"Video Games" | ||||
---|---|---|---|---|
Single by Lana Del Rey | ||||
from the album Born to Die | ||||
B-side |
| |||
Released | October 7, 2011 | |||
Genre | ||||
Length | 4:42 | |||
Label |
| |||
Songwriter(s) | ||||
Producer(s) | Robopop | |||
Lana Del Rey singles chronology | ||||
| ||||
Music video | ||||
"Video Games" on YouTube |
"Video Games" is the debut single by American singer-songwriter Lana Del Rey. The song was produced by Robopop, while the lyrics were written by Del Rey and Justin Parker. It was first released to the Internet on May 5, 2011, [1] and was later released on her extended play, Lana Del Rey. The song was re-released as the lead single from her second studio album, Born to Die , on October 7, 2011, through Interscope Records. "Video Games" is a baroque pop, dream pop, and downtempo ballad.
"Video Games" has received widespread critical acclaim, with many critics praising the uniqueness of Del Rey's vocal performance and the song's cinematic production. The song is considered Del Rey's "breakthrough hit" and was a commercial success, peaking at number one in Germany, Iceland, and Luxembourg, and reaching the top ten in Austria, Belgium, Brazil, the Czech Republic, France, Ireland, the Netherlands, Poland, Switzerland, and the United Kingdom. It peaked at 91 on the Billboard Hot 100 and was certified 2× Platinum by the Recording Industry Association of America (RIAA). Its accompanying music video was directed and edited by Del Rey herself, combining scenes of her performing the song filmed on a webcam with clips of archive footage.
"Video Games" won an Ivor Novello Award for "Best Contemporary Song" in 2012 and was nominated for several other awards shortly after its release. The song was named "Song of the Decade" at the Q Awards 2019 [2] and was ranked ninth on Pitchfork 's 100 Best Songs of the 2010s. [3]
"Video Games" was written and composed by Del Rey and Justin Parker in the key of F♯ minor [4] and was produced by Robopop (Daniel Omelio and Brandon Lowry) at BMG Studios in New York City. [5] The demo version of the song included Del Rey's vocals accompanied by piano chords. The vocals and piano were re-recorded with Lowry. [5] Omelio then took the re-recorded session and added all other instrumentation and layers, including strings, harps and synth arpeggios in one studio session, spanning from 8pm to 2am, stating "It was a kind of being in the zone thing. I locked myself in the room, switched off the lights and went full into it". [5] Omelio mixed the song as he went along. [5]
"Video Games" is four minutes and 42 seconds long (4:42). [9] [10] It blends together baroque pop, [11] dream pop, [12] and downtempo. [13] Set in time signature of common time with a tempo of 123 beats per minute, Del Rey's vocal range spans from E3 to A4. [4] Alexis Petridis of The Guardian praised how Del Rey's vocal performance, against ballooning orchestration and pizzicato strings, overlapped the subdued theme of an aloof, beer-drinking boyfriend figure. [8] Del Rey described her music and day-to-day style as "gangsta Nancy Sinatra", [7] with contemporary critics noting the song as a doom-filled ballad that unapologetically displays vulnerability. [7]
Prominent lyrics in the song include, "I heard you like the bad girls, honey, is that true?"; [14] "Heaven is a place on earth with you/ Tell me all the things you want to do"; and "open up a beer... and play a video game?" [15] In an interview for British online magazine The Quietus , Del Rey stated that the inspiration for the song came from her ex-boyfriend, commenting, "I think we came together because we were both outsiders. It was perfect. But I think with that contentment also comes sadness. There was something heavenly about that life – we'd go to work and he'd play his video games – but also it was maybe too regular." [16] She said the video game referenced in the song was World of Warcraft . [17] [18]
The singer stated that she used lower vocals for "Video Games" because she felt that the public did not see her as a serious artist. [6] Thematically, the lyrics have been labeled as antifeminist. [18] [19] Of the musical composition, MTV lauded the cinematic atmosphere of the song, adoring its feathery violins, echoing electronic thumps, and melancholic crescendos — wound into a dramatic exhibition. [20]
