Weezer (Green Album)

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"I set out to design the package exactly how I would want it, and it just turns out that it's very similar to the first album. I'm the same person as I was then, pretty much. I have the same taste so I don't see why it should be different." [39]

— Rivers Cuomo discussing the artwork of Weezer.

Art direction was handled by Chris Bilheimer with photography from Marina Chavez and Karl Koch. [40] It is similar to the cover art of Weezer's debut album. [41]

The album cover was shot between band practices and featured Welsh, Cuomo, Bell and Wilson standing left to right in front of a plain, lime-green backdrop in a manner similar to the band's debut album. This was done as a tribute to Ric Ocasek, who had also produced their first album, [39] and also to symbolize the band's back-to-basics approach they took while recording the album. [39] This approach is alluded to in a quote in the liner notes of the album: "Torniamo all'antico e sarà un progresso", [40] [42] [43] from Italian opera composer Giuseppe Verdi that means "Let us return to old times and that will be progress." [44]

The picture inside of the CD booklet is a photo of Weezer playing live, featuring (in the lower right hand corner) an overlay of the silhouettes of Mike Nelson, Tom Servo and Crow T. Robot from the television show Mystery Science Theater 3000 . (Hence the liner note citation "MST3K silhouette appears courtesy of Best Brains, Inc.") [40]

This was Weezer's first album to feature a transparent CD tray. Under the CD tray of the album, the word "No" can be found on the back of the spine. [45] Some fans speculate that this is a response to the inside tray of Radiohead's album OK Computer which contains the text "I like you. I like you. You are a wonderful person. I'm full of enthusiasm. I'm going places. I'll be happy to help you. I am an important person, would you like to come home with me?" [46] Weezer's explanation was vague, with webmaster Karl Koch stating "No means no." [47]

The album contains the dedication "In loving memory of Mykel and Carli." Mykel and Carli Allan were sisters devoted to developing fan clubs for up-and-coming bands. [48] The sisters had been influential in starting and developing Weezer's official fan club in the 1990s and, along with their younger sister Trysta, died in a car accident in 1997. [49] [50]

Promotion

The album was met with enthusiasm from the record label; [51] according to Weezer collaborator Karl Koch, "They had nothing but supportive and excited things to say about it." [51] However, the album's original release date of April 17 was postponed due to executives not liking Cuomo's choice of "Hash Pipe" as the first single. Citing the song's lurid content about a transvestite prostitute as inappropriate, they suggested that "Don't Let Go" be chosen as the first single. [52] However, Cuomo continued to fight and "Hash Pipe" eventually became the album's first single. [52] The label tried to postpone the release date further until June, but the band convinced them to adhere to the May 15 release date. [53]

The video for "Hash Pipe" was directed by Marcos Siega and was the first of many Weezer videos directed by Siega. [54] In the video, Weezer performs in an arena while a group of sumo wrestlers are fighting in the background. [53] The song title was often censored as "H*** Pipe" (the title employed on the music video's title card) or "Half Pipe". [53] [55] The song became a hit on the MTV show Total Request Live , [56] and also received heavy rotation on radio, [43] peaking at number two on the US Modern Rock Charts. [57] The song was nominated for High Times magazine's "Pot Song of the Year". [58] [59]

The next single, "Island in the Sun", was a radio hit and became one of Weezer's biggest overseas hits. [60] It peaked at number 11 on the US Modern Rock Charts [61] and at number 31 on the UK Top 40. [62] Two music videos were created for the song: the first video, directed by Marcos Siega, shows Weezer playing the song at a Mexican couple's wedding reception and features all four band members. [63] The executives at MTV disliked Siega's video, prompting the band to film a second video. [64]

After suffering a breakdown from the stress of touring, undiagnosed bipolar disorder, and drug abuse, Welsh attempted suicide and left Weezer in 2001. [65] Without him, [64] the band filmed a second video for "Island in the Sun", directed by Spike Jonze and featured the band playing with wild animals. [66] [67] Sharp may have been approached to be in the video. [68] Scott Shriner, who was filling in for Welsh and later became a permanent member of Weezer, stated in the commentary for "Video Capture Device" that he almost asked the band to let him appear in the video. [69] The second video received much wider airplay than the original and has become the standard video for the song. [64]

The third and final single from the album was "Photograph", which was released to radio in early November. [70] The single peaked at number 17 on the US Modern Rock Charts. [57] In Japan it was released as the first single instead of "Hash Pipe." [1] The band felt the song didn't have the staying power of the previous singles, [71] and thus decided to pass on a big-name director for the music video, opting instead to have Karl Koch shoot and edit a video from on-the-road footage. [71] It was the band's first music video featuring Shriner.

Critical reception

Weezer
Weezer - Green Album.png
Studio album by
ReleasedMay 15, 2001
RecordedDecember 2000
Studio Cello, Los Angeles
Genre
Length28:20
Label Geffen
Producer Ric Ocasek
Weezer chronology
Christmas CD
(2000)
Weezer
(2001)
Maladroit
(2002)
Self-titled albums chronology
Blue Album
(1994)
Green Album
(2001)
Red Album
(2008)
Professional ratings
Aggregate scores
SourceRating
Metacritic 73/100 [72]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [73]
Drowned in Sound 9/10 [74]
Entertainment Weekly B+ [75]
Houston Chronicle 4/5 [76]
The New Zealand Herald Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [77]
NME 5/10 [78]
Pitchfork 4.0/10 [79]
Q Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [80]
Rolling Stone Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [81]
Slant Magazine Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [82]

