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Madam C. J. Walker Manufacturing Company | |
Location | Indianapolis, Indiana |
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Coordinates | 39°46′33.5″N86°10′1.5″W / 39.775972°N 86.167083°W |
Built | 1927 |
Architect | Rubush & Hunter |
Architectural style | African-Art Deco |
NRHP reference No. | 80000062 [1] |
Significant dates | |
Added to NRHP | July 17, 1980 |
Designated NHL | July 17, 1991 [2] |
The Madam C. J. Walker Building, which houses the Madam Walker Legacy Center, was built in 1927 in the city of Indianapolis, in the U.S. state of Indiana, and as Madam C. J. Walker Manufacturing Company, it was designated a National Historic Landmark in 1991. The four-story, multi-purpose Walker Building was named in honor of Madam C. J. Walker, the African American hair care and beauty products entrepreneur who founded the Madam C. J. Walker Manufacturing Company, and designed by the Indianapolis architectural firm of Rubush & Hunter. The building served as the world headquarters for Walker's company, as well as entertainment, business, and commercial hub along Indiana Avenue for the city's African American community from the 1920s to the 1950s. The historic gathering place and venue for community events and arts and cultural programs were saved from demolition in the 1970s. The restored building, which includes African, Egyptian, and Moorish designs, is one of the few remaining African-Art Deco buildings in the United States. The Walker Building was added to the National Register of Historic Places in 1980. [2] [3]
Madam C.J. (Sarah Breedlove) Walker (1867–1919), an African-American hair care and beauty products entrepreneur around the turn of the century, began development of the Walker Building and its theatre prior to her death in 1919; however, her daughter, A'Lelia Walker, in collaboration with Freeman B. Ransom, the Madam C. J. Walker Manufacturing Company's attorney, supervised the completion of the project. The building was named in Madam Walker's honor and opened to the public on December 26, 1927, eight years after her death. [4] [5] The four-story, triangular-shaped building at 617 Indiana Avenue was designed by the Indianapolis architectural firm of Rubush & Hunter and built by W. Jungclaus Company. [3] [6] [7]
The Walker Building is located along Indiana Avenue, a center "of entertainment, business and pride" for the city's African American community from the 1920s to the 1950s. [4] The building served as the world headquarters for the Madam C. J. Walker Manufacturing Company, "one of the earliest, and for years the most successful, black business empires in the United States." [5] In 1910, Madam Walker established the headquarters for her hair care and beauty business in Indianapolis, Indiana, where her company at one time employed about 3,000 women workers at its on-site factory. The company's new multi-purpose building opened in 1927. In addition to housing the company's headquarters and manufacturing facilities, the Walker building included a Walker beauty school/salon, a fourth-floor ballroom called the Grand Casino, an auditorium/movie theater, a drugstore, the Coffee Pot restaurant/coffee shop, and various professional offices. [3] [5]
The Walker Theater Company, a separate entity from the Walker Manufacturing Company, leased the theater space from the manufacturing company and operated it as a stage/movie theater until the mid-1930s when the theater suffered from financial difficulties and outside managers took over its operation. The building's performance spaces were among the many jazz venues lining Indiana Avenue, but the Walker building is only one still standing. [3] [5] Numerous musicians have performed at the Walker theater, including several Indianapolis natives and jazz musicians such as Wes Montgomery, Freddie Hubbard, and J. J. Johnson, among others. The theater also hosted vaudeville acts and film screenings. [4] [8] During the mid-1950s "the building and its surrounding neighborhood began a gradual decline" [4] as African-American middle-class families began moving to other areas of the city. The theater briefly closed in the 1960s. [8]
"By the late 1970s the Walker Building stood nearly abandoned" [4] and faced demolition, with only Walker Manufacturing Company remaining housed in the building. [3] A "group of Indianapolis citizens recognized the structure's rich history" and began a project to preserve the aging building. [4] Although the exact date is not known, it is believed that the theater remained closed from 1978 or 1979 until its restoration was completed and it reopened in 1988. [8]
The Madam Walker Building Urban Life Center, an incorporated not-for-profit organization that formed in 1979, [3] "purchased the building from the Walker Manufacturing Company and began planning for its restoration" [4] with the intention of reestablishing the facility as a cultural center and encouraging economic enterprise. [9] The site was listed on the Indiana Register of Historic Sites and Structures and added to the National Register of Historic Places in 1980. [7] In 1982 the organization's articles of incorporation were amended to reflect its new name, the Madam Walker Urban Life Center.[ citation needed ]
