Hi-NRG is uptempo disco or electronic dance music usually featuring synthetic bassline octaves. This list contains some examples of hi-NRG artists and songs. Hi-NRG songs by non-hi NRG artists are also included.
Contents |
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Artists • Songs (1970s • Early 1980s • Mid- to late 1980s • 1990s • 2000s • 2000s) • Albums • References |
Year | Artist | Song | Label |
---|---|---|---|
1977 | Donna Summer | "I Feel Love" [1] [2] [3] | Casablanca / GTO |
1978 | Peter Jacques band | "Fly With the Wind" [4] | Ariola |
Sylvester | "You Make Me Feel (Mighty Real)" [1] [5] [6] [7] [8] | Fantasy |
Year | Artist | Song | Label |
---|---|---|---|
1984 | Agents Aren't Aeroplanes | "The Upstroke" [47] | Proto (UK) |
1984 | Bronski Beat | "Smalltown Boy" [48] | London |
1984 | Bronski Beat | "Why?" [48] [49] [50] | London |
1984 | Dead or Alive | "You Spin Me Round (Like a Record)" [51] [52] [53] [54] | Epic |
1984 | Hazell Dean | "Whatever I Do (Wherever I Go)" [47] | Proto (UK) |
1984 | Divine | "You Think You're a Man" [21] [31] [41] [47] [55] | Proto |
1984 | Fancy | "Get Lost Tonight" [56] | Metronome |
1984 | Fancy | "Slice Me Nice" [57] | Metronome |
1984 | The Flirts | "Helpless (You Took My Love)" [58] | Telefon |
1984 | Frankie Goes to Hollywood | "Two Tribes" [59] | ZTT |
1984 | Fun Fun | "Colour My Love" [19] | X-Energy |
1984 | Fun Fun | "Give Me Your Love" [60] | X-Energy |
1984 | Sylvester | "Rock the Box" [14] | Megatone |
1984 | Evelyn Thomas | "High Energy" [16] [31] [36] [37] [38] [61] | Record Shack (UK) |
1984 | Kim Wilde | "The Second Time" [62] | MCA |
1985 | Bronski Beat | "Hit That Perfect Beat" [63] [64] [65] | London |
1985 | Alaska y Dinarama | "Un hombre de verdad" [66] | Hispavox |
1985 | Bronski Beat | "Run from Love" / "Hard Rain" [67] | London |
1985 | Bronski Beat and Marc Almond | "I Feel Love" [7] | London |
1985 | Divine | "Walk Like a Man" [68] | Proto |
1985 | Madleen Kane | "I'm No Angel" [69] | TSR |
1985 | New Order | "Sub-culture" [70] | Factory Records |
1985 | Madleen Kane | "On Fire" [69] | TSR |
1985 | Lime | "Unexpected Lovers" [71] | Mantra |
1985 | Barbara Pennington | "Vertigo" [72] | Record Shack |
1985 | People Like Us | "Reincarnation (Coming Back For Love)" [73] | Passion (UK) |
1985 | Sinitta | "So Macho" [74] | Fanfare (UK) |
1985 | Suzy Q | "Computer Music" [16] | J.C. |
1985 | Taffy | "I Love My Radio" [75] | Ibiza (Italy) / Transglobal (UK) |
1985 | Village People | "Sex Over the Phone" [76] [77] | Casablanca |
1985 | Betty Wright | "Sinderella" [78] | Jamaica |
1986 | Bananarama | "Venus" [47] [79] [80] | London |
1986 | Claudja Barry | "Down and Counting" [81] | Epic |
1986 | The Communards | "Don't Leave Me This Way" [63] [82] [83] | London |
1986 | Alaska y Dinarama | "¿A quien le importa?" [84] [85] [86] | Hispavox |
1986 | Dead or Alive | "Something in My House" [87] | Epic |
1986 | Man 2 Man and Man Parrish | "Male Stripper" [88] | Bolts |
1986 | Stacey Q | "Two of Hearts" [89] [90] | Atlantic |
1986 | Evelyn Thomas | "How Many Hearts" [91] | Record Shack |
1986 | Kim Wilde | "You Keep Me Hangin' On" [92] [93] [94] | MCA |
1987 | Bona-Riah | "House of the Rising Sun" [51] | Rise |
1987 | The Communards | "Never Can Say Goodbye" [95] | London |
1987 | Paul Lekakis | "Boom Boom (Let's Go Back to My Room)" [96] [97] | ZYX / Polydor |
1987 | New Baccara | "Call Me Up" [98] | Bellaphon |
1987 | Pet Shop Boys | "Always on My Mind" [99] | Parlophone |
1987 | Taffy | "Step by Step" [100] | Transglobal |
1987 | Kylie Minogue | "I Should Be So Lucky" [101] | PWL |
1988 | Erasure | "Knocking on Your Door" [102] [103] | Mute / Sire |
1988 | Erasure | "Stop!" [102] [103] | Mute / Sire |
1988 | Kylie Minogue | "The Loco-Motion" [104] | PWL |
1988 | New Baccara | "Fantasy Boy" [98] | Bellaphon |
1988 | Quantize | "The Sun Ain't Gonna Shine Anymore" [51] | Passion |
1989 | Boy | "Broken Wings" [51] | Flea |
1989 | Eartha Kitt and Bronski Beat | "Cha Cha Heels" [105] | Arista |
1989 | New Baccara | "Touch Me" [98] | Bellaphon |
1989 | Quantize | "You've Lost That Lovin' Feeling" [51] | Passion |
