Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
Geoffrey V, called the Fair or Plantagenet, was the count of Anjou, Touraine and Maine by inheritance from 1129, and also duke of Normandy by his marriage claim, and conquest, from 1144.
The House of Lancaster was a cadet branch of the royal House of Plantagenet. The first house was created when King Henry III of England created the Earldom of Lancaster—from which the house was named—for his second son Edmund Crouchback in 1267. Edmund had already been created Earl of Leicester in 1265 and was granted the lands and privileges of Simon de Montfort, 6th Earl of Leicester, after de Montfort's death and attainder at the end of the Second Barons' War. When Edmund's son Thomas, 2nd Earl of Lancaster, inherited his father-in-law's estates and title of Earl of Lincoln he became at a stroke the most powerful nobleman in England, with lands throughout the kingdom and the ability to raise vast private armies to wield power at national and local levels. This brought him—and Henry, his younger brother—into conflict with their cousin King Edward II, leading to Thomas's execution. Henry inherited Thomas's titles and he and his son, who was also called Henry, gave loyal service to Edward's son King Edward III.
The coat of arms of England is the coat of arms historically used as arms of dominion by the monarchs of the Kingdom of England, and now used to symbolise England generally. The arms were adopted c.1200 by the Plantagenet kings and continued to be used by successive English and British monarchs; they are currently quartered with the arms of Scotland and Ireland in the coat of arms of the United Kingdom. Historically they were also quartered with the arms of France, representing the English claim to the French throne, and Hanover.
The Red Rose of Lancaster was the heraldic badge adopted by the royal House of Lancaster in the 14th century. In modern times it symbolises the county of Lancashire. The exact species or cultivar which it represents is thought to be Rosa gallica officinalis.
The Tudor rose is the traditional floral heraldic emblem of England and takes its name and origins from the House of Tudor, which united the House of Lancaster and the House of York. The Tudor rose consists of five white inner petals, representing the House of York, and five red outer petals to represent the House of Lancaster.
The liver bird is a mythical creature that is the symbol of the English city of Liverpool. It is normally represented as a cormorant, and appears as such on the city's arms, in which it bears a branch of laver seaweed in its beak as a further pun on the name "Liverpool".
A heraldic badge, emblem, impresa, device, or personal device worn as a badge indicates allegiance to, or the property of, an individual, family or corporate body. Medieval forms are usually called a livery badge, and also a cognizance. They are para-heraldic, not necessarily using elements from the coat of arms of the person or family they represent, though many do, often taking the crest or supporters. Their use is more flexible than that of arms proper.
The Queen's Beasts are ten heraldic statues representing the genealogy of Queen Elizabeth II, depicted as the Royal supporters of England. They stood in front of the temporary western annexe to Westminster Abbey for the Queen's coronation in 1953. Each of the Queen's Beasts consists of a heraldic beast supporting a shield bearing a badge or arms of a family associated with the ancestry of Queen Elizabeth II. They were commissioned by the British Ministry of Works from the sculptor James Woodford, who was paid the sum of £2,750 for the work. They were uncoloured except for their shields at the coronation. They are now on display in the Canadian Museum of History in Gatineau, Quebec.
A royal badge for Wales was approved in May 2008. It is based on the arms borne by the thirteenth-century Welsh prince Llywelyn ab Iorwerth, with the addition of St Edward's Crown atop a continuous scroll which, together with a wreath consisting of the plant emblems of the four countries of the United Kingdom, surrounds the shield. The motto which appears on the scroll, PLEIDIOL WYF I'M GWLAD, is taken from the national anthem of Wales; it was also an element of the Welsh designs for £1 coins minted from 1985 until 2000. The badge formerly appeared on the covers of Assembly Measures; since the 2011 referendum, it now appears on the cover of Acts passed by the Senedd and its escutcheon, ribbon and motto are depicted on the Welsh Seal.
A livery collar or chain of office is a collar or heavy chain, usually of gold, worn as insignia of office or a mark of fealty or other association in Europe from the Middle Ages onwards.
