Fake It Flowers

Last updated

Fake It Flowers
Fake It Flowers - Beabadoobee.jpg
Studio album by
Released16 October 2020
Studio
  • DH00270 (London)
  • Urchin (London)
Genre
Length41:02
Label Dirty Hit
Producer
Beabadoobee chronology
Space Cadet
(2019)
Fake It Flowers
(2020)
Our Extended Play
(2021)
Singles from Fake It Flowers
  1. "Care"
    Released: 14 July 2020
  2. "Sorry"
    Released: 6 August 2020
  3. "Worth It"
    Released: 8 September 2020
  4. "How Was Your Day?"
    Released: 28 September 2020
  5. "Together"
    Released: 13 October 2020

Fake It Flowers is the debut studio album by Filipino-English singer and songwriter Beabadoobee. It was released under English independent label Dirty Hit on 16 October 2020. Continuing the departure from her previous lo-fi bedroom pop sound initiated on Space Cadet , Fake It Flowers is a more guitar-driven album which recalls "'90s slacker rock" and alternative rock. Beabadoobee announced the release of the album in mid-July 2020 and supported it with the singles "Care", "Sorry", "Worth It", "How Was Your Day?" and "Together". She embarked on a headlining tour of the United Kingdom and Ireland to support the album in 2021.

Contents

Background and release

In early 2020, Beabadoobee achieved international commercial success for the first time in her career after her 2017 single "Coffee" was sampled in Canadian rapper Powfu's 2019 single "Death Bed". [1] The song peaked in the top 20 charts of over 27 countries, [2] and earned Beabadoobee her first platinum certification in the United States, [3] United Kingdom, [4] Australia, [5] and New Zealand. [6]

Amid the international hype over "Death Bed", Beabadoobee announced Fake It Flowers on 14 July 2020 and released the lead single and album opener "Care". [7] [8] [9] For the Apple Music At Home Sessions, she performed an acoustic version of "Care" as well as a cover version of Daniel Johnston's "Walking the Cow". [10] Beabadoobee announced the release of the album's next single "Sorry" in early August, [11] [12] and released it alongside its music video few days later on 5 August 2020. [13] [14] With this release, Beabadoobee revealed the album's track listing, cover art and official release date. [15] [16] [17] [18] Before releasing the third single, "Worth It", [19] Beabadoobee announced a headlining tour of the United Kingdom and Ireland to support the album in late 2021. [20] [21] On 28 September, she released the single "How Was Your Day?" alongside its music video. [22] [23] Beabadoobee released "Together" as the fifth and final single on 13 October 2020. [24]

Recording and concept

Beabadoobee told i-D , "Fake It Flowers is pretty much my whole life in one album." [25] On the album's namesake she said "I recorded my demos on my phone and for some reason they all saved as 'Fake It Flowers', and I was like, 'Oh! That's a cool name!' So I figured I may as well just call the album that! [...] I got kind of obsessed with flowers actually, especially when filming the video for 'Care' and doing the whole creative side with my boyfriend." [25] The record was recorded with Pete Robertson of the Vaccines and Irish studio engineer Joseph Rodgers, [26] both of whom recorded Beabadoobee's last project Space Cadet (2019).

Lyrically, the album contains "intense feeling and emotion", [27] as well in addition to what Will Hodgkinson of The Times described as "catchy songs about the concerns of youth". [28] It explores Beabadoobee's experiences with self-harm, [29] childhood trauma, [30] her romantic relationship with her boyfriend, [31] and using "hair dye as [a method of] empowerment". [32] Beabadoobee occasionally called on labelmate Matty Healy of English rock band the 1975 for lyrical assistance. [33]

Songs and composition

Fake It Flowers is primarily performed in the genre of alternative rock (or "alt-rock"), [34] [35] as well as indie rock (or "slacker rock"), [36] and therefore extensively features the electric guitar. [37] [38] [23] Many critics drew comparisons to the "'90s slacker rock" (or "'90s indie rock") which heavily influenced Beabadoobee. [39] [26] [40] [32] [36] The record was also described musically as "bubblegrunge" (a mixture of bubblegum music and grunge). [31] Chris DeVille of Stereogum wrote that Fake It Flowers' "dreamy blend of grunge, shoegaze, Britpop, emo, and other guitar-powered Clinton-era subgenres is consistently entertaining and occasionally transcendent." [26] Lucy Shanker of Consequence of Sound felt that Beabadoobee "channel[ed] the '90s with powerful pop punk songs". [41] Ryley Remedios of Exclaim! noted that the album "aims to blur the genre barrier between '90s garage rock and lo-fi pop". [42] Lizzie Manno of Paste wrote that "most of the songs on Fake It Flowers center on a hi-fi, textured rock sound with anthemic choruses." [43]

Sophie Williams of NME gave the album's lead single "Care" four out of five stars and described it as an "arena-baiting alt-rock stomper from Gen Z guitar hero". [35] Alicia Bugallo of Atwood Magazine noted that in the song, Beabadoobee "adopts a grungier sound, featuring straight drums, guitar riffs and gripping vocals" rather than "the lo-fi bedroom pop" she is known for. Bugallo also wrote that the song sees Beabadoobee "get raw" with her lyricism, "getting honest about what she has been through, and confronting those who have caused her pain, or have failed to listen to her when she needed a shoulder to cry on. It shows [her] vulnerability but, on the other hand, it also illustrates her courage and independence." [44]

