Oh My God, Charlie Darwin

Last updated

Oh My God, Charlie Darwin
Ohmygodcharlie.jpg
2009 reissue cover [1]
Studio album by
ReleasedSeptember 2, 2008 (2008-09-02)
RecordedJanuary 1–10, 2008
Studio Block Island, Rhode Island [lower-alpha 1]
Genre Americana
Length41:56
Label Self-published
Producer
  • Jesse Lauter
  • The Low Anthem
The Low Anthem chronology
What the Crow Brings
(2007)
Oh My God, Charlie Darwin
(2008)
Smart Flesh
(2011)
Singles from Oh My God, Charlie Darwin
  1. "Charlie Darwin"
    Released: September 28, 2009
  2. "To the Ghosts Who Write History Books"
    Released: February 15, 2010

Oh My God, Charlie Darwin is the third studio album by American band the Low Anthem. It was self-published on September 2, 2008, and reissued by Bella Union and Nonesuch Records in June 2009. Following the success of their album What the Crow Brings (2007), founding members Ben Knox Miller and Jeffrey Prystowsky welcomed Jocie Adams to the band. They were inspired by the confidence and romanticism of John Steinbeck's novels, and found tension between the human requirement of comfort and Charles Darwin's bleak theories of Darwinism, using his theory of natural selection as a framework to consider academics, politics, and religion. The album is named after Darwin, as the group considered how jarring his "survival of the fittest" theory would seem to a person of faith.

Contents

The album was recorded in the first ten days of 2008 in a basement in Block Island, Rhode Island, which was transformed into a temporary recording studio. The band enlisted Jesse Lauter to co-produce the album. The Americana sound is accompanied by several other genres, such as blues, country, folk, gospel, and R&B. It opens with quiet songs in Miller's falsetto and modal voice, followed by louder and chaotic tracks, before returning to more solemn music. The album incorporates at least 27 instruments, including crotales, pump organ, and zither. Some songs evolved extensively during recording, with several different approaches to tempo and instrumentation. The album consists of twelve tracks, one of which is a cover of a Tom Waits song written by Jack Kerouac.

The album was supported by two singles: "Charlie Darwin" in September 2009, and "To the Ghosts Who Write History Books" in February 2010. The Low Anthem toured North America and Europe after the album's release. Word-of-mouth support boosted its popularity; it charted in Belgium, the Netherlands, and the United Kingdom, and sold 75,000 copies worldwide. Critics praised Oh My God, Charlie Darwin for its lyrics, themes, and vocals but a few questioned the necessity and intensity of the louder songs. At the Boston Music Awards, the Low Anthem and Oh My God, Charlie Darwin won Best New Act and Album of the Year, respectively. Various publications listed it as one of the best albums of the year.

Background and writing

The album is named after Charles Darwin, whose theories influenced the lyrics and themes. 1878 Darwin photo by Leonard from Woodall 1884 - cropped grayed partially cleaned.jpg
The album is named after Charles Darwin, whose theories influenced the lyrics and themes.

The Low Anthem founding members Ben Knox Miller and Jeffrey Prystowsky felt ambitious after the success of their second studio album, What the Crow Brings (2007), which sold over 10,000 copies. [3] In November 2007, [4] they welcomed to the group Jocie Adams, a classical composer and former NASA technician who they knew from Brown University; [3] [5] she had been a fan since they started performing live. [6] Miller realized they should take elements from their musical influences and blend them with more modern themes. [3] At Miller's insistence, the band read John Steinbeck's East of Eden (1952) before working on the album, [7] and re-read it while writing and recording, inspired by the confidence, beauty, and romanticism of Steinbeck's writing style; [3] they taped the word timshel , featured prominently in East of Eden, above the control booth. [8]

The name of the album, Oh My God, Charlie Darwin, occurred to the group while observing giraffes at the Roger Williams Park Zoo in their home town of Providence, Rhode Island. [9] They discussed how jarring Charles Darwin's theories of "survival of the fittest" would seem to a person of faith and kept repeating the phrase "Oh my God! Charlie Darwin!" to each other. [3] The group realized the theme of Darwinism echoed throughout their previous work. [9] While writing the songs, they identified a tension between humans seeking comfort and the "bleak" theory of Darwinism. [3] They kept a copy of Darwin's On the Origin of Species (1859) around during production. [8] Miller often used the theory of natural selection as a framework to consider academics, politics, and religion, [10] and compared Darwin's genetics theories to the nature, development, and bequeathment of values and ethics. [7] He found the album a recognition of religion—particularly Christianity [11] spreading its message as animals spread their genes. [12] Miller stated he is not antireligious and the group did not take sides between religion and Darwinism; he felt the album was about both hope and hopelessness, [3] and described it as "a gospel record for scientists and social philosophers". [13]

The songs had been written some time before recording. [14] As the group's primary songwriter, Miller would approach the other members with lyrics and a melody and they would collaborate to create the arrangement. [15] Some songs were arranged almost instantly while writing, while others evolved significantly during production. [14] [16] Miller viewed the album as a book, with each of the songs "leaning on each other", [17] while producer Jesse Lauter wanted it to imitate a movie. [18] Miller felt it had a "better live feel" than What the Crow Brings since the latter's basic production prohibited experimentation. [12] While What the Crow Brings focused on quiet Americana music, Oh My God, Charlie Darwin added some variation such as rock and roll. Miller felt its tracks shared a more coherent theme. [13] :0:43

Recording and production

To record the album, the band and some friends traveled by ferry to Block Island, Rhode Island, where they transformed the basement of Miller's parents' house into a temporary recording studio. [18] [19] Eleven people lived together in isolation, [13] :2:38 which Miller felt led to friction and tension that improved the music, describing recording sessions as a "little failed utopia". [20] He found the starkness and space of Block Island representative of the album; [13] :2:22 its population sits around 800 in the winter months. [21] Lauter—then a student at the Clive Davis Department of Recorded Music—brought high-quality equipment from his classmates. [20] [14] Prystowsky appreciated Lauter's contributions as he was "a little less emotionally invested" than the band members, [20] and Miller felt he pushed them further than they did. [18] Recording began on January 1, 2008, and took ten days. [19] The album uses at least 27 instruments, including banjo, crotales, harmonica, pump organ, and zither. [22] [23] [24]

Additional recording took place at Adorea Recording Studio with Travis Bell in Hamden, Connecticut, [18] and at Oestern Studio in Williamsburg, New York, [2] followed by overdubs and recording at Lauter's apartment in Harlem, New York. [18] The fiddle was played by Anna Williams and Cameron Orr on "The Horizon is a Beltway", and by Williams on "To Ohio (Reprise)". Graham Smith played the singing bowl on "Charlie Darwin". Lauter produced and engineered the album; Travis Bell provided some additional engineering. [lower-alpha 2] The album was mixed by Brian Taylor over seven days. For recording, the group used two microphone preamplifiers by PreSonus, connected through lightpipe to a Digi002 running Pro Tools. An Electro-Voice RE20 was used to record vocals, connected to a Universal Audio preamplifier. [18] "To Ohio" and "Cage the Songbird" use a portable pump organ by Estey Organ. [25]

The tracks underwent several iterations. After 40 takes of "Charlie Darwin", the band realized they could extensively change the song, [18] and it took from 60 to over 100 takes to finalize; [18] [19] [14] Miller recalled the 85th take was the best. [26] "Cage the Songbird" and "Charlie Darwin" were among the final songs recorded; the band attempted several approaches to tempo and instrumentation but eventually settled on raising the vocals an octave to give a choral quality, [12] and removing the drums from the latter song. [26] "Home I'll Never Be" is a cover of Tom Waits's version of the song from Orphans: Brawlers, Bawlers & Bastards (2006), itself a cover of Jack Kerouac's "On the Road" from Jack Kerouac Reads On the Road (1999). The group did not intend to include the song, but found its inclusion necessary after performing it in one take during pre-production. [13] :3:49