The House of Beaufort is an English noble and quasi-royal family which originated in the fourteenth century as the legitimated issue of John of Gaunt, 1st Duke of Lancaster by Katherine Swynford. Gaunt and Swynford had four children: John Beaufort, 1st Earl of Somerset (1373–1410); Cardinal Henry Beaufort (1375–1447), Bishop of Winchester; Thomas Beaufort, 1st Duke of Exeter (1377–1426) and Joan Beaufort, Countess of Westmorland (1379–1440). When Gaunt finally married Swynford as his third wife in 1396, the Beauforts were legitimized by Pope Boniface IX and by royal proclamation of the reigning monarch King Richard II the following year.
The rose is a common device in heraldry. It is often used both as a charge on a coat of arms and by itself as an heraldic badge. The heraldic rose has a stylized form consisting of five symmetrical lobes, five barbs, and a circular seed. The rose is one of the most common plant symbols in heraldry, together with the lily, which also has a stylistic representation in the fleur-de-lis.
The House of Plantagenet was the first truly armigerous royal dynasty of England. Their predecessor, Henry I of England, had presented items decorated with a lion heraldic emblem to his son-in-law, Plantagenet founder Geoffrey, Count of Anjou, and his family experimented with different lion-bearing coats until these coalesced during the reign of his grandson, Richard I (1189–1199), into a coat of arms with three lions on a red field, formally Gules, three lions passant guardant or , that became the Royal Arms of England, and colloquially those of England itself. The various cadet branches descended from this family bore differenced versions of these arms, while later members of the House of Plantagenet would either quarter or impale these arms with others to reflect their political aspirations.
The White Greyhound of Richmond is one of the Queen's Beasts commissioned for display at the coronation of Queen Elizabeth II in 1953. A stone copy can also be found in the Royal Botanic Gardens, Kew.
The royal standards of England were narrow, tapering swallow-tailed heraldic flags, of considerable length, used mainly for mustering troops in battle, in pageants and at funerals, by the monarchs of England. In high favour during the Tudor period, the Royal English Standard was a flag that was of a separate design and purpose to the Royal Banner. It featured St George's Cross at its head, followed by a number of heraldic devices, a supporter, badges or crests, with a motto—but it did not bear a coat of arms. The Royal Standard changed its composition frequently from reign to reign, but retained the motto Dieu et mon droit, meaning God and my right; which was divided into two bands: Dieu et mon and Droyt.
The royal supporters of England are the heraldic supporter creatures appearing on each side of the royal arms of England. The royal supporters of the monarchs of England displayed a variety, or even a menagerie, of real and imaginary heraldic beasts, either side of their royal arms of sovereignty, including lion, leopard, panther and tiger, antelope and hart, greyhound, boar and bull, falcon, cock, eagle and swan, red and gold dragons, as well as the current unicorn.
Heraldic labels are used to differentiate the personal coats of arms of members of the royal family of the United Kingdom from that of the monarch and from each other. In the Gallo-British heraldic tradition, cadency marks have been available to "difference" the arms of a son from those of his father, and the arms of brothers from each other, and traditionally this was often done when it was considered important for each man to have a distinctive individual coat of arms and/or to differentiate the arms of the head of a house from junior members of the family. This was especially important in the case of arms of sovereignty: to use the undifferenced arms of a kingdom is to assert a claim to the throne. Therefore, in the English royal family, cadency marks were used from the time of Henry III, typically a label or bordure alluding to the arms of the bearer's mother or wife. After about 1340, when Edward III made a claim to the throne of France, a blue label did not contrast sufficiently with the blue field of the French quarter of the royal arms; accordingly most royal cadets used labels argent: that of the heir apparent was plain, and all others were charged. Bordures of various tinctures continued to be used into the 15th century.
The coat of arms of the Prince of Wales is the official personal heraldic insignia of the Princes of Wales, a title traditionally granted to the heir apparent of the reigning monarch of the United Kingdom of Great Britain and Northern Ireland, formerly the Kingdom of Great Britain and before that the Kingdom of England.
The King's Beasts are a series of 10 statues of heraldic animals that stand on the bridge over a moat leading to the great gatehouse of Hampton Court Palace. The original statues were commissioned by King Henry VIII to represent his ancestry and that of his third wife Jane Seymour. These were destroyed during renovations in the late 17th century, but new sculptures based on the original specifications were erected in the early 20th century.