The song received critical acclaim from music critics. Following its release, Ian Cohen dubbed the song "Best New Music" on Pitchfork commenting, "on her stirring debut single, New York singer-songwriter Lizzy Grant transforms into the more bombastically named Lana Del Rey and absolutely wallows in it." [15] Digital Spy writer Robert Copsey noted Del Rey "combines a near-identical [Nancy Sinatra] vocal with her own fascination for the tragically glamorous — or 'Hollywood sadcore' as she succinctly labels it." [7] Lindsey Johnstone of The Scotsman described the song as an "ode to being ignored and the exquisite pain of clutching at an illusion of happiness". [21] Lewis Corner, also of Digital Spy, said, "New York-born, London-based Lana Del Rey is currently working on her debut album, but if this newly released preview track/video is anything to go by, it's going to be avant-garde pop at its very best." [22] Alexis Petridis of The Guardian considered "Video Games" the best song of 2011 and added, "it's tempting to say with a song that good it doesn't matter who sings it, but that's not strictly true. As pop divas who collaborate with Eg White go, Lana Del Rey sounds hugely understated." [8]
In a poll performed by NME , readers ranked it as the tenth best song of the year. [23] Maura Johnston of The Village Voice , however, called the song and its accompanying music video overproduced, [10] while New York magazine contributor Amanda Dobbis commented, "it's hard to totally separate Del Rey's looks from the criticism that's been bubbling around her." [24] In responses to this controversy, Paste 's Luke Larson said, "when 'Video Games' first hit the web, people weren’t freaking out about Lana Del Rey or fake lips or Lizzy Grant. People were freaking out because they had stumbled upon a fresh voice and a beautifully written song and ultimately, does the rest really matter?" [25] Krystina Nellis of Drowned in Sound said the single reminded her of something from a David Lynch movie. [26]
Additionally, Drowned in Sound wrote of "Video Games"
Above all the noise of the internet, "Video Games" still works and is magical; I still have to listen on quiet because whenever I do I become convinced something absolutely terrible is about to crash through the window; it might as well be sung by Laura Palmer and be about the Bobs at the end of your bed. Either way, it is a brilliant, beautifully-executed pop song, a proper shivery, proper classic. [27]
NME named "Video Games" the best single of 2011. The Village Voice 's Pazz & Jop annual critics' poll ranked "Video Games" as the seventh best song of 2011, tied with Britney Spears's "Till the World Ends".
In 2019, "Video Games" was named as one of the best songs of the 2010s decade in lists published by NME (third), [28] Pitchfork (ninth), [29] Uproxx (15th), [30] Stereogum (26th), [31] Consequence of Sound (36th), [32] and GQ (unranked). [33] At the 2019 Q Awards, the track was awarded "Song of the Decade". [34]
Publication | List | Rank | Ref. |
---|---|---|---|
Consequence of Sound | Top 100 Songs of the 2010s | 36 | |
The Guardian | Best Song of 2011 | 1 | |
GQ | The 24 Songs That Shaped the Decade | – | |
NME | 500 Greatest Songs of All Time | 87 | |
NME | 100 Best Songs of the 2010s | 3 | |
Pitchfork | The 200 Best Songs of the 2010s | 9 | |
Uproxx | The Best Songs of the 2010s | 15 |
"Video Games" was Del Rey's breakthrough hit and first entry on worldwide singles charts. [37] In an interview with T , Del Rey explained that record labels initially perceived the downbeat production of the song as a commercial risk, especially considering the pervasive popularity of electronic dance music at the time. Nonetheless, the song's radio success was described as "unprecedented," but also short-lived due to backlash against Del Rey's perceived inauthenticity by audiences. As of October 2016, "Video Games" has sold 2.6 million units worldwide. [38]
In the United States, the song debuted at number 91 on the Billboard Hot 100 the week ending January 28, 2012. [39] It also spent 18 weeks on the Adult Alternative Airplay chart, where it peaked at number fifteen. [40] On November 24, 2021, it was certified 2× Platinum by the Recording Industry Association of America (RIAA) for sales and streaming figures equivalent to 2 million units. [41]
"Video Games" experienced greater success in Europe, topping singles charts in Germany [42] and Iceland, [43] as well as the Luxembourg Digital Singles chart [44] and the UK Indie chart. [45] It reached number two in Austria, [46] Belgium (both Flanders and Wallonia), [47] [48] Brazil, [49] France, [50] and Switzerland. [51] It reached the top ten on singles charts in the Czech Republic, [52] the Netherlands, [53] Poland, [54] Ireland, [55] the United Kingdom, [56] and Scotland. [57] The song was voted number six in Triple J's Hottest 100 songs of 2011. [58]
The music video for "Video Games" was directed and edited by Del Rey. It features video clips of skateboarders, cartoons, and shots from old movies, as well as paparazzi footage of Paz de la Huerta falling down while intoxicated. [24] These are interspersed with shots of Del Rey singing, which she filmed using a webcam. [24] When asked if she would change anything about the video's production, Del Rey stated, "Had I known so many people were going to watch the video, I'd have put some more effort into it. I would have got my hair and make-up done and tried not to be so pouty, seeing as everyone talks about my face all the time. And I'd have put more of a storyline into it." [6] The singer revealed that she was "trying to look smart and well turned-out, rather than 'sexy' [in the music video]. Of course I wanted to look good, but 'smart' was the primary focus." [16]
