The royal supporters of England are the heraldic supporter creatures appearing on each side of the royal arms of England. The royal supporters of the monarchs of England displayed a variety, or even a menagerie, of real and imaginary heraldic beasts, either side of their royal arms of sovereignty, including lion, leopard, panther and tiger, antelope and hart, greyhound, boar and bull, falcon, cock, eagle and swan, red and gold dragons, as well as the current unicorn. [1]
Monarch (Reign) | Supporters [2] | Details | Coat of arms |
---|---|---|---|
House of Plantagenet (1327–1399) | |||
King Edward III (1327–1377) |
| King Edward III was supposed to have used on the dexter side a Lion guardant Or, crowned of the last; and on the sinister, by a Falcon Argent, membered Or. However, there is no conclusive evidence to assume that a definitive set of heraldic supporters were in use so early at this period. [4] | lion and falcon |
King Richard II (1377–1399) |
| King Richard's arms appear on the north front of Westminster Hall. On the base of the escutcheon rests his royal badge of the white hart; which is collared and chained. This device is derived from the personal badge of his mother Joan of Kent. The same device was also used by her son, from her first husband; Thomas Holland, 1st Earl of Kent. In this same decoration the escutcheon is surrounded by two angels, however these the character of pious emblems, rather than heraldic figures. [5] Another example lies in St Olave's Church, Hart Street, depicts the arms of the monarch impaled with those of his patron saint; Edward the Confessor. Here is escutcheon is supported by two Harts Argent, collared and chained Or. [6] | two harts |
House of Lancaster (1399–1413) | |||
King Henry IV (1399–1413) |
| King Henry IV was supposed to have his escutcheon supported on the dexter by an antelope Argent, ducally collared, lines, and armed Or; and on the sinister, by a swan Argent. However no remaining monuments have been found that supports conclusive proof that these devices were used as such. The device of the swan is derived from the Bohun swan of the family of de Bohun, a descendant of which, Mary de Bohun, was Henry's first wife. [7] It is likely that these may have been used only as badges and not as supporters at all. (Page 89) [8] The heraldic antelope appears to have also been derived from the Bohun family. [9] [10] | lion and antelope |
King Henry V (1413–1422) |
| King Henry V as king bore on the dexter side a lion guardant Or, on the sinister an antelope Argent. [11] | lion and antelope |
King Henry VI (1422–1461) |
| King Henry VI's arms are supported by two antelopes, this depiction appears on the ceiling of the southern aisle of St George's Chapel, Windsor Castle; and on the upper part of the inner gateway of Eton College. [12] Possibly the first English king to systematically used supporters, in their arms, previously they were used ornamentally rather than as part of the heraldic science. The heraldic antelopes are described thus; two heraldic antelopes Argent, armed and tufted Or. [13] | two antelopes |
House of York (1413–1485) | |||
King Edward IV (1461–1483) |
| King Edward IV's arms contained the white lion, which had been used as supporters by the Mortimers, Earls of March. When he himself was Earl of March, his arms were indeed supported by two white lions; lions rampant guardant Argent, their tails passing between their legs and over their backs. [14] [15] A black bull, with horns, hoofs Or, is sometimes incorporated as a supporter interchangeably with other creature either on the dexter or sinister side. The bull was a device of Lionel of Antwerp, 1st Duke of Clarence, the second son of Edward III. The House of York were descended through him by Richard of York, 3rd Duke of York and his mother Anne de Mortimer. [16] The white hart was evidently derived from the arms of Richard II, who in 1387 declared Roger Mortimer, 4th Earl of March, Edward's maternal great-grandfather, his lawful heir to the crown. [14] | two lions |
King Edward V (1483) |
| The short-lived monarch shares his supporters with his father: the white lion and the white hart. [17] A painting of the king's arms is found in St George's Chapel, beside the tomb of Oliver King, Bishop of Exeter. It shows dexter a lion argent and sinister a hind argent. [18] | lion and hart |
King Richard III (1483–1485) |
| King Richard III used most prominently two white boars as his supporters. Even before his ascension to the throne the white boar was used as a personal badge, also in his service was a pursuivant called 'Blanc Sanglier'. The satire of William Collingbourne, referring to Richard as a 'hogge' is well known. [19] The boars are described as; A boar rampant argent, armed and bristled Or. [20] | two boars |