The first phase of the restoration, which housed offices and the Grand Casino Ballroom, was completed in 1983. A $2.5 million capital campaign raised funds to restore the Walker Theatre with a present-day seating capacity of 935. The influence of African art forms in A'Lelia Walker's original design concept is apparent throughout the restored theatre. [10] [11] Financial support for the restoration came from Lilly Endowment and others donors. [4] In October 1988, the Walker Theatre reopened in the fully restored Walker Building under the management of the Madam Walker Urban Life Center. [10] The Urban Life Center also collaborated on two office structures along Indiana Avenue: Walker Plaza, built in 1989, [12] and 500 Place, which was completed in 1992. [13] The building was designated as a National Historic Landmark on July 17, 1991. [2] In 1996 the Madam Walker Urban Life Center was renamed the Madam Walker Theatre Center to better reflect the organization's purpose. [14]
Indiana University and Indiana University – Purdue University Indianapolis announced in early 2018 its partnership with the Madam Walker Theatre Center to preserve and restore the historic building. When the planned renovations are completed in 2019, IU and IUPUI will offer new programming at the site to continue the center's "mission of education, empowerment, entertainment, and the celebration of cultural diversity," [15] as well as serving the local community and assuring the site's economic viability. A grant of more than $15.3 million from the Lilly Endowment will provide the funding for the building's renovation and its transitional operations. The facility will also be renamed the Madam Walker Legacy Center. [16] [17]
Since the Walker building opened in 1927 it has been used as a meeting place and venue for community events and arts and cultural programs. [17] In 1987, the Madam Walker Theatre Center launched the Youth-in-Arts program, which targeted more than 150 youth who may not have the resources to experience the arts outside of their typical school setting. The theatre's educational program was redesigned in 2007.[ citation needed ] In more recent years the facility's program offerings have been more limited due to the deterioration of the building, aging equipment, and consistent leadership challenges. [17]
The Madam Walker Theatre Center's annual performing arts season opens in early October and continues until early May. Monthly presentations include:
Artists presented are in many cases in residence at the theatre for two or more days, which aims to allow them to develop and participate in community residency, education, and humanities programming.
The center also provides facilities for Freetown Village and Iibada Dance Company. It serves as a rental facility for other arts, social, civic and business organizations to host their programs and activities.
The theatre is used for pageants, musicals, concerts, lecturers, auditions and rehearsals, motion picture and video screenings, ceremonial awards presentations and other community events.
The building's ornamentation is loosely based on African motifs, many of which were blended into a "more standard Art Deco geometric ornamentation." [18] Some sources describe the Walker Theatre as one of the few remaining African-Art Deco buildings in the United States. [18]
A'Lelia Walker commissioned the local architectural firm of Rubush & Hunter to design the 48,000 square foot Walker Building to honor her mother in 1927. The Wm. P. Jungclaus Company constructed the building on a triangular lot at the intersection of North Street, West Street (Dr. Martin Luther King Boulevard), and Indiana Avenue in Indianapolis at a cost of $350,000. The Walker Company financed its construction with first and second mortgages. The triangular-shaped building included a theater and ballroom in addition to the Walker Company manufacturing facilities and offices, a Walker beauty school/salon, a drugstore, a restaurant/coffee shop, and office rental spaces. [18] [19]
The four-story, Art Deco-style building is constructed with reinforced concrete, yellow brick-faced walls, an asphalt roof, and a concrete foundation. The triangular-shaped building has two main facades along Indiana Avenue and West Street (Dr. Martin Luther King Blvd.). The south (Indiana Avenue) facade includes storefronts and an entrance to the Walker Theatre. The West Street facade includes a stage entrance and emergency exits. Another ground-floor entrance is located at the point of the triangular-shaped building at Indiana Avenue and West Street. Terracotta architectural details surround the ground-level openings on the two main facades. [3] [5] The building's decorative elements contain African, Moorish, and Egyptian motifs and geometric lines. [18]
The south facade's upper levels are divided into twelve major bays, while the upper levels of the east facade contains nine major bays. Pilasters with terracotta caps and decorative insets define each bay. Second and third-floor levels include sash windows, but the fourth-floor sash windows have been replaced with casement windows. A parapet extends across ten bays of the south facade with smaller parapets on the east facade and central point of the building. The rear facade is constructed of concrete structural members and red brick. It is one-half story taller than the other facades to accommodate the theater's stage equipment. The theater marquee and box office also include Moorish decorative influences. A one-bay facade facing southeast, toward downtown Indianapolis, once served as the entrance to a drugstore and restaurant/coffee shop. [3]
