"Dangerous Woman" | ||||
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Single by Ariana Grande | ||||
from the album Dangerous Woman | ||||
Released | March 11, 2016 | |||
Recorded | January 2016 | |||
Studio | MXM (Stockholm, Sweden) | |||
Genre | ||||
Length | 3:55 | |||
Label | Republic | |||
Songwriter(s) | ||||
Producer(s) |
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Ariana Grande singles chronology | ||||
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Music video | ||||
"Dangerous Woman" on YouTube |
"Dangerous Woman" is a song by American singer Ariana Grande. It was released on March 11, 2016 by Republic Records as the lead single from her third studio album of the same name (2016). [2] It was written by Johan Carlsson, Ross Golan, and Max Martin, produced by Martin and Carlsson. "Dangerous Woman" is a mid-tempo pop and R&B song.
With "Dangerous Woman" debuting at number ten on the US Billboard Hot 100, Grande became the first artist to reach the top ten of the chart in the opening charting week with every lead single of her three studio albums. Furthermore, the song became her fifth single to debut within the top ten in the United States, later peaking at number eight in its eleventh week. It also reached the top ten in Canada and Lebanon. It was nominated for Best Pop Solo Performance at the 59th Annual Grammy Awards.
In October 2015, Grande released "Focus" as the intended lead single from her third studio album, titled Moonlight at the time. [3] Positioned by Grande as the perfect transition from her previous record to the new one, the song debuted in the top ten on various charts worldwide but received a mixed reception from critics, who felt it was too similar to her 2014 hit "Problem". [4] Grande ended up changing the album's title to Dangerous Woman, with the title track as its new lead single. [5] [6] On February 25, 2016, Grande launched a website titled dangerouswoman.com to promote the album and single. [7] Later, on March 1, 2016, she released the first preview of the song, containing few of the recording's lyrics and some "studio chatter". [8] On March 10, 2016, Grande premiered a one-minute preview during CBS' Victoria's Secret Swim Special , before finally releasing "Dangerous Woman" for digital download the next day. [9] [10] Four days later, the track was sent to United States contemporary hit radio. [11]
"Dangerous Woman" was written and produced by Johan Carlsson and Ross Golan, with additional writing from Max Martin. [12] In an interview with CBS This Morning , Golan revealed that the song was originally written with Carrie Underwood in mind, and was also pitched to Alicia Keys and Rihanna. It was ultimately given to Grande because Golan felt she really cared for the songwriters and would do the song justice. [13] Carlsson performed guitar, piano, synths, tambourine and handled the production and programming with Max Martin who also contributed with vocal production. [14] It was recorded at MXM Studios in Stockholm, Sweden. The song was mixed by Serban Ghenea at MixStar Studios in Virginia Beach, Virginia. The audio mastering was handled by Tom Coyne and Aya Merrill at Sterling Sound in New York City. [14]
Musically, "Dangerous Woman" is a midtempo slow-jam pop, R&B and retro-soul song, [16] [17] [18] [19] with strong influences of rock music. [15] [20] It was described by Brennan Carley from Spin as a "woozy, big-band piece of moody R&B, one that "falls neatly at the intersection of bubblegum and rock and roll", [18] The song is written in the key of E minor, while its tempo swings at a rate of 67 beats per minute in a compound duple 6
8 time. Grande's vocal range spans from D3 to B5. [21] Various publications compared the track's vibe to The Weeknd's "Earned It". [16] [22] [23] The song has a typical verse-pre-chorus-chorus structure; it begins with a chord progression of Em–G–C. [21] The opening verses are accompanied by guitar chords and slow beats, [16] [17] [24] which is followed by her belting in the pre-chorus. [22] A guitar solo is present during the song's bridge. [16] [25] Although not officially credited as a composer for the music, American singer Charlie Puth can be heard beatboxing in the background of the track. Puth declared Carlsson added his beatboxing in order to achieve a higher frequency on the snare drum. [26]
"'Dangerous Woman' is about choice, empowerment, strength and romance. As a person, as a character, as a persona. 'Dangerous Woman' is a fearless, honest, no bulls— superhuman, and I think all of us have her inside of us and it's just a matter of when we decide to let her out."