New York magazine contributor Amanda Dobbins noted the music video "predictably [...] garnered some attention" from the public. [24] Rya Backer of MTV questioned Del Rey's originality, saying, "it's hard to know what to make of Lana Del Rey at first glance. Is she as Jools Holland once dubbed her an 'Internet phenomenon' worth no more than a few salacious blog posts? Or is she a legitimate chanteuse wrapped in the hyper feminine, yet innately American (and admittedly well-curated) image she's projected in videos for such tracks as 'Video Games' and 'Blue Jeans'?" [59] Pitchfork's Ian Cohen commented that the music video "fits between surrendering to romance and depression, moving with the elegant wastefulness of the kind of day drunk that's a true privilege of the beautiful, idle class." [15]
Directed by Ben Coughlan, Del Rey filmed a second video for the song, titled "Video Games (Live At The Premises)". [60] Uploaded to her official Vevo account on October 18, 2011, the video features Del Rey in jean shorts and a white T-shirt, singing into a microphone while barefoot, accompanied by a pianist. The Huffington Post wrote that the video was "loaded", indicating that the title was a contradiction and not a live performance. [61] Additionally, they wrote: "we understand the takedowns of her hype (there is a lot of hype), but that doesn't change the fact that "Video Games"—the tune Lana's singing live this time—is one helluva song." [61] Aside from criticizing her pillowy lips and long fingernails, The Guardian applauded Del Rey for amping up on the coquettish glances and hushed vocals as she devastatingly delivers the line, "I heard that you like the bad girls, honey, is that true?" [14]
"Video Games" was performed by Del Rey in a number of live appearances, including for MTV Push [62] and at the Bowery Ballroom, where, according to Eliot Glazer of New York, "the polarizing indie hipstress brought her 'gangsta Nancy Sinatra' swag". [63] Matthew Perpetua of Rolling Stone commented that, despite Del Rey being nervous and anxious while performing the song live, the singer "sang with considerable confidence, though her transitions from husky, come-hither sexuality to bratty, girlish petulance could be rather jarring". [64] Del Rey also performed the song on Dutch television program De Wereld Draait Door , [65] on British music television show Later... with Jools Holland , [66] and in an intimate show at Chateau Marmont in Los Angeles, California. [67] On January 14, 2012, Del Rey performed the song on Saturday Night Live (along with "Blue Jeans"). Her performance soon came under scrutiny and was even criticized by NBC anchor Brian Williams. Williams referred to the performance as "one of the worst outings in SNL history". [68] Actor Daniel Radcliffe, who hosted the show the night Del Rey performed, quickly came to her defense, stating that criticism toward her was less about the performance and more about "her past and her family". [69] On February 2, 2012, Del Rey performed the song on The Late Show With David Letterman where according to Rolling Stone she gave a "much more controlled and dramatic performance than on SNL." [70] Del Rey performed "Video Games" live at ECHO Awards in Berlin, March 22, 2012.
"Video Games" has been covered by several artists, including Boy George, TYP, John Mayer (on guitar), Rasputina, Bristeil (in the Belarusian language [71] [72] [73] [74] [75] [76] ), Ben Howard, Maverick Sabre, Tyler Hilton, Amanda Palmer, Patrick Stickles of Titus Andronicus, Patrick Wolf, Tom Odell, Trixie Mattel, [77] [78] Tire le coyote (in French) [79] and English rock bands Bombay Bicycle Club and Kasabian. [80] [81] [82] The song was featured in the Ringer "If You Ever Want a French Lesson..." episode from its first season. [83] It was also featured in the sixth episode of the fifth season of Gossip Girl . A remix of the song was featured in "The Dead Don't Stay Dead," an episode of 666 Park Avenue . On February 25, 2012, Masha covered "Video Games" on her popular YouTube channel. [84]
A choral a cappella version of "Video Games" was used as part of the Royal Shakespeare Company's 2017 production of Othello in the Sam Wanamaker Playhouse, within Shakespeare's Globe, London. Used in place of Desdemona's "Weeping Willow" song, it was performed by live choir at various points in the production in an Elizabethan style, framing key moments of the play, as well as being used as the opening overture. [85]
In 2022, an orchestral cover version of the song was played at the end of Westworld season 4 episode, "The Auguries", composed by Ramin Djawadi.