The album's second single "Sorry" was described by Jade Boren of Hollywood Life as a "perfect example" of Beabadoobee's "adeptness at combining angst and angelic vocals to create alternative rock bangers", noting that she enters an "even darker territory" than on the lead single "Care" because "instead of romance, this new track focuses on a dying friendship". [45] The album's third single "Worth It" was described by James Rettig of Stereogum as "a chugging and compressed track about not wanting to fall back into bad relationship patterns." [46] Peter Helman of Stereogum described "Together" as "a sticky, melodic rocker that explodes into its satisfyingly crunchy chorus." [47]

Critical reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?7.6/10 [48]
Metacritic 81/100 [49]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [50]
Clash 8/10 [51]
Consequence of Sound B+ [41]
DIY Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [32]
Evening Standard Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [39]
Exclaim! 8/10 [42]
The Independent Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [31]
The Line of Best Fit 9/10 [52]
musicOMH Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [53]
NME Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [36]
Pitchfork 6.4/10 [54]

Fake It Flowers received critical acclaim from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album has an average score of 81 based on 18 reviews, indicating "universal acclaim". [49] Album of the Year collected 21 reviews and calculated an average of 78 out of 100. [55] Aggregator AnyDecentMusic? gave it 7.6 out of 10, based on their assessment of the critical consensus. [48] A more critical review from Pitchfork rated the album a 6.4 out of 10: "Fake It Flowers is an album of vibes: It uses the slanted melodies and flannel-loving aesthetics of alternative rock in service of pop hooks that are almost impressively simplistic and repetitive." [54]

Thomas Smith of NME rated the record five out of five stars and wrote that the "journey from bedroom pop hero to bonafide rock star is completed in bruising fashion on the Londoner's stunning debut album of anthemic slacker rock." [36] Robin Murray of Clash described Fake it Flowers as "a real pearl of a record" and "an instant classic debut album" which "runs on unmitigated confidence" and is "revealing, enthralling [and] enchanting". [51] Ben Devlin of musicOMH also described the record as "a very well-accomplished debut, featuring a consistent, enjoyable style, a fully-formed persona and catchy tunes which speak to the head and heart." [53] Mikael Woods of Los Angeles Times wrote that the album is "full of fuzzy-catchy '90s-style guitar jams". [37] Marianne Eloise of Louder Sound noted that "with its acoustic guitars and fuzzy production, [Fake It Flowers] has retained the DIY feel of Beabadoobee's earlier tracks," while noting that throughout the record she "experiment[s] with heavier sounds". [56] Because of "its ability to fuse pensive elation, sugary guitar charge, and sweet pop melodies", Jon Dolan of Rolling Stone compared the record to American Thighs (1994) by Veruca Salt and Totally Crushed Out (1995) by That Dog. [57] Ryley Remedios of Exclaim! wrote that the album "aims to blur the genre barrier between '90s garage rock and lo-fi pop, finding her on the cusp of breaking into mainstream radio while remaining a budding rock star in her own right." Remedios noted that the record was "fuelled by her love for Britpop" and that it "carries a deep nostalgia for that era of grunge, chipped vinyl and vintage threads," while writing that its "songs sound like they were recorded while rocking out with her friends in the garage with a no-fucks-given attitude toward music — and it works." [42] Emily Bootle of New Statesman praised Beabadoobee and described her as "an old-fashioned formidable talent" who "proves her talent with complex songwriting that goes deeper than a new millennium aesthetic". Bootle also described the album as "a near-flawless record of Y2K nostalgia" which "perfectly captures both past and future." [58] Charlotte Croft of The Line of Best Fit also described Beabadoobee as "a beacon of nostalgia for '90s kids" and that "the true essence of who [she] is is here to stay, taking us back to simpler times, adorned with mohair knits and baggy jeans." [52] Susan Darlington of Loud and Quiet highlighted her influences of bands such as Pavement and Pixies throughout the record and drew slight resemblance to Giant Drag and Belly in their King era. [59] Heather Phares of AllMusic also drew slight comparisons to the Sundays and the Cranberries on different tracks throughout the record, and concluded that Beabadoobee's "gift for distilling complex emotions into relatable songs is just as vital to [her] music as her rapidly evolving sound, and both shine on Fake It Flowers." [50]

James Ayles of Gigwise described the album as "a very polished effort that only begins to hint at the potential of the young woman wielding the guitar", emphasising that "having come from writing in her bedroom to debut record in swift order, it feels like there is plenty more to come from Beabadoobee." [40] In a slightly more negative review, Zoë Andrea-Lykourgou of Vinyl Chapters opposed this statement, writing that Fake It Flowers "demonstrates a development for Beabadoobee since her 'Coffee' days, but it's clear she still has a long way to go." [60]

Beabadoobee is at her best when serving up exquisite pop songs in rock trappings, matching sweetly sung melodies with a surging, shimmering wall of guitars. The first two songs on the album, "Care" and "Worth It", are both a breathless rush, so dynamic and immaculately produced that they seem to document a real-time transformation from bedroom pop to arena rock. Perhaps an even more impressive achievement is "Sorry", a crashing, symphonically infused power ballad about teenage indiscretions that, in keeping with the weight of adolescent emotions, impacts like a sky full of meteors careening toward the same destination. Beabadoobee's star, on the other hand, is on the rise. It will be interesting to see how high she can soar and whether others will follow in her wake.

