 | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
Zeitgeist is a series of three documentary films released between 2007 and 2011 that present a number of conspiracy theories, as well as proposals for broad social and economic changes. The films, Zeitgeist: The Movie (2007), Zeitgeist: Addendum (2008) and Zeitgeist: Moving Forward (2011) are all directed by Peter Joseph.
| Zeitgeist: The Movie | |
|---|---|
 | |
| Directed by | Peter Joseph |
| Written by | Peter Joseph |
| Produced by | Peter Joseph |
| Edited by | Peter Joseph |
| Music by | Peter Joseph |
| Distributed by | GMP LLC |
Release date |
|
Running time | 122 minutes |
| Country | United States |
| Language | English |
Zeitgeist: The Movie is a 2007 film by Peter Joseph presenting a number of conspiracy theories. [1] The film assembles archival footage, animations, and narration. [2] Released online on June 18, 2007, it soon received tens of millions of views on Google Video, YouTube, and Vimeo. [3] According to Peter Joseph, the original Zeitgeist was not presented in a film format, but was a "performance piece consisting of a vaudevillian, multimedia style event using recorded music, live instruments, and video". [3]
The film's introduction features animations, footage of war, explosions, and the September 11 attacks and audio quotes from Chögyam Trungpa Rinpoche, Jordan Maxwell, and George Carlin.
Part I claims the Christian religion is mainly derived from other religions, astronomical assertions, astrological myths, and other traditions. The Christ myth theory, which disputes the historicity of Jesus, asserts that Jesus is a literary and astrological hybrid, nurtured by political forces and opportunists. Part I was influenced by the work of Acharya S. [4]
Part II alleges that the September 11 attacks were either orchestrated or allowed to happen by elements within the United States government to generate mass fear, justify the War on Terror, provide a pretext for the curtaillment of civil liberties, and produce economic gain. It asserts that the U.S. government had advance knowledge of the attacks, that the military deliberately allowed the planes to reach their targets, and that World Trade Center buildings 1, 2, and 7 underwent a controlled demolition.
Part III states that the Federal Reserve System is controlled by a small cabal of international bankers who conspire to create global calamities to enrich themselves. [2] Three wars involving the United States during the twentieth century are highlighted as part of this alleged agenda, started by specifically engineered events, including the sinking of the RMS Lusitania, the attack on Pearl Harbor, and the Gulf of Tonkin Incident. The film asserts that such wars serve to sustain conflict in general and force the U.S. government to borrow money, thereby increasing the profits of the international bankers. The film also claims that the Federal Income Tax is illegal.
Part III also alleges a secret agreement to merge the United States, Canada and Mexico into a North American Union as a step toward the creation of a single world government. The film speculates that under such a government, every human could be implanted with an RFID chip to monitor individual activity and suppress dissent.
The first film received almost universal condemnation from the media, though it also "attracted massive interest" from the public. [3] [5]
The newspaper The Arizona Republic described Zeitgeist: The Movie as "a bramble of conspiracy theories involving Sept. 11, the international monetary system, and Christianity" saying also that the movie trailer states that "there are people guiding your life and you don't even know it". [6]
A review in The Irish Times wrote that "these are surreal perversions of genuine issues and debates, and they tarnish all criticism of faith, the Bush administration, and globalization—there are more than enough factual injustices in this world to be going around without having to invent fictional ones". [5]
Ivor Tossell in The Globe and Mail cited it as an example of how modern conspiracy theories are promulgated, though he praised its effectiveness:
The film is an interesting object lesson on how conspiracy theories get to be so popular ... It's a driven, if uneven, piece of propaganda, a marvel of tight editing and fuzzy thinking. Its on-camera sources are mostly conspiracy theorists, co-mingled with selective eyewitness accounts, drawn from archival footage and often taken out of context. It derides the media as a pawn of the International Bankers, but produces media reports for credibility when convenient. The film ignores expert opinion, except the handful of experts who agree with it. And yet, it's compelling. It shamelessly ploughs forward, connecting dots with an earnest certainty that makes you want to give it an A for effort. [2]
Filipe Feio, reflecting upon the film's Internet popularity in Diário de Notícias , stated that "[f]iction or not, Zeitgeist: The Movie threatens to become the champion of conspiracy theories of today". [7]
Michael Shermer, founder of the Skeptics Society, mentioned Zeitgeist in an article in Scientific American on skepticism in the age of mass media and the postmodern belief in the relativism of truth. He argues that this belief, coupled with a "clicker culture of mass media," results in a multitude of various truth claims packaged in "infotainment units", in the form of films such as Zeitgeist and Loose Change . [8]
Jane Chapman, a film producer and reader in media studies at the University of Lincoln, called Zeitgeist "a fast-paced assemblage of agitprop," an example of "unethical film-making". [9] Chapman accused Peter Joseph of "implicit deception" through the use of standard film-making propaganda techniques. While parts of the film are, she says, "comically" self-defeating, the nature of "twisted evidence" and use of Madrid bomb footage to imply it is of the London bombings amount to "ethical abuse in sourcing". She finishes her analysis with the comment: "Thus, legitimate questions about what happened on 9/11, and about corruption in religious and financial organizations, are all undermined by the film's determined effort to maximize an emotional response at the expense of reasoned argument."