House of Tudor (1485–1606) | |||
King Henry VII (1485–1509) |
| King Henry VII used as his supporters a red dragon and a white greyhound. The red dragon is traditionally the symbol of Cadwaladr, King of Gwynedd. Henry VII claims his descent from the Welsh leader, and was fond of the myth surrounding his reign. However the dragon itself have long been borne by various English kings in their standard; such as Henry III, Edward I and Edward III. [21] The dragon is described as; a dragon Gules garnished and armed Or. [22] The white greyhound have been used as a device by the House of York, it was assumed as a supporter by Henry in right of his wife, who derived it from her grandmother's family of Neville. [23] At other times the greyhound have been attributed to the House of Beaufort, the family of Henry's mother; Margaret Beaufort, rather than York. [24] The greyhound is described as; a greyhound Argent collared Gules. [22] | dragon and greyhound |
King Henry VIII (1509–1547) |
| During the first half of his reign, King Henry VIII used the same supporters as his father, this was depicted on many manuscripts which belonged to him. Afterwards he began to use a crowned lion of England on the dexter side and the red dragon on the sinister side. [25] The lion is described as; A lion guardant Or, imperially crowned proper. [26] | lion and dragon |
King Edward VI (1547–1553) |
| King Edward VI used the same supporters, without change, from those used by his father on the latter half of his reign. [27] | lion and dragon |
Queen Mary I (1553–1558) |
| Queen Mary I used as her supporters; on the dexter an eagle Sable, with wings endorsed; and on the sinister a crowned lion of England. The eagle was the supporter of her husband King Philip II of Spain. [28] | eagle and lion |
Queen Elizabeth I (1558–1603) |
| Queen Elizabeth I used the supporters of her father, a crowned lion and a dragon. However, sometimes the red dragon is substituted with a golden one. [29] | lion and dragon |
House of Stuart (1603–1649) | |||
King James I (1603–1625) |
| When King James VI of Scotland inherited the English throne in 1603 and became King James I of England, he exchanged the red dragon with the Scottish unicorn of his ancestors. [30] The royal arms of Scotland have been supported by two unicorns since the reign of King James V. [31] The unicorn is blazoned as: a unicorn Argent, armed, unguled, craned, and gorged with a royal coronet Or, having a chain affixed thereto and reflexed over the back all Or. [32] However to preserve a distinct identity for both nations, the king allowed for the use of two coats of arms; one for England and another for Scotland. In Scotland the position of the supporters are switched with the unicorn in the dexter and the lion in the sinister. The unicorn is also imperially crowned, similarly to the lion. [33] | lion and unicorn |
King Charles I (1625–1649) |
| King Charles I uses the same supporters as those of his father, the crowned lion and unicorn. [34] Blazoned as; dexter a lion rampant guardant Or imperially crowned, sinister a unicorn Argent armed, crined and unguled Proper, gorged with a coronet Or composed of crosses patée and fleurs de lys a chain affixed thereto passing between the forelegs and reflexed over the back also Or. [35] | lion and unicorn |
The Protectorate (1653–1659) | |||
Oliver Cromwell (1653–1658) |
| During the Protectorate of Oliver Cromwell a coat of arms was created for use in the Great Seal. This coat of arms featured; Dexter, a lion guardant Or, crowned with the imperial crown Proper, Sinister, a dragon gules. Perhaps it was thought that the arms and motto of the Royal family was too personal and must be dropped. The supporters and crest, however was less personal but more national in character and was retained. The substitution of the Tudor dragon in favour of the unicorn demonstrates a clear rejection of the Stuarts and their symbols. [36] | lion and dragon |
Richard Cromwell (1658–1659) |
| The younger Cromwell retained the arms of his father for the eight months he held the office, until his rule was terminated by the Restoration in May 1660. [36] | lion and dragon |
House of Stuart (Restored) (1660–1707) | |||
King Charles II (1660–1685) |
| King Charles II uses; dexter a lion rampant guardant Or imperially crowned, sinister a unicorn Argent armed, crined and unguled Proper, gorged with a coronet Or composed of crosses patée and fleurs de lys a chain affixed thereto passing between the forelegs and reflexed over the back also Or. [37] | lion and unicorn |
King James II (1685–1688) |