Chris DeVille for Stereogum [26]

Accolades and rankings

Pitchfork listed "Care" as one of the best songs of 2020, [61] while Consequence of Sound ranked the same song at number 15 on their list of the Top 50 Songs of 2020. [62] The New York Times and NME also included the song within the top 20 of both their year-end lists, [63] [64] while Crack Magazine ranked it at number 10 on their list. [65]

Publications' year-end list appearances for Fake It Flowers
Critic/PublicationListRankRef
Consequence of Sound Top 50 Albums of 202023 [66]
PopMatters Top 10 Indie Rock Albums of 202010 [67]
Rolling Stone The 50 Best Albums of 202039 [68]
Under the Radar Top 100 Albums of 202046 [69]
Uproxx The Best Albums and Songs of 202047 [70]

Commercial performance

In the UK, Fake It Flowers debuted at number 8 on the UK Albums Chart, becoming her first entry on the chart. [71]

The album achieved minor commercial success elsewhere, peaking at number 96 in Australia, [72] number 88 in Ireland, [73] number 106 in Japan, [74] number 88 on the Japanese Download Charts, [75] number 3 in Scotland, [76] number 189 in the United States, [77] and number 28 on the Billboard Top Rock Albums chart. [78]

Tour

Fake It Flowers Tour
Tour by Beabadoobee
LocationEurope
Associated albumFake It Flowers
Start date7 September 2021
End date4 October 2021
Legs1
No. of shows14

In early September 2020, Beabadoobee announced the first leg of her headlining tour of the United Kingdom and Ireland to support Fake It Flowers in 2021. [20] [21]

List of 2021 concerts
DateCityCountryVenue
Europe
7 September Manchester England The Ritz
9 September Leeds Leeds Beckett University
10 September Nottingham Rescue Rooms
11 September Birmingham O2 Institute
13 September Cambridge Cambridge Junction
14 September Leicester O2 Academy Leicester
23 September London O2 Forum Kentish Town
24 September Bristol SWX
25 September Oxford O2 Academy Oxford
28 September Dublin Ireland The Academy
29 September Belfast Northern Ireland Oh Yeah
2 October Newcastle England Newcastle University Students' Union
3 October Edinburgh ScotlandThe Liquid Room
4 October Glasgow SWG3

Track listing

All tracks are written by Beabadoobee

Fake It Flowers track listing
No.TitleLength
1."Care"3:14
2."Worth It"3:14
3."Dye It Red"3:09
4."Back to Mars"1:30
5."Charlie Brown"2:32
6."Emo Song"3:38
7."Sorry"3:53
8."Further Away"3:07
9."Horen Sarrison"5:35
10."How Was Your Day?"4:20
11."Together"3:20
12."Yoshimi, Forest, Magdalene"3:24
Total length:41:02
Japanese CD bonus track [79]
No.TitleLength
13."First Date" 

Personnel

Adapted from the album's liner notes. [80]

Musicians

Other musicians

Technical

Artwork

Charts

Chart performance for Fake It Flowers
Chart (2020)Peak
position
Australian Albums (ARIA) [72] 96
Irish Albums (IRMA) [73] 88
Japanese Albums (Oricon) [74] 106
Japan Download Albums ( Billboard Japan ) [75] 88
Scottish Albums (OCC) [76] 3
UK Albums (OCC) [81] 8
US Billboard 200 [77] 189
US Heatseekers Albums (Billboard) [82] 2
US Independent Albums (Billboard) [83] 40
US Top Alternative Albums (Billboard) [84] 13
US Top Rock Albums (Billboard) [78] 28

Related Research Articles

<i>Winning Days</i> 2004 studio album by The Vines

Winning Days is the second studio album by Australian alternative rock band The Vines, and was released on 23 March 2004 It is the follow-up to their debut, Highly Evolved. The enhanced CD has the music video for "Ride". Winning Days was recorded in the summer of 2003 at Bearsville Studios in Woodstock, New York and was assisted by Bill Synans. It was mixed in September 2003 at Cello Studios in Los Angeles and was assisted by Steven Rhodes.

<i>Tender Prey</i> 1988 studio album by Nick Cave and the Bad Seeds

Tender Prey is the fifth studio album by the Australian rock band Nick Cave and the Bad Seeds, released on 19 September 1988 on Mute Records. Produced by Flood, the album was recorded during several sessions over the course of four months in London and West Berlin and dedicated to the Brazilian actor Fernando Ramos da Silva.