Music and lyrics

Overview

While Oh My God, Charlie Darwin is largely considered Americana, [5] [27] [28] it is sometimes referred to as indie folk, [29] indie rock, [30] or neofolk, [31] and its music spans genres such as blues, country, folk, gospel, and R&B; [32] [33] [34] Miller considered Americana "a very formless genre", comprising icons of American culture and contrasting artists like Elvis Presley, Tom Waits, and Neil Young, rather than associating it with folk music. [35] The album invokes themes of redemption, apocalypse, [36] life and death, love, and religion; [34] it has been compared to works resulting from the Dust Bowl, with several antediluvian references, [8] [20] and considered an unintentional mirror of the economic woes of the United States [12] and a loss of free debate during and after the presidency of George W. Bush. [34] Miller said it is about "environmental decay and social de-evolution and the death of morality". [37] [38]

The album opens with quiet songs followed by louder and chaotic tracks, and closes with more solemn music, [39] [40] a deliberate contrast. [35] Miller sings in falsetto in "Charlie Darwin" [19] [41] [42] and modal voice in "To Ohio" and "Ticket Taker", before dropping to a lower range by "The Horizon is a Beltway". [8] [43] Bookending the album, "Charlie Darwin" and "To Ohio (Reprise)" respectively set and reiterate its eclectic tone with gentle music. [22] [35] Ed Miller of Drowned in Sound identified the track listing as a "tapestry of American iconography": the first settlers in "Charlie Darwin", Midwest in "To Ohio", the "hobo spirit" of "Home I'll Never Be", and "a wild romantic heart" overall. [27] Several tracks were compared to the work of other artists: "Charlie Darwin" to Fleet Foxes, [34] [44] [45] "Ticket Taker" to Leonard Cohen, [45] [46] and "The Horizon is a Beltway" to Waits, Bob Dylan, and the Pogues. [47] [45] [48]

Songs

"Charlie Darwin" is musically minimalistic, featuring an acoustic guitar alongside Miller's falsetto and backing vocals by Prystowsky and Adams. [43] Its lyrics juxtapose the hope of the Mayflower 's voyage with the brutality of manifest destiny and the diseases it introduced to Native Americans. [3] Aquarium Drunkard 's Mik Davis observed the song "laments being on a voyage and how even the brightest promise can be dimmed by directionlessness". [8] Paste 's Josh Jackson viewed it an attack on society's application of Darwinism, [41] while Uncut 's Allan Jones said it "imagines a drowning world, returned to water, a few sodden souls cast adrift on a sea of sorrow". [44] Stevie Chick of The Guardian described the song as "lachrymose and haunting", [3] and John Fortunato of The Aquarian wrote "Miller's trembled quiver stirringly haunts stripped-down meditational ruminations". [12] Miller compared it to chamber and choral music. [14] PopMatters 's D.M. Edwards found the vocals of "Charlie Darwin" and "To Ohio" gentle and "breezy ... melding together, floating away, and carrying warnings of decline". [47] DIY 's Erik Thompson felt the opening tracks set a tone of warmth and intimacy that carries the album. [39]

"To Ohio" is about yearning for lost love and new scenery; [49] Aspen Daily News 's Jonathan Bastian described the melody as "regretful but reposed". [43] The Aquarian's Fortunato likened the atmosphere of "To Ohio" and "(Don't) Tremble" to the works of Nick Drake, emphasized by the variety of instruments against Miller's "solitary grief-stricken hymnals"; [12] Uncut's Jones compared the former to Paul Simon, and considered the latter a pledge of loyalty and hymn of reassurance. [44] WXPN's Bruce Warren felt "To Ohio" showcased the band's "soft and tender side", [5] and The Quietus 's Tom Milway likened its imagery to a Steinbeck novel. [50] Uncut's Jones wrote "The Horizon is a Beltway" envisioned catastrophe in its images of burning skylines and rotting flesh. [44] Miller wrote "(Don't) Tremble" for a former band member who was consistently insecure about his work. [26]

"Ticket Taker" was described by The Aquarian's Fortunato as "poignant muzzle-voiced maunder" bedeviled by desperation, [12] and by Gigwise 's Huw Jones as a love story recounting biblical floods. [32] DIY's Thompson felt it alluded to the responsibility of guiding others through difficult lives; [39] Aspen Daily News's Bastian considered it a "release" after the intensity of previous tracks, reinforced by the lack of lyrics on "Music Box". [43] "Champion Angel" is the longest and loudest track, utilizing electric guitars, drums, and roaring vocals. [39] The Aquarian's Fortunato considered it a reinterpretation of Delta blues, comparing it to the Black Keys, North Mississippi Allstars, and early Kings of Leon, [12] while NME 's Leonie Cooper compared it to Tom Petty. [46] The Aquarian's Fortunato described "Cage the Songbird" as a threnody reminiscent of the Cowboy Junkies, [12] while the BBC's Jon Lusk identified a similarity to the lullaby "Hush, Little Baby" with its list of conditionals. [51] Fortunato likened "OMGCD" to country and Western music like "Will the Circle Be Unbroken", [12] while Leahey compared it to gospel music. [33]

Release

The Low Anthem self-published Oh My God, Charlie Darwin on September 2, 2008, [47] hand-painting the first 2,000 covers [52] and handmaking CDs to sell at shows. [43] Adams created the band's website and email distribution to sell albums, which Prystowsky would package and ship. [11] The album's popularity was attributed to word-of-mouth support; [53] Miller compared its trajectory to the westward expansion of the United States in the late 19th century, [7] and said the band was able to "make a living" by March 2009. [6] The album sold 12,000 copies by early 2009, [11] and 75,000 copies by February 2011; [54] What the Crow Brings and Oh My God, Charlie Darwin sold a combined 100,000 copies by January 2018. [55]

End of the Road Records published 500 limited edition seven-inch vinyl records of "Charlie Darwin" and two other songs [lower-alpha 3] for Darwin Day in 2009, the 200th anniversary of Darwin's birth, hand-painted by the band; production problems delayed the release from February 12 to February 23. [57] [58] Oh My God, Charlie Darwin was reissued by Nonesuch Records in the United States on June 9, 2009, [59] and by Bella Union in the United Kingdom on June 29; [60] [61] iTunes UK selected "To Ohio" as its Single of the Week. [61] Bob Ludwig mastered the reissue, [18] which featured an alternative cover art and track listing. [1] The Low Anthem signed with Nonesuch in April 2009 [62] as they respected its roster. [8] The reissue was supported by two singles: "Charlie Darwin" on September 28, 2009, [63] and "To the Ghosts Who Write History Books" on February 15, 2010. [64]

A limited edition version of "Charlie Darwin" was released as a seven-inch vinyl record with two additional tracks [lower-alpha 4] on March 23, 2010. [65] Tom Jones covered "Charlie Darwin" for his 2012 album Spirit in the Room ; [66] he was charmed by the historical references to the Mayflower and added vocals from an English church choir. [67] The original song was featured in the conclusion of "Charlie Darwin", the third episode of Rectify 's second season in July 2014. [68] The Low Anthem issued limited edition pressings of the album on vinyl for its tenth anniversary in 2019: Joyful Noise Recordings published 1,000 hand-numbered pressings in a jacket painted by the band alongside a flexi disc with two additional songs [lower-alpha 5] and a digital version on November 15, [11] and Dinked published 300 pressings in a screen-printed jacket on November 29. [38]

Promotion

The band partnered with manager Kate Landau—daughter of Bruce Springsteen's manager Jon Landau—in July 2008, having attended Brown University together. [7] [17] [69] A music video for "Charlie Darwin" was released exclusively by Stereogum in October 2009; [70] [71] :57 the stop-motion animated video was produced by Glenn Taunton and Simon Taffe in a studio in Sussex. [70] [72] The video's release was a culminating point for the marketing campaign; it was one of Stereogum's most commented-on videos. [71] :57 The Low Anthem performed songs from the album on the radio show Radcliffe & Maconie on September 30, 2009. [73] They made their British television debut on November 20, 2009, performing "To Ohio" on Later... with Jools Holland , [74] and their American debut on January 14, 2010, performing "Charlie Darwin" on the Late Show with David Letterman . [75] [76] Landau had been talking to the production team of the latter for around eight months and felt the success of the "Charlie Darwin" music video secured their booking. [71] :58

