Honeymoon (Lana Del Rey album)

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The eighth track on the album, "Burnt Norton (Interlude)", hears Del Rey reciting an extract of the first poem from T. S. Eliot's Four Quartets , while the closing track is a cover of Nina Simone's "Don't Let Me Be Misunderstood".

The eighth track on the album is an interlude entitled "Burnt Norton (Interlude)", the short spoken-word piece features Del Rey reciting an extract of the first poem from T. S. Eliot's Four Quartets , which speaks about the nature of time, and meditates on the idea of fate, with an underlying suggestion our present experiences are out of our control. The words are recited over an art rock instrumental production. [51] [52] [53] "Religion" was noted as being one of Del Rey's most optimistic love songs, however the song was also noted for still be "tinged with the singer's favourite kind of noirish self-destruction". Lyrics that were noted for being optimistic were; "Everything is bright now" but this lyric is immediately followed with resignation "No need to survive now". [45] "Salvatore" mixes violins, military drumbeats and verses sung in Italian which have been described as evoking "1940s Italy via Frank Sinatra". Lyrically, the track was seen as a sequel to "Summertime Sadness" with lyrics such as "Summer's hot but I've been cold without you". [11] "Salvatore" was described as a two-step song by Nina Corcoran of Consequence of Sound , Corcoran noted the song sound as being "straight out of a resort hotel ballroom" before to continuing to describe the track as having jazz drums with "clean and rich" production. [9]

"The Blackest Day" is a post-breakup ballad, that primarily deals with the stages of grief. The first verse explores themes of denial, apparent in lyrics such as "I don't really wanna break up, we got it going on". The second stage of grief, anger, is exemplified by the tone of the bridge: "You should've known better, than to have, to let her, get you under her spell of the weather". The second verse shows Del Rey bargaining: "Carry me home, don't wanna talk about the things to come/Just put your hands up in the air, the radio on", before Del Rey reaches the point of acceptance in the outro: "I'm on my own again". [54] "24" is a cinematic song that received comparison to the James Bond theme songs, due to its musical style and lyrics which were noted as being sung from the perspective of a Bond girl. [55] In May 2024, it was revealed that the producers of Spectre rejected "24" as the Bond theme and opted for Sam Smith's "Writing's on the Wall". [56] [57] "Swan Song" is a smooth, elegant theatrical song, that contains humming and low beats, with tragic lyrics that hear Del Rey repeatedly whisper "I will never sing again" and contains themes of Del Rey pleasing to run away from responsibility. [45] [54] The album closes with a cover of Nina Simone's "Don't Let Me Be Misunderstood", which showcase Del Rey's operatic readings of classical '60s Hollywood melodrama and contains organ riffs. [11] [12]

Packaging and artwork

The album's cover artwork was photographed by Del Rey's sister, Caroline "Chuck" Grant, [58] and features Del Rey posed on a Starline tour bus, a sightseeing bus system in Los Angeles that tours the city. As part of a promotional gimmick, the 1-800 phone number displayed on the side of the bus was answered with clips of tracks from the album when called, [59] and on some occasions, Del Rey herself answered the phone to talk with fans. [60]

Originally, Del Rey had collaborated with photographer Neil Krug on a cover for the album, and taken a series of photos. "The pictures were perfect, but something was missing," Del Rey commented in a 2015 interview. "Maybe it was the need for movement and motion or the search for a single frame that felt extra graphic." [61] The liner notes to the CD and vinyl releases, however, still feature additional photography by Krug. [58]

In addition to compact disc, the album was also released as a double LP pressed on black vinyl. [62] An exclusive limited edition double LP was also released by Urban Outfitters, pressed on translucent red vinyl; the release also features alternate cover art showing a close-up of Del Rey wearing a sun hat, taken by Krug. [63] [64]

Release and promotion

Lana Del Rey suggested in May 2015 that Honeymoon would be released in September, [65] and confirmed on August 14 that the release date was scheduled for September 18. In June 2015, she had created a separate Instagram account solely for the album with the username "honeymoon". [66] She unveiled the track listing through her main Instagram account on August 20, the day before the record was made available for preorder on the iTunes Store. [67] Unlike her previous studio albums, which were released in several deluxe versions with extended track listings, Honeymoon is packaged as a single 14-track recording. The album's title track was released to YouTube on July 14, 2015, accompanied by a video with a short clip of Del Rey along with the song's lyrics, [68] as well as releasing the album artwork, tracklist and pre-order. [69]