The interior ornamentation includes bold colors and Egyptian and Moorish motifs with Art Deco details on the building's stucco walls and ceilings. The theatre, which is the largest section of the building, has a present-day seating capacity of 935. The theatre includes a large stage with a grand drape, pipe organ lofts, an orchestra pit, elaborate decorations, and plush seating, in addition to a small lobby. A wood and lead glass screen separate the lobby area from the theater. The pipe organ lofts also include screens of turned spindles. The stage is flanked with two Egyptian-inspired sphinxes. In addition, the stage walls and ceiling include a variety of designs such as African masks, warrior shields, spears, animals, and other exotic symbols. The theater's decoration also includes brass embellishments. [3] [18] Additional features of the theatre include professional lighting and sound systems, dressing rooms, lobby, box office services, a bar lounge, catering and technical services, and parking spaces.[ citation needed ]
In addition to a theater, the building has additional event venues such as the Grand Casino Ballroom, the Walker Memorial Board Room, and the A'Lelia Bundles Conference Center. The stage and the fourth-floor ballroom have been redecorated over the years. [3]
The Walker Building was listed on the Indiana Register of Historic Sites and Structures and added to the National Register of Historic Places in 1980. [7] As the Madam C. J. Walker Manufacturing Company, it was designated a National Historic Landmark in 1991. [2]
The historic Walker Building, which remains an anchor site along Indiana Avenue, initially served as the headquarters and factory for the Walker Company and as a center of black female employment. [3] It also functioned as a hub "of entertainment, business and pride" for the city's African American community from the 1920s to the 1950s. [4] The restored building continues to serve the community as a legacy to Madam C.J. Walker's success in the beauty and cosmetology industry, as well as her interest in promoting the arts. [3] It no longer houses the Walker Manufacturing Company, but the building continues to serve as a cultural center for the African American community. [4]
The Walker Building is the only extant architectural building of Indiana Avenue's once vibrant nightlife. Since it opened in 1927, the building has offered performances, educational programs, and a gathering place for public and private gatherings and celebrations. As of 2012, the building was one of the city's only National Historic Landmark-owned and operated by African Americans. [4] [20] As a tribute to Madam C.J. Walker, the building's namesake, the facility's ongoing mission is to promote social justice, provide cultural education, and empower "the next generation of entrepreneurs, business owners, and civic leaders" and serves as a "symbol of African-American pride." [11]
The historic Walker Theatre is referenced in singer/songwriter Leroy Carr's "Naptown Blues" and Mari Evans's poem, "I Am A Black Woman." [20]
Madam C. J. Walker was an American entrepreneur, philanthropist, and political and social activist. She is recorded as the first female self-made millionaire in America in the Guinness Book of World Records. Multiple sources mention that although other women might have been the first, their wealth is not as well-documented.
A'Lelia Walker was an American businesswoman and patron of the arts. She was the only surviving child of Madam C. J. Walker, popularly credited as being the first self-made female millionaire in the United States and one of the first African American millionaires.
Crispus Attucks High School is a public high school of Indianapolis Public Schools in Indianapolis, Indiana, U.S. Its namesake, Crispus Attucks, was an African American patriot killed during the Boston Massacre. The school was built northwest of downtown Indianapolis near Indiana Avenue and opened on September 12, 1927, when it was the only public high school in the city designated specifically for African Americans.
The neighborhood of Irvington, named after Washington Irving, includes Irvington Historic District, a historic district in Indianapolis, Indiana. The historic district is a 545-acre (221 ha) area that was listed on the National Register of Historic Places in 1987. That year, the district included 2,373 contributing buildings, 5 other contributing structures, and 2 contributing sites.
Seven neighborhoods in Indianapolis, Indiana, are designated as official Cultural Districts. These are Broad Ripple Village, Canal and White River State Park, Fountain Square, Indiana Avenue, Market East, Mass Ave, and the Wholesale District.
Indiana Avenue is a historic area in downtown and is one of seven designated cultural districts in Indianapolis, Indiana. Indiana Avenue was, during its glory days, an African American cultural center of the area. The Indiana Avenue Historic District within the area was designated a United States national historic district in 1987.