The song is featured at the end of the 6th episode of the Netflix series The 3 Body Problem.
|
|
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [121] | 5× Platinum | 350,000‡ |
Austria (IFPI Austria) [122] | Platinum | 30,000* |
Belgium (BEA) [123] | Platinum | 30,000* |
Brazil (Pro-Música Brasil) [124] | Diamond | 250,000‡ |
Canada (Music Canada) [125] | Gold | 40,000* |
Denmark (IFPI Danmark) [126] | Platinum | 90,000‡ |
France | — | 250,000 [127] |
Germany (BVMI) [128] | 2× Platinum | 600,000‡ |
Italy (FIMI) [129] | Platinum | 100,000‡ |
Spain (PROMUSICAE) [130] | Gold | 30,000‡ |
Switzerland (IFPI Switzerland) [131] | 2× Platinum | 60,000^ |
United Kingdom (BPI) [132] | 3× Platinum | 1,800,000‡ |
United States (RIAA) [41] | 3× Platinum | 3,000,000‡ |
* Sales figures based on certification alone. |
Region | Date | Format(s) | Edition | Label(s) | Ref. |
---|---|---|---|---|---|
Austria | October 7, 2011 | A/B single [a] | Vertigo | [133] | |
Germany | [89] | ||||
Switzerland | [90] | ||||
Various [b] | October 16, 2011 | A-side only | [134] | ||
Worldwide | Music video | [135] | |||
United Kingdom | October 17, 2011 | 7-inch single | A/B single [c] | Stranger | [136] |
Austria | November 11, 2011 | Compact disc | Vertigo | [137] | |
Germany | |||||
Switzerland | |||||
United States | November 25, 2011 |
| [138] | ||
Germany | December 12, 2011 | Remix EP | Vertigo | [139] | |
United States | 2011 | 7-inch single | Joy Orbison remix / Odd Future's the Internet mix | Interscope | [140] |
Ireland | January 6, 2012 |
| 3 tracks [d] |
| [141] |
United Kingdom | [142] | ||||
United States | February 28, 2012 |
| Remix EP | Interscope | [93] |
Germany | April 21, 2012 | LP record | Vertigo | [143] | |
Sweden | May 30, 2012 |
| Bassflow remake | Polydor | [144] |
June 16, 2012 | Adrian Lux & Blende remix | [145] | |||
Worldwide | December 24, 2012 | Omid 16B remixes | Alola | [146] | |
United Kingdom | LP record | [147] | |||
Various [e] | January 21, 2013 |
| [148] |
"Blue Velvet" is a popular song written and composed in 1950 by Bernie Wayne and Lee Morris. A top 20 hit for Tony Bennett in its original 1951 version, the song has since been re-recorded many times, with a 1963 version by Bobby Vinton reaching No. 1.
Elizabeth Woolridge Grant, known professionally as Lana Del Rey, is an American singer and songwriter. Her music is noted for its cinematic quality and exploration of tragic romance, glamour, and melancholia, with frequent references to pop culture and 1950s–1970s Americana. Her vintage Hollywood glamour aesthetic is showcased in her music videos. She is the recipient of various accolades, including an MTV Video Music Award, three MTV Europe Music Awards, two Brit Awards, two Billboard Women in Music awards and a Satellite Award, in addition to nominations for eleven Grammy Awards and a Golden Globe Award. Variety honored her at their Hitmakers Awards for being "one of the most influential singer-songwriters of the 21st century". In 2023, Rolling Stone placed Del Rey on their list of the "200 Greatest Singers of All Time", while their sister publication Rolling Stone UK named her as "The Greatest American Songwriter of the 21st century".