The arena rock chorus [6] consists of the line, ""Somethin' 'bout you makes me feel like a dangerous woman", with Grande repeating the phrase's beginning at the end of each line. The refrain is backed by distorted synths and the guitar riff present during the first verse. [20] [28] [10] [29] [30] Following the second chorus, Grande sings the hook, "All girls wanna be like that/Bad girls underneath, like that/You know how I'm feeling inside" accompanied by an electronic riff [10] reminiscent of trap music. [22] [31] The outro of the song features down-pitched, vocoder-processed vocals repeating the line "Yeah, there's somethin' 'bout you, boy" layered with Grande's vocals echoing the same line in her typical vocal style.
A reviewer from Sputnikmusic noted that the track's lyrics are "a cross between sexually charged and fully empowering." [32] Commenting about the lyrical content of "Dangerous Woman", Grande stated: "This song is about an empowered woman who meets another person that brings out a different side of her. It's her decision to put her fears aside and explore these new feelings. It's about letting someone into your life in an intimate and vulnerable way and not letting that take away from your independence and strength." [27]
The song received critical acclaim. Carolyn Menyes of Music Times complimented the song's time signature for adding "a bit of a waltz flavor, channeling the old school Ariana that fans first fell in love with", adding that "a sultry, distorted guitar line and Grande's passionate, soaring vocals add a sense of texture and modernity that makes 'Dangerous Woman' feel as powerful as the title." [33] A writer of NME felt that Grande "shows herself as someone who continues to be determined to challenge the norm." The publication as well pointed out that "[the song] does sound empowered, even if it doesn't sound especially dangerous for her in the wake of her 2014 collaboration 'Love Me Harder' with The Weeknd." [34] Writing for Idolator, Robbie Daw, Carl Williot and Mike Wass reviewed "Dangerous Woman" during their "Pop Perspective" article, with Daw calling it "one walk of danger worth taking", Williot praising her vocal performance and highlighting the "clever little flip of '(You Make Me Feel Like) A Natural Woman'", and Wass naming it a "decent song" but noting that "[she] still hasn't found her own lane." [16] Lewis Corner from Digital Spy praised Grande's vocals, describing as "angelic" and completed writing it "almost sound too pure over the seductive guitar line and prowling beat, which threatens to blindfold you and tie up your wrists within one listen.". [24] Reviewing the album with the same name, the editor from Sputnikmusic described the song as "the first moment that the album really shows flashes of becoming something special," and continued, "as it sways to a seductive beat that feels like it was extrapolated from the most revealing scene of a James Bond film." [32] Quinn Maryland of Pitchfork shared similar opinion, the reviewer described it as "a slinky, empowered, Bond theme of a belter;" [35]
Brennan Carley of Spin opined that "without a doubt, the most mature piece of music she's released to date. [...] The song is smart, sexy, captivating, and sung to total perfection." [18] Tufayel Ahmed from Newsweek as well praised the song's maturity. [36] Vulture.com's Sean Fitz-Gerald expressed that "Dangerous Woman" "flaunts the pop star's vocal control, starting out as a seductive whisper and slowly swelling into a heavy, swaying ear worm". [37] Writing for AXS , Lucas Villa compared the song to The Weeknd's 2014 single "Earned It", saying that Grande "embrace[s] her grown woman side." He also added that "Ariana's powerful pipes take femme fatale to a whole new level." [22] Maeve McDermott of USA Today considered it "her own version of a slinky Bond theme", [38] while Jessie Morris of Complex called it "enchanting". [39] Ailbhe Malone from Irish Times described the recording as "slinky and sexy, but tongue-in-cheek too. Imagine it as part of a Spotify playlist with Selena Gomez's 'Hands to Myself' and you're on the right track." [40] Rolling Stone wrote that "the thrush-size diva with the five-alarm vocal power knocks out a sumptuously bluesy ode to her own awesomely lethal ladyhood." [41] The magazine also named "Dangerous Woman" one of the thirty best songs of the first half of 2016: "This sultry, clever, bluesy stalk is full of unlikely patterns and pitch jumps, not to mention a guitar solo that explodes into Nintendo pixels and a vocodered outro. But for all its unique filigrees, there's an unstoppable chorus for one of pop's most pyrotechnic voices." [25]
