Club Future Nostalgia | ||||
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Remix album by | ||||
Released | 28 August 2020 | |||
Recorded | 2020 | |||
Studio | ||||
Genre | ||||
Length | 50:07 | |||
Label | Warner | |||
Producer |
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Dua Lipa chronology | ||||
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The Blessed Madonna chronology | ||||
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Singles from Club Future Nostalgia | ||||
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Club Future Nostalgia is a remix album by English and Albanian singer Dua Lipa and American DJ the Blessed Madonna. A DJ mix edition of it was released on 28 August 2020,with the standard edition following on 11 September of the same year. The album was crafted by remixes of tracks from Lipa's second studio album, Future Nostalgia (2020),with the remixes being created by an assortment of DJs and producers,including Masters at Work,Larry Heard,Mark Ronson and Stuart Price.
Club Future Nostalgia is primarily a house,pop,and soul record,with Baltimore club,dance,disco,drum and bass and piano house influences. Guest appearances are included from Missy Elliott,Jamiroquai,Madonna and Gwen Stefani and Blackpink. The album received generally favourable reviews from music critics,with many praising its danceability and merging of sub-genres;however many preferred its parent album. It appeared on year-end lists published by Billboard , Variety and the Los Angeles Times . Commercially,the album reached number 28 on the US Billboard 200 and number 13 on the Canadian Albums Chart,and became both Lipa and the Blessed Madonna's first entry on the US Top Dance/Electronic Albums chart,reaching the summit on the chart.
Club Future Nostalgia marks the first appearance of previously-unreleased tracks "Love Is Religion" and "That Kind of Woman". The original version of the latter later appeared on Future Nostalgia:The Moonlight Edition (2021). It also includes a remix of Lipa and Blackpink's "Kiss and Make Up",with the original version of the song being released on Dua Lipa:Complete Edition (2018). The Blessed Madonna's remix of "Levitating",featuring Madonna and Elliott,was released as the lead single from Club Future Nostalgia on 13 August 2020. Alongside the single,a visualizer for the album was released for promotion,directed by James Papper and Will Hooper.
Following the March 2020 release of her second studio album Future Nostalgia ,Dua Lipa was unable to tour for the album due to the restrictions imposed in response to the COVID-19 pandemic. However,she was brought much joy after seeing her fans listening to Future Nostalgia in their homes and on Zoom parties as if they were with her. Intending to "take the party up a notch",Lipa enlisted the help of the Blessed Madonna to put together an "old-school" mixtape with remixes of songs from the album,alongside samples. [4] [5] The two of them met at the Glastonbury Festival in 2019,and the Blessed Madonna remixed Lipa and Silk City's "Electricity" in October 2018 before they ran into one and other at NYC Downlow. [5] [6] The Blessed Madonna got involved in the project around May 2020,following a Zoom call between both her and Lipa's respective teams. [5] [7] She handled executive production and A&R duties for Club Future Nostalgia. [8]
Club Future Nostalgia was created in two months,during lockdown protocols due to the COVID-19 pandemic. [4] [9] From the beginning of creation,Lipa and the Blessed Madonna were on the same page for what their vision of the album was. The Blessed Madonna started by creating a list of samples and remixers that she wanted for the album,many of whom had already been approached by Lipa's team,including Paul Woolford,Jayda G,Gen Hoshino,Larry Heard,and Yaeji. [5] [8] [10] The Blessed Madonna worked on Club Future Nostalgia from her home studio in London,with a workflow that consisted of breaking down the remixes into sections,creating new versions of them,and going back and forth with engineers while waiting on features. [8] [9]
