Company type | Puppetry performance and scenic design |
---|---|
Founded | 5 February 1981 |
Founder | Adrian Kohler, Basil Jones, Jon Weinberg and Jill Joubert [1] |
Headquarters | Cape Town, |
Key people | Adrian Kohler and Basil Jones |
Website | www |
The Handspring Puppet Company is a South African puppetry performance and design company. It was established in 1981 by Adrian Kohler, Basil Jones, Jon Weinberg, and Jill Joubert, [2] and is based in Cape Town, South Africa.
Jones and Kohler met at the Michaelis School of Fine Art in Cape Town. [2] At first, they designed puppets for children-targeted productions, which Jones initially disliked. Kohler "introduced him [Jones] to the West African tradition of puppetry for adults," [3] working with Malcolm Purkey and Barney Simon, among others. [4]
Some notable productions include:
Esther van Ryswyk directed Episodes of an Easter Rising (1985), a play based on David Lytton's radio special of the same name. [5] It told the story of two white lesbian women who became part of South Africa's anti-apartheid struggle. It premiered at the Baxter Theatre in Cape Town and toured to the National Arts Festival in Makhanda (formerly Grahamstown), WITS University Theatre in Johannesburg and to the 7th World Festival of Puppet Theatre in Charleville-Mézières, France. [4]
In 1997, they worked with William Kentridge (director) and Jane Taylor (scriptwriter) on Ubu and the Truth Commission . [4] The play draws extensively on Alfred Jarry's absurdist production Ubu Roi (1896). It fuses the chaos of the Ubu legend with original testimony from witnesses at the post-apartheid Truth and Reconciliation Commission (TRC). It highlights Kentridge's work in the evolution of truth through a combination of fictional narratives and facts. [6] The production premiered in Weimer, Germany on 17 June 1997. Over the next two years, it toured to 38 theatres in South Africa, Europe and the USA. [7]
Tall Horse (directed by Marthinus Basson in 2004) was a collaboration between the Sogolon Puppet Troupe of Mali and Handspring Puppet Company. The production was based on historical events: in 1827 the Pasha of Egypt, Muhammad Ali, sent a giraffe as a gift to King Charles X of France. The play dramatised the giraffe's journey across the Mediterranean Sea and the politics underlying it. With initial funding from the John F. Kennedy Centre in Washington, D.C, Tall Horse was also supported by Anglo Gold Ashanti, a mining company with interests in both Mali and South Africa. [8]
The Handspring Puppet Company achieved critical acclaim when War Horse featuring life-size puppets they had created, premiered at the Royal National Theatre in South Bank, London, on 17 October 2007. [9] Kohler and Jones worked with directors Marianne Elliott and Tom Morris and choreographer Toby Sedgwick [10] to design and construct life-sized horse puppets, each controlled by three actors. Two actors operate the legs and a third controls the head and neck, with all three actors providing a variety of sound effects. [11] The company won an Olivier Award, Evening Standard Theatre Award and London Critics' Circle Theatre Award. [12] [13] [14] The show transferred to the West End on 28 March 2009, [15] and on 15 March 2011, it premiered on Broadway at the Vivian Beaumont Theater in New York City. [16] The play has been performed globally to nearly eight million people worldwide. [17]
The company collaborated with Neil Bartlett and Rae Smith on Or You Could Kiss Me , which opened at London's National Theatre on 5 October 2010, for a six-week season. The show has been described as "an intimate history of two very private lives, lived in extraordinary times". It was loosely based on the lives of Kohler and Jones, and speculated on their future circumstances when both men reach the age of 85. [18]
Best Design (Rae Smith and the Handspring Puppet Company, winner)
2007 Critics' Circle Theatre Awards
Best Designer (Basil Jones, Adrian Kohler, Rae Smith and the Handspring Puppet Company, winner)
Best Set Design (Rae Smith, Basil Jones and Adrian Kohler, winner)
Adrian Kohler and Basil Jones won the Special Tony Award for War Horse.