In the United States, "Dangerous Woman" debuted at number 10 on the Billboard Hot 100 issue dated April 2, 2016, selling 118,000 digital downloads. [5] It also reached the Digital Songs chart at number two. [5] The recording became Grande's seventh top ten on the chart, and her second song after "Focus" to enter the top ten unaccompanied by another artist. She also set a record for debuting within the opening ten positions of the chart with every lead single—"The Way" and "Problem"—of her three studio albums. [5] The single fell to number 13 in its second week, but gradually rebounded, reaching its peak position at number eight in its eleventh week. [42] "Dangerous Woman" spent twenty weeks in the Hot 100's top forty, dropping to the closing positions starting with August 8, 2016. [43] As of June 2020, the song has sold 1,150,000 copies in the country. [44]
"Dangerous Woman" debuted at number 24 on Australia's ARIA Charts on the week ending March 27, 2016; it went on to reach number 18 on April 10, 2016, becoming her seventh top twenty single there. [45] The song spent 13 weeks on the chart. It was certified 4× Platinum by the Australian Recording Industry Association (ARIA) in 2023, for exceeding the 280,000 equivalent units limit. [46] In New Zealand, the song peaked at number 16 on the New Zealand Singles Chart, being as well certified Platinum. [47] [48] In the United Kingdom, "Dangerous Woman" debuted and peaked at number 17 on the UK Singles Chart, marking Grande's fifth top twenty single in that territory after "Focus". [49] [50] Additionally, the recording gained a Platinum certification offered by the British Phonographic Industry (BPI) for selling 600,000 units. [51]
Grande provided her first televised performance of "Dangerous Woman" when she served as both host and musical guest on the March 12, 2016 episode of Saturday Night Live along with "Be Alright". [52] She also sang the track as a special guest for Nicki Minaj's concert at the T-Mobile Arena on April 8, 2016, [53] and performed the single at the 2016 MTV Movie Awards with Jason Robert Brown, the Tony-winning composer behind Grande's Broadway debut in the musical 13 in 2008. [54] Grande also performed "Dangerous Woman" at The Voice season 10 finale alongside Christina Aguilera. [55] The song was included on the setlist for Grande's 2017 Dangerous Woman Tour as a closing song. It was also performed on Grande's 2019 Sweetener World Tour.
On March 20, 2016, Grande uploaded a video of the song to YouTube. The video shows Grande performing the entire song a capella in front of a beige background while wearing the latex bunny outfit shown on the album cover. At the end of the performance, the crew watching off-camera applaud wildly. The video has received over 130 million views. [56]
For "Dangerous Woman", Grande planned to shoot two different versions of the music video. Grande previewed what became the sole accompanying music video for the single through social media on March 26, 2016, and March 29, 2016. The clip was officially premiered on Vevo in the night of March 31, 2016. Directed by production company The Young Astronauts. In interview with Idolator, Grande explained: “We’re doing two visuals because this song makes me feel two kinds of ways, it makes me feel sexy and glamorous — I wanted to do a simpler more glam-themed video — and then I wanted to do another video because it makes me feel... like a super version of myself in a way.” [57] Discussing the song with Madeline Rotj from MTV, Grande stated about the concept behind the song's second video:
“This one's more cinematic and weird and tells a story. It's very different from the first one. I wanted to do a sexy, simple, more glamorous video, which was visual one. And then the second one is very different... it's very weird.”
The video opens with a vignette that presented the video as "visual 1". Sporting black lingerie, Grande is seen posing and singing in front of a curtain and on a bed. Shades of blue, purple and pink wash over her over the course of the video, which is just the singer on her own. Though she keeps a fairly stoic expression for the majority of the video, she is seen laughing towards the end as the screen fills with static. [58] [59] The video surpassed 100 million views on May 18, 2016, making it Grande's tenth VEVO-certified music video after "Right There" (2013). [59] [60] As of January 2024, the video has more than 710 million views, making it her 11th video to reach this milestone.