Weezer received generally favorable reviews. At Metacritic, which assigns a rating out of 100 to reviews from mainstream critics, the album received an average score of 73 out of 100. [72] Reviewing the album for Rolling Stone , Rob Sheffield wrote that the band had made "a totally crunk geek-punk record, buzzing through ten excellent tunes in less than half an hour with zero filler". [81] AllMusic senior writer Stephen Thomas Erlewine wrote that while Weezer is essentially "just punk-pop, delivered without much dynamic range but with a whole lot of hooks", "nobody else" excels at the style as successfully as Weezer does on the album, which he felt ranked among the best rock records of 2001. [73] Rolling Stone described the Green Album as the "anti-Pinkerton", with album art and "squeaky-clean" production that recalled Weezer's debut. [83] The album was compared to the 1999 film Star Wars: Episode I – The Phantom Menace by Rob Mitchum of Pitchfork , who stated "Both sci-fi epic and alt-rock record were long-awaited events that had even the most jaded hipster hopping around like a small child with a full bladder." [84]

Neva Chonin of the Houston Chronicle called it "a sublime selection of power-pop songs with enough lyrical ballast to keep them from floating away on their own euphoria". [76] PopMatters critic Jason Thompson credited the band for their decision to have Ric Ocasek return as producer, [85] as did Entertainment Weekly 's Evan Serpick, who viewed the album as "a return to their winning formula of sugary power pop and smart-assed rants". [75] Russell Bailie of The New Zealand Herald remarked that "the self-conscious nerd-factor of old seems largely and happily absent" on an album that "sounds like a revitalisation with a hint of maturity". [77]

Writing in The A.V. Club , Stephen Thompson found that Weezer "feels a bit repetitive and perfunctory the first time through", but "nonetheless finds Weezer sounding revitalized in every way." [86] Slant Magazine 's Sal Cinquemani described it as "fillerless" and without "much to complain about", despite the lack of songs that "hit the spot" like the singles from Weezer's debut. [82] Pitchfork critic Spencer Owen was more critical, finding the album "average from beginning to end" and lacking in the "sense of dynamics and intricacy that Pinkerton – and especially their debut – held in spades". [79] Sarah Dempster from NME was similarly disappointed: "The most irritating aspect of the Green Album is... the maddening itch of wasted opportunity." [78]

Weezer placed at number 21 on The Village Voice 's year-end Pazz & Jop critics' poll for 2001. [87] The album ranked at number 3 in Drowned in Sound 's list of the best albums of 2001, [88] while Spin named it the year's ninth best album. [89] Q and Rolling Stone both listed it as one of the best albums of the year. [90] [91] Rolling Stone's Laura Marie Braun wrote in 2016 that the success of Weezer helped give Rivers Cuomo an "ego boost" after the initial lukewarm critical reception to Pinkerton, which in turn helped him reconcile his own conflicted feelings about that album. [41]

Sales

In the United States, Weezer debuted at number four on the Billboard 200 on the week of May 15, 2001 selling 215,000 copies. [92] [93] It was certified platinum by the Recording Industry Association of America (RIAA) on September 13, 2001. [94] As of August 2009, the album has sold 1,600,000 copies in the United States. [95] In Canada, the album debuted at number two on the Canadian Albums Chart. [96] The album has been certified Platinum by the Canadian Recording Industry Association (CRIA) for 100,000 shipments. [97]

The album debuted at number thirty-one on the UK Albums Chart. [98] In Australia, the album peaked at number twenty-five. [99] Weezer also peaked in the Top Ten in Norway at number eight. [100]

Track listing

All tracks are written by Rivers Cuomo [40]

No.TitleLength
1."Don't Let Go"2:59
2."Photograph"2:19
3."Hash Pipe"3:06
4."Island in the Sun"3:20
5."Crab"2:34
6."Knock-down Drag-out"2:08
7."Smile"2:38
8."Simple Pages"2:56
9."Glorious Day"2:40
10."O Girlfriend"3:49
Total length:28:22
UK bonus track [1]
No.TitleLength
11."I Do"1:51
Total length:30:11
Japanese bonus tracks [1]
No.TitleLength
11."The Christmas Song"3:08
12."I Do"1:51
Total length:33:19

Personnel

Adapted from the album liner notes. [40]

Weezer

Production

Charts

Weekly charts

Weekly chart performance for Weezer (Green Album)
Chart (2001)Peak
position
Australian Albums (ARIA) [99] 25
Austrian Albums (Ö3 Austria) [101] 15
Canadian Albums (Billboard) [96] 2
Finnish Albums (Suomen virallinen lista) [102] 22
French Albums (SNEP) [103] 42
German Albums (Offizielle Top 100) [104] 21
Japanese Albums (Oricon) [105] 14
New Zealand Albums (RMNZ) [106] 25
Norwegian Albums (VG-lista) [100] 7
Scottish Albums (OCC) [107] 21
Swedish Albums (Sverigetopplistan) [108] 20
UK Albums (OCC) [98] 31
US Billboard 200 [92] 4

Year-end charts

2001 year-end chart performance for Weezer (Green Album)
Chart (2001)Position
Canadian Albums (Nielsen SoundScan) [109] 51
2002 year-end chart performance for Weezer (Green Album)
Chart (2002)Position
Canadian Alternative Albums (Nielsen SoundScan) [110] 109

Certifications

Certifications for Weezer
RegionCertification Certified units/sales
Canada (Music Canada) [97] Platinum100,000^
Japan (RIAJ) [111] Gold100,000^
United Kingdom (BPI) [112] Gold100,000*
United States (RIAA) [94] Platinum1,000,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

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References

Footnotes

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Bibliography