This list of existing technologies predicted in science fiction includes every medium, mainly literature and film. In 1964 Soviet engineer and writer Genrikh Altshuller made the first attempt to catalogue science fiction technologies of the time.
Alongside first prediction of a particular technology, the list may include all subsequent works mentioning it until its invention. The list includes technologies that were first posited in non-fiction works before their appearance in science fiction and subsequent invention, such as ion thruster. To avoid repetitions, the list excludes film adaptations of prior literature containing the same predictions, such as "The Minority Report". The list also excludes emerging technologies that are not widely available. The names of some modern inventions (atomic bomb, credit card, robot, space station, oral contraceptive and borazon) exactly match their fictional predecessors. A few works correctly predicted the years when some technologies would emerge, such as the first sustained heavier-than-air aircraft flight in 1903 and the first atomic bomb explosion in 1945.
Film | Screenwriter | Release year | Predicted technology | Name(s) in the work |
---|---|---|---|---|
Back to the Future and Back to the Future Part II | 1985, 1989 | Voice user interface, tablet computer, videotelephony, augmented and virtual reality, flatscreen television, fingerprint scanner [82] | ||
Star Trek: The Next Generation | 1987–1994 | Smartwatch | ||
Until the End of the World | 1991 | High-definition flatscreen television [83] | ||
Her | Spike Jonze | 2013 | AI-generated art (drawing and music), advanced talking AI in video games, AI personalities based on historical characters | Samantha |
Robert Anson Heinlein was an American science fiction author, aeronautical engineer, and naval officer. Sometimes called the "dean of science fiction writers", he was among the first to emphasize scientific accuracy in his fiction, and was thus a pioneer of the subgenre of hard science fiction. His published works, both fiction and non-fiction, express admiration for competence and emphasize the value of critical thinking. His plots often posed provocative situations which challenged conventional social mores. His work continues to have an influence on the science-fiction genre, and on modern culture more generally.
Science fiction is a genre of speculative fiction, which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life. It is related to fantasy, horror, and superhero fiction and contains many subgenres. Its exact definition has long been disputed among authors, critics, scholars, and readers.
Starship Troopers is a military science fiction novel by American writer Robert A. Heinlein. Written in a few weeks in reaction to the US suspending nuclear tests, the story was first published as a two-part serial in The Magazine of Fantasy & Science Fiction as Starship Soldier, and published as a book by G. P. Putnam's Sons on November 5, 1959.
Tom Swift is the main character of six series of American juvenile science fiction and adventure novels that emphasize science, invention, and technology. Inaugurated in 1910, the sequence of series comprises more than 100 volumes. The first Tom Swift – later, Tom Swift Sr. – was created by Edward Stratemeyer, the founder of the Stratemeyer Syndicate, a book packaging firm. Tom's adventures have been written by various ghostwriters, beginning with Howard Garis. Most of the books are credited to the collective pseudonym "Victor Appleton". The 33 volumes of the second series use the pseudonym Victor Appleton II for the author. For this series, and some later ones, the main character is "Tom Swift Jr." New titles have been published again from 2019 after a gap of about ten years, roughly the time that has passed before every resumption. Most of the series emphasized Tom's inventions. The books generally describe the effects of science and technology as wholly beneficial, and the role of the inventor in society as admirable and heroic.
Stranger in a Strange Land is a 1961 science fiction novel by American author Robert A. Heinlein. It tells the story of Valentine Michael Smith, a human who comes to Earth in early adulthood after being born on the planet Mars and raised by Martians, and explores his interaction with an eventual transformation of Terran culture.
The Rolling Stones is a 1952 science fiction novel by American writer Robert A. Heinlein.
TRIZ combines an organized, systematic method of problem-solving with analysis and forecasting techniques derived from the study of patterns of invention in global patent literature. The development and improvement of products and technologies in accordance with TRIZ are guided by the laws of technical systems evolution. Its development, by Soviet inventor and science-fiction author Genrich Altshuller and his colleagues, began in 1946. In English, TRIZ is typically rendered as the theory of inventive problem solving.
David Gerrold is an American science fiction screenwriter and novelist. He wrote the script for the original Star Trek episode "The Trouble with Tribbles", created the Sleestak race on the TV series Land of the Lost, and wrote the novelette "The Martian Child", which won both Hugo and Nebula Awards, and was adapted into a 2007 film starring John Cusack.
Futures studies, futures research, futurism, or futurology is the systematic, interdisciplinary and holistic study of social/technological advancement, and other environmental trends; often for the purpose of exploring how people will live and work in the future. Predictive techniques, such as forecasting, can be applied, but contemporary futures studies scholars emphasize the importance of systematically exploring alternatives. In general, it can be considered as a branch of the social sciences and an extension to the field of history. Futures studies seeks to understand what is likely to continue and what could plausibly change. Part of the discipline thus seeks a systematic and pattern-based understanding of past and present, and to explore the possibility of future events and trends.