Grande initially planned to release two music videos for the song because it made her feel two different emotions, for which she felt two videos are needed to portray. [57] She later confirmed that Visual 2 had been cancelled on her Twitter and Snapchat accounts. [61] In a Q&A with fans, Grande later explained that the cancellation of Visual 2 was because she didn't have time. Further explanation on the cancellation came when a fan asked Grande about the video on Twitter on January 13, 2019. Grande responded to the fan, saying the video was a mess due to the visual effects not being realistic enough and that she didn't want to give her fans anything that is less than they deserve. [62] Grande also revealed part of the concept for the video, saying "I like peeled my skin off my face and the dw mask was underneath." The mask she was referring to was the mask featured in the album's artwork and packaging. "It was ambitious for the time allotted to work on it lol. and also insane" [63]
Credits adapted from the liner notes of Dangerous Woman. [14]
|
|
Weekly charts | Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [46] | 4× Platinum | 280,000‡ |
Austria (IFPI Austria) [111] | Gold | 15,000‡ |
Belgium (BEA) [112] | Gold | 10,000‡ |
Brazil (Pro-Música Brasil) [113] | 2× Diamond | 500,000‡ |
Canada (Music Canada) [114] | 4× Platinum | 320,000‡ |
Denmark (IFPI Danmark) [115] | Platinum | 90,000‡ |
France (SNEP) [116] | Gold | 66,666‡ |
Germany (BVMI) [117] | Gold | 200,000‡ |
Hungary (MAHASZ) [118] | Gold | 1,500‡ |
Italy (FIMI) [119] | Platinum | 50,000‡ |
New Zealand (RMNZ) [120] | 3× Platinum | 90,000‡ |
Norway (IFPI Norway) [121] | Platinum | 60,000‡ |
Poland (ZPAV) [122] | 2× Platinum | 40,000‡ |
Portugal (AFP) [123] | Platinum | 10,000‡ |
Spain (PROMUSICAE) [124] | Platinum | 60,000‡ |
Sweden (GLF) [125] | Platinum | 40,000‡ |
Switzerland (IFPI Switzerland) [126] | Gold | 15,000‡ |
United Kingdom (BPI) [51] | 2× Platinum | 1,200,000‡ |
United States (RIAA) [127] | 4× Platinum | 4,000,000‡ |
‡ Sales+streaming figures based on certification alone. |
Region | Date | Format(s) | Label | Ref. |
---|---|---|---|---|
Various | March 11, 2016 | Digital download | Republic | [128] |
Italy | Radio airplay | Universal | [129] | |
United States | March 15, 2016 | Republic | [11] [130] |
The American singer, songwriter, and actress Ariana Grande has released seven studio albums, one soundtrack album, one live album, one remix album, one compilation album, two extended plays (EPs), sixty singles, and fourteen promotional singles. Throughout her career thus far, Grande has sold over 90 million records worldwide, making her one of the best-selling music artists of all time. According to the Recording Industry Association of America (RIAA), she has sold over 131 million units, across albums, singles, and features, and 13 million albums and 95.5 million digital singles units as a lead artist. In the U.S., Grande has moved 22.4 million album units, and garnered over 23.6 billion streams across lead artist credits, according to Luminate. Having amassed over 105 billion consumed streams thus far, Grande is the most streamed female artist ever. She is also the most streamed female artist of the 2010s on Spotify and Apple Music. She has amassed 86 chart entries on the Billboard Hot 100—the third most entries for a female artist—including nine number ones and 22 top-10 hits altogether so far. Grande was named the sixth top female artist of the 2010s decade, and was ranked among Billboard's Greatest of All Time Hot 100 Artists, at number 78. Grande is also one of the best selling female artists in the UK, with over 31 million units.
"Problem" is a song by American singer Ariana Grande, featuring Australian rapper Iggy Azalea. It was released by Republic Records on April 28, 2014 as the lead single from Grande's second studio album, My Everything (2014). It was written by both alongside Savan Kotecha, Ilya and Max Martin, being produced by the latter two with Shellback, with Peter Carlsson serving as a vocal producer. "Problem" is an uptempo dance-pop and R&B song with influences of funk music, which comprises a melody based on drums, saxophone loops, and trumpets. The chorus features uncredited background vocals from American hip-hop artist Big Sean. Lyrically, Grande has stated that the song is about "the feeling of being absolutely terrified to re-approach a relationship that's gone sour – but you want to more than anything."
"Bang Bang" is a song by English singer-songwriter Jessie J, American singer-songwriter Ariana Grande, and Trinidadian rapper Nicki Minaj. It was released by Lava and Republic Records on 28 July 2014 as the lead single from Jessie J's third studio album, Sweet Talker (2014). The song was written by Max Martin, Savan Kotecha, Rickard Göransson, Grande and Minaj. It was produced by Martin, Göransson, and Ilya, with Kuk Harrell serving as a vocal producer. It is also included on the deluxe version of Grande's second studio album My Everything (2014), serving as the third single from that album.