Touring

The Low Anthem (L to R: Adams, Prystowsky, Miller) performing at Cluny 2 in September 2009 The Low Anthem at the Cluny 2 in Newcastle 8-September-2009.jpg
The Low Anthem (L to R: Adams, Prystowsky, Miller) performing at Cluny 2 in September 2009

The band celebrated the album's release with several performances in Rhode Island, Connecticut, and Massachusetts in September 2008. [35] [77] [78] They toured 30 locations in the United States after the release in 2008 and 2009, [20] [79] including appearances at the Bonnaroo Music Festival, [23] Falcon Ridge Folk Festival, [4] and South by Southwest, [80] joining performers such as Ray LaMontagne, Joe Pug, and Josh Ritter. [81] Following their signing with Nonesuch, they debuted in Europe in May 2009, touring in France, Ireland, the Netherlands, and the United Kingdom, and spent five months touring between Europe and the United States, [82] including at the Glastonbury Festival in June [83] and Lollapalooza in August. [84]

Following a month-long European stint in September, the band added 21 locations to their American tour in October and November—including their West Coast debut [81] —and ended the year with two London shows in November. [85] In January 2010, they performed at the Abrons Arts Center, [86] and for NPR Music's Mountain Stage [87] and Tiny Desk Concerts . [88] They toured 13 European shows in January and February, [85] [86] followed by a ten-city North American tour with the Avett Brothers in February and March. [89] [90] To support the album, [25] the band began their first headline tour on March 11 in Washington, D.C., [91] [92] followed by several shows across North America in March and April, [86] [93] including South by Southwest. [94] They played several festivals in Europe and the United States from July to September, including Electric Picnic, Haldern Pop, Newport Folk Festival, and Summer Sundae. [93] [95] [96] The band toured Europe and the United States in 2019 to celebrate the album's tenth anniversary reissue. [38] [97] [98]

Critical reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic? 6.8/10 [99]
Metacritic 80/100 [100]
Review scores
SourceRating
The Australian Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [30]
The A.V. Club B [101]
Drowned in Sound 8/10 [27]
The Guardian Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [102]
The Irish Times Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [103]
The Line of Best Fit 78% [49]
Paste 9/10 [41]
PopMatters 8/10 [47]
Rolling Stone Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [28]
Uncut Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [44]

Oh My God, Charlie Darwin received positive reviews from critics. Review aggregator Metacritic assigned an average review score of 80 out of 100, indicating "generally favorable reviews", based on 18 critics, [100] and AnyDecentMusic? assigned a score of 6.8/10 based on 10 reviews. [99] The album was described by Paste's Jackson as "exquisite", [41] noting "it stopped us in our tracks the first time we heard it", [104] and by NME's Leonie Cooper as a "welcome addition to the intricate patchwork quilt of the new wave of Americana"; [46] Ottawa Citizen 's Stuart Derdeyn found the group unique within a debased genre. [105] PopMatters's Edwards called the album "nuanced, prescient, melodic, and stirring". [47] MusicOMH 's Darren Lee considered it among the best albums of the first half of 2009. [48]

The instrumentation, production value, and variety of genres received praise; [27] [39] [42] Gigwise's Jones described the album as "an agnostic mix of startling beauty and haunting comment". [32] The Australian 's Iain Shedden commended the band's ability to handle different genres and themes, [30] which The Austin Chronicle 's Doug Freeman felt was emphasized by the track sequencing. He wrote the album accomplishes "the balance of apocalypse and subtlety" unachievable by others artists. [45] The writing and Miller's vocals were similarly praised. [33] [34] [48] [106] The Boston Globe 's Jonathan Perry lauded the exploration of themes, [107] and Drowned in Sound's Miller wrote the album had the potential to fail but its consistent quality, philosophical lyrics, and experimental music made it compelling. [27] The Observer 's Killian Fox praised the writing but considered the music "only sporadically engaging". [40]

"Charlie Darwin" was frequently cited as the album's standout by critics; [47] [50] [106] MusicOMH's Lee considered it among the year's best songs "with its ability to send a chill down the spine", [48] and Fort Worth Star-Telegram 's Preston Jones felt Miller's vocals anchored the track but the album was unable to recapture its power. [106] Uncut's Jones found "Ticket Taker" the standout but the reprise of "To Ohio" superfluous due to the original's perfection, the only misjudgment on a nearly perfect album; [44] conversely, The Sunday Times 's Mark Edwards regarded the reprise demonstrative of the band's ability in that they can rework even their own music. [108] Rolling Stone 's Christian Hoard criticized some lyrics of "Charlie Darwin" but praised "Cage the Songbird" and "The Horizon is a Beltway" as the album's best. [28] The Quietus's Milway found the tracks "dull and fictional"—except "Charlie Darwin" and "To Ohio"—and criticized the uninteresting lyrics, imitation of existing music, superfluous instruments, and lack of falsetto after the opening track. [50]

Several reviewers enjoyed the quiet, sombre tracks more than the upbeat, louder songs; [102] [109] [110] Evening Standard 's Pete Clark thought they complemented each other, [111] but Jon Pareles of The New York Times found the louder songs emulated Tom Waits too closely. [36] The Irish Times 's Lauren Murphy felt both styles were cleverly connected by poetic lyrics but noted a preference for the quieter moments. [103] Steven Hyden of The A.V. Club praised the intimacy of songs like "(Don't) Tremble" but wanted more upbeat tracks like "Champion Angel". [101] Conversely, The Line of Best Fit 's Simon Tyers found "Champion Angel" too unfamiliar and detracted from the slow burn. [49] Hot Press 's Edwin McFee wrote the album "succeeds because of its sincerity" but considered tracks like "The Horizon is a Beltway" unnecessary; [112] BBC's Lusk cited it as the only weakness due to its interruption of the quiet opening tracks, but otherwise felt the album surpasses its influences through lyrical imagery and strong melodies. [51]

Charts and accolades

Oh My God, Charlie Darwin charted in Belgium for eleven weeks from July to September 2009, peaking at 32nd in the second week, [113] and it charted 89th in the Netherlands in July [114] and 76th on the Albums Chart in the United Kingdom in September. [115] "Charlie Darwin" peaked at 82nd on the UK's Physical Singles Chart after two weeks in October. [116] The Low Anthem won Best New Act at the 21st Boston Music Awards in December 2008. [17] [117] At the 22nd Boston Music Awards the following year, Oh My God, Charlie Darwin won Album of the Year, [118] while the Low Anthem and "The Horizon is a Beltway" were nominated for Act of the Year and Best Song of the Year, respectively. [119] The album was voted Best Album in The Providence Phoenix in 2009, [77] and the Low Anthem placed third for the Uncut Music Award in 2009. [120] Oh My God, Charlie Darwin was ranked 18th on Paste's list of 2008 albums, [121] and WFUV's Vin Scelsa listed among his favorite albums of the year. [122] Following its reissue, it appeared on multiple publications' and personalities' year-end lists of 2009, including Magnet (1st), [123] HUMO (2nd), [124] Ottawa Citizen (3rd), [125] Brattleboro Reformer (4th), [126] Paste (4th), [127] Steve McCoy (5th), [128] Billings Gazette (9th), [129] Mojo (12th), [130] The Huffington Post (tied 17th), [131] Uncut (21st), [132] Q (22nd), [133] MusicOMH (30th), [134] The Guardian (41st), [135] WOXY.com (97th), [136] Boston Herald , [137] and The Independent. [138]