2011 Outer Critics Circle Awards
Outer Critics Circle Special Achievement Award for "Puppet Design, Fabrication and Direction for War Horse" [21] [22]
2012 – Honorary Doctorate of Literature Kohler and Jones both received an honorary doctorate in literature from the University of Cape Town, South Africa. [23]
2018 – John F. Kennedy Gold Medal Kohler and Jones received the John F. Kennedy Gold Medal in the Arts from the Kennedy Center International Committee on the Arts at a ceremony held at the Zeitz Museum of Contemporary Art Africa. [24]
Title | Year/s | Country | Cities | |
---|---|---|---|---|
Episodes of an Easter Rising [4] | 1985 | South Africa | Cape Town, Makhanda (formerly Grahamstown), Johannesburg | |
France | Charleville-Mézières | |||
A Midsummer Night's Dream [4] | 1988–1989 | South Africa | Stellenbosch, Cape Town, Makhanda, Johannesburg | |
Carnival of the Bear [4] | 1988 | South Africa | Johannesburg | |
Tooth and Nail [4] | 1989 | South Africa | Johannesburg | |
Starbrites! [4] | 1990–91 | South Africa | Johannesburg | |
United Kingdom | Cambridge, Oxford, Birmingham, Nottingham, London | |||
Ireland | Dublin | |||
Denmark | Copenhagen | |||
Woyzeck on the Highveld [4] | 1992–2009 | South Africa | Makhanda, Johannesburg, Cape Town | |
Germany | Munich, Stuttgart, Hamburg, Bochum, Braunschweig, Berlin | |||
Belgium | Antwerp, Brussels | |||
Switzerland | Fribourg, Basel, Zurich | |||
United Kingdom | Leeds, Glasgow | |||
Canada | Toronto | |||
Spain | Granada, Girona | |||
Sweden | Göteborg | |||
USA | New York, Chicago | |||
China | Hong Kong | |||
Australia | Adelaide, Perth, Brisbane | |||
New Zealand | Wellington | |||
Colombia | Bogotá | |||
Israel | Jerusalem | |||
France | Avignon, Paris, Châlons | |||
Norway | Stavanger | |||
Italy | Rome | |||
Poland | Wroclaw | |||
Faustus in Africa [4] | 1995–1997 | Germany | Weimar, Berlin, Stuttgart, Munich, Hannover, Remscheid, Gütersloh, Erlangen, Bochum, Ellwangen, Hamburg, Strasbourg | |
South Africa | Makhanda, Johannesburg | |||
Switzerland | Zurich, Basel | |||
Czech Republic | Prague | |||
United Kingdom | London | |||
Portugal | Lisbon | |||
Australia | Adelaide | |||
Belgium | Brussels | |||
France | Dijon, Avignon, Marseilles, Tarbes, Toulouse, Paris, Sochaux, Bourg—en-Bresse, Chambéry | |||
Israel | Jerusalem | |||
Denmark | Copenhagen | |||
Austria | St. Pölten | |||
Italy | Polverigi, Rome | |||
Spain | Seville | |||
USA | Washington, Chicago, Springfield, Northampton | |||
Ubu and the Truth Commission [4] | 1997–1999 | Germany | Weimar, Hannover, Ludwigsburg, Erlangen, Munich, Wiesbaden | |
South Africa | Makhanda, Johannesburg, Stellenbosch | |||
France | Avignon, Rungis, Nantes, Dijon, Toulouse, Paris, Lannion, Saint-Brieuc, Vannes, Quimper, Amiens | |||
Switzerland | Zurich, Geneva, Basel, Neuchâtel | |||
Norway | Kristiansand | |||
USA | New York, Washington, Los Angeles | |||
Belgium | Antwerp | |||
Sweden | Stockholm, Göteborg | |||
Denmark | Copenhagen, Randers | |||
Czech Republic | Prague | |||
Italy | Rome, Reggio Emilia | |||
Netherlands | Rotterdam | |||
Réunion Island | Saint-Denis | |||
United Kingdom | London | |||
Il Ritorno d'Ulisse [4] | 1998–2023 | Belgium | Brussels | |
Austria | Vienna | |||
Germany | Berlin, Potsdam | |||
Netherlands | Amsterdam | |||
Switzerland | Zurich | |||
South Africa | Makhanda, Pretoria | |||
Portugal | Lisbon | |||
USA | New York, Seattle, San Francisco | |||
France | Caen, Besançon, Nîmes, Toulouse, Lyon, Vichy, Versailles | |||
Luxembourg | Luxembourg | |||
Australia | Melbourne | |||
Italy | Venice, Palermo | |||
Spain | Girona | |||
United Kingdom | Edinburgh | |||
South Korea | Gwangju | |||
China | Hong Kong | |||
The Chimp Project [4] | 2000 | Germany | Hannover, Recklinghausen, Weimar, Munich, Nuremberg | |
South Africa | Makhanda, Johannesburg, Cape Town | |||
Switzerland | Basel | |||
France | Paris | |||
Réunion Island | Saint-Denis | |||
Zeno at 4 am [4] | 2001 | Belgium | Brussels | |
France | Paris, Angoulême, Toulouse, Amiens | |||
USA | Minneapolis, Chicago, New York | |||
Confessions of Zeno [4] | 2002–2003 | Belgium | Brussels | |
Germany | Kassel, Frankfurt, Berlin, Hamburg | |||
Croatia | Zagreb | |||
South Africa | Makhanda, Stellenbosch | |||
Italy | Rome | |||
Spain | Salamanca | |||
France | Paris, Caen, Angoulême | |||
Singapore | Singapore | |||
Canary Islands | Las Palmas | |||
Portugal | Lisbon | |||