Alex Jones, American radio host, conspiracy theorist and executive producer of Loose Change, stated that film segments of Zeitgeist are taken directly from his documentary Terrorstorm , and that he supports "90 percent" of the film. [10]
Skeptic magazine's Tim Callahan, criticizing the parts of the film on the origins of Christianity, wrote that "some of what it asserts is true. Unfortunately, this material is liberally—and sloppily—mixed with material that is only partially true and much that is plainly and simply bogus." [11]
Chris Forbes, Senior lecturer in Ancient History of Macquarie University and member of the Synod of the Diocese of Sydney, severely criticized Part I of the film, stating that it has no basis in serious scholarship or ancient sources, and that it relies on amateur sources that recycle frivolous ideas from one another, commenting that "[i]t is extraordinary how many claims it makes which are simply not true". [12] Similar conclusions were reached by Dr. Mark Foreman of Liberty University. [13]
In Tablet magazine, journalist Michelle Goldberg criticized Zeitgeist: The Movie as being "steeped in far-right, isolationist, and covertly anti-Semitic conspiracy theories," writing that the film borrowed from the work of Eustace Mullins, Lyndon LaRouche, and radio host Alex Jones, and that it portrays a cabal of international bankers purportedly ruling the world. [3] In an interview with TheMarker, Joseph said that while the film does mention bankers it does not seek to blame any individual or group of individuals. He argued they are merely a product of a socioeconomic system in need of change. [14]
Chip Berlet wrote that the 9/11 conspiracy theories "are bait used to attract viewers from the 9/11 Truth movement and others who embrace conspiracist thinking to the idiosyncratic antireligion views of the videographer and the world of right-wing antisemitic theories of a global banking conspiracy". [15]
Jay Kinney questioned the accuracy of its claims and the quality of its arguments, describing it as agitprop and propaganda. [16] At times, according to Kinney, "Zeitgeist engages in willful confusion by showing TV screen shots of network or cable news with voice-overs from unidentified people not associated with the news programs. If one weren't paying close attention, the effect would be to confer the status and authority of TV news upon the words being spoken. Even when quotes or sound bites are attributed to a source, there's no way to tell if they are quoted correctly or in context." [16]
In June 2013, Peter Joseph directed the music video for "God Is Dead?" by Black Sabbath, using extensive imagery from Zeitgeist: The Movie and its sequels. [17]
| Zeitgeist: Addendum | |
|---|---|
 | |
| Directed by | Peter Joseph |
| Produced by | Peter Joseph |
| Edited by | Peter Joseph |
| Music by | Peter Joseph |
| Distributed by | GMP LLC |
Release date |
|
Running time | 123 min |
| Country | United States |
| Language | English |
Zeitgeist: Addendum is a 2008 film produced and directed by Peter Joseph, and is a sequel to the 2007 film, Zeitgeist: The Movie. It premiered at the 5th Annual Artivist Film Festival in Los Angeles, California on October 2, 2008.[ citation needed ]
The film begins and ends with excerpts from a speech by Jiddu Krishnamurti. The remainder of the film is narrated by Peter Joseph and divided into four parts, which are prefaced by on-screen quotations from Krishnamurti, John Adams, Bernard Lietaer, and Thomas Paine, respectively.
Part I covers the process of fractional-reserve banking as illustrated in Modern Money Mechanics, by the Federal Reserve Bank of Chicago. The film suggests that society is manipulated into economic slavery through debt-based monetary policies by requiring individuals to submit for employment to pay off their debt.
Part II includes an interview with John Perkins, author of Confessions of an Economic Hitman , who says he was involved in the subjugation of Latin American economies by multinational corporations and the United States government, including involvement in the overthrow of Latin American heads of state. Perkins sees the US as a corporatocracy in which maximization of profits is the first priority.
Part III introduces futurist Jacque Fresco and The Venus Project and asserts a need to move away from current socioeconomic paradigms. Fresco states that capitalism perpetuates the conditions it claims to address, as problems are only solved if there is money to be made. The film looks at Fresco's proposal of a resource-based economy, which puts environmental friendliness, sustainability and abundance as fundamental societal goals. He goes on to discuss technology which he sees as the primary driver of human advancement, and he describes politics as being unable to solve any problems.
Part IV suggests that the primary reason for what the film sees as society's social values ("warfare, corruption, oppressive laws, social stratification, irrelevant superstitions, environmental destruction, and a despotic, socially indifferent, profit oriented ruling class") is a collective ignorance of "the emergent and symbiotic aspects of natural law". The film advocates the following