Track listing

Oh My God, Charlie Darwin– 2008 release [1] [33]
No.TitleWriter(s)Length
1."Charlie Darwin"Benjamin Knox Miller, Jeffrey Carl Prystowsky4:32
2."To Ohio"Miller, Prystowsky3:19
3."The Horizon is a Beltway"Miller, Prystowsky2:51
4."Home I'll Never Be" Jack Kerouac, Thomas Waits 2:51
5."Ticket Taker"Miller, Prystowsky3:07
6."To the Ghosts Who Write History Books"Miller, Prystowsky3:29
7."(Don't) Tremble"Miller, Jocelyn Jager Adams4:39
8."Music Box"Miller, Adams1:51
9."Champion Angel"Miller, Prystowsky5:34
10."Cage the Songbird"Miller, Prystowsky4:03
11."OMGCD"Miller, Prystowsky2:08
12."To Ohio (Reprise)"Miller, Prystowsky3:40
Total length:41:56
Oh My God, Charlie Darwin– 2009 reissue [28] [33]
No.TitleWriter(s)Length
1."Charlie Darwin"Miller, Prystowsky4:33
2."To Ohio"Miller, Prystowsky3:19
3."Ticket Taker"Miller, Prystowsky3:08
4."The Horizon is a Beltway"Miller, Prystowsky2:51
5."Home I'll Never Be"Kerouac, Waits2:50
6."Cage the Songbird"Miller, Prystowsky4:03
7."(Don't) Tremble"Miller, Adams4:39
8."Music Box"Miller, Adams1:52
9."Champion Angel"Miller, Prystowsky5:34
10."To the Ghosts Who Write History Books"Miller, Prystowsky3:31
11."OMGCD"Miller, Prystowsky2:04
12."To Ohio (Reprise)"Miller, Prystowsky3:42
Total length:42:06
Oh My God, Charlie Darwin– 10th Anniversary Edition (Joyful Noise Recordings) [11] [2]
Side A
No.TitleWriter(s)Length
1."Charlie Darwin"Miller, Prystowsky4:33
2."To Ohio"Miller, Prystowsky3:19
3."The Horizon is a Beltway"Miller, Prystowsky2:51
4."Home I'll Never Be"Kerouac, Waits2:50
5."Ticket Taker"Miller, Prystowsky3:08
6."To the Ghosts Who Write History Books"Miller, Prystowsky3:31
Side B
No.TitleWriter(s)Length
7."(Don't) Tremble"Miller, Adams4:39
8."Music Box"Miller, Adams1:52
9."Champion Angel"Miller, Prystowsky5:34
10."Cage the Songbird"Miller, Prystowsky4:03
11."OMGCD"Miller, Prystowsky2:04
12."To Ohio (Reprise)"Miller, Prystowsky3:42
Bonus disc
No.TitleWriter(s)Length
13."Birds" 0:46
14."To the Ghosts Who Write History Books (Alt. Take 1.27.08 JML)"Miller, Prystowsky2:52
Total length:45:39

Notes

  1. Temporary recording studio in a basement in Block Island. Additional recording at: [2]
    • Adorea Recording Studio in Hamden, Connecticut
    • Oestern Studio in Williamsburg, New York
    • Jesse Lauter's apartment in Harlem, New York
  2. Travis Bell provided additional engineering for "Charlie Darwin", "Cage the Songbird", "Champion Angel", and "To the Ghosts Who Write History Books". [2]
  3. The single also included "To Ohio" and "Home I'll Never Be". [56]
  4. The B-side tracks are cover versions of Reverend Gary Davis's "Sally Where'd You Get Your Liquor From", and Blind Willie McTell's "Don't You Let Nobody Turn You Round". The songs were considered "staples" of the band's live performances; the former was previously unreleased, while the latter had only been available on iTunes. [65]
  5. The flexi disc featured the song "Birds" and an alternative take of "To the Ghosts Who Write History Books". [11]

Related Research Articles

<span class="mw-page-title-main">God Save the King</span> National or royal anthem in most Commonwealth realms

"God Save the King" is the national anthem of the United Kingdom and the royal anthem of each of the British Crown Dependencies, one of two national anthems of New Zealand, and the royal anthem of most Commonwealth realms. The author of the tune is unknown and it may originate in plainchant, but an attribution to the composer John Bull has sometimes been made.

<span class="mw-page-title-main">Anthrax (American band)</span> American thrash metal band

Anthrax is an American thrash metal band from New York City, formed in 1981 by rhythm guitarist Scott Ian and bassist Dan Lilker. The group is considered one of the leaders of the thrash metal scene from the 1980s and is part of the "Big Four" of the genre, along with Metallica, Megadeth and Slayer. They were also one of the first thrash metal bands to emerge from the East Coast. The band's current lineup consists of Scott Ian, drummer Charlie Benante, bassist Frank Bello, vocalist Joey Belladonna and lead guitarist Jonathan Donais. Anthrax's lineup has changed numerous times over their career, leaving Ian as the only constant member of the band. Ian and Benante are the only two members to appear on all of Anthrax's albums, while Bello has been a member of Anthrax since 1984, replacing Lilker.

<span class="mw-page-title-main">David Byrne</span> Scottish-American musician (born 1952)

David Byrne is a Scottish-American musician, writer, visual artist, and filmmaker. He was a founding member, principal songwriter, lead singer, and guitarist of the American new wave band Talking Heads.

<span class="mw-page-title-main">Julie Miller</span> American singer-songwriter

Julie Anne Miller is an American songwriter, singer, and recording artist living in Nashville, Tennessee. She married Buddy Miller in 1981. They sing and play on each other's solo projects and have recorded several duet albums.

<span class="mw-page-title-main">Buddy Miller</span> American singer-songwriter

Steven Paul "Buddy" Miller is an American singer, songwriter, musician, recording artist and producer, currently living in Nashville, Tennessee. Miller is married to and has recorded with singer-songwriter Julie Miller.

<span class="mw-page-title-main">Switchfoot</span> American alternative rock band

Switchfoot is an American rock band from San Diego, California. The band's members are Jon Foreman, Tim Foreman, Chad Butler, and Jerome Fontamillas. Guitarist Drew Shirley was also a member of the band from 2005 to 2022. After early successes in the Christian rock scene, Switchfoot first gained mainstream recognition with the inclusion of four of their songs in the 2002 film A Walk to Remember. This recognition led to the release of their major label debut The Beautiful Letdown, which was released in 2003 and featured the hit singles "Meant to Live" and "Dare You to Move". Their fifth album, Nothing Is Sound peaked at number three on the Billboard 200, and included the single "Stars." Their seventh album, Hello Hurricane (2009) received a Grammy Award for Best Rock or Rap Gospel Album. They have been noted for their energetic live shows.

<span class="mw-page-title-main">Natalie Merchant</span> American singer-songwriter (born 1963)

Natalie Anne Merchant is an American singer-songwriter. She joined the band 10,000 Maniacs in 1981 and was lead vocalist and primary lyricist for the group. She remained with the group for their first seven albums before leaving to begin her solo career in 1993. She has since released nine studio albums as a solo artist.

<span class="mw-page-title-main">Iron & Wine</span> American musician (born 1974)

Samuel Ervin Beam, better known by his stage name Iron & Wine, is an American singer-songwriter. He has released six studio albums, several EPs and singles, as well as a few download-only releases, which include a live album. He occasionally tours with a full band.

<span class="mw-page-title-main">The Village Green Preservation Society</span> 1968 song by The Kinks

"The Village Green Preservation Society" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by the band's principal songwriter Ray Davies, the song is a nostalgic reflection where the band state their intention to "preserve" British things for posterity. As the opening track, the song introduces many of the LP's themes, and Ray subsequently described it as the album's "national anthem".

<i>Illinois</i> (Sufjan Stevens album) 2005 album by Sufjan Stevens

Illinois is a 2005 concept album by American singer-songwriter Sufjan Stevens. His fifth studio album, it features songs referencing places, events, and persons related to the U.S. state of Illinois. Illinois is Stevens' second based on a U.S. state—part of a planned series of fifty that began with the 2003 album Michigan and that Stevens has since acknowledged was a joke. It was adapted into a musical, Illinoise, in 2023 and, after playing smaller venues, opened at the St. James Theatre on Broadway in April 2024.