When remixing "Good in Bed",Hoshino spent countless days in front of his computer,attempting to not waste any time. He intended to mix Lipa's contemporary nature with early 1980s soul essence and electronic imagery of the same time period. [8] The Blessed Madonna then took over,merging the remix with Zach Witness' remix of the same song,though mostly Hoshino's remix is heard. She also increased the pitch of the synth part from "Moments in Love" (1983) by Art of Noise to be in key with "Good in Bed". Finally,the Blessed Madonna had Mark Ronson call in and request Neneh Cherry's "Buffalo Stance" (1988),which was used to create a radio interlude. She chose the "gigolo" lyric from the song to go with the theme of "Good in Bed". Witness' original "Boys Will Be Boys" remix did not include the song's verses,so the Blessed Madonna remixed it,adding in the verses,as well as a break of Lyn Collins' "Think (About It)" (1972). [7]
After Lipa mentioned that Jamiroquai was one of her reference points for Club Future Nostalgia, the Blessed Madonna wanted to do something with them. She ultimately found Dimitri from Paris' edit of the band's "Cosmic Girl" (1996), which only existed on vinyl during the production of the album, and mashed it up with "Break My Heart" to create a remix. [7] For her own "Levitating" remix, the Blessed Madonna originally created the remix as if Lipa was the only person on it. After Madonna and Missy Elliott joined the song, the two of them sent their respective versions to the Blessed Madonna, who ended up "Frankenstein-ing" the three versions together. Madonna's engineer Mike Dean mixed down the song, while also handling its mastering. [10] Heard, credited as Mr. Fingers, started his "Hallucinate" remix by attempting to place some club-style concepts alongside Lipa's vocals. [8] The Blessed Madonna's "Love Is Religion" remix had multiple versions, which led to both her and Lipa's teams having a lot of back and forth. [10]
Yaeji wanted to pull out different moods and emotions for her "Don't Start Now" remix, which she found difficult to reimagine due to the fact that the song is her favourite of Lipa's. She also used her own voice for the remix. [8] Ronson took apart "Physical" for his remix, intending for a Ruff Ryders direction, and an electronic‑R&B mood. When the album was finished, Gwen Stefani expressed her desire to be on the remix, after having been previously approached for a "Hollaback Girl" sample on Mr Fingers' "Hallucinate" remix. It ended up that she wanted to be on "Physical", which both Ronson and the Blessed Madonna quickly included her on. [5] [7] [8] The "Kiss and Make Up" remix was created after Lipa expressed a desire to include some of her past features and collaborations, which caused the Blessed Madonna to combine vocals from the song with parts of "Rise" (1979) by Herb Alpert. Moodymann created two versions of his "Break My Heart" remix, which both were ultimately included on Club Future Nostalgia. [7] After all the remixes were finished, the Blessed Madonna edited each track by chopping and deconstructing them to create a DJ Mix, while also adding sound effects, ad-libs, and the samples. [5] [7]
Club Future Nostalgia is a 1990s house, 2020 pop, and 1980s soul album, [11] [12] that was noted for blending several different subgenres, including Baltimore club, dance, disco, drum and bass, and piano house. [6] [9] [13] The DJ Mix edition of the album is crafted so each track seamlessly transitions into the next, with DJ drop-ins from the remixers and Lipa, and samples from many of Lipa's influences. [6] [14] The DJ Mix edition opens with Joe Goddard's "jubilant" "Future Nostalgia" remix. Reminiscent of a 3am Glastonbury Festival DJ set, the remix incorporates Hot Chip-style synths and Daft Punk-inspired whirrs. [11] The following track, Jayda G's "Cool" remix, amps-up the original, reimagining it as a 1990s filter-disco track. [11] [13] Witness and Hoshino's remix of "Good in Bed" appears as the next track; it is split into two separate tracks on the album's standard edition. [1] [2] The remix "nimbly" hopscotches between its various parts, and features a funky flow. [13] [15] Back-to-back "Pretty Please" remixes follow, courtesy of Midland and Masters at Work, respectively. Both remixes blend elements of 1990s music, UK garage, New York house, and contemporary dance-pop, [13] while solely Masters at Work's remix is a take on bleep-house, and the Midland refix has a soulful sound. [7] "Boys Will Be Boys", remixed by Witness, has a club and Baltimore sound, with a Rio Carnival feel and it features a Latin-inflected groove that helps amp-up the track. The remix was described as "symphonic", and its production uses frantic drums, whistles, horns, cowbells, and a distorted chanted chorus. [7] [13] [15]