| King James II uses; dexter a lion rampant guardant Or imperially crowned, sinister a unicorn Argent armed, crined and unguled Proper, gorged with a coronet Or composed of crosses patée and fleurs de lys a chain affixed thereto passing between the forelegs and reflexed over the back also Or. [38] | lion and unicorn |
King William III and Queen Mary II (1689–1694) |
| King William III and Queen Mary uses; dexter a lion rampant guardant Or imperially crowned, sinister a unicorn Argent armed, crined and unguled Proper, gorged with a coronet Or composed of crosses patée and fleurs de lys a chain affixed thereto passing between the forelegs and reflexed over the back also Or. [39] | lion and unicorn |
King William III (1689–1702) |
| King William III uses; dexter a lion rampant guardant Or imperially crowned, sinister a unicorn Argent armed, crined and unguled Proper, gorged with a coronet Or composed of crosses patée and fleurs de lys a chain affixed thereto passing between the forelegs and reflexed over the back also Or. [40] | lion and unicorn |
Queen Anne (1702–1707) |
| Queen Anne uses; dexter a lion rampant guardant Or imperially crowned, sinister a unicorn Argent armed, crined and unguled Proper, gorged with a coronet Or composed of crosses patée and fleurs de lys a chain affixed thereto passing between the forelegs and reflexed over the back also Or. [40] | lion and unicorn |
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
The royal coat of arms of the United Kingdom, or the royal arms for short, is the arms of dominion of the British monarch, currently King Charles III. These arms are used by the King in his official capacity as monarch of the United Kingdom. Variants of the royal arms are used by other members of the British royal family, by the Government of the United Kingdom in connection with the administration and government of the country, and some courts and legislatures in a number of Commonwealth realms. A Scottish version of the royal arms is used in and for Scotland. The arms in banner form serve as basis for the monarch's official flag, the Royal Standard.
The royal arms of England are the arms first adopted in a fixed form at the start of the age of heraldry as personal arms by the Plantagenet kings who ruled England from 1154. In the popular mind they have come to symbolise the nation of England, although according to heraldic usage nations do not bear arms, only persons and corporations do. The blazon of the arms of Plantagenet is: Gules, three lions passant guardant in pale or armed and langued azure, signifying three identical gold lions with blue tongues and claws, walking past but facing the observer, arranged in a column on a red background. Although the tincture azure of tongue and claws is not cited in many blazons, they are historically a distinguishing feature of the arms of England. This coat, designed in the High Middle Ages, has been variously combined with those of the Kings of France, Scotland, a symbol of Ireland, the House of Nassau and the Kingdom of Hanover, according to dynastic and other political changes occurring in England, but has not altered since it took a fixed form in the reign of Richard I of England (1189–1199), the second Plantagenet king.
In heraldry, a bend is a band or strap running from the upper dexter corner of the shield to the lower sinister. Authorities differ as to how much of the field it should cover, ranging from one-fifth up to one-third. The supposed rule that a bend should occupy a maximum of one-third of the field appears to exclude the possibility of three bends being shown together, but contrary examples exist.
The Queen's Beasts are ten heraldic statues representing the genealogy of Queen Elizabeth II, depicted as the Royal supporters of England. They stood in front of the temporary western annexe to Westminster Abbey for the Queen's coronation in 1953. Each of The Queen's Beasts consists of a heraldic beast supporting a shield bearing a badge or arms of a family associated with the ancestry of Queen Elizabeth II. They were commissioned by the British Ministry of Works from the sculptor James Woodford, who was paid the sum of £2,750 for the work. They were uncoloured except for their shields at the coronation. They are now on display in the Canadian Museum of History in Gatineau, Quebec.
John Philip Brooke Brooke-Little was an English writer on heraldic subjects, and a long-serving herald at the College of Arms in London. In 1947, while still a student, Brooke-Little founded the Society of Heraldic Antiquaries, now known as the Heraldry Society and recognised as one of the leading learned societies in its field. He served as the society's chairman for 50 years and then as its president from 1997 until his death in 2006.
