio | Atlantic Studios, New York City | |||
| Genre | Hard bop | |||
| Length | 38:49 | |||
| Label | Atlantic SD 1305 | |||
| Producer | Nesuhi Ertegun | |||
| Charles Mingus chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |  [2] |
| DownBeat |  |
| The Penguin Guide to Jazz Recordings |  [3] |
| Q Magazine | |
Blues & Roots is an album by Charles Mingus, recorded in 1959 and released on the Atlantic label in 1960. It has been reissued on CD by both Atlantic and Rhino.
Mingus explained the origins of this record in the album's liner notes: [4]
This record is unusual— it presents only one part of my musical world, the blues. A year ago, Nesuhi Ertegün suggested that I record an entire blues album in the style of "Haitian Fight Song" (in Atlantic LP 1260), because some people, particularly critics, were saying I didn't swing enough. He wanted to give them a barrage of soul music: churchy, blues, swinging, earthy. I thought it over. I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing. So I agreed.
— Charles Mingus
The 1998 Rhino CD reissue included these additional tracks:
All tracks composed by Charles Mingus. Recorded February 4, 1959, at Atlantic Studios in New York City.
Mingus Mingus Mingus Mingus Mingus is a studio album by the American jazz composer and bassist Charles Mingus which was released on January 9, 1964.
The Genius of Ray Charles is a 1959 Ray Charles album, released in October by Atlantic Records, the seventh album since the debut Ray Charles in 1957. The album consists of swinging pop with big band arrangements. It comprises a first half of big band songs and a second half of string-backed ballads. The Genius of Ray Charles sold fewer than 500,000 copies and charted at number 17 on the Billboard 200. "Let the Good Times Roll" and "Don't Let the Sun Catch You Cryin'" were released as singles in 1959.
Changes One is an album by the jazz composer and bassist Charles Mingus, released in 1975.
Mingus Ah Um is a studio album by American jazz musician Charles Mingus which was released in October 1959 by Columbia Records. It was his first album recorded for Columbia. The cover features a painting by S. Neil Fujita. The title is a corruption of an imaginary Latin declension. It is common for Latin students to memorize Latin adjectives by first saying the masculine nominative, then the feminine nominative, and finally the neuter nominative singular —implying a transformation of his name, Mingus, Minga, Mingum. The album was inducted into the Grammy Hall of Fame in 2013.
Coltrane Plays the Blues is an album of music by jazz musician John Coltrane, released in July 1962 on Atlantic Records. It was recorded at Atlantic Studios during the sessions for My Favorite Things, assembled after Coltrane had stopped recording for the label and was under contract to Impulse Records. Like Prestige Records before them, as Coltrane's fame grew during the 1960s, Atlantic used unissued recordings and released them without either Coltrane's input or approval.
Oh Yeah is a studio album by the American jazz bassist and composer Charles Mingus, released in April 1962 by Atlantic Records. It was recorded in 1961, and features Mingus singing on three of the cuts and playing piano throughout.
Art Blakey's Jazz Messengers with Thelonious Monk is a studio album released in 1958 by Atlantic Records. It is a collaboration between the Jazz Messengers, the group led by drummer Art Blakey, and Thelonious Monk on piano.
Coltrane's Sound is an album credited to jazz musician John Coltrane, recorded in 1960 and released in 1964 on Atlantic Records, catalogue SD 1419. It was recorded at Atlantic Studios during the sessions for My Favorite Things, assembled after Coltrane had stopped recording for the label and was under contract to Impulse! Records. Like Prestige and Blue Note Records before them, as Coltrane's fame grew during the 1960s Atlantic used unissued recordings and released them without either Coltrane's input or approval.
Coltrane Jazz is the sixth studio album by jazz musician John Coltrane. It was released in early 1961 on Atlantic Records. Most of the album features Coltrane playing with his former Miles Davis bandmates, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb during two sessions in November and December, 1959. The exception is the track "Village Blues", which was recorded October 21, 1960. "Village Blues" comes from the first recording session featuring Coltrane playing with pianist McCoy Tyner and drummer Elvin Jones, who toured and recorded with Coltrane as part of his celebrated "classic quartet" from 1960 to 1965.
The Boss of the Blues is a 1956 album by the American singer Big Joe Turner. Originally released on the Atlantic label, the album has been reissued many times on cassette and CD by Atlantic, Rhino and Collectables.
Everything Is Everything is the debut studio album by American soul artist Donny Hathaway, which was released on July 1, 1970 on the Atlantic Records' subsidiary, Atco.
Live in Concert is a live album by Ray Charles released in 1965 by ABC-Paramount Records. The recording was made at the Shrine Auditorium in Los Angeles, California in September, 1964 following a tour of Japan.
East Coasting is an album by Charles Mingus, recorded and released in late 1957. It was reissued on CD with bonus takes in 1993.
Changes Two is an album by Charles Mingus. It was recorded on 27, 28, and 30 December 1974 at Atlantic Studios in New York City—the same sessions which resulted in Mingus's album Changes One. Atlantic Records initially released the record; in 1993, it was issued on CD by Rhino Records.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
This Is How I Feel About Jazz is a 1957 album by American musician Quincy Jones, his first full-length album as a bandleader after a recording debut with the 1955 split album Jazz Abroad.
Charles Mingus and Friends in Concert is a live album by the jazz bassist and composer Charles Mingus, recorded at the Philharmonic Hall of the Lincoln Center for the Performing Arts in 1972 and released on the Columbia label. The CD release added five previously unreleased performances from the concert, but did not include the opening track, Fats Waller's "Honeysuckle Rose", present in the LP version and on former Japanese CD editions.
Beauty Is a Rare Thing is a compilation box set collecting all the master recordings made for Atlantic Records between 1959 and 1961 by the American jazz composer and saxophonist Ornette Coleman. The set was released on Rhino Records in 1993, and reissued in March 2015.
The Smithsonian Collection of Classic Jazz is a six-LP box set released in 1973 by the Smithsonian Institution. Compiled by jazz critic, scholar, and historian Martin Williams, the album included tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz.
Live at the Theatre Boulogne-Billancourt/Paris, Vol. 1 is an album by Mingus Dynasty, billed as Big Band Charlie Mingus.