Del Rey also released a promotional single, "Terrence Loves You", on August 21, 2015. [70] The song had previously been accessible by calling Del Rey's Honeymoon Hotline, via the number present on the album cover. Additionally, the Honeymoon Hotline played the track "Burnt Norton (Interlude)" upon immediate connection to the number. [71] The hotline would provide weekly updates on the album, as well as lectures chosen by Del Rey. [72] On September 9, Apple Music's Beats Radio 1 station premiered "Music to Watch Boys To" two days ahead of its release as the third promotional single. The following day, Del Rey released a sampler of Honeymoon, which included the tracks "Terrence Loves You", "Music to Watch Boys To", "Freak", and "High by the Beach". [73]

Del Rey did not promote the album with television performances or interviews, instead relying on a couple of print interviews, music videos, fan meets, and social media. Urban Outfitters held an early listening event on September 12 in select stores. [74] Post the listening session, low-quality recordings of all the tracks from the album were leaked onto the Internet. [75] On September 15, BBC Radio 1 premiered "Salvatore" and briefly interviewed Del Rey for Huw Stephens' (in place of Annie Mac's) Hottest Record In The World show. [76] Following the release of Honeymoon, Del Rey hosted 3 meet-and-greets in late September at select Urban Outfitters stores to promote the record. On February 9, 2016, she held a music video premiere for the song "Freak" at The Wiltern, in Los Angeles.

Critical reception

Honeymoon
Lana Del Rey - Honeymoon (Official Album Cover).png
Studio album by
ReleasedSeptember 18, 2015 (2015-09-18)
Recorded2014–2015
Studio
Genre
Length65:06
Label
Producer
Lana Del Rey chronology
Ultraviolence
(2014)
Honeymoon
(2015)
Lust for Life
(2017)
Singles from Honeymoon
  1. "High by the Beach"
    Released: August 10, 2015
  2. "Music to Watch Boys To"
    Released: September 11, 2015
Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?7.3/10 [77]
Metacritic 78/100 [2]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [78]
Consequence of Sound B− [79]
The Daily Telegraph Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [18]
Entertainment Weekly B+ [29]
The Guardian Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [17]
The Independent Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [19]
NME 4/5 [80]
Pitchfork 7.5/10 [81]
Rolling Stone Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [20]
Spin 7/10 [82]

Honeymoon received positive reviews upon release. At the review aggregate website Metacritic, it has scored a 78 out of 100, based on 31 critics, becoming Del Rey's most acclaimed album of her career at the time. [2]

The Independent gave Honeymoon four out of five stars, with reviewer Andy Gill writing that the album "finds Del Rey reverting, after the more atomised, individual characters of last year's Ultraviolence, to a composite persona closer to the dissolute subject of her Born to Die debut. Not only does her vocal delivery remain the same throughout, but also its protagonist's "voice"; while the emotional impact of what might sometimes be traumatic developments seems somehow damped, as if experienced through a narcotised haze". [19] The Guardian, also giving the album four out of five stars, commented that "there's a timelessness to Honeymoon, and an intrigue that should linger longer than her previous LPs". [17] PopMatters praised the album, saying "Producing three major-label albums in four years has developed Lana Del Rey into an artistic innovator who fearlessly draws from style and substance across the past century, whose vision is completely original and not remotely predictable". [83] Rolling Stone shared similar thoughts in regards to the strength of the album, saying that "whatever her intentions, they've led to her most genuinely thrilling music ever." [20] Jessica Hopper of Pitchfork gave the album a positive review, calling it her "most artistic" work yet, adding: "It is a dark work, darker even than Ultraviolence. While she's obviously a pop artist, Honeymoon feels as though it belongs to a larger canon of Southern California Gothic albums, and synthesizes ideas she's been vamping on from the beginning into a unified work." [81]

The Daily Telegraph awarded the album four out of five stars, and called it "an ambient album for broken-hearted hipsters" and praised the melodies and arrangements on the album. [18] USA Today believed the album "shows that Del Rey's sound has evolved and matured in captivating ways", while giving a three-out-of-four-stars review for the album. [14] In a four-star review, The Metropolist thought "Del Rey has found a balance in sounds" and praised how the album's production "beautifully harmonises lush strings, muddy baselines and haunting melodies, all blending to create a fluent and ethereal body of work". [84] The London Evening Standard also praised the album's production, remarking how it "swells in time to the oceans of longing in Del Rey's voice". [85]