"Born to Die" is a song by American singer-songwriter Lana Del Rey, taken from her debut major-label and second studio album of the same name. The song was released as the singer's second single on December 30, 2011, through Interscope Records. Musically, "Born to Die" is a pop and trip hop ballad that speaks of a doomed relationship. Critics noted that it features apocalyptic lyrics and strings similar to John Barry compositions. It received a mixed to positive reception from contemporary critics, who praised the song's cinematic arrangement and haunting vocal performance by Del Rey. In 2019, Billboard included the song as one of the 100 songs that defined the 2010s, adding that it influenced "a sonic shift that completely changed the pop landscape". In the United Kingdom, "Born to Die" became Del Rey's second top 10 single, when it peaked at No. 9 for the week ending February 4, 2012.
Born to Die is the second studio album by American singer-songwriter and record producer Lana Del Rey. It was released on January 31, 2012, through Interscope Records and Polydor Records. A reissue of the album, subtitled The Paradise Edition, was released on November 9, 2012. The new material from the reissue was also made available on a separate extended play (EP) titled Paradise.
American singer-songwriter Lana Del Rey has released nine studio albums, three extended plays (EPs), 41 singles, 18 promotional singles, and one box set. She also has one leaked demo album, which was not released officially. According to Universal Music Group (UMG), Del Rey has sold over 41 million albums worldwide and has garnered over 58 billion streams worldwide. In the United States, Del Rey has sold over 48 million certified singles according to the Recording Industry Association of America (RIAA). Billboard ranked her as the 37th Top Rock Artist of the 2010s. Del Rey has also sold 7.1 million singles units, and 4 million albums in United Kingdom.
Lana Del Rey is the second extended play by American singer-songwriter Lana Del Rey. It was released on January 10, 2012, in the United States and Canada through Interscope Records. After the release of the EP Kill Kill (2008) and her debut studio album Lana Del Ray (2010) via 5 Points Records, an independent label, the EP was released in anticipation of Del Rey's major-label debut album Born to Die (2012). The tracks are influenced by several genres, including indie pop, hip hop, and alternative music. The lyrics and melody were written primarily by Del Rey, Justin Parker and Emile Haynie. Production of the album was led by Emile Haynie, who also co-wrote "Blue Jeans". The EP is Del Rey's second eponymous record after Lana Del Ray (2010).
"Blue Jeans" is a song by American singer-songwriter Lana Del Rey and the third single from her second studio album, Born to Die (2012). Interscope Records released the track to Italian radios on March 30, 2012. Del Rey wrote it with Dan Heath and producer Emile Haynie. The song combines sadcore, trip hop, and gothic pop over a balladic production.
"Summertime Sadness" is a song by American singer-songwriter Lana Del Rey from her second studio album, Born to Die (2012). The pop ballad was released on June 22, 2012, by Interscope Records as the fourth single of the album. In the spring of 2013, "Summertime Sadness" reached number one in Poland, Ukraine and Armenia. Charting across Europe, the single reached the top 10 in Austria, Bulgaria, Germany, Greece, Luxembourg, and Switzerland. Trap and house remixes of "Summertime Sadness" helped Del Rey break into the US Hot Dance Club Songs chart. That chart is where Del Rey's song became a modest hit and marked her first foray into the chart. On the accompanied Dance/Mix Show Airplay chart, the single gave Del Rey her first US number-one single in August 2013. In September 2021, the song was ranked number 456 on Rolling Stone's 500 Greatest Songs of All Time.
"National Anthem" is a song recorded by American singer-songwriter Lana Del Rey for her second studio album, Born to Die (2012). It was released as a single on June 15, 2012, through Interscope Records as the album's fourth single.
"Off to the Races" is a song by American singer and songwriter Lana Del Rey. First appearing on her self-titled Interscope debut, the song was re-released on her second studio album, Born to Die (2012). The song was written by Del Rey and Tim Larcombe. Emile Haynie and Patrik Berger paired up for the song's production. It was released in the UK as iTunes Single of the Week on December 20, 2011. In the Netherlands, "Off to the Races" was released as a digital single on January 6, 2012.
"Ride" is a song by American singer-songwriter Lana Del Rey from her third extended play (EP), Paradise (2012). The song was written by Lana Del Rey and Justin Parker, while produced by Rick Rubin, the song served as the reissue's first single on September 25, 2012 through Interscope Records. "Ride" is a soulful ballad that thematically involves parental problems, alcohol consumption, and loneliness. The cover for the song depicts Del Rey on a tire swing, wearing cowboy boots and a denim jacket.
"Young and Beautiful" is a song by American singer and songwriter Lana Del Rey used for the soundtrack to the drama film The Great Gatsby.