<span class="mw-page-title-main">The Killers</span> American rock band

The Killers are an American rock band formed in Las Vegas in 2001 by Brandon Flowers and Dave Keuning. After going through a number of short-term bassists and drummers in their early days, both Mark Stoermer and Ronnie Vannucci Jr. joined the band in 2002.

"The End" is an epic song by the American rock band the Doors. Lead singer Jim Morrison initially wrote the lyrics about his break up with an ex-girlfriend, Mary Werbelow, but it evolved through months of performances at the Whisky a Go Go into a much longer song. The Doors recorded a nearly 12-minute version for their self-titled debut album, which was released on January 4, 1967 and in which it was its closing track.

<span class="mw-page-title-main">Arctic Monkeys</span> English rock band

Arctic Monkeys are an English rock band formed in Sheffield in 2002. The group consists of lead singer Alex Turner, drummer Matt Helders, guitarist Jamie Cook and bassist Nick O'Malley; bassist and co-founder Andy Nicholson left the band in 2006.

<span class="mw-page-title-main">Stacked Actors</span> 2000 single by Foo Fighters

"Stacked Actors" is a song by American rock band Foo Fighters which was released as a single in January 2000 from their 1999 third album There Is Nothing Left to Lose. It was only released as a limited edition commercial single in Australia exclusively, however radio promotional singles were released in other countries for radio airplay.

<span class="mw-page-title-main">Girls & Boys (Blur song)</span> 1994 single by Blur

"Girls & Boys" is a song by English Britpop band Blur, released in March 1994 by Food Records as the lead single from the group's third studio album, Parklife (1994). The frontman of Blur, Damon Albarn wrote the song's lyrics with bandmembers Graham Coxon, Alex James and Dave Rowntree, while Stephen Street produced it.

<span class="mw-page-title-main">Jesus of Suburbia</span> 2005 single by Green Day

"Jesus of Suburbia" is a song by the American rock band Green Day. It was released as the fifth and final single from the group's seventh studio album, American Idiot, and the second song on the album. With the song running for 9 minutes and 8 seconds, it is Green Day's second longest song and the group's longest song to be released as a single. The studio version of the song was considered unfriendly for radio, so it was cut down to 6½ minutes for the radio edit. The single has sold 205,000 copies as of July 2010. Despite its commercial success, the song is the only hit single from the American Idiot album not to be included on the band's greatest hits album, God's Favorite Band.

<span class="mw-page-title-main">Bankrobber</span> 1980 single by the Clash

"Bankrobber" is a song by English punk rock band the Clash. The song was not released on any of their studio albums, instead appearing on their compilation Black Market Clash. Upon its 1980 release as a single it peaked at number 12 on the UK Singles Chart, and at number 14 on both the Irish Singles Chart and the New Zealand Singles Chart.

<span class="mw-page-title-main">The 1975</span> English pop rock band

The 1975 are an English pop rock band formed in Wilmslow, Cheshire in 2002. The band consists of Matty Healy, Adam Hann, Ross MacDonald (bass), and George Daniel. The band's name was inspired by a page of scribblings found in Healy's preowned copy of On the Road by Jack Kerouac that was dated "1 June, The 1975".

<i>NME</i><span class="nowrap" style="padding-left:0.1em;">s</span> Cool List Annual listing of popular musicians compiled by the weekly British music magazine NME

NME's Cool List was an annual listing of popular musicians compiled by the weekly British music magazine NME. The list was created each November by the magazine's writers and journalists, and was based on the 50 musicians that they considered to be the "coolest". Each year's list was first announced by NME through both a dedicated issue of their magazine and their official website, NME.com – the Cool List issue often attracted high sales. The first list was published on 29 October 2002, to highlight the people who were "at the forefront of the music scene" – Jack White, the lead singer of American rock band The White Stripes, topped the first poll. Since then, it was published a further eight times: it ran every year from 2003 to 2011, with the exception of 2009. Musicians such as Justin Timberlake, Pete Doherty and Laura Marling topped these subsequent listings. The final artist to top NME's Cool List was the American rapper Azealia Banks in 2011.

<span class="mw-page-title-main">Fake Love (BTS song)</span> 2018 single by BTS

"Fake Love" is a song recorded in Korean and Japanese by South Korean band BTS. It was written by "Hitman" Bang, RM, and Pdogg, with the latter as producer. The Korean version was released through Big Hit Entertainment on May 18, 2018, as the lead single from the band's third album Love Yourself: Tear (2018). Columbia Records serviced the song to US contemporary hit radio on June 12, 2018, as a single in the country. A remix, titled "Rocking Vibe", was released on June 4, 2018, and appears on the band's third compilation album, Love Yourself: Answer (2018). The Japanese version of the song was released for digital download and streaming on October 16, 2018, by Universal Music Japan as a single album that included the remix and "Airplane Pt. 2", both also in Japanese. "Fake Love" is an emo hip hop, grunge, rap-rock and electropop song which relies on rock instrumentals. The lyrics talk about a love that was once believed to be destiny, but turned out to be fake at the end.