Spain | Vitoria | |||
Tall Horse [4] | 2007–2009 | South Africa | Cape Town, Pretoria, Johannesburg | |
Germany | Stuttgart | |||
USA | Williamstown, New York, Pittsburgh, Ann Arbor, Chapel Hill, Washington DC | |||
War Horse (play) [4] [25] | National Theatre Production | 2009-2016 | United Kingdom | London |
West End Production | 2011–2013 | United Kingdom | London | |
Broadway Production | 2012–2013 | USA | New York | |
Toronto Production | 2012–2014 | Canada | Toronto | |
US National Tour | 2012–2014 | USA/ Japan | Launched in Los Angeles, it toured 29 cities, ending in Tokyo, Japan | |
Australian Tour | 2013–2014 | Australia | Melbourne, Sydney, Brisbane | |
First UK National Tour | 2013–2014 | United Kingdom | Plymouth, Birmingham, Salford Quays, Edinburgh, Southampton, Dublin, Sunderland, Cardiff | |
Berlin, Germany | 2014–2015 | Germany | Berlin | |
Netherlands | 2014–2015 | Netherlands | Amsterdam, Rotterdam, Breda, Groningen, Apeldoorn and Heerlen | |
South Africa | 2015–16 | South Africa | Johannesburg, Cape Town | |
China | 2017–present | Beijing, Shanghai, Guangzhou, Heilongjiang Tianjin. | ||
10th Anniversary Tour | 2017–present | China | Canterbury, Bristol, Liverpool, Oxford, Brighton , Bradford, Nottingham, Edinburgh, Southampton, Salford, Cardiff , Woking, Plymouth, Milton Keynes, Birmingham, London, Glasgow, Sunderland , Stoke-on-Trent, Dublin, Liverpool, Leicester, London [26] | |
Or You Could Kiss Me | 2010 | United Kingdom | London | |
Little Amal, The Walk | 2021 | Europe and United Kingdom | 65 towns and cities in Turkey, Greece, Italy, France, Switzerland, Germany, Belgium and United Kingdom. [27] |
The Truth and Reconciliation Commission (TRC) was a court-like restorative justice body assembled in South Africa in 1996 after the end of apartheid. Authorised by Nelson Mandela and chaired by Desmond Tutu, the commission invited witnesses who were identified as victims of gross human rights violations to give statements about their experiences, and selected some for public hearings. Perpetrators of violence could also give testimony and request amnesty from both civil and criminal prosecution.
Ubu Roi is a play by French writer Alfred Jarry, then 23 years old. It was first performed in Paris in 1896, by Aurélien Lugné-Poe's Théâtre de l'Œuvre at the Nouveau-Théâtre. The production's single public performance baffled and offended audiences with its unruliness and obscenity. Considered to be a wild, bizarre and comic play, significant for the way it overturns cultural rules, norms and conventions, it is seen by 20th- and 21st-century scholars to have opened the door for what became known as modernism in the 20th century, and as a precursor to Dadaism, Surrealism and the Theatre of the Absurd.
The Outer Critics Circle Awards are presented annually for theatrical achievements both on Broadway and Off-Broadway. They are presented by the Outer Critics Circle (OCC), the official organization of New York theater writers for out-of-town newspapers, digital and national publications, and other media beyond Broadway. The awards were first presented during the 1949–50 theater season, celebrating their 70th anniversary in 2020. David Gordon, Editor-in-Chief at TheaterMania.com, currently serves as president.
William Kentridge is a South African artist best known for his prints, drawings, and animated films, especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The latter are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds' screen time. A single drawing will be altered and filmed this way until the end of a scene. These palimpsest-like drawings are later displayed along with the films as finished pieces of art.
Youssouf Coulibaly is a Malian puppet designer, puppeteer and storyteller from Mali.
The Iziko South African National Gallery is the national art gallery of South Africa located in Cape Town. It became part of the Iziko collection of museums – as managed by the Department of Arts and Culture – in 2001. It then became an agency of the Department of Arts and Culture. Its collection consists largely of Dutch, French and British works from the 17th to the 19th century. This includes lithographs, etchings and some early 20th-century British paintings. Contemporary art work displayed in the gallery is selected from many of South Africa's communities and the gallery houses an authoritative collection of sculpture and beadwork.
