The Seventeen Tantras of the Esoteric Instruction Series (Tibetan : མན་ངག་སྡེའི་རྒྱུད་བཅུ་བདུན, Wylie : man ngag sde'i rgyud bcu bdun) or the Seventeen Tantras of the Ancients (rnying-ma'i rgyud bcu-bdun) are an important collection of tantras in the Nyingma school of Tibetan Buddhism. [1] [2] They comprise the core scriptures of the "esoteric instruction series" ( Menngagde ) of Dzogchen teachings and are its most authoritative scriptures. [1] [2]
The Seventeen Tantras are part of the Vima Nyingthig ("Inner Essence of Vimalamitra"), a terma cycle of Dzogchen texts revealed by the treasure discoverer Zhangton Tashi Dorje (c. 1097-1127) and associated with the 8th century Indian monk Vimalamitra who is traditionally believed by the Nyingma school to have first brought these texts to Tibet. [3]
The Vima Nyingthig itself consists of 'tantras' (rgyud), 'agamas' (lung), and 'upadeshas' (man ngag). The other texts are mainly exegetical literature on the material found in the Seventeen tantras. [4] The Seventeen Tantras explain the view (lta ba) of Dzogchen, the two main forms of Dzogchen meditation (sgom pa) - kadag trekchö ("the cutting through of primordial purity"), and lhündrub tögal ("the direct crossing of spontaneous presence") - and the conduct (spyod pa) of a Dzogchen practitioner, along with other ancillary topics. [5] [6]
Part of a series on |
Tibetan Buddhism |
---|
Part of a series on |
Buddhism |
---|
Contemporary Tibetologists like David Germano and Christopher Hatchell hold that the Vima Nyingthig was likely composed by its discoverer, the terton Zhangton Tashi Dorje (1097-1127). [7] [8] Germano also holds that the first historically attested figure connected with these tantras is Chetsün Sengé Wangchuk (lce btsun seng ge dbang phyug, c. 11th century). [4]
Samten Karmay writes that while Vimalamitra is attested in the sources as a Buddhist monk, there is "a fair amount of uncertainty" about this figure (and likewise about his supposed student, Nyangban Tingzin Zangpo). Vimalamitra's name does appear in some Tibetan inscriptions however. [9] Karmay also notes that certain critics of Dzogchen claimed that it was Chetsün Sengé Wangchuk who authored the Seventeen Tantras. [9]
According to Bryan J. Cuevas, while the traditional Nyingma view is that the Seventeen Tantras were divine revelations received by Garab Dorje, these texts seem to have been "compiled over a long period of time by multiple hands." [10] Cuevas also writes that "the precise identity of these unknown redactors is a riddle that I hope may soon be solved. Whatever the case, we must accept that the collection in the form it is known to us today consists of several layers of history reflecting diverse influences." [10]
Germano also notes that from the time of Chetsün Sengé Wangchuk onwards, "we have datable [historical] figures" in what constitutes a lineage of the Seventeen Tantras. This lineage is as follows: Chetsün Sengé Wangchuk's disciple Zhangton Tashi Dorje (1097-1167), Zhangton's son Nyima Bum (1158-1213), Nyima Bum's nephew Guru jo 'ber (1172-1231), Jo 'ber's disciple Trulzhik Sengge Gyabpa ('khrul zhig seng ge rgyab pa, 1200s), Trulzhik's disciple Melong Dorje (1243-1303), and Melong's disciple Kumaradza (1266-1343), who was the root guru of Longchenpa (1308-1363). [11]
In the Nyingma school, the Seventeen Tantras are traditionally said to be translations of Indian texts by figures of the Early Dissemination period, mainly the 8th-century Indian monk Vimalamitra, through his teacher Shri Singha. They are traced back to the quasi-historical figure of Garab Dorje, [12] [4] who is said to have received them from the Buddha Kuntu Zangpo. [13] According to Germano the traditional account of the history of the Seventeen tantras can be found in the sNying thig lo rgyus chen po (The Great Chronicles of the Seminal Heart), a history found in the Vima Nyingtik , which was "possibly authored" by Zhangton Tashi Dorje. [14]
Erik Pema Kunsang outlines the basic traditional lineage as follows:
The first human vidyadhara in the Dzogchen lineage was Garab Dorje, who compiled the 6,400,000 tantras of the Great Perfection. He entrusted these teachings to his main disciple, Manjushrimitra, who then classified them into the Three Sections of Dzogchen: Mind Section, Space Section, and Instruction Section. The chief disciple of Manjushrimitra, the great master known as Shri Singha, divided the Instruction Section into The Four Cycles of Nyingthig: the Outer, Inner, Secret, and Innermost Unexcelled Cycles. [15]
According to Kunsang, traditional Nyingma accounts hold that Shri Singha brought these teachings from Bodhgaya to place Kunsang identifies as China. [16] Shri Singha is also believed to have transmitted the Eighteen Dzogchen Tantras (see below) to Padmasambhava. [17] Shri Singha is said to have hidden these texts. [18]
The Indian scholar Vimalamitra (fl. 8th century), a student of Sri Singha, is closely associated with the Seventeen Tantras in the Nyingma histories, and it is traditionally held that his student Nyangban Tingzin Zangpo transmitted and concealed these scriptures at Zha Lhakhang (zhwa'i lha khang, "Temple of the Hat") after Vimalamitra left Tibet. [9] The Seventeen Tantras are then said to have been discovered by Dangma Lhungyel (11th century), a caretaker monk of Zha Lhakhang, who then proceeded to transmit these teachings to Chetsün Sengé Wangchuk. [19] [20]
According to Hatchell, the Seventeen Tantras "are stylistically quite similar" and all depict themselves as being taught by Buddhas in a question and answer dialogue with their retinue in various settings, such as space, volcanoes and charnel grounds. The dialogues discuss all the main Nyingthig Dzogchen topics, including the basis, cosmogony, the subtle body, buddha-nature, meditative techniques, mandalas, post-death states or bardos, as well as funerary and subjugation rituals. [8]
Kunsang provides the following list of the seventeen tantras: [15]
The Seventeen Tantras are often grouped together with other tantras as a set.
They are designated as "The Eighteen Tantras" when the Troma Tantra, otherwise known as The Tantra of the Black Wrathful Shri Ekajati (dpal e ka dza ti nag mo khros ma'i rgyud) which deals with the protective rites of Ekajati, is appended to the seventeen. [41] [15]
The "Nineteen Tantras" are the eighteen above along with the Tantra of the Lucid Expanse. Samantabhadrī is associated with the Longsel Barwey and its full name is 'Tantra of Brahmā's Sun of the Luminous Expanse of Samantabhadrī' (Wylie : kun tu bzang mo klong gsal 'bar ma nyi ma'i rgyud). [42]
According to Germano, another tantra which is closely associated with the Seventeen Tantras is the Thig le kun gsal (Total Illumination of the Bindu). [43]
These Seventeen Tantras are to be found in the Canon of the Ancient School, the Nyingma Gyubum (Tibetan : རྙིང་མ་རྒྱུད་འབུམ, Wylie : rnying ma rgyud 'bum), volumes 9 and 10, folio numbers 143-159 of the edition edited by Jamyang Khyentse Rinpoche commonly known as Dilgo Khyentse Rinpoche (Thimpu, Bhutan, 1973), reproduced from the manuscript preserved at Tingkye Gonpa Jang (Tibetan : གཏིང་སྐྱེས་དགོན་པ་བྱང, Wylie : gting skyes dgon pa byang) Monastery in Tibet. [44]
The most influential commentator on the topics of the Seventeen Tantras is Longchen Rabjampa (1308–1364). [12] His numerous writings, including the Seven Treasuries and Lama Yangtig, comment on the major topics of the Seventeen Tantras and the Vima Nyingthig. According to Germano, Longchenpa integrated the doctrines and practices of the Seventeen Tantras "into the increasingly normative modernist discourses that had taken shape from the contemporary Indian Buddhist logico-epistemological circles, Madhyamaka, Yogacara, and tantric traditions of the late tenth to thirteenth centuries." [45]
The Seventeen Tantras are quoted extensively throughout Longchenpa's (1308 - 1364?) 'The Precious Treasury of the Way of Abiding' (Tibetan : གནས་ལུགས་རིན་པོ་ཆེའི་མཛོད, Wylie : gnas lugs rin po che'i mdzod) translated by Richard Barron and Padma Translation Committee (1998). [46] This work is one of Longchenpa's Seven Treasuries. The Tibetan text is available in unicode at Tsadra’s digital Dharma Text Repository. [47] The Seventeen Tantras are also extensively discussed in Longchenpa's Precious Treasury of Philosophical Systems, also translated by Richard Barron, as well as in Vimalamitra's Great Commentary, translated in Buddhahood in This Life, by Smith.
Longchen Rabjam Drimé Özer, commonly abbreviated to Longchenpa was a Tibetan scholar-yogi of the Nyingma school of Tibetan Buddhism. According to tibetologist David Germano, Longchenpa's work led to the dominance of the Longchen Nyingthig lineage of Dzogchen over the other Dzogchen traditions. He is also responsible for the scholastic systematization of Dzogchen thought within the context of the wider Tibetan Vajrayana tradition of philosophy which was highly developed at the time among the Sarma schools. Germano also notes that Longchenpa's work is "generally taken to be the definitive expression of the Great Perfection with its precise terminological distinctions, systematic scope, and integration with the normative Buddhist scholasticism that became dominant in Tibet during the thirteenth and fourteenth centuries."
Dzogchen, also known as atiyoga, is a tradition of teachings in Indo-Tibetan Buddhism and Bon aimed at discovering and continuing in the ultimate ground of existence. The goal of Dzogchen is knowledge of this basis, this knowledge is called rigpa. There are spiritual practices taught in various Dzogchen systems for awakening rigpa.
Nyingma, often referred to as Ngangyur, is the oldest of the four major schools of Tibetan Buddhism. The Nyingma school is founded on the first lineages and translations of Buddhist scriptures from Sanskrit into Tibetan in the eighth century, during the reign of King Trisong Detsen.
The Guhyagarbha Tantra is the most important Buddhist tantra of the Mahayoga class and the primary tantric text studied in the Nyingma tradition. It is the main Nyingma source for understanding empowerment, samaya, mantras, mandalas and other Vajrayana topics, and has influenced the Dzogchen tradition. The Nyingma scholar Longchenpa sees it as "the highest summit of all vehicles, the source of all verbal transmissions, the great great shortcut of the vehicle of all Buddhas of the three times, the most secret."
Semde (Tibetan: སེམས་སྡེ, Wylie: sems sde; Sanskrit: cittavarga, "mind division", "mind class" or "mind series" is the name of one of three scriptural and lineage divisions within the Dzogchen tradition. The Nyingma school of Tibetan Buddhism traditionally classifies its Dzogchen teaching into three main divisions: Semde, Longdé and Menngagde.
Longdé is the name of one of three scriptural divisions within Dzogchen, which is itself the pinnacle of the ninefold division of practice according to the Nyingma school of Tibetan Buddhism.
Mahāyoga is the designation of the first of the three Inner Tantras according to the ninefold division of practice used by the Nyingma school of Tibetan Buddhism.
Anuyoga is the designation of the second of the three Inner Tantras according to the ninefold division of practice used by the Nyingma school of Tibetan Buddhism. This schema categorizes various stages of practice, and Anuyoga specifically emphasizes the completion stage of Tantra. As with the other yanas, Anuyoga represents both a scriptural division as well as a specific emphasis of both view and practice. Anuyoga delves into inner practices involving the subtle body, chakras, prana, nadis, and consciousness (bindu). It is particularly suited for individuals whose primary obstacle is passion and is associated with the feminine principle.
Longchen Nyingthig is a terma, revealed scripture, of the Nyingma school of Tibetan Buddhism, which gives a systematic explanation of Dzogchen. It was revealed by Jigme Lingpa (1730–1798).
Rigdzin Kumaradza (1266–1343) was a Dzogchen master in the lineage of the Vima Nyingthig.
In Tibetan Buddhism and Bon, Menngagde, is the name of one of three scriptural and lineage divisions within Dzogchen.
Sri Singha was the teacher of Padmasambhava, Vimalamitra, and Vairotsana. He was a principal student and dharma-son of Mañjuśrīmitra in the Dzogchen lineage, and is credited by the Nyingma school with introducing Dzogchen to Tibet.
According to the Nyingmapa tradition of Tibetan Buddhism, the Dzogchen masters Manjushrimitra and Shrisimha were already active in the Tantric milieu in India independently. However, Manjushrimitra, a learned scholar of Brahman origin, was evidently an adherent of the Yogachara school before his becoming a disciple of the mysterious Prahevajra or Garab Dorje from the country of Uddiyana. It should also be recalled that his disciple Shrisimha was said to have born and resided for some time in China before coming to India. And that the latter's disciple Vimalamitra visited China before and after he came to Tibet and transmitted the Dzogchen teachings to his disciples at Samye Monastery.
Rongzom Chökyi Zangpo, widely known as Rongzom Mahapandita, Rongzom Dharmabhadra, or simply as Rongzompa, was one of the most important scholars of the Nyingma school of Tibetan Buddhism. Together with Longchenpa and Ju Mipham, he is often considered to be one of the three "omniscient" writers of the school. His elder contemporary Atiśa (980–1054) considered Rongzompa to be an incarnation of the Indian ācārya Kṛṣṇapāda, the Great. The Tibetan historian Gö Lotsawa (1392–1481) said of Rongzom that no scholar in Tibet was his equal.
Vima Nyingthig, "Seminal Heart of Vimalamitra", in Tibetan Buddhism is one of the two "seminal heart" collections of the menngagde cycle Dzogchen, the other one being "Seminal Heart of the Dakini". Traditionally the teachings are ascribed to Vimalamitra, but they were codified and collated by their Tibetan discoverers in the 11th and 12th century. The main discoverer of the Vima Nyingthig was Zhangtön Tashi Dorjé.
Nelug Dzö is a poetic vignette written in Classical Tibetan and one of the Seven Treasuries of Longchenpa. Longchenpa wrote Desum Nyingpo, a prose autocommentary to this work. Keith Dowman considers it a "magical psychotropic poem".
Nyingma Gyubum is a collection of Vajrayana texts reflecting the teachings of the Nyingma ("Ancient") school of Tibetan Buddhism.
The Great Auspicious Beauty Tantra or Trashi Dzenden Chenpögyü is numbered amongst the 'Seventeen Tantras of Menngagde' within Dzogchen discourse and is part of the textual support for the Vima Nyingtik.
In Dzogchen, the ground or base is the primordial state. It is an essential component of the Dzogchen tradition for both the Bon tradition and the Nyingma school of Tibetan Buddhism. Knowledge of this ground is called rigpa.
Dzogchen, also known as atiyoga, is a tradition of teachings in Indo-Tibetan Buddhism aimed at discovering and continuing in the ultimate ground of existence. The primordial ground is said to have the qualities of purity, spontaneity and compassion. The goal of Dzogchen is knowledge of this basis, this knowledge is called rigpa. There are numerous spiritual practices taught in the various Dzogchen systems for recognizing rigpa.
Zhangtön Tashi Dorjé was a Tibetan Buddhist Dzogchen teacher who was an important treasure revealer (terton) in the Menngagde lineage of Dzogchen. He is particularly known for revealing the Vima Nyingthig, a key Dzogchen cycle of teachings which includes the Seventeen tantras of Dzogchen. Zhangton was born in Yamdrok Tonang and was a disciple of Chetsün Sengé Wangchuk.