<span class="mw-page-title-main">Beabadoobee</span> English singer-songwriter (born 2000)

Beatrice Kristi Ilejay Laus, known professionally as Beabadoobee, is a Filipino-British singer-songwriter, and guitarist. From 2018 to 2021, she released five extended plays (EPs) under the independent label Dirty Hit: Lice (2018), Patched Up (2018), Loveworm (2019), Space Cadet (2019) and Our Extended Play (2021). Her debut studio album Fake It Flowers was released in October 2020, and received critical acclaim. Her second studio album, Beatopia, was released on 15 July 2022, which spawned the hit "The Perfect Pair." Her third studio album, This Is How Tomorrow Moves, was released on 9 August 2024; it became her first album to peak atop the UK Albums Chart.

<span class="mw-page-title-main">Bakar (musician)</span> British singer

Abubakar Baker Shariff-Farr, better known as Bakar, is an English singer. Known for his experimental indie rock style, he made his professional solo debut with the mixtape Badkid in May 2018. In 2019, he released "Hell n Back", the single he is most commonly associated with. He released his debut album Nobody's Home on February 25, 2022. He released his second album, Halo, on September 22, 2023.

<span class="mw-page-title-main">Sorry (band)</span> English indie band

Sorry is an English indie rock band from North London. The band members are Asha Lorenz, Louis O'Bryen, Lincoln Barrett, Campbell Baum and Marco Pini. The band's debut studio album, 925, was released in 2020, following the release of several mixtapes and singles.

<i>Nightmare Vacation</i> (album) 2020 studio album by Rico Nasty

Nightmare Vacation is the debut studio album by American rapper Rico Nasty, released on December 4, 2020, through Artist Partner Group (APG), Atlantic Records and her own Sugar Trap label. The album features guest appearances from rappers Trippie Redd, Aminé, Gucci Mane and Don Toliver, among others. Frequent producers on the record also include 100 gecs, Take a Daytrip and Avedon, with additional work from producers such as Tay Keith, Buddah Bless and CashMoneyAP.

<i>Space Cadet</i> (EP) 2019 EP by Beabadoobee

Space Cadet is the fourth extended play (EP) by Filipino-born English singer-songwriter Beabadoobee. The EP was released on 14 October 2019 by independent record label Dirty Hit, and was supported by the singles "She Plays Bass" and "I Wish I Was Stephen Malkmus". All five tracks were executively produced by English musicians Pete Robertson and Joseph Rodgers. The EP was also written entirely by Beabadoobee and features additional guitar from Matthew Healy on the title track.

<i>Loveworm</i> 2019 EP by Beabadoobee

Loveworm is the third extended play by Filipino-English singer-songwriter Beabadoobee. The EP, recorded and produced by Pete Robertson and Joseph Rodgers, was released on 26 April 2019 through independent record label Dirty Hit. It marks a departure from the folk-influenced, lo-fi sound of her previous two EPs, Lice (2018) and Patched Up (2018), incorporating a wider variety of instrumentation and exploring a range of genres. The EP was not preceded by any singles, but was released alongside a one night headliner at Oslo in East London.

<i>Beatopia</i> 2022 studio album by Beabadoobee

Beatopia is the second studio album by Filipino-English singer and songwriter Beabadoobee. It was released on English independent label Dirty Hit on 15 July 2022. It features collaborations with singer PinkPantheress, Matty Healy and George Daniel of the 1975, Cavetown, and Jack Steadman of Bombay Bicycle Club.

<i>This Is How Tomorrow Moves</i> 2024 studio album by Beabadoobee

This Is How Tomorrow Moves is the third studio album by the Filipino-English singer and songwriter Beabadoobee. It was released by English independent label Dirty Hit on 9 August 2024. It features the singles "Take a Bite", "Coming Home", "Ever Seen", and "Beaches". The album debuted at number one on the UK Albums Chart, making it her first to do so.