Mojo named the record album of the week, and reviewer Tom Doyle deemed it "an assured refinement of [Del Rey's] style" and her "best [album] yet," though noting: "From here, Del Rey will surely be forced to redraw the blueprint." [1] Sam Mac of Slant Magazine gave the album a middling review, noting: "It's the first album Del Rey has failed to find some kind of dynamic shape for," and ultimately deemed it a "wildly uneven sprawl." [86]

Year-end lists

PublicationAccoladeRank
Billboard 25 Best Albums of 2015 [87]
21
NME NME's Albums of the Year 2015 [88]
7
Rolling Stone 50 Best Albums of 2015 [89]
12
20 Best Pop Albums of 2015 [90]
2
Rob Sheffield's Top 20 Albums of 2015 [91]
14
Spin The 50 Best Albums of 2015 [92]
18
The Telegraph The Best Pop and Rock Albums of 2015 [93]
Unranked
San Jose Mercury News Top 10 Albums of 2015 [94]
4
The New York Times Top 10 Albums of 2015 by Jon Caramanica [95]
9
Newsweek Top 20 Albums of 2015 [96]
12

Commercial performance

Honeymoon debuted at number two on the US Billboard 200, moving 116,000 album-equivalent units, 105,000 of which were pure album sales while the rest is a mixture track equivalent albums (TEA) and streaming equivalent albums (SEA). [97] The album dropped to number 15 the following week. The album is certified gold in the US for selling over 500,000 units. In Australia, the album debuted at number one on the ARIA Charts, becoming Del Rey's third consecutive number one following Born to Die and Ultraviolence, which both spent one week at the top of the charts. [98] In France, Honeymoon has sold 50,000 copies. [99] In December 2015, Honeymoon was certified Silver in the United Kingdom and then certified Gold in March 2017.

Two singles were released from the album—"High by the Beach" on August 10, 2015, [100] and "Music to Watch Boys To" on September 11, 2015. "High by the Beach", the lead single, debuted at number 51 on the Billboard Hot 100, though Billboard initially reported it at number 7, which was corrected after a miscalculation. [101]

Track listing

All tracks are written by Lana Del Rey and Rick Nowels, except where noted; all tracks produced by Del Rey, Nowels and Kieron Menzies

No.TitleLength
1."Honeymoon"5:50
2."Music to Watch Boys To"4:51
3."Terrence Loves You"4:51
4."God Knows I Tried"4:40
5."High by the Beach" (writers: Del Rey, Nowels and Menzies)4:18
6."Freak"4:55
7."Art Deco"4:55
8."Burnt Norton" (Interlude) (writer: T. S. Eliot)1:21
9."Religion"5:23
10."Salvatore"4:41
11."The Blackest Day"6:05
12."24"4:56
13."Swan Song"5:23
14."Don't Let Me Be Misunderstood" (writers: Sol Marcus, Bennie Benjamin and Gloria Caldwell)3:02
Total length:65:06

Personnel

Charts

Certifications

RegionCertification Certified units/sales
Australia (ARIA) [151] Gold35,000
Canada (Music Canada) [152] Platinum80,000
Denmark (IFPI Danmark) [153] Gold10,000
France (SNEP) [154] Gold50,000*
Germany (BVMI) [155] Gold100,000
Italy (FIMI) [156] Gold25,000
Poland (ZPAV) [157] 2× Platinum40,000
United Kingdom (BPI) [158] Gold100,000 / 126,078 [159]
United States (RIAA) [160] Gold500,000

* Sales figures based on certification alone.
Sales+streaming figures based on certification alone.

Release history

CountryDateFormatLabelRef.
AustraliaSeptember 18, 2015
Universal [161]
CanadaCD [162]
France
  • CD
  • LP
Polydor [163]
Germany Vertigo Berlin [164]
ItalyUniversal [165]
PolandCD [166]
United Kingdom
  • CD
  • LP
Polydor [167]
United States Interscope [168]
United KingdomSeptember 23, 2015LPPolydor [169]
Canada25 September 2015Universal [170]
JapanCD [171]
GermanyLPVertigo Berlin [172]
PolandUniversal [173]
Poland29 September 2015 [174]
FranceSeptember 30, 2015Polydor [175]
Italy2 October 2015Universal [176]
United StatesNovember 20, 2015 Box set Interscope [177]
FranceDecember 4, 2015Polydor [178]
GermanyDecember 11, 2015Universal [179]
Poland [180]

See also

Notes

  1. Reviews published in several publications, including Mojo, [1] among others, considered the album Del Rey's best work to date. [2]

Related Research Articles

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