<span class="mw-page-title-main">Chris Thile</span> American mandolinist and singer-songwriter (born 1981)

Christopher Scott Thile is an American mandolinist, singer, songwriter, composer, and radio personality, best known for his work in the progressive acoustic trio Nickel Creek and the acoustic folk and progressive bluegrass quintet Punch Brothers. He is a 2012 MacArthur Fellow. From 2016 to its cancellation in 2020, he hosted the radio variety show Live from Here.

<span class="mw-page-title-main">The Gaslight Anthem</span> American rock band

The Gaslight Anthem is an American rock band from New Brunswick, New Jersey, formed in 2006. The band consists of Brian Fallon, Alex Rosamilia, Alex Levine, and Benny Horowitz.

<span class="mw-page-title-main">Hollywood Undead</span> American rap rock band

Hollywood Undead is an American rap rock band from Los Angeles, California, formed in 2005. All of the band members use pseudonyms and previously wore their own unique mask, most of which were based on the common hockey goaltender design. The band currently consists of five members: J-Dog, Funny Man, Johnny 3 Tears, Charlie Scene, and Danny. They released their debut album, Swan Songs, on September 2, 2008, and their live CD/DVD Desperate Measures, on November 10, 2009. Their second studio album, American Tragedy, was released April 5, 2011. Their third studio album, titled Notes from the Underground, was released on January 8, 2013.

<span class="mw-page-title-main">The Low Anthem</span> American indie folk band

The Low Anthem is a band from Providence, Rhode Island, formed in 2006 by friends Ben Knox Miller and Jeff Prystowsky. The current lineup consists of Knox Miller, Prystowsky, Bryan Minto and Florence Grace Wallis.

<span class="mw-page-title-main">Dawes (band)</span> American folk rock band

Dawes is an American folk rock band from Los Angeles, California, composed of brothers Taylor and Griffin Goldsmith (drums). The band has been described as being influenced by the Laurel Canyon sound, found in such artists as Crosby, Stills, and Nash, Joni Mitchell and Neil Young.

<i>Genuine Negro Jig</i> 2010 studio album by Carolina Chocolate Drops

Genuine Negro Jig is the third studio album of the Carolina Chocolate Drops, one of the few African-American string bands playing today. Its label debut was released on February 16, 2010, while its vinyl version, which included the album on 140-gram vinyl and CD, was released on July 13. This is the first album the band has recorded for Nonesuch Records. It was highly successful, reaching the top ten on the Billboard Folk chart and the top of the Bluegrass chart. It was also the last CCD recording to include collaborator and Sankofa Strings co-founder, Sule Greg Wilson.

<i>Smart Flesh</i> 2011 studio album by The Low Anthem

Smart Flesh is the third studio album by American indie folk band The Low Anthem, released on February 22, 2011 on Bella Union in UK/Europe and Nonesuch Records in US. The majority of the album was recorded in an abandoned pasta sauce factory in Central Falls, Rhode Island, near the band's hometown of Providence, Rhode Island. Smart Flesh is the only album to feature multi-instrumentalist Mat Davidson, who left the band during the album's promotional tour.

<span class="mw-page-title-main">Still Breathing (Green Day song)</span> 2016 single by Green Day

"Still Breathing" is a song by American rock band Green Day from their twelfth studio album, Revolution Radio (2016). Written and produced by the band, the lyrics explore the idea of overcoming adversity in the face of hardship. "Still Breathing" is a pop-punk song with a pop-like production, which has been stylistically considered a return to form for the band.

Jay Bellerose is an American drummer and percussionist known primarily for his session and live performance work. He has contributed to the work of many well-known artists.

<i>The Salt Doll Went to Measure the Depth of the Sea</i> 2018 studio album by The Low Anthem

The Salt Doll Went To Measure the Depth of the Sea is the fifth full-length studio album by American indie-folk band The Low Anthem, released on February 23, 2018 on Joyful Noise Recordings. It was composed by Ben Knox Miller in the days following a traumatic automobile accident that devastated the band, sending members to the hospital and destroying their instruments.