The synth-heavy remix of "Love Again" by Horse Meat Disco features a "squelchy" 1980s and retro charm. [13] [15] Horse Meat Disco introduce simple new melodies for the remix while it also includes strutting beats and funk-laced instrumentals. [11] [15] The first part of the song is very clubby, while the second part drops to a cruise. [7] A mashup of "Break My Heart" and a Dimitri from Paris edit of Jamiroquai's "Cosmic Girl", which is a DJ Mix only track, is an upbeat remix with unbridled energy, which makes the former funkier. [8] [15] The Blessed Madonna's "Levitating" remix, featuring Madonna and Elliott, spans electro-disco, electro house, future bass, and techno genres. [16] [17] [18] [19] It has a dance-orientated production that consists of futuristic synths, a pounding bass, and vocodered backing vocals, reminiscent of Daft Punk. [13] [17] [20] [21] A remix of "Hallucinate" by Mr Fingers entitled "deep stripped mix" and Woolford's extended mix follow, both of which incorporate elements of 1990s house and contemporary dance-pop. With his remix, Mr Fingers created a skeletal ambient track, [6] [8] where he reduces Lipa vocals down to a whisper, and incorporates a "gurgling" bassline, slinky synths, and West End disco beats. [13] [22] "Love Is Religion" (The Blessed Madonna remix) is a 1980s gospel and pop-house remix, [7] [11] [23] with a choir-backed chorus and bubblegum synths. [24] [25]
The "Don't Start Now" remix by Yaeji is driven by an ASMR-esque drum beat, and makes use of a G-funk deep bass and a stop-start rhythm. [6] [8] [15] The remix spans Baltimore club, house, minimal disco, pop, and trap genres. [6] [7] [11] Ronson's midtempo "Physical" remix that features Stefani reimagines the song as an electro track, with Lipa and Stefani's vocals blending together. [7] [13] The remix of "Kiss and Make Up", a DJ Mix only track, has a club feel and influences from the urban roots of remix culture. [15] It was described as a pop-funk remix. [13] Like its predecessor, Jacques Lu Cont's remix of "That Kind of Woman" also has a club feel, and incorporates Kylie Minogue-style disco and Balearic genres. [6] [11] [15] The DJ mix edition of Club Future Nostalgia closes with a remix of "Break My Heart" by Moodymann, who looped Lipa's vocal phrases and adjusted his sound to fit hers. A Detroit house and modern dance track, the remix includes a bass lick, cowbells, and ambiance, as well as clinking bottles and laughing sound effects. [6] [15] [26] The standard edition of the album also includes a "Don't Start Now" remix by Kaytranada. The remix is a bass-heavy, deep house and funky house track with a pop production. [27] [28] [29]
Following the announcement of the "Levitating" remix, Lipa revealed on 4 August 2020 that the remix, along with a remix of "Physical" by Ronson featuring Stefani, would be featured on a remix album for Future Nostalgia, titled Club Future Nostalgia. [30] [31] The Blessed Madonna's remix of "Levitating" that features Madonna and Elliott was released as Club Future Nostalgia's lead single on 13 August 2020. [32] The album was scheduled to be released on 21 August 2020; however, 11 days earlier, Lipa revealed while hosting Jimmy Kimmel Live! that Club Future Nostalgia was being delayed by a week in order to create an animation for every track on it. [33] [34] A week before its release, Lipa revealed the track list. [35]
A DJ Mix-crafted edition of Club Future Nostalgia was released for digital download and streaming by Warner Records on 28 August 2020, with the un-mixed standard edition, released through the same record label and for the same formats, following on 11 September 2020. [2] [36] Club Future Nostalgia marks the first appearance of previously-unreleased tracks "Love Is Religion" and "That Kind of Woman". [6] The standard edition of the album was released on vinyl, while the DJ mix was released on CD on 27 November 2020. [37]
