Trip hop is a musical genre that originated in the late 1980s in the United Kingdom, especially Bristol. It has been described as a psychedelic fusion of hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul, funk, reggae, dub, R&B, and other genres, typically of electronic music, as well as sampling from movie soundtracks and other eclectic sources.
Old-school hip hop is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, as well as any hip hop that does not adhere to contemporary styles.
The new school of hip hop was a movement in hip hop music, beginning in 1983–84 with the early records of Run–D.M.C., Whodini, and LL Cool J. Predominantly from Queens and Brooklyn, it was characterized by Drum Machine-led minimalism, often tinged with elements of Rock; rapped taunts, boasts, and socio-political commentary; and aggressive, self-assertive delivery. In song and image, its artists projected a tough, cool, street B-boy attitude. These elements contrasted sharply with Funk and Disco, Novelty hits, live bands, synthesizers, and party rhymes of artists prevalent in the early 1980s. Compared to their older hip hop counterparts, new school artists crafted more cohesive LPs and shorter songs more amenable to airplay. By 1986, their releases began to establish hip hop in the mainstream.
Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as Florida breaks, hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.
Fred Brathwaite, more popularly known as Fab 5 Freddy, is an American visual artist, filmmaker, and hip hop pioneer. He is considered one of the architects of the street art movement. Freddy emerged in New York's downtown underground creative scene in the late 1970s as a graffiti artist. He was the bridge between the burgeoning uptown rap scene and the downtown No Wave art scene. He gained wider recognition in 1981 when Debbie Harry rapped on the Blondie song "Rapture" that "Fab 5 Freddy told me everybody's fly." In the late 1980s, Freddy became the first host of the groundbreaking hip-hop music video show Yo! MTV Raps.
The Universal Zulu Nation is an international hip hop awareness group formed by electro/hip hop artist Afrika Bambaataa.
Electro is a genre of electronic dance music directly influenced by the use of the Roland TR-808 drum machines, with an immediate origin in early hip hop and funk genres. Records in the genre typically feature heavy electronic sounds, usually without vocals; if vocals are present, they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. It palpably deviates from its predecessor boogie by being less vocal-oriented and more focused on electronic beats produced by drum machines.
Prodigy Present: The Dirtchamber Sessions Volume One is a 1999 solo mix album by Liam Howlett of The Prodigy, initially produced for BBC Radio 1's mix show The Breezeblock.
In popular music, a break is an instrumental or percussion section during a song derived from or related to stop-time – being a "break" from the main parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement.
S. Frederick Small, better known as Daddy Freddy, is a Jamaican ragga vocalist.
Rock the House is the debut album from the hip hop duo DJ Jazzy Jeff & the Fresh Prince. The album was released on April 7, 1987, in Europe and the United States, and was subsequently re-issued in 1988 in Europe and the United Kingdom. Three tracks from the album were released as singles: "The Magnificent Jazzy Jeff", "A Touch of Jazz" and "Girls Ain't Nothing but Trouble". When the album was released on CD in 1988, the rerecorded version of "Girls Ain't Nothing but Trouble", which was released as a single after He's the DJ, I'm the Rapper ran its course, replaced the original 1986 recording. The art work for the album cover was done by a Philadelphia artist, Charles Gossett.
The Demon Boyz were an English hip hop group formed in London by Demon D, Mike J, and DJ Devastate. They began rapping in their early teens, performing with Twilight Soul Sound. They won a competition on a Dave Pearce rap show, which brought them fame, and their prize was to perform live onstage with Derek B, Faze One, and T La Rock at a Camden Palace gig. Derek B was the A&R man for Music of Life. He put them in touch with the company’s founder, Simon Harris.
Derek Boland, better known by his stage name Derek B, was a British rapper. His most commercially successful releases were "Goodgroove" and "Bad Young Brother" in 1988.
Simon Harris is a British music producer, DJ, remixer and electronic musician from London predominantly known for his 1988 hit song "Bass ". He is also the founder of the hip hop label Music of Life and the producer of most of its catalogue of songs.
Kashif Adham, better known by the stage name of MC Duke, was a British rapper from the East End of London. He was one of the pioneers of the early British hardcore rap sound and later went on to produce breakbeat hardcore. Throughout his career he worked with his DJ partner Leader One and was part of IC3.
Asher D is an English rapper who was part of a successful partnership with reggae artist Daddy Freddy, known as the duo Asher D and Daddy Freddy. His name was later used by another English rapper.
"Planet Rock" is a song by the American hip hop artists Afrika Bambaataa and the Soul Sonic Force. The song was produced by Arthur Baker and released by Tommy Boy Records in 1982. The recording came together after DJ and producer Baker met with Bambaataa and the two bonded over the idea of creating a song about their mutual appreciation for the band Kraftwerk. Baker and Bambaataa had worked together previously on the song "Jazzy Sensation" and decided to compose a more electronic based version of the hip hop song, as opposed to the more disco-oriented work popular at the time. Along with musician John Robie, the group recorded the single at Intergalactic Studios in New York. Robie duplicated the sound on the record and had Bambaataa's rappers in the Soul Sonic Force rap over it. To create the raps, the lyricist of the group, Emcee G.L.O.B.E., had to develop a style he called "mc popping", which involved rapping off time, an unusual style at the time.
Paul Winley Records Inc. was a doo-wop record label founded in 1956 that, in 1979, became one of the earliest hip hop labels. It was situated on 125th Street, Harlem, New York City. Winley released doo-wop by The Paragons and The Jesters, and hip hop records by Paul Winley's daughters, Tanya and Paulette, produced by Winley's wife, Ann. The label can lay claim to a number of firsts: one of the earliest rock and roll compilations, one of the earliest breaks compilations, an early solo female rap artist and an early instance of social commentary in rap. Winley was also the first label to record one of hip hop's most important figures, Afrika Bambaataa.
Lance Taylor, also known as Afrika Bambaataa, is an American DJ, rapper, and record producer from South Bronx, New York City. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing.
Ronald "Bee-Stinger" Savage is an American entrepreneur, hip hop artist, author, and activist. He was a "crate boy" for Jazzy Jay, who was the DJ for Lance Taylor, better known as Afrika Bambaataa. In 2016, Savage publicly accused Bambaataa of sexually molesting him when he was 15. In 2022, Savage recanted his story. He said he had a fake I.D. and pretended to be older to an unsuspecting Bambaataa. His recantation was not reported until 2024.