References

  1. 1 2 3 "Music". The Low Anthem. Archived from the original on February 20, 2010. Retrieved May 18, 2023.
  2. 1 2 3 4 The Low Anthem (2019). Oh My God, Charlie Darwin (10th Anniversary Edition) (Liner notes). Joyful Noise Recordings. JNR318.
  3. 1 2 3 4 5 6 7 8 9 10 11 Chick, Stevie (February 5, 2010). "The folk-rockers who sing about Darwin". The Guardian . Archived from the original on November 28, 2016. Retrieved October 18, 2022.
  4. 1 2 Perry, Jonathan (August 1, 2008). "Paradox propels the Low Anthem". The Boston Globe . p. 39. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  5. 1 2 3 Warren, Bruce (January 8, 2009). "The Low Anthem: A Tender Stunner". WXPN . NPR. Archived from the original on October 18, 2022. Retrieved October 18, 2022.
  6. 1 2 O'Donnell, Kevin (March 5, 2009). "The Low Anthem's Old-Time Rock & Roll". Rolling Stone . No. 1073. Penske Media Corporation. p. 26. ISSN   0730-0158. 346134249.
  7. 1 2 3 4 Uhelszki, Jaan (March 2009). "Children of the Evolution". Uncut . No. 154. IPC Media. pp. 37–40. Archived from the original on June 12, 2012.
  8. 1 2 3 4 5 6 Davis, Mik (June 30, 2009). "The Low Anthem :: The AD Interview". Aquarium Drunkard . Archived from the original on July 4, 2009. Retrieved October 18, 2022.
  9. 1 2 Andersen, Kurt; Miller, Ben Knox (November 20, 2009). "Evolution". Studio 360 . Public Radio International. Archived from the original on January 29, 2021. Retrieved January 29, 2021.
  10. Raz, Guy (August 30, 2009). "The Low Anthem: Shimmering Americana". All Things Considered . NPR. Archived from the original on February 8, 2018. Retrieved October 18, 2022.
  11. 1 2 3 4 5 6 "The Low Anthem // Oh My God, Charlie Darwin". Joyful Noise Recordings. November 15, 2019. Archived from the original on December 15, 2019. Retrieved October 19, 2022.
  12. 1 2 3 4 5 6 7 8 9 10 Fortunato, John (April 7, 2010). "Interview with The Low Anthem: Musically Analyzing Charlie Darwin". The Aquarian Weekly . Arts Weekly, Inc. Archived from the original on April 15, 2010. Retrieved October 18, 2022.
  13. 1 2 3 4 5 Dye, David (February 4, 2009). "The Low Anthem: A New Brand of Folk". World Cafe . NPR. Archived from the original on October 18, 2022. Retrieved October 18, 2022.
  14. 1 2 3 4 5 6 Bloxham, Peter (July 13, 2009). "TLOBF Interview :: The Low Anthem". The Line of Best Fit . Archived from the original on April 19, 2015. Retrieved October 18, 2022.
  15. Bergen, Molly (October 16, 2009). "Jeff Prystowsky of The Low Anthem Talks About Their Latest Album". LAist . Gothamist. Archived from the original on May 13, 2021. Retrieved October 18, 2022.
  16. Jentzen, Aaron (July 30, 2009). "A Conversation with The Low Anthem's Ben Knox Miller". Pittsburgh City Paper . Eagle Media Corp. Archived from the original on September 10, 2015. Retrieved October 18, 2022.
  17. 1 2 3 Schwartzapfel, Beth (March 9, 2009). "Doing It the Hard (Right) Way". Brown Alumni Magazine . Brown University. Archived from the original on May 14, 2021. Retrieved October 18, 2022.
  18. 1 2 3 4 5 6 7 8 9 Baccigaluppi, John (December 19, 2013). "The Low Anthem: Oh My God Charlie Darwin". Tape Op . Archived from the original on December 19, 2013. Retrieved October 19, 2022.
  19. 1 2 3 4 5 Goodwin, Jeremy D. (February 27, 2009). "Stillness of winter via music". The Berkshire Eagle . New England Newspapers, Inc. p. 27. Archived from the original on October 18, 2022. Retrieved October 19, 2022 via Newspapers.com.
  20. 1 2 3 4 5 Bushlow, Matt (December 24, 2008). "Shock & Awe: The Gospel of The Low Anthem Evolves". State of Mind Music. Archived from the original on October 18, 2022. Retrieved October 18, 2022.
  21. Cooper, Tim (July 24, 2009). "Evolutionary twists". The Independent . p. 72. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  22. 1 2 Perry, Jonathan (August 1, 2008). "The highs of Low Anthem". The Boston Globe . p. 38. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  23. 1 2 Goodwin, Jeremy D. (February 27, 2009). "The Low Anthem captures winter chilly joy". The Berkshire Eagle . New England Newspapers, Inc. p. 28. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  24. Madeloni, Dave (December 3, 2009). "Josh Ritter's long strange trip lands him at the Calvin tonight". Brattleboro Reformer . Vermont News and Media LLC. p. 20. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  25. 1 2 Fotouhi, Joanie (June 2010). "THE LOW ANTHEM: Pumps Up Their Sound with Antique Reed Organs". Keyboard . Vol. 36, no. 6. New York: Future US. p. 11. ISSN   0730-0158. 346134249.
  26. 1 2 3 Noonan, Kathleen (June 13, 2009). "Anthem evolves into a class act". The Courier-Mail . News Corp Australia. EBSCOhost   200906131M14152920.
  27. 1 2 3 4 5 Miller, Ed (June 29, 2009). "Album Review: The Low Anthem - Oh My God, Charlie Darwin". Drowned in Sound . Silentway. Archived from the original on June 23, 2009. Retrieved January 29, 2021.
  28. 1 2 3 4 Hoard, Christian (June 8, 2009). "Oh My God, Charlie Darwin : The Low Anthem: Review". Rolling Stone . Penske Media Corporation. Archived from the original on June 17, 2009. Retrieved October 18, 2022.
  29. Rodman, Sarah (September 5, 2008). "Sarah Rodman's Picks for Live Music This Weekend". The Boston Globe . p. 53. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  30. 1 2 3 Shedden, Iain (July 4, 2009). "Music". The Australian . News Corp Australia. p. 22. EBSCOhost   200907045022203399.
  31. DeWalt, Rob (April 29, 2011). "Soundwaves: Wanna get low?". The Santa Fe New Mexican . p. Z063. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  32. 1 2 3 Jones, Hug (June 12, 2009). "The Low Anthem - Oh My God, Charlie Darwin (Bella Union) Released 15/06/09". Gigwise . Giant Digital Ltd. Archived from the original on October 18, 2022. Retrieved October 18, 2022.
  33. 1 2 3 4 5 Leahey, Andrew (June 9, 2009). "Oh My God, Charlie Darwin - The Low Anthem". AllMusic . Rovi Corporation. Archived from the original on July 1, 2012. Retrieved January 29, 2021.
  34. 1 2 3 4 5 Gill, Andy (June 12, 2009). "Album: The Low Anthem, Oh My God, Charlie Darwin (Bella Union)" . The Independent . Archived from the original on June 17, 2009. Retrieved October 18, 2022.
  35. 1 2 3 4 Massimo, Rick (September 4, 2008). "Low Anthem: Touring is in their genes". The Providence Journal . Gannett. Archived from the original on February 25, 2009. Retrieved May 18, 2023.
  36. 1 2 Pareles, Jon (June 14, 2009). "New CDs". The New York Times . Archived from the original on June 18, 2009. Retrieved January 29, 2021.
  37. Hyden, Steven (March 5, 2010). "Ben Knox Miller of The Low Anthem goes into the great wide open". The A.V. Club . Onion, Inc. Archived from the original on November 3, 2019. Retrieved January 29, 2021.
  38. 1 2 3 "The Low Anthem to reissue Oh My God, Charlie Darwin". Bella Union. November 2019. Archived from the original on April 12, 2020. Retrieved October 19, 2022.
  39. 1 2 3 4 5 Thompson, Erik (July 13, 2009). "The Low Anthem - Oh My God, Charlie Darwin". DIY . DIY Music Limited. Archived from the original on October 18, 2022. Retrieved October 18, 2022.
  40. 1 2 Fox, Killian (June 28, 2009). "The Low Anthem: Oh My God, Charlie Darwin". The Observer . Guardian Media Group. Archived from the original on July 1, 2009. Retrieved October 18, 2022.
  41. 1 2 3 4 Jackson, Josh (June 9, 2009). "The Low Anthem: Oh My God, Charlie Darwin". Paste . Paste Media Group. Archived from the original on September 27, 2020. Retrieved October 18, 2022.
  42. 1 2 Leebove, Laura (August 24, 2009). "The Low Anthem: Oh My God, Charlie Darwin". Under the Radar . Archived from the original on November 6, 2009. Retrieved October 18, 2022.
  43. 1 2 3 4 5 Bastian, Jonathan (August 14, 2008). "The Many Layers of The Low Anthem". Aspen Daily News . Paperbag Media. Archived from the original on March 8, 2009. Retrieved May 18, 2023.
  44. 1 2 3 4 5 6 Jones, Allan (June 9, 2009). "The Low Anthem – Oh My God, Charlie Darwin". Uncut . NME Networks. Archived from the original on May 3, 2023. Retrieved October 18, 2022.
  45. 1 2 3 4 Freeman, Doug (July 3, 2009). "The Low Anthem: Oh My God, Charlie Darwin Album Review". The Austin Chronicle . Austin Chronicle Corp. Archived from the original on January 16, 2014. Retrieved October 18, 2022.