Social science fiction is a subgenre of science fiction, usually soft science fiction, concerned less with technology/space opera and more with speculation about society. In other words, it "absorbs and discusses anthropology" and speculates about human behavior and interactions.
Jupiter, the largest planet in the Solar System, has appeared in works of fiction across several centuries. The way the planet has been depicted has evolved as more has become known about its composition; it was initially portrayed as being entirely solid, later as having a high-pressure atmosphere with a solid surface underneath, and finally as being entirely gaseous. It was a popular setting during the pulp era of science fiction. Life on the planet has variously been depicted as identical to humans, larger versions of humans, and non-human. Non-human life on Jupiter has been portrayed as primitive in some works and more advanced than humans in others.
Pluto has appeared in fiction as a setting since shortly after its 1930 discovery, albeit infrequently. It was initially comparatively popular as it was newly discovered and thought to be the outermost object of the Solar System and made more fictional appearances than either Uranus or Neptune, though still far fewer than other planets. Alien life, sometimes intelligent life and occasionally an entire ecosphere, is a common motif in fictional depictions of Pluto. Human settlement appears only sporadically, but it is often either the starting or finishing point for a tour of the Solar System. It has variously been depicted as an originally extrasolar planet, the remnants of a destroyed planet, or entirely artificial. Its moon Charon has also appeared in a handful of works.
Asteroids have appeared in fiction since the late 1800s, the first one—Ceres—having been discovered in 1801.
The fictional portrayal of the Solar System has often included planets, moons, and other celestial objects which do not actually exist in reality. Some of these objects were, at one time, seriously considered as hypothetical planets which were either thought to have been observed, or were hypothesized to be orbiting the Sun in order to explain certain celestial phenomena. Often such objects continued to be used in literature long after the hypotheses upon which they were based had been abandoned.
Richard James Bleiler is an American bibliographer of science fiction, fantasy, horror, crime, and adventure fiction. He was nominated for the Bram Stoker Award for Best Non-Fiction in 2002 and for the Munsey Award in 2019–2022. He won the 2023 Munsey Award, given to “an individual or organization that has bettered the pulp community.” He is the son of bibliographer and publisher Everett F. Bleiler.
There have been many attempts at defining science fiction. This is a list of definitions that have been offered by authors, editors, critics and fans over the years since science fiction became a genre. Definitions of related terms such as "science fantasy", "speculative fiction", and "fabulation" are included where they are intended as definitions of aspects of science fiction or because they illuminate related definitions—see e.g. Robert Scholes's definitions of "fabulation" and "structural fabulation" below. Some definitions of sub-types of science fiction are included, too; for example see David Ketterer's definition of "philosophically-oriented science fiction". In addition, some definitions are included that define, for example, a science fiction story, rather than science fiction itself, since these also illuminate an underlying definition of science fiction.
The following outline is provided as an overview of and topical guide to science fiction:
Otfrid von Hanstein (1869–1959) was a German actor and writer. As a novelist, he was prolific in various genres; his best-known works in English-language translation are science fiction novels published in various magazines by Hugo Gernsback. John Clute describes von Hanstein's science fiction as "technophilic and space-oriented, crude but competent". E. F. Bleiler reports that his SF novels were suppressed by the Nazi government.
The near future has been used as a setting in many works, usually but not limited to the genre of science fiction. It has become increasingly common in works from the 18th century onward, with some of the classic works in the genre being Jules Verne's Journey to the Centre of the Earth (1864) and H. G. Wells' The War of the Worlds (1898). 20th century saw works such as George Orwell's Nineteen Eighty-Four (1949) or the novels of William Gibson, the latter representing the emergence of the popular cyberpunk genre. While some, particularly early, works of this genre are optimistic showcases of technological and societal progress, many others are discussing emergent social problems such as environmental problems, overpopulation, oppressive political regimes or the possibility of a nuclear holocaust.
The Sun has appeared as a setting in fiction at least since classical antiquity, but for a long time it received relatively sporadic attention. Many of the early depictions viewed it as an essentially Earth-like and thus potentially habitable body—a once-common belief about celestial objects in general known as the plurality of worlds—and depicted various kinds of solar inhabitants. As more became known about the Sun through advances in astronomy, in particular its temperature, solar inhabitants fell out of favour save for the occasional more exotic alien lifeforms. Instead, many stories focused on the eventual death of the Sun and the havoc it would wreak upon life on Earth. Before it was understood that the Sun is powered by nuclear fusion, the prevailing assumption among writers was that combustion was the source of its heat and light, and it was expected to run out of fuel relatively soon. Even after the true source of the Sun's energy was discovered in the 1920s, the dimming or extinction of the Sun remained a recurring theme in disaster stories, with occasional attempts at averting disaster by reigniting the Sun. Another common way for the Sun to cause destruction is by exploding, and other mechanisms such as solar flares also appear on occasion.