"One Last Time" is a song by American singer Ariana Grande. It was released digitally by Republic Records on August 22, 2014 as the second promotional single from her second studio album, My Everything (2014). The song was sent to contemporary hit radio as the fifth and final single from the album on February 10, 2015. It was written by David Guetta, Savan Kotecha, Giorgio Tuinfort, Rami Yacoub, and Carl Falk. The song was produced by the latter two, with Tuinfort serving as a co-producer and Ilya serving both as a co-producer and vocal producer. A French version of the song featuring French singer Kendji Girac, alternatively titled "Attends-moi", was released on February 16, 2015, in France, Belgium and Switzerland. It is also included on the deluxe version of Girac's debut studio album Kendji (2015). An Italian version of the song featuring Italian rapper Fedez was released on May 26, 2015, only in Italy.
"Love Me Harder" is a song by the American singer Ariana Grande and the Canadian singer-songwriter the Weeknd. It was released by Republic Records on September 30, 2014, as the fourth single from Grande's second studio album, My Everything (2014). It was written by the Weeknd, Max Martin, Savan Kotecha, Peter Svensson, Ali Payami and Belly. The song was produced by Payami and Peter Carlsson, with Svensson serving as a vocal producer. Sonically, "Love Me Harder" is a pop, synthwave, synth-pop, R&B ballad with a "throbbing, electro-heavy chorus", a guitar riff and "big vacuum-esque synths". Lyrically, the song features double entendres about rough sex.
"Focus" is a song by American singer Ariana Grande. It was released on October 30, 2015, by Republic Records. Originally intended to be the lead single off of Grande's third studio album, Dangerous Woman, then named Moonlight, the song was scrapped from the album with its title track serving as the official lead single. The song appears as a bonus track on the Japan deluxe edition of the album. Written by Grande, Savan Kotecha, Peter Svensson and produced by Ilya Salmanzadeh and Max Martin, the song features horns with cowbells and handclaps as percussion.
"Be Alright" is a song recorded by American singer Ariana Grande for her third studio album Dangerous Woman (2016). Grande co-wrote the track with Tommy Brown, Victoria Monét, Khaled Rohaim, Nicholas Audino, Lewis Hughes and Willie Tafa, while its production was handled by Twice as Nice and Brown. "Be Alright" was released as the first promotional single from the album on March 18, 2016. In terms of music, the song is inspired by the 1990s deep house and influenced by R&B and Chicago house. Lyrically, it is a carefree song about being optimistic. The track was performed live for the first time on Saturday Night Live, with choreography inspired by the vogue style of ballroom culture; the same choreography was adopted by Grande during her Dangerous Woman Tour, in which the song served as opening track. Grande also performed the song as a part of the setlist during her Sweetener World Tour; a live version is included on the tour's live album, K Bye for Now .
Dangerous Woman is the third studio album by American singer-songwriter Ariana Grande. It was released through Republic Records on May 20, 2016. Grande began work on the album shortly after the release of her second studio album My Everything (2014). Grande served as the album's executive producer, alongside Max Martin and Savan Kotecha. Guest vocals on the album are provided by Nicki Minaj, Lil Wayne, Macy Gray and Future.
"Into You" is a song by American singer Ariana Grande. It was released on June 28, 2016, by Republic Records as the second single from her third studio album Dangerous Woman (2016). Grande co-wrote the song with Savan Kotecha, Alexander Kronlund, and its producers Max Martin and Ilya. The song was made available for digital download on May 6, 2016, via pre-order of the album, and was later serviced to US contemporary hit and rhythmic radio stations on June 28 as the album's second single. It is a dance-pop, house, electro, and EDM song that features a club beat, synths, and sharp clicks. The song is about Grande's desire for her partner to show more affection in their relationship. The song received widespread acclaim from music critics, who praised the production and the lyrics of the song.
"Let Me Love You" is a song by American singer Ariana Grande featuring American rapper Lil Wayne from the former's third studio album Dangerous Woman (2016). It was written by the artists alongside Victoria Monét and producers TB Hits and Steven Franks. The song was released as the second promotional single from the album on April 18, 2016. A slow-paced, sultry R&B track, "Let Me Love You" features delicate piano chords, electro-beats, smooth, deep bass, trap-lite, hip-hop beats, and interspersed vocals. Lyrically, the song talks about getting over an ex and laying on the chest of someone new.