  46. 1 2 3 Cooper, Leonie (June 18, 2009). "Album review: The Low Anthem – Oh My God, Charlie Darwin". NME . BandLab Technologies. Archived from the original on July 25, 2009. Retrieved January 29, 2021.
  47. 1 2 3 4 5 6 7 Edwards, D.M. (September 25, 2008). "The Low Anthem: Oh My God, Charlie Darwin". PopMatters . Archived from the original on October 19, 2020. Retrieved October 18, 2022.
  48. 1 2 3 4 Lee, Darren (June 29, 2009). "The Low Anthem – Oh My God, Charlie Darwin" . MusicOMH . Archived from the original on August 6, 2020. Retrieved October 18, 2022.
  49. 1 2 3 Tyers, Simon (June 8, 2009). "The Low Anthem — Oh My God Charlie Darwin". The Line of Best Fit . Archived from the original on October 18, 2022. Retrieved October 19, 2022.
  50. 1 2 3 Milway, Tom (July 23, 2009). "Reviews | The Low Anthem". The Quietus . Archived from the original on October 18, 2022. Retrieved October 18, 2022.
  51. 1 2 Lusk, Jon (June 26, 2009). "Review of The Low Anthem - Oh My God, Charlie Darwin". BBC Music . BBC. Archived from the original on June 26, 2009. Retrieved October 18, 2022.
  52. Jackson, Josh (December 3, 2008). "The Low Anthem Covers All the Bases". Paste . Paste Media Group. Archived from the original on February 22, 2009. Retrieved May 18, 2023.
  53. Wallen, Doug (April 15, 2010). "The Low Anthem, Enchantingly Low-Key". Hartford Courant . Tribune Publishing. p. CAL07. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  54. Carr, David (February 18, 2011). "Echoes of Another Time and Place". The New York Times . Archived from the original on February 19, 2011. Retrieved October 19, 2022.
  55. Hofstetter, Karl (January 8, 2018). "The Low Anthem Love-Child, Or: how I learned to stop worrying and love the folk". Joyful Noise Recordings. Archived from the original on September 21, 2020. Retrieved October 24, 2022.
  56. "Store". The Low Anthem. Archived from the original on January 24, 2009. Retrieved May 18, 2023.
  57. ""Charlie Darwin" Limited Edition 7" To Be Released On Darwin Day". The Low Anthem. December 19, 2008. Archived from the original on January 6, 2009. Retrieved May 18, 2023.
  58. "Darwin Day: Low Anthem Releases "Charlie Darwin" 7"". The Low Anthem. February 12, 2009. Archived from the original on February 20, 2009. Retrieved May 18, 2023.
  59. "The Noise of Summer". Billboard . Eldridge Industries. May 23, 2009. p. 31. Retrieved October 21, 2022.
  60. "The Low Anthem". The Low Anthem. Archived from the original on March 2, 2009. Retrieved May 18, 2023.
  61. 1 2 "Oh My God, Charlie Darwin is Out in the UK! Single of the Week on iTunes UK!". The Low Anthem. June 30, 2009. Archived from the original on February 11, 2010. Retrieved May 18, 2023.
  62. "Nonesuch Records Signs The Low Anthem; Label Debut Due in Late Spring". Nonesuch Records. March 31, 2009. Archived from the original on April 4, 2009. Retrieved October 26, 2022.
  63. "The Low Anthem - "Charlie Darwin"". Bella Union. September 28, 2009. Archived from the original on October 19, 2022. Retrieved October 19, 2022.
  64. "The Low Anthem - "To The Ghosts Who Write History Books"". February 15, 2010. Archived from the original on October 19, 2022. Retrieved October 19, 2022.
  65. 1 2 "The Low Anthem's "Charlie Darwin" Vinyl 7-Inch Out Now As Tour Heads West". Nonesuch Records. March 23, 2010. Archived from the original on March 26, 2010. Retrieved August 11, 2023.
  66. Cooper, Leonie (March 30, 2012). "Tom Jones and Warpaint drummer cover Leonard Cohen, Tom Waits and The Low Anthem on his new LP". NME . BandLab Technologies. Archived from the original on April 8, 2017. Retrieved October 19, 2022.
  67. Bosso, Joe (March 28, 2013). "Tom Jones talks blues, roots music and latest album, Spirit In The Room". MusicRadar . Future plc. p. 7. Archived from the original on March 31, 2023. Retrieved August 24, 2023.
  68. Basham, Tim (July 4, 2014). "Rectify "Charlie Darwin"". Paste . Paste Media Group. Archived from the original on October 18, 2022. Retrieved October 19, 2022.
  69. "The Band Signs With a New Manager". The Low Anthem. August 1, 2008. Archived from the original on December 1, 2008. Retrieved May 18, 2023.
  70. 1 2 Stosuy, Brandon (October 22, 2009). "New Low Anthem Video - "Charlie Darwin" (Stereogum Premiere)". Stereogum . Archived from the original on October 24, 2009. Retrieved October 19, 2022.
  71. 1 2 3 Holt, Fabian (2011). "Is music becoming more visual? Online video content in the music industry". Visual Studies . 26 (1). Taylor & Francis: 50–61. doi:10.1080/1472586X.2011.548489. S2CID   143600000. Archived from the original on September 22, 2022 via ResearchGate Open Access logo PLoS transparent.svg .
  72. Boilen, Bob (November 9, 2009). "OMG Charlie Darwin Animation". All Songs Considered . NPR. Archived from the original on July 3, 2018. Retrieved October 19, 2022.
  73. Hodgkinson, Will (September 26, 2009). "The Guide: Wednesday September 30th: Digital television: Pick of the day". The Guardian . Gale   A208497141.
  74. "The Low Anthem Makes TV Debut on BBC's Later ... with Jools Holland". Nonesuch Records. November 20, 2009. Archived from the original on November 23, 2009. Retrieved October 19, 2022.
  75. "The Low Anthem Makes US TV Debut on Late Show with David Letterman". Nonesuch Records. January 14, 2010. Archived from the original on January 17, 2010. Retrieved October 19, 2022.
  76. "Tivo Party Tonight: The Low Anthem, Silversun Pickups". Magnet . January 26, 2010. Archived from the original on October 22, 2013. Retrieved October 19, 2022.
  77. 1 2 Gulla, Bob (September 3, 2008). "Branching out: The Low Anthem's roots run deep". The Providence Phoenix . New Portland Publishing. Archived from the original on February 20, 2009. Retrieved May 18, 2023.
  78. MacMillan, Tom (September 4, 2008). "New Anthem Released". New Haven Advocate . New Mass Media. Archived from the original on January 25, 2009. Retrieved May 18, 2023.
  79. Hallenbeck, Brent (April 22, 2010). "The evolution of the Low Anthem". The Burlington Free Press . Gannett. p. 37. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  80. Massimo, Rick (April 23, 2009). "Providence's energy and atmosphere have helped a trio of bands on road to success". The Providence Journal . Gannett. Archived from the original on May 2, 2009. Retrieved October 19, 2022.
  81. 1 2 "The Low Anthem Continues World Tour with West Coast Debut, Dates with Blind Pilot". Nonesuch Records. August 14, 2009. Archived from the original on August 17, 2009. Retrieved October 19, 2022.
  82. Young, Alex (May 3, 2009). "The Low Anthem gears up for album re-release, summer tour, possible folk-rock world domination". Consequence of Sound . Archived from the original on October 19, 2022. Retrieved October 19, 2022.
  83. Fullerton, Jamie (May 25, 2009). "Glastonbury festival 2009: full line-up announced". NME . BandLab Technologies. Archived from the original on January 31, 2017. Retrieved October 19, 2022.
  84. "MP3 At 3PM: The Low Anthem". Magnet . October 28, 2009. Archived from the original on October 31, 2009. Retrieved October 19, 2022.
  85. 1 2 Adshead, Adam (November 5, 2009). "The Low Anthem announce spring 2010 UK tour and ticket details". NME . BandLab Technologies. Archived from the original on October 19, 2022. Retrieved October 19, 2022.
  86. 1 2 3 Young, Alex (January 16, 2010). "The Low Anthem going high-profile with first headlining tour". Consequence of Sound . Archived from the original on October 19, 2022. Retrieved October 19, 2022.
  87. "The Low Anthem On Mountain Stage". Mountain Stage . NPR. January 27, 2010. Archived from the original on October 18, 2022. Retrieved October 19, 2022.
  88. Boilen, Bob (January 20, 2010). "The Low Anthem: Tiny Desk Concert". Tiny Desk Concerts . NPR. Archived from the original on February 22, 2012. Retrieved October 19, 2022.
  89. "The Low Anthem Announces Headline Tour, Set to Make Letterman Debut". Nonesuch Records. January 12, 2010. Archived from the original on January 15, 2010. Retrieved October 19, 2022.
  90. "The Low Anthem Begins Ten-City Tour with The Avett Brothers". Nonesuch Records. February 24, 2010. Archived from the original on February 27, 2010. Retrieved October 19, 2022.