The House of Beaufort is an English noble and quasi-royal family, which originated in the fourteenth century as the legitimated issue of John of Gaunt, 1st Duke of Lancaster, whose eldest legitimate son was King Henry IV, the first Lancastrian king. The Beauforts played an important role during the Wars of the Roses in the fifteenth century and the eventual heiress of the family Lady Margaret Beaufort was the mother of King Henry VII, the first Tudor monarch of England.
The cross moline is a Christian cross, constituting a kind of heraldic cross.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
Ecclesiastical heraldry refers to the use of heraldry within Christianity for dioceses, organisations and Christian clergy. Initially used to mark documents, ecclesiastical heraldry evolved as a system for identifying people and dioceses. It is most formalized within the Catholic Church, where most bishops, including the pope, have a personal coat of arms. Clergy in Anglican, Lutheran, Eastern Catholic and Eastern Orthodox churches follow similar customs, as do institutions such as schools and dioceses.
A crown is often an emblem of a sovereign state, usually a monarchy, but also used by some republics.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
The House of Plantagenet was the first truly armigerous royal dynasty of England. Their predecessor, Henry I of England, had presented items decorated with a lion heraldic emblem to his son-in-law, Plantagenet founder Geoffrey, Count of Anjou, and his family experimented with different lion-bearing coats until these coalesced during the reign of his grandson, Richard I (1189–1199), into a coat of arms with three lions on a red field, formally Gules, three lions passant guardant or , that became the Royal Arms of England, and colloquially those of England itself. The various cadet branches descended from this family bore differenced versions of these arms, while later members of the House of Plantagenet would either quarter or impale these arms with others to reflect their political aspirations.
The wolf has been widely used in many forms in heraldry during the Middle Ages. Though commonly reviled as a livestock predator and man-eater, the wolf was also considered a noble and courageous animal, and frequently appeared on the arms and crests of numerous noble families. It typically symbolised the rewards of perseverance in long sieges or hard industry.
The royal standards of England were narrow, tapering swallow-tailed heraldic flags, of considerable length, used mainly for mustering troops in battle, in pageants and at funerals, by the monarchs of England. In high favour during the Tudor period, the Royal English Standard was a flag that was of a separate design and purpose to the Royal Banner. It featured St George's Cross at its head, followed by a number of heraldic devices, a supporter, badges or crests, with a motto—but it did not bear a coat of arms. The Royal Standard changed its composition frequently from reign to reign, but retained the motto Dieu et mon droit, meaning God and my right; which was divided into two bands: Dieu et mon and Droyt.
English heraldry is the form of coats of arms and other heraldic bearings and insignia used in England. It lies within the so-called Gallo-British tradition. Coats of arms in England are regulated and granted to individuals by the English kings of arms of the College of Arms. An individual's arms may also be borne 'by courtesy' by members of the holder's nuclear family, subject to a system of cadency marks, to differentiate those displays from the arms of the original holder. The English heraldic style is exemplified in the arms of British royalty, and is reflected in the civic arms of cities and towns, as well as the noble arms of individuals in England. Royal orders in England, such as the Order of the Garter, also maintain notable heraldic bearings.
The Royal coat of arms of Great Britain was the coat of arms representing royal authority in the sovereign state of the Kingdom of Great Britain, in existence from 1707 to 1801. The kingdom came into being on 1 May 1707, with the political union of the kingdom of Scotland and the kingdom of England, which included Wales. With the 1706 Treaty of Union, it was agreed to create a single kingdom, encompassing the whole of the island of Great Britain and its outlying islands, but not Ireland, which remained a separate realm under the newly created British crown.
The coat of arms of the Angevin dynasty varied over time, but always included a lion.
In heraldry, the royal badges of England comprise the heraldic badges that were used by the monarchs of the Kingdom of England.
The coat of arms of the Prince of Wales is the official heraldic insignia of the Prince of Wales, a title traditionally granted to the heir apparent of the reigning monarch of the United Kingdom of Great Britain and Northern Ireland, formerly the Kingdom of Great Britain and before that the Kingdom of England.