Gerhard Marx is a South African artist.
War Horse is a play based on the book of the same name by writer Michael Morpurgo, adapted for stage by Nick Stafford. Originally Morpurgo thought "they must be mad" to try to make a play from his best-selling 1982 novel; but the play was a great success. The play's West End and Broadway productions are directed by Marianne Elliott and Tom Morris; it features life-size horse puppets by the Handspring Puppet Company of South Africa, the movements of which were choreographed by Toby Sedgwick.
Basil Twist is a New York City-based puppeteer who is known for his underwater puppet show, "Symphonie Fantastique". He was named a MacArthur Fellowship recipient on September 29, 2015.
Ubu and the Truth Commission is a South African play by Jane Taylor. It was first produced on 26 May 1997, directed by William Kentridge at The Laboratory in Johannesburg's Market Theatre.
The Dead Wait is a play by Paul Herzberg which tells the tale of a young South African athlete, conscripted as a soldier in the Angolan Civil War, who tries to own up to a crime on arriving back home. Partly autobiographical, it draws on Herzberg's similar experiences prior to his leaving South Africa. It was aired for a spell on BBC Radio.
Jane Taylor was a South African writer, playwright and academic. She held the Andrew W. Mellon Chair of Aesthetic Theory and Material Performance at the Centre for Humanities Research (CHR) at the University of the Western Cape in South Africa. She was the convenor of the Laboratory of Kinetic Objects (LoKO) which engages in performance as well as research and intellectual enquiry into the human and technological interface, the puppet, Artificial Intelligence (AI) and Intelligence Amplification (IA). Her performance/lecture “Ne’er So Much the Ape” explored the articulation of primate research, race theory, AI, and performance theory.
Or You Could Kiss Me is a play by Neil Bartlett and Handspring Puppet Company. It received its world première at the National Theatre's Cottesloe venue on 5 October 2010 following previews from 28 September 2010, and played a limited season until 18 November 2010.
Warrick Swinney, more commonly known as Warrick Sony, is a South African composer, producer, musician and sound designer. He is the founder and sole permanent member of the Kalahari Surfers. They made politically radical satirical music in 1980s South Africa, and released it through the London-based Recommended Records. During this time the Surfers toured Europe with English session musicians.
The Coronet Theatre is a theatre located in Notting Hill, London. The building originated as an Off West End theatre in 1898. It became The Coronet Cinema in 1923. In 2014, it was acquired by The Print Room, a nearby theatre company, which made it its new home. It produces a programme of theatre, art, dance, poetry, film and music. The theatre is run by Artistic Director Anda Winters.
Deborah Bell is a South African painter and sculptor whose works are known internationally.
Philip Miller is a South African composer and sound artist based in Cape Town. His work is multi-faceted, often developing from collaborative projects in theatre, film, video and sound installations.
Animal Cracker Conspiracy Puppet Company, or Animal Cracker Conspiracy (ACC), is a contemporary hybrid puppet company co-founded by Iain Gunn and Bridget Rountree that is invested in pushing the boundaries of kinetic performance, creating performances that "decenter expectations, open new avenues of thought, and invoke the uncanny." Their ongoing practice is based on a shared interest and exploration of where fine art, puppetry, performance art, circus, dance, film, and mixed media intersect. They perform nationally and internationally out of a multiplicity of venues such as La Jolla Playhouse in San Diego, California, where the company resides. ACC specializes in inclusive multimedia performances that encourage difficult discussions and foster community through local theater, Street Parades, and national tours.
Dawid Minnaar, is a South African actor and dramatist. Started his career in theatre in 1980s, Minnaar later made many popular roles in the television serials such as, 7de Laan, Amalia and Binnelanders.
Little Amal is a 3.5-metre (11 ft) manually operated, partly-animatronic giant puppet and is the centrepiece of the performance art project called The Walk. The project was created by the British production companies The Walk Productions and Good Chance in collaboration with the South African Handspring Puppet Company. With the intention of celebrating human migration and cultural diversity, the puppet initially journeyed for five months from the Syria-Turkey border via Europe to the United Kingdom, and walked and took part in locally arranged events in 65 towns and cities along the way. Little Amal was greeted at some venues by local dignitaries, such as Pope Francis, Vincent Nichols Archbishop of Westminster and Cllr Caroline Makinson, Mayor of Barnsley.
Media related to Handspring Puppet Company at Wikimedia Commons