A visualizer for the DJ Mix edition of Club Future Nostalgia was made available for digital download and streaming 28 August 2020. [38] [39] Lipa got the idea for it when preparing her "Hallucinate" video, thinking it was the perfect time to try and get animators to bring their own world with each song. She further thought that during the COVID-19 pandemic would be the only time she would be able to do this. [40] The visual was created as a collaboration between production companies Blink Ink and Blink, with production from Gareth Owen and Corin Taylor. [38]
Production on the visualizer began in late spring 2020. [41] James Papper of Blink Ink handled the direction for the animated parts of the video, working with 13 different artists. Each artist had to work under COVID-19 pandemic lockdown restrictions from their home cities, which included Madrid, Seoul, Sydney, Berlin, Los Angeles, Vancouver, New York City, Kentucky, Ghent, and London. The visualizer for each track was designed by a different artist, which mirrors the album's structure where each track is remixed by a different producer. Live action visuals are included, which were directed by Hooper. They include the music video for the remix of "Levitating", as well as clips of Lipa with her boyfriend Anwar Hadid. [42]
Aggregate scores | |
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Source | Rating |
AnyDecentMusic? | 7.0/10 [43] |
Metacritic | 81/100 [44] |
Review scores | |
Source | Rating |
AllMusic | [24] |
The Digital Fix | 8/10 [15] |
The Independent | [14] |
NME | [11] |
Pitchfork | 6.9/10 [6] |
Slant Magazine | [13] |
Tom Hull – on the Web | B+ ( ) [45] |
Club Future Nostalgia was met with generally positive reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album has an average score of 81, based on 7 reviews, [44] while AnyDecentMusic?'s assessment of critical consensus gave it 7.0 out of 10. [43]
Writing for the Los Angeles Times , Mikael Wood compared Club Future Nostalgia to Madonna's The Immaculate Collection (1990), while also complimenting Lipa's "vivid" vocals, writing she is a "magnificent" singer. [46] In his review for Variety , Jem Aswad praised the album for getting the concept of merging remix albums and mixtapes "exactly right". He concluded by naming it "more free and fun" than Future Nostalgia. [23] Roisin O'Connor at The Independent stated that the album makes one dance, as well as acclaiming the remixers for removing inhibitions from the liberated songs. [14] Hannah Mylrea of NME viewed it as more of a mixtape than a remix album, and praised the album for merging many different genres together. [11] AllMusic's Neil Z. Yeung commended Club Future Nostalgia for being a "sweaty, thumping update", "nonstop party", and "absolute blast", but also thought that some tracks did not hit the proper heights of what everyone wanted. [24]
For Slant Magazine , Sal Cinquemani criticized the album for lacking the "joyous, adrenaline-fueled arc" of the best DJ sets, but admired its unintentional virtual dance floor gateway. [13] In a mixed review at Pitchfork , Owen Myers stated it "struggles to build the anticipation to earn a payoff." He elaborated, criticizing the remixers for heavy editing that makes the album feel "oddly uneven" and fun, but less than the value of its parts. [6] Justin Curto of Vulture expressed that he is "devastated to report that it takes over 25 minutes for something exciting to happen" on the album. [22] Tom Hull, who had praised the original album, found Club Future Nostalgia inessential but "glittering with ear candy" and was especially impressed by the Neneh Cherry rap sample on "Good in Bed". [45]
Club Future Nostalgia placed on best of 2020 year-end lists by numerous publications. Slate hailed the album, along with Future Nostalgia, as 2020's best album in their fourth entry of The Music Club 2020. [47] It placed on an unranked list by Los Angeles Times, while Idolator ranked it at number 47 on their year-end list. [48] [49] Variety writer Jem Aswad thought it was the fifth best album of 2020. [50] Billboard ranked it as the third best dance album of 2020, with editor Katie Bain saying the "club-ready rework of one of the year's best albums was both a slick marketing maneuver and a joyful bridge between the Top 40 and the dancefloor". [51]