References

  1. Caramanica, Jon (5 August 2020). "The Universal Loneliness of Powfu". The New York Times . ISSN   1553-8095. Archived from the original on 26 February 2021. Retrieved 6 August 2020.
  2. Price, Jason (5 August 2020). "beabadoobee Releases "Sorry" Single From Highly-Anticipated Debut Album 'Fake It Flowers'". Icon Vs. Icon. Archived from the original on 6 August 2020. Retrieved 6 August 2020.
  3. Cantor, Brian (11 June 2020). "Powfu & Beabadoobee earn their first US Platinum Certifications with 'Death Bed'". Headline Planet. Archived from the original on 15 August 2020. Retrieved 6 August 2020.
  4. "British certifications – Beabadoobee". British Phonographic Industry . Retrieved 6 August 2020.Type Beabadoobee in the "Search BPI Awards" field and then press Enter.
  5. "ARIA Charts – Accreditations – 2020 Singles" (PDF). Australian Recording Industry Association . Retrieved 6 August 2020.
  6. "New Zealand single certifications – Powfu feat. Beabadoobee – Death Bed". Recorded Music NZ . Retrieved 20 November 2024.
  7. Yoo, Noah (14 July 2020). "beabadoobee Announces Debut Album Fake It Flowers, Shares New Song "Care"". Pitchfork . Archived from the original on 14 July 2020. Retrieved 6 August 2020.
  8. Rossingnol, Derrick (14 July 2020). "Beabadoobee is over fake sympathy on her rocking new single 'Care'". Uproxx . Archived from the original on 14 July 2020. Retrieved 6 August 2020.
  9. Yeung, Vivian (15 July 2020). "Beabadoobee announces debut album Fake It Flowers, shares first single Care". Crack Magazine . ISSN   0965-1209. Archived from the original on 19 November 2020. Retrieved 6 August 2020.
  10. Krol, Charlotte (28 July 2020). "Beabadoobee covers Daniel Johnston's 'Walking the Cow' – listen". NME . ISSN   0028-6362. Archived from the original on 7 August 2020. Retrieved 6 August 2020.
  11. Aubrey, Elizabeth (3 August 2020). "Beabadoobee says new song 'Sorry' will be released later this week". NME . ISSN   0028-6362. Archived from the original on 7 August 2020. Retrieved 6 August 2020.
  12. Kenneally, Cerys (4 August 2020). "Beabadoobee to release second debut album single "Sorry" this week". The Line of Best Fit . Archived from the original on 27 January 2023. Retrieved 6 August 2020.
  13. Wass, Mike (5 August 2020). "Beabadoobee Drops "Sorry" As Next Single From 'Fake It Flowers'". Idolator . Archived from the original on 15 September 2023. Retrieved 6 August 2020.
  14. Maicki, Salvatore (5 August 2020). "Hear beabadoobee's new single "Sorry"". The Fader . ISSN   1533-5194. Archived from the original on 7 August 2020. Retrieved 6 August 2020.
  15. Lavin, Will (5 August 2020). "Beabadoobee shares details of debut album and releases new song 'Sorry'". NME . ISSN   0028-6362. Archived from the original on 5 August 2020. Retrieved 6 August 2020.
  16. Bloom, Madison (5 August 2020). "beabadoobee Details New Album, Shares Video for New Song "Sorry"". Pitchfork . Archived from the original on 5 August 2020. Retrieved 6 August 2020.
  17. Murray, Robin (6 August 2020). "beabadoobee Says 'Sorry', Details Debut Album". Clash . ISSN   1743-0801. Archived from the original on 10 August 2020. Retrieved 6 August 2020.
  18. Pappis, Konstantinos (6 August 2020). "beabadoobee Details Debut Album, Shares Video for New Track 'Sorry'". Our Culture Mag . Archived from the original on 7 August 2020. Retrieved 6 August 2020.
  19. Rettig, James (8 September 2020). "beabadoobee Shares New Single "Worth It"". Stereogum . OCLC   1142733705. Archived from the original on 13 September 2020. Retrieved 10 September 2020.
  20. 1 2 Moore, Sam (7 September 2020). "Beabadoobee announces 2021 UK and Ireland tour". NME . Archived from the original on 8 September 2020. Retrieved 8 September 2020.
  21. 1 2 Yeung, Vivian (7 September 2020). "Beabadoobee announces UK and Ireland tour for 2021". Crack . Archived from the original on 20 September 2020. Retrieved 8 September 2020.
  22. Clarke, Patrick (28 September 2020). "Beabadoobee shares lo-fi new single 'How Was Your Day'". NME . ISSN   0028-6362. Archived from the original on 3 October 2020. Retrieved 4 October 2020.
  23. 1 2 Tan, Emily (28 September 2020). "Watch Beabadoobee's 'How Was Your Day?' Video". Spin . ISSN   0886-3032. Archived from the original on 3 October 2020. Retrieved 4 October 2020.
  24. Clarke, Patrick (13 October 2020). "Beabadoobee shares new single 'Together' ahead of Friday's debut album release". NME . Archived from the original on 15 October 2020. Retrieved 14 October 2020.
  25. 1 2 Dunn, Frankie (15 July 2020). "Beabadoobee: "Fake It Flowers is pretty much my whole life in one album"". i-D . ISSN   0894-5373. Archived from the original on 17 July 2020. Retrieved 6 August 2020.
  26. 1 2 3 4 DeVille, Chris (12 October 2020). "With beabadoobee, The '90s Alt-Rock Revival Sounds Ready For Its Inevitable Pop Crossover". Stereogum . OCLC   1142733705. Archived from the original on 17 October 2020. Retrieved 16 October 2020.
  27. Nordstrom, Leigh (17 October 2020). "Beabadoobee Knows How You're Feeling". Women's Wear Daily . ISSN   0043-7581. Archived from the original on 17 October 2020. Retrieved 18 October 2020.
  28. Hodgkinson, Will (16 October 2020). "Beabadoobee: Fake It Flowers review — catchy songs about the concerns of youth". The Times . ISSN   0140-0460. Archived from the original on 18 October 2020. Retrieved 18 October 2020.
  29. Empire, Kitty (18 October 2020). "Beabadoobee: Fake It Flowers review – shiny, vulnerable retro pop". The Observer . ISSN   0029-7712. Archived from the original on 18 October 2020. Retrieved 18 October 2020.
  30. Mahale, Jenna (16 October 2020). "Beabadoobee decodes every track on Fake It Flowers". i-D . ISSN   0894-5373. Archived from the original on 18 October 2020. Retrieved 18 October 2020.
  31. 1 2 3 Brown, Helen (15 October 2020). "Beabadoobee review, Fake It Flowers: A terrific new addition to the 'bubblegrunge' genre". The Independent . ISSN   0951-9467. Archived from the original on 17 October 2020. Retrieved 16 October 2020.
  32. 1 2 3 Swann, Emma (15 October 2020). "Beabadoobee - Fake It Flowers". DIY. OCLC   751712522. Archived from the original on 30 October 2020. Retrieved 16 October 2020.
  33. Williams, Jenessa (19 August 2020). "Beabadoobee interview: "I want to sound powerful"". The Forty-Five. Archived from the original on 18 October 2020. Retrieved 18 October 2020.
  34. Darville, Jordan (15 September 2020). "Watch bebadoobee's music video for "Worth It"". The Fader . ISSN   1533-5194. Archived from the original on 7 October 2020. Retrieved 4 October 2020.
  35. 1 2 Williams, Sophie (14 July 2020). "Beabadoobee's 'Care': arena-baiting alt-rock stomper from Gen Z guitar hero". NME . ISSN   0028-6362. Archived from the original on 1 August 2020. Retrieved 6 August 2020.
  36. 1 2 3 4 Smith, Thomas (2 October 2020). "Beabadoobee – 'Fake It Flowers' album review". NME . ISSN   0028-6362. Archived from the original on 5 October 2020. Retrieved 4 October 2020.
  37. 1 2 Wood, Mikael (22 September 2020). "Beabadoobee is a '90s fuzz-rock anomaly in a TikTok world". Los Angeles Times . ISSN   0458-3035. Archived from the original on 4 October 2020. Retrieved 4 October 2020.
  38. Castel, Gregory (16 July 2020). "beabadoobee reveals debut album 'Fake It Flowers' and shares leading single "Care"". Earmilk. Archived from the original on 24 September 2020. Retrieved 4 October 2020.
  39. 1 2 Smyth, David (16 October 2020). "Beabadoobee - Fake It Flowers review: Back to the Nineties in the best possible taste". Evening Standard . ISSN   2041-4404. Archived from the original on 15 September 2023. Retrieved 17 October 2020.
  40. 1 2 Ayles, James (12 October 2020). "Album Review: beabadoobee - Fake It Flowers". Gigwise . Archived from the original on 21 October 2020. Retrieved 15 October 2020.
  41. 1 2 Shanker, Lucy (16 October 2020). "Artist of the Month beabadoobee Unleashes the Raw and Gutting Fake It Flowers: Review". Consequence of Sound. Archived from the original on 15 April 2021. Retrieved 17 October 2020.
  42. 1 2 3 Remedios, Ryley (16 October 2020). "beabadoobee's Rock Star Dreams Become Reality on 'Fake It Flowers'". Exclaim! . ISSN   1207-6600. Archived from the original on 18 October 2020. Retrieved 17 October 2020.
  43. Manno, Lizzie (16 October 2020). "beabadoobee's Fake It Flowers is Sparkly and Sweet". Paste . ISSN   1540-3106. Archived from the original on 17 October 2020. Retrieved 17 October 2020.
  44. Bugallo, Alicia (15 July 2020). "This Just In: Beabadoobee Unveils Her Vulnerability in "Care"". Atwood Magazine. Archived from the original on 7 August 2020. Retrieved 6 August 2020.
  45. Boren, Jade (5 August 2020). "Beabadoobee Confesses Her 'Mistakes' In Apologetic Anthem 'Sorry'". Hollywood Life . Archived from the original on 7 August 2020. Retrieved 6 August 2020.
  46. Rettig, James (8 September 2020). "beabadoobee Shares New Single "Worth It": Listen". Stereogum . Archived from the original on 13 September 2020. Retrieved 4 October 2020.
  47. "Beabadoobee – "Together"". 13 October 2020. Archived from the original on 15 October 2020. Retrieved 14 October 2020.
  48. 1 2 "Beabadoobee - Fake It Flowers". AnyDecentMusic?. Archived from the original on 18 October 2020. Retrieved 16 October 2020.
  49. 1 2 "Fake It Flowers by Beabadoobee". Metacritic . United States. Archived from the original on 20 October 2020. Retrieved 16 October 2020.
  50. 1 2 Phares, Heather (16 October 2020). "Beabadoobee - Fake It Flowers". AllMusic . Archived from the original on 18 October 2020. Retrieved 16 October 2020.
  51. 1 2 Murray, Robin (13 October 2020). "beabadoobee - Fake It Flowers". Clash . ISSN   1743-0801. Archived from the original on 13 October 2020. Retrieved 15 October 2020.
  52. 1 2 Croft, Charlotte (16 October 2020). "Beabadoobee sparkles on her glossy grunge debut full-length Fake It Flowers". The Line of Best Fit . Archived from the original on 17 October 2020. Retrieved 16 October 2020.
  53. 1 2 "Beabadoobee – Fake It Flowers". musicOMH. 17 October 2020. ISSN   2516-6220. Archived from the original on 20 October 2020. Retrieved 17 October 2020.
  54. 1 2 Gordon, Arielle (20 October 2020). "beabadoobee: Fake It Flowers". Pitchfork . Archived from the original on 22 October 2020. Retrieved 5 January 2021.
  55. "Beabadoobee - Fake It Flowers". Album of the Year. Archived from the original on 20 October 2020. Retrieved 20 October 2020.
  56. Eloise, Marianne (15 October 2020). "Beabadoobee's Fake It Flowers: an authentic grunge album for the 21st century". Louder Sound . ISSN   0955-1190. Archived from the original on 24 October 2020. Retrieved 16 October 2020.
  57. Dolan, Jon (19 October 2020). "Beabadoobee Perfectly Channels the Nineties on 'Fake it Flowers'". Rolling Stone . ISSN   0035-791X . Retrieved 20 October 2020.
  58. Bootle, Emily (14 October 2020). "Beabadoobee's Fake It Flowers: a near-flawless record of Y2K nostalgia". New Statesman . ISSN   1364-7431. Archived from the original on 16 October 2020. Retrieved 16 October 2020.
  59. Darlington, Susan (12 October 2020). "Beabadoobee - Fake It Flowers - Album Review". Loud and Quiet . OCLC   862597995. Archived from the original on 15 October 2020. Retrieved 15 October 2020.
  60. Andrea-Lykourgou, Zoë (14 October 2020). "Beabadoobee: Fake It Flowers – Review". Vinyl Chapters. Archived from the original on 14 October 2020. Retrieved 16 October 2020.
  61. "The 100 Best Songs of 2020". Pitchfork. 7 December 2020. Archived from the original on 10 July 2023. Retrieved 7 December 2020.
  62. "Top 50 Songs of 2020". Consequence of Sound . 3 December 2020. Archived from the original on 17 January 2023. Retrieved 7 December 2020.
  63. Pareles, Jon; Caramanica, Jon; Zoladz, Lindsay (7 December 2020). "Best Songs of 2020". The New York Times . ISSN   0362-4331. Archived from the original on 19 March 2021. Retrieved 8 December 2020.
  64. "The 50 best songs of 2020". NME . 8 December 2020. Archived from the original on 17 February 2021. Retrieved 8 December 2020.
  65. "The Top 25 Tracks of the Year". Crack Magazine . Archived from the original on 5 December 2020. Retrieved 8 December 2020.
  66. "Top 50 Albums of 2020". Consequence of Sound . 1 December 2020. Archived from the original on 16 April 2021. Retrieved 10 December 2020.
  67. Manrique, Linnette (3 December 2020). "The 10 Best Indie Rock Albums of 2020". PopMatters . Archived from the original on 11 December 2020. Retrieved 10 December 2020.
  68. "The 50 Best Albums of 2020". Rolling Stone . 4 December 2020. Retrieved 10 December 2020.
  69. "Under the Radar's Top 100 Albums Of 2020". Under the Radar . 15 January 2021. Archived from the original on 30 January 2021. Retrieved 7 February 2021.
  70. "The 50 Best Albums Of 2020". Uproxx . 1 December 2020. Archived from the original on 1 December 2020. Retrieved 10 December 2020.
  71. Copsey, Rob (23 October 2020). "The Vamps' Cherry Blossom blooms at Number 1: 'This is insane!'". Official Charts Company . Archived from the original on 27 October 2020. Retrieved 23 October 2020.
  72. 1 2 "The ARIA Report: Week Commencing 26 October 2020". The ARIA Report. No. 1599. Australian Recording Industry Association. 26 October 2020. p. 6.
  73. 1 2 "Irish-charts.com – Discography Beabadoobee". Hung Medien. Retrieved 23 October 2020.
  74. 1 2 "ビーバドゥービー" (in Japanese). Oricon. Archived from the original on 27 October 2020. Retrieved 23 October 2020.
  75. 1 2 "Billboard Japan Download Albums– October 26, 2020". Billboard Japan (in Japanese). Archived from the original on 21 October 2020. Retrieved 27 October 2020.
  76. 1 2 "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 23 October 2020.
  77. 1 2 "Beabadoobee Chart History (Billboard 200)". Billboard. Retrieved 26 October 2020.
  78. 1 2 "Beabadoobee Chart History (Top Rock Albums)". Billboard. Retrieved 27 October 2020.
  79. "Fake It Flowers". Caroline Records Japan. 5 August 2020. Archived from the original on 16 November 2020. Retrieved 26 September 2020.
  80. Fake It Flowers (booklet). Beabadoobee. Dirty Hit. 2020.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  81. "Official Albums Chart Top 100". Official Charts Company. Retrieved 23 October 2020.
  82. "Beabadoobee Chart History (Heatseekers Albums)". Billboard. Retrieved 9 May 2022.
  83. "Beabadoobee Chart History (Independent Albums)". Billboard. Retrieved 3 November 2020.
  84. "Beabadoobee Chart History (Top Alternative Albums)". Billboard. Retrieved 9 May 2022.