1989 | Donna Summer | "I Don't Wanna Get Hurt" [106] | Warner Bros. |
1989 | Donna Summer | "This Time I Know It's for Real" [106] [107] [108] | Warner Bros. |
1989 | Donna Summer | "Whatever Your Heart Desires" [106] | Atlantic / PWL |
Year | Artist | Song | Label |
---|---|---|---|
2000 | A Touch of Class (ATC) | "Around the World (La La La La La)" [135] | King Size |
2003 | The Knife | "Listen Now" [136] [137] | Rabid |
2004 | Jimmy Somerville | "Come On" [138] | Sony BMG |
2005 | Scissor Sisters | "Filthy/Gorgeous" [139] | Universal (US) Polydor (worldwide) |
2006 | Moby feat. Debbie Harry | "New York, New York" [140] | Mute |
2007 | Bloc Party | "Flux" [141] | Wichita |
2007 | Sophie Ellis-Bextor | "China Heart" [142] [143] | Fascination |
2007 | Róisín Murphy | "Cry Baby" [144] | EMI |
2007 | Britney Spears | "Heaven on Earth" [145] [146] | Jive / Zomba |
2008 | Anastacia | "Heavy Rotation" [147] [148] | Mercury |
2008 | Donna Summer | "I'm a Fire" [149] | Burgundy |
2009 | Bananarama | "Dum Dum Boy" [150] | Fascination |
2009 | Bananarama | "Love Comes" [151] [152] | Fascination |
2009 | Shakira | "She Wolf" [153] | Epic |
2009 | Silver Columns | "Brow Beaten" [154] | Silver Columns |
Donna Summer's 'I Feel Love', a vocal topline ad-libbed over a simple chord-shifted sequence, inaugurated Hi-NRG, anticipating the galloping bass line of much post-House software-sequenced music
Divine's "Native Love," a rowdy hi-NRG anthem previously pillaged by Nitzer Ebb, the Prodigy, even New Order.
'Relax' tapped into Hi-NRG's remorseless, metronomic precision and orgiastic vibe – the spasming drum roll at the end of the single feels like an amyl nitrite rush.
As Bronski Beat's falsetto leader, Somerville made gay politics a hot pop topic with such hi-NRG dance floor staples as "Why?" and "Smalltown Boy"
This band originally hails from Africa so it's a bit of a surprise to find them performing a commercial slice of Hi-NRG which, compared to other tracks of this ilk, currently doing the rounds, lacks the necessary sparkle.
It was in 1986 that Stock, Aitken & Waterman produced Bananarama's smash Hi-NRG remake of Shocking Blue's "Venus."
The Communards' hi-NRG version makes it clear that the song is as concerned with sexual satisfaction as it is with romance; perhaps more so.
a version of R.E.M.'s "Losing My Religion" that infuses the soul that Abigail's 1992 Hi-NRG version lacked.
{{cite web}}
: CS1 maint: multiple names: authors list (link)'Heaven on Earth', crafted by 'Gimme More' producer Danja, is a hi-NRG Moroder-esque dance track whose lyrics veer more into the territory of generic love song fluff
"I Wanna Go" is all hi-NRG booty calling, with a possible reference to New Order's "Blue Monday" thrown in.
"Stop Taking My Time" is a Hi-NRG disco romp à la Nordic neighbour Annie Strand and features, amusingly, a rapping infant.
Overpowered (EMI) was funky in all senses – skittering from glacial electro to hi-NRG disco
Viva's 11 infectious hi-NRG tracks
[Tina Charles]'s Indian-British producer, Biddu, hired both men as session musicians, and his work in the fields of Hi-NRG and electronic disco had a profound influence on [Trevor Horn]'s own production aspirations.
HI-NRG was the club sound that boosted both Evelyn Thomas and the trash dementis of Divine but it also propelled both the Bronski and Frankie Goes To Hollywood.
Many of Erasure's songs exemplify the post-disco style called hi-N.R.G. -fast and openly artificial, with synthesized riffs bouncing and ticking in every register.
[Klaus Nomi] worked with Man Parrish, the New York electro and hi-NRG producer, on his self-titled debut album.
Neil Tennant and Chris Lowe use electronic instruments and work within and across dance-floor genres such as house, Hi-NRG, techno, and many other subgenres.
Another contender is hi-N.R.G., a fast, cheerful style, first heard in gay San Francisco clubs in the early 1980s and now on the pop Top 40 in hits by Corona and the Real McCoy.
Eventually, the group worked its way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction.
Owen's debut single Child showcased a more acoustic, psychedelic sound than his Hi-NRG Take That hits.