Downtown Indianapolis is a neighborhood area and the central business district of Indianapolis, Indiana, United States. Downtown is bordered by Interstate 65, Interstate 70, and the White River, and is situated near the geographic center of Marion County. Downtown has grown from the original 1821 town plat—often referred to as the Mile Square—to encompass a broader geographic area of central Indianapolis, containing several smaller historic neighborhoods.
Stanley Earl Nelson Jr. is an American documentary filmmaker and a MacArthur Fellow known as a director, writer and producer of documentaries examining African-American history and experiences. He is a recipient of the 2013 National Humanities Medal from President Obama. He has won three Primetime Emmy Awards.
Villa Lewaro, is a 34-room 20,000-square-foot (1,900 m2) mansion located at Fargo Lane and North Broadway in Irvington, New York, 30 miles north of New York City. It was built from 1916 to 1918, and was designed in the Italianate style by architect Vertner Tandy for A’lelia Walker, for her mother, Madam C.J. Walker. An additional site, the Dark Tower Walker residence with business occupancy, was established in New York City's Harlem neighborhood, thus completing the Walker property portfolio.
Untitled (Jazz Musicians) is an outdoor sculpture by American artist John Spaulding. It is located on the border of Indiana University-Purdue University Indianapolis (IUPUI) campus, near downtown Indianapolis, Indiana, at the corner intersection of Indiana Avenue and West Street. The sculpture faces the historic Madam Walker Legacy Center, which is located across the street.
The Madam C. J. Walker Manufacturing Company was a cosmetics manufacturer incorporated in Indianapolis, Indiana in 1910 by Madam C. J. Walker. It was best known for its African-American cosmetics and hair care products, and considered the most widely known and financially successful African-American-owned business of the early twentieth century. The Walker Company ceased operations in July 1981.
E Pluribus Unum is a public artwork proposed by American artist Fred Wilson to be located along the Indianapolis Cultural Trail at the northeast corner of Delaware and Washington streets, near the City-County Building in downtown Indianapolis, Indiana, United States.
A'Lelia Perry Bundles is an American journalist, news producer and author, known for her 2001 biography of her great-great-grandmother Madam C. J. Walker.
Rubush & Hunter was an architectural firm in Indianapolis, Indiana in the United States. Established in 1905 by architects Preston C. Rubush and Edgar O. Hunter, Rubush & Hunter operated until 1939.
The Bethel A.M.E. Church, known in its early years as Indianapolis Station or the Vermont Street Church, is a historic African Methodist Episcopal Church in Indianapolis, Indiana. Organized in 1836, it is the city's oldest African-American congregation. The three-story church on West Vermont Street dates to 1869 and was added to the National Register in 1991. The surrounding neighborhood, once the heart of downtown Indianapolis's African American community, significantly changed with post-World War II urban development that included new hotels, apartments, office space, museums, and the Indiana University–Purdue University at Indianapolis campus. In 2016 the congregation sold their deteriorating church, which will be used in a future commercial development. The congregation built a new worship center at 6417 Zionsville Road in Pike Township in northwest Indianapolis.
Freeman Briley Ransom (1880–1947) was an American lawyer, businessman and civic activist in Indianapolis, Indiana. From 1911 until his death he served as legal counsel and general manager for the Madame C.J. Walker Manufacturing Company as well as Madame C.J. Walker's personal attorney. Robert Brokenburr was his law partner.
Ransom Place Historic District is a national historic district in Indianapolis, Indiana, United States. The district consists mainly of a six-square block in a historically Black residential section of Indianapolis, located just one block from Indiana Avenue. It was originally developed during the 1880s and 1890s, coinciding with the growth of Indiana Avenue as the central commercial district for Indianapolis's Black population at that time. It was listed on the National Register of Historic Places in 1992.
Robert Lee Brokenburr was an American attorney, civil rights leader, and state legislator in Indiana. After several election campaigns, Brokenburr ran as a Republican for an Indiana Senate seat in 1940 and became the first African-American elected to the body where he served for 20 years. Prior to running for office, Brokenburr worked as counsel and general manager for the Madame C.J. Walker Manufacturing Company while carrying on his own practice litigating civil rights cases.
The Senate Avenue YMCA, established in 1912 in Indianapolis, Indiana, had more members than any other African American YMCA in the United States for half a century. During World War II, the organization included more than 3,000 members.