"Everyday" is a song by American singer Ariana Grande featuring American rapper Future. It was released on January 10, 2017, by Republic Records as the fourth and final single from Grande's third studio album Dangerous Woman (2016). The song was written by the artists alongside Savan Kotecha and producer Ilya. "Everyday" was premiered on Beats 1 in May 2016, as part of a countdown a week ahead of the release of the album. On January 10, 2017, the single was serviced to rhythmic contemporary playlists, and sent to contemporary hit radio on February 14, 2017, serving as the fourth and final single from the album.
"Side to Side" is a song by American singer Ariana Grande featuring Trinidadian rapper Nicki Minaj. It was released on August 30, 2016, by Republic Records as the third single from Grande's third studio album Dangerous Woman. The artists wrote the song alongside Savan Kotecha, Alexander Kronlund, and producers Max Martin & Ilya. It is a reggae-pop song.
"No Tears Left to Cry" is a song by American singer Ariana Grande. It was released on April 20, 2018, by Republic Records as the lead single from her fourth studio album, Sweetener (2018). The song was written by Grande and Savan Kotecha with its producers Max Martin and Ilya Salmanzadeh. An uptempo dance-pop song driven by a UK garage beat featuring disco and R&B elements, its lyrics reflect on Grande's efforts to move on following the attack on her concert the previous year, "celebrating rising above the world's negativity" with a "nearly spoken-word" vocalization.
"God Is a Woman" is a song by American singer Ariana Grande. It was released on July 13, 2018, by Republic Records as the second single from her fourth studio album Sweetener (2018). The song was written by Grande, Max Martin, Savan Kotecha, Rickard Göransson and its producer Ilya.
"Bed" is a song by rapper Nicki Minaj, featuring American singer Ariana Grande. It was released on June 14, 2018, by Young Money Entertainment and Cash Money Records as the second single from Minaj's fourth studio album Queen (2018). The song was produced by Ben Billions, Beats Bailey, Supa Dups, and Messy. It marks the fourth collaboration between Minaj and Grande. Commercially, the song peaked at number 42 on the US Billboard Hot 100, as well as reached the top 20 in Australia, Scotland, and the United Kingdom.
"Breathin" is a song by American singer Ariana Grande. It was released on September 18, 2018, by Republic Records as the third and final single from her fourth studio album Sweetener (2018). It was sent to contemporary hit radio stations in the United States on September 18, 2018. Produced by Ilya Salmanzadeh, "Breathin" is a dance-pop and electro-R&B song that features synthesizers and an upbeat production incorporating disco and EDM elements. The song is based on Grande's experiences with post-traumatic stress disorder as a result of the Manchester Arena bombing, and the lyrics describe how Grande uses breathing exercises to recover from panic attacks.
"Thank U, Next" is a song by American singer Ariana Grande. It was released without prior announcement on November 3, 2018, by Republic Records as the lead single from her fifth studio album of the same name. Written by Grande, Tayla Parx and Victoria Monét, and produced by Tommy Brown, Charles Anderson, and Michael Foster, "Thank U, Next" is a celebratory ode to Grande's failed relationships, following the highly publicized breakup with her then-fiancé Pete Davidson. Considered a modern cultural phenomenon, the song's title and its lyrics spawned several catch phrases and online memes.
"Bloodline" is a song by American singer Ariana Grande from her fifth studio album, Thank U, Next (2019) through Republic Records. It was written by Ariana Grande, Savan Kotecha, and its producers Max Martin and Ilya Salmanzadeh.
"Positions" is a song by American singer Ariana Grande. It was released on October 23, 2020, by Republic Records as the lead single from Grande's sixth studio album of the same name (2020). The song was written by Grande, Angelina Barrett, Brian Vincent Bates, Nija Charles, James Jarvis, Tommy Brown, London on da Track, and Mr. Franks, and produced by the last three.
"34+35" is a song by American singer Ariana Grande, released on November 3, 2020, by Republic Records as the second official single from her sixth studio album Positions (2020). Written by Grande, Albert Stanaj, Courageous Xavier Herrera, Scott Nicholson, Steven Franks, Tayla Parx, Victoria Monét, and its producers Peter Lee Johnson and Tommy Brown, the song has a title and chorus that both reference the 69 sex position, while the rest of its lyrics feature several sexual puns, double entendres, and sex jokes.
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