  91. "The Low Anthem Begins Headlining Tour with Two Shows in Washington, DC". Nonesuch Records. March 11, 2010. Archived from the original on March 14, 2010. Retrieved October 19, 2022.
  92. Derdeyn, Stuart (April 8, 2010). "The Low Anthem's success came in a rush". Montreal Gazette . Postmedia Network. p. 34. Archived from the original on October 18, 2022. Retrieved October 19, 2022 via Newspapers.com.
  93. 1 2 Young, Alex (April 1, 2010). "The Low Anthem readies new album, tour". Consequence of Sound . Archived from the original on October 19, 2022. Retrieved October 19, 2022.
  94. Jones, Preston (March 5, 2010). "Northern lights". Fort Worth Star-Telegram . McClatchy. p. A18. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  95. Sylvester, Bruce (August 3, 2010). "Newport Folk Festival 2010 finds common ground". Goldmine . Project M Group. Archived from the original on May 27, 2011. Retrieved August 11, 2023.
  96. Bray, Elisa (August 17, 2010). "Simple joys of an intimate festival". The Independent . p. 58. Archived from the original on August 11, 2023. Retrieved August 11, 2023 via Newspapers.com.
  97. "tours announced: Low Anthem, Strand of Oaks/Apex Manor, Cashmere Cat, more". BrooklynVegan . Townsquare Media. September 6, 2019. Archived from the original on September 10, 2019. Retrieved October 19, 2022.
  98. Aarts, Eddie (2019). "The Low Anthem niet zonder slag of stoot opnieuw op tour met succesalbum" [The Low Anthem not without a struggle again on tour with a successful album] (in Dutch). Paradiso. Archived from the original on August 11, 2023. Retrieved August 11, 2023.
  99. 1 2 "Oh My God, Charlie Darwin by The Low Anthem reviews". AnyDecentMusic?. Archived from the original on October 18, 2022. Retrieved October 18, 2022.
  100. 1 2 "Oh My God, Charlie Darwin by The Low Anthem Reviews and Tracks". Metacritic . Red Ventures. Archived from the original on October 29, 2012. Retrieved January 29, 2021.
  101. 1 2 Hyden, Steven (July 7, 2009). "The Low Anthem: Oh My God, Charlie Darwin". The A.V. Club . Onion, Inc. Archived from the original on November 3, 2019. Retrieved January 29, 2021.
  102. 1 2 Simpson, Dave (June 12, 2009). "The Low Anthem, Oh My God, Charlie Darwin". The Guardian . Archived from the original on June 25, 2021. Retrieved October 19, 2022.
  103. 1 2 Murphy, Lauren (June 12, 2009). "Rock/Pop". The Irish Times . Archived from the original on October 18, 2022. Retrieved October 18, 2022.
  104. Jackson, Josh (October 2008). "Artist Discovery Series: The Low Anthem – Oh My God, Charlie Darwin". Paste . Paste Media Group. Archived from the original on March 1, 2009. Retrieved May 18, 2023.
  105. Derdeyn, Stuart (July 11, 2009). "A new shade of White". Ottawa Citizen . Postmedia Network. p. 82. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  106. 1 2 3 Jones, Preston (June 21, 2009). "The Fab Five". Fort Worth Star-Telegram . McClatchy. p. Z5. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  107. Perry, Jonathan (December 19, 2008). "Topping the local mix". The Boston Globe . p. 104. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  108. Edwards, Mark (June 21, 2009). "The Low Anthem: Oh My God, Charlie Darwin" . The Sunday Times . News UK. Archived from the original on October 18, 2022. Retrieved October 18, 2022.
  109. Ferrucci, Patrick (July 31, 2009). "Some quick hits on a few CDs we're a little late on". New Haven Register . Hearst Communications. Gale   A204801342.
  110. Schardl, Kati (July 24, 2009). "Low Anthem opens new horizons for armchair traveler". Tallahassee Democrat . Gannett. p. 40. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  111. Clark, Pete (June 26, 2009). "CDs of the week". Evening Standard . Archived from the original on June 28, 2009. Retrieved October 18, 2022.
  112. McFee, Edwin (June 12, 2009). "Oh My God, Charlie Darwin". Hot Press . Archived from the original on June 15, 2009. Retrieved October 18, 2022.
  113. "The Low Anthem - Oh My God, Charlie Darwin" (in Dutch). Ultratop. Archived from the original on February 15, 2017. Retrieved October 25, 2022.
  114. "The Low Anthem - Oh My God, Charlie Darwin" (in Dutch). Dutch Charts. Archived from the original on February 8, 2020. Retrieved October 25, 2022.
  115. "Oh My God Charlie Darwin – Low Anthem". Official Charts Company. Archived from the original on July 7, 2024. Retrieved July 7, 2024.
  116. ""Charlie Darwin" – Low Anthem". Official Charts Company. Archived from the original on July 7, 2024. Retrieved July 7, 2024.
  117. "Ready, set, go". Portland Press Herald . MaineToday Media. January 15, 2009. p. 33. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  118. Perry, Jonathan (December 4, 2009). "Passion Pit, Low Anthem tops BMAs". The Boston Globe . p. B14. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  119. "Boston Music Awards 2009 nominees". Boston.com . Boston Globe Media Partners. November 24, 2009. Archived from the original on March 6, 2019. Retrieved October 19, 2022.
  120. "Tinariwen Win The Uncut Music Award 2009!". Uncut . NME Networks. November 9, 2009. Archived from the original on February 28, 2021. Retrieved October 19, 2022.
  121. Jackson, Josh (October 23, 2018). "The 40 Best Albums of 2008". Paste . Paste Media Group. Archived from the original on April 10, 2021. Retrieved October 19, 2022.
  122. Scelsa, Vin (August 19, 2016). "The Best of 2008: Staff Picks". WFUV. Archived from the original on November 29, 2021. Retrieved October 19, 2022.
  123. Cost, Jud; Costantino, Emily; Fairchild, Edward; Fritch, Matthew; Hickey, Matt; Khebzou, Dustin; Waggoner, Eric (December 31, 2009). "Magnet's Top 20 Albums of 2009". Magnet . Archived from the original on January 15, 2010. Retrieved October 19, 2022.
  124. "2009 - De eindejaarslijstes" [2009 - The year-end lists] (in Belarusian). December 16, 2009. Archived from the original on December 18, 2009. Retrieved October 19, 2022.
  125. Simpson, Peter (December 31, 2009). "Music: 'Canada's next best hope for a global star'". Ottawa Citizen . Postmedia Network. p. 62. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  126. Madeloni, Dave (December 30, 2009). "Dave's Top 10 — The best albums of 2009". Brattleboro Reformer . Vermont News and Media LLC. p. 24. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  127. Jackson, Josh (December 15, 2009). "The 25 Best Albums of 2009". Paste . Paste Media Group. p. 2. Archived from the original on September 24, 2021. Retrieved October 19, 2022.
  128. McCoy, Steve (December 21, 2009). "Best Albums of 2009". Steve K. McCoy. Archived from the original on February 19, 2015. Retrieved October 19, 2022.
  129. Riffe, Casey (January 1, 2010). "2009 Year in Review: Albums". Billings Gazette . Lee Enterprises. p. 39. Archived from the original on October 19, 2022. Retrieved October 19, 2022 via Newspapers.com.
  130. "The 50 Best Albums of 2009". Mojo . Bauer Media Group. January 2010. pp. 47–56.
  131. Glitz, Michael (April 16, 2010). "The Best CDs of 2009: It's Never Too Late to Hear Great Music". The Huffington Post . BuzzFeed. Archived from the original on October 18, 2022. Retrieved October 19, 2022.
  132. "Top 50 Albums of 2009". Uncut . NME Networks. January 2010.
  133. "Q Magazine's Top Albums of 2009". BrooklynVegan . Townsquare Media. November 27, 2009. Archived from the original on March 2, 2018. Retrieved October 19, 2022.
  134. "musicOMH's Top 50 Best Albums Of 2009: 30-21". MusicOMH . August 3, 2009. Archived from the original on July 31, 2016. Retrieved October 19, 2022.
  135. "Critics' poll 2009: Albums 11 - 50". The Guardian . December 11, 2009. Archived from the original on September 8, 2013. Retrieved October 19, 2022.
  136. "the 97 best of 2009". WOXY.com. Archived from the original on December 23, 2009. Retrieved October 19, 2022.
  137. Gottlieb, Jed; Brotherton, Bill (December 11, 2009). "Best of 2009: Music". Boston Herald . Digital First Media. Archived from the original on October 19, 2022. Retrieved October 19, 2022.
  138. Gill, Andy (December 11, 2009). "The music to my year". The Independent . p. 86. Archived from the original on October 19, 2022. Retrieved October 19, 2022.