In the United States, Club Future Nostalgia debuted at number 28 on the Billboard 200 chart issue dated 12 September 2020, with first-week sales of 18,000 album-equivalent units. [52] In the same week, the album became both Lipa and the Blessed Madonna's first entry on Billboard's Dance/Electronic Albums chart, [53] where it debuted at the top position, breaking the 13-week streak of Lady Gaga's Chromatica (2020). [54] Elsewhere, Club Future Nostalgia reached number 13 on the Canadian Albums Chart. [55] The album spent only one week on all the respective charts it entered. [52] [54] [55]
Total length – 50:07
Total length – 78:02
Credits adapted from the liner notes of Club Future Nostalgia. [3]
Credits adapted from YouTube. [38]
Chart (2020) | Peak position |
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Canadian Albums (Billboard) [55] | 13 |
US Billboard 200 [52] | 28 |
US Top Dance/Electronic Albums (Billboard) [54] | 1 |
Region | Date | Format(s) | Label | Edition | Ref. |
---|---|---|---|---|---|
Various | 28 August 2020 | Warner | DJ Mix | [36] | |
Visualizer | [39] | ||||
11 September 2020 | Standard | [2] | |||
27 November 2020 | LP | [37] | |||
CD | DJ Mix |
Stuart David Price is an English electronic musician, DJ, songwriter, and record producer. His acts include his own band Zoot Woman, Les Rythmes Digitales, Paper Faces, Man with Guitar, Thin White Duke, and the parodic French moniker Jacques Lu Cont.
Dua Lipa is an English and Albanian singer and songwriter. Her accolades include seven Brit Awards and three Grammy Awards. Time magazine included her in its list of the 100 most influential people in the world in 2024.
English singer Dua Lipa has released three studio albums, two reissues, one remix album, five extended plays (EPs), thirty-six singles, ten promotional singles, two charity singles, and thirty-five music videos. After signing with Warner Bros. Records, she released her debut single "New Love" in 2015. The following year, she gained recognition through the singles "Hotter than Hell" and "Blow Your Mind (Mwah)". In 2017, Lipa released her self-titled debut studio album, which reached the top 10 charts in Australia, Belgium, Ireland, the Netherlands, New Zealand, Sweden and the United Kingdom. The album's chart-topping hits "Be the One", "New Rules" and "IDGAF" propelled Lipa to international fame.
"Electricity" is a song by British-American music duo Silk City and English and Albanian singer Dua Lipa featuring American DJ Diplo and British-American DJ Mark Ronson. The song was written by Silk City members: Ronson and Diplo, alongside Lipa, Diana Gordon, Romy Madley Croft, Jr Blender, Maxime Picard, Clément Picard, Jacob Olofsson and Rami Dawod. The production was handled by Silk City with additional production from Picard Brothers, Jarami, Riton, Alex Metric, and Blender. It was released for digital download and streaming through Columbia Records and Sony Music on 6 September 2018 as the fourth single from Silk City's debut 2019 extended play (EP) of the same name. The song was later included on Dua Lipa: Complete Edition (2018), the super deluxe reissue of Lipa's eponymous debut studio album.
"Kiss and Make Up" is a song by English and Albanian singer Dua Lipa and South Korean girl group Blackpink from Dua Lipa: Complete Edition (2018), the reissue of the former's eponymous debut studio album. The song was written by Lipa, Chelcee Grimes, Yannick Rastogi, Zacharie Raymond, Mathieu Jomphe-Lepine, Marc Vincent, and Teddy Park, while production was handled by Banx & Ranx. It was released through Warner Bros. Records as the final promotional single from all editions of the album on 19 October 2018, alongside the reissue's release.
Marea Stamper, better known by her stage name The Blessed Madonna, is an American DJ, producer and musician. Mixmag named her the DJ of the year in 2016. She founded her own record label called We Still Believe.
"Don't Start Now" is a song by English and Albanian singer Dua Lipa. Lipa wrote the song with Caroline Ailin, Emily Warren, and its producer Ian Kirkpatrick. The song was released for digital download and streaming by Warner Records on 31 October 2019, as the lead single from her second studio album, Future Nostalgia (2020). A nu-disco song, it features a funk bassline, inspired by music by the Bee Gees, Daft Punk and Two Door Cinema Club. Elements used in the production include handclaps, a crowd noise, cowbells, synth bursts and accented strings. Lyrically, Lipa celebrates her independence and instructs a former lover to forget about their past relationship.
Future Nostalgia is the second studio album by English and Albanian singer Dua Lipa. It was released on 27 March 2020 by Warner Records. Lipa enlisted writers and producers including Jeff Bhasker, Ian Kirkpatrick, Stuart Price, the Monsters & Strangerz, and Koz to create a "nostalgic" pop and disco record containing influences from dance-pop and electronic music. The album was inspired by the music that Lipa enjoyed during her childhood.
"Future Nostalgia" is a song by English and Albanian singer Dua Lipa from her second studio album of the same name (2020), included as the album's opening track. The song was written by Lipa, Clarence Coffee Jr. and its producer Jeff Bhasker. Intended to be "playful and fun," it is a synth-pop song that contains elements of disco, funk, hip pop, house and 1980s music. The lyrics discuss themes of feminism and self-reflection with Lipa referring to herself as a "female alpha".
"Physical" is a song by English and Albanian singer Dua Lipa from her second studio album, Future Nostalgia (2020). Lipa wrote the song with Jason Evigan, Clarence Coffee Jr. and Sarah Hudson, taking inspiration from 1980s music and the 1983 film Flashdance. It was produced by Evigan and Koz, and stemmed from a Persian flute synth sample that was played by the former. An uptempo dance-pop, power pop and synth-pop song, the song features a chugging synth bassline, drums and various percussion instruments. Lipa uses a spoken word, belting and chanting vocal delivery. The lyrics describe the honeymoon phase of a relationship and the importance of trusting one's instincts.
"Levitating" is a song by English and Albanian singer Dua Lipa from her second studio album, Future Nostalgia (2020). The song was written by Lipa, Clarence Coffee Jr., Sarah Hudson, and Koz, who produced the song with Stuart Price, and stemmed from a Roland VP-330 synthesizer sample played by Koz. The song is an electro-disco and nu-disco song with several disco tropes. It incorporates elements of dance-pop, pop-funk, power pop and space rock, as well as 1970s, 1980s and 1990s pop and R&B styles. The lyrics describe the idea of "levitating" when falling in love, with several outer space references.
"Pretty Please" is a song by English singer Dua Lipa from her second studio album, Future Nostalgia, released on 27 March 2020. The song was written by Lipa alongside Julia Michaels, Caroline Ailin and the sole producer Ian Kirkpatrick. It was created by the writing team during studio sessions, taking shape from the bassline and title. It is a disco-pop, electro-R&B and funk song with a stripped-back production driven by a funky bass. The song has a chill sound, however its meaning is the opposite; in the lyrics, Lipa pleas for stress relief from her lover after promising she will be chill at the beginning of a relationship, before realizing that is unlike her. Several critics commended the production and lyrics.
"Hallucinate" is a song by English and Albanian singer Dua Lipa from her second studio album Future Nostalgia (2020). The song was written by Lipa alongside Frances and SG Lewis. The latter of the three also handled the production with Stuart Price. The song was released through Warner Records for digital download and streaming on 10 July 2020 as the album's fourth single. It is a disco-house song with dance-pop, electro swing, psychedelic and synth-pop elements. Set to EDM rhythms and retro beats, the lyrics describe how crazy love can make one feel.
"Love Again" is a song by English and Albanian singer Dua Lipa from her second studio album, Future Nostalgia (2020). The song was written by Lipa alongside Clarence Coffee Jr., Chelcee Grimes and its producer Koz. They wrote the song based on the concept of manifesting positive things into one's life and Lipa later described it as her favourite song on the album. It was sent for radio airplay in France on 11 March 2021 as the sixth and final single from Future Nostalgia before being released for digital download and streaming on 4 June globally. It is a classic-sounding dance-pop, disco and electropop song with a 21st-century nu-disco production that includes disco beats and 1970s-styled disco strings. The song samples "My Woman" by Al Bowlly with Lew Stone and His Monseigneur Band, using it for several aspects, thus Bing Crosby, Max Wartell and Irving Wallman are also credited as writers. The lyrics explore themes of heartbreak and personal growth, seeing Lipa falling in love again with a new lover following a rough split.
"Break My Heart" is a song by English and Albanian singer Dua Lipa from her second studio album, Future Nostalgia (2020). The song was written by Lipa, Ali Tamposi, Stefan Johnson, Jordan K. Johnson, and Andrew Watt, while the production was handled by Watt alongside the Monsters & Strangerz. Due to a similarity to the guitar riff in INXS's 1987 song "Need You Tonight", band members Andrew Farriss and Michael Hutchence are also credited as writers, and the similarity is credited as an interpolation. The song was released for digital download and streaming through Warner Records as the third single from Future Nostalgia on 25 March 2020. It is a retro-futuristic dance-pop and disco-funk song with elements of house and 1980s music that is set to a Europop beat. A vulnerable song, it sees Lipa questioning whether a new love will leave her broken-hearted.
"Boys Will Be Boys" is a song by English and Albanian singer Dua Lipa from her second studio album Future Nostalgia (2020), serving as the album's closing track. Lipa wrote the song with Kennedi, Justin Tranter and Jason Evigan, while the production was handled by Koz. It is a baroque pop and chamber pop ballad set to orchestral strings and marching band drums with backing vocals from the Stagecoach Epsom Performing Arts Choir. Intending to start a conversation with the song, "Boys Will Be Boys" has themes of feminism and addresses the growing pains girls experience, needing to grow up faster than boys. She condemns toxic masculinity and how society treats women as inferior.
"Real Groove" is a song by Australian singer Kylie Minogue from her fifteenth studio album, Disco (2020). The song was written by Minogue, Teemu Brunila, Nico Stadi and Alida Garpestad Peck, with a sense of optimism for days ahead during the COVID-19 pandemic. Brunila and Stadi also handled the production. It is a disco-pop song with house and R&B elements and features vocoders, a funk bass and post-disco synths. The lyrics see Minogue attempting to win an ex back. A new version, a duet with English and Albanian singer Dua Lipa entitled "Studio 2054 remix", was released on 31 December 2020 as the album's third single by Darenote and BMG. The remix added William Bowerman as a producer with additional instrumentation and Lipa incorporating layered vocals and new lyrics.
Studio 2054 was a livestream concert by English singer Dua Lipa in support of her second studio album, Future Nostalgia (2020). The concert took place in four live streams on 27 November 2020 as part of American Express' Unstaged series. After being forced to postpone the Future Nostalgia Tour due to the COVID-19 pandemic, Lipa arranged for the livestream in order to perform songs from the album live. She used the livestream to fuel her fascination with Studio 54. Angèle, Bad Bunny, the Blessed Madonna, Buck Betty, Elton John, FKA Twigs, J Balvin, Kylie Minogue, Miley Cyrus and Tainy performed as guests.
"Cold Heart (Pnau remix)" is a song by English singer and songwriter Elton John and English and Albanian singer Dua Lipa from the former's 32nd studio album, The Lockdown Sessions (2021). It was released on 13 August 2021 as the lead single from the album for digital download and streaming in various countries by EMI and Mercury. Created during the COVID-19 pandemic, the collaboration between the artists was a testament to their friendship, which was established in November 2020. The song is a medley of four songs written by Elton John and Bernie Taupin, as well as Andrew Meecham, Dean Meredith, Nicholas Littlemore, Peter Mayes and Sam Littlemore, with the production completed by the latter three as part of the dance music group Pnau. Interpolating John's songs "Rocket Man" (1972), "Kiss the Bride" (1983), "Sacrifice" (1989) and "Where's the Shoorah?" (1976), the remix is an upbeat contemporary synth-pop, dance, dance-pop and pop song describing the decline of a relationship.
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