Ultraviolence is the third studio album by American singer-songwriter Lana Del Rey, released on June 13, 2014, by Polydor and Interscope Records. Originally dismissing the possibility of releasing another record after her major-label debut Born to Die (2012), Del Rey began planning its follow-up in 2013. Production continued into 2014, at which time she heavily collaborated with Dan Auerbach to revamp what she initially considered to be the completed record. The album saw additional contributions from producers such as Paul Epworth, Greg Kurstin, Daniel Heath, and Rick Nowels, and features a more guitar-based sound than Del Rey's previous releases.
"West Coast" is a song by American singer-songwriter Lana Del Rey from her third studio album, Ultraviolence (2014). Written by Del Rey and Rick Nowels, it is a melancholy love song about a woman torn between love and ambition, and as a dedication to the West Coast of the United States. A psychedelic rock and soft rock ballad, the song was noted to be an evolution and more guitar-orientated in sound for Del Rey and was produced by Dan Auerbach of The Black Keys. Described as a two-in-one song, its shifting tempo transitions downward by nearly 60 beats per minute at the chorus in a rhythmical shift reminiscent of The Beatles' 1965 single "We Can Work It Out", introduced by the guitar lick that begins The Beatles' 1964 single "And I Love Her". In the song, Del Rey's vocals comprises a more sensual and demented tone than in her previous releases, and are often sung in an anxious "breathy" style.
American singer, director and occasional actress Lana Del Rey has appeared in 55 music videos, one documentary film, six short films, seven magazine films, and three commercials, as well as directing a bulk of her work. Del Rey's first appearance was in the short film Poolside (2010) as Lisa, a rich girl who spends her days smoking cigarettes by the pool. She received top billing for the project. Del Rey then went on to write the treatment for two music films, Ride (2012) and Tropico (2013), which were directed by Anthony Mandler. In 2015, Del Rey served as the executive producer of the film Hi, How Are You Daniel Johnston?. She then made appearances as a performer in Tower of Song: A Memorial Tribute to Leonard Cohen and in The King as herself.
Honeymoon is the fourth studio album by American singer-songwriter, and record producer Lana Del Rey. It was released on September 18, 2015, by Interscope and Polydor Records. Produced by Del Rey alongside longtime collaborators Rick Nowels and Kieron Menzies, Honeymoon marked a departure from the more guitar-driven instrumentation of Del Rey's previous effort Ultraviolence (2014) and a return to the baroque pop of Born to Die (2012) and Paradise (2012). Lyrically, the album touches on themes of tortured romance, resentment, lust, escapism and violence.
"Love" is a song by the American singer Lana Del Rey. It was released on February 18, 2017, by Polydor Records and Interscope Records, as the lead single from her fifth studio album, Lust for Life (2017). The song was written and produced by Del Rey, Benny Blanco, Emile Haynie and Rick Nowels, with additional production by Kieron Menzies. Its release was first teased with promotional posters hung in Los Angeles on February 17, after which the release date was pushed up due to leaked versions of the song surfacing online the same day. The song incorporates alternative pop, bubblegum pop, dream pop, and rock with a 50s style.
"Venice Bitch" is a song by American singer and songwriter Lana Del Rey. It was released on September 18, 2018, through Polydor and Interscope Records, as the second single from her sixth studio album, Norman Fucking Rockwell! (2019). The song was written and produced by Del Rey and Jack Antonoff. The song was met with unanimous praise from music critics and was ranked by numerous publications amongst the best songs of the year and decade. The song title references Venice, Los Angeles.
Norman Fucking Rockwell! is the sixth studio album by American singer-songwriter Lana Del Rey, released on August 30, 2019, by Interscope and Polydor Records. The album was primarily produced by Del Rey and Jack Antonoff, with additional contributions from Zach Dawes, Andrew Watt, and longtime Del Rey collaborator Rick Nowels. Musically, Norman Fucking Rockwell! features a soft rock sound consisting of psych-rock songs and piano ballads and features references to various classic rock artists. The title of the album is a reference to painter and illustrator Norman Rockwell.
"Don't Call Me Angel" is a song by American singers Ariana Grande, Miley Cyrus, and Lana Del Rey. It was released on September 13, 2019, by Republic Records as the lead single from the soundtrack to the film Charlie's Angels, based on the television series of the same name created by Ivan Goff and Ben Roberts. The song reached number one in Greece, Hungary, Iceland, Lebanon, Scotland and Israel, as well as the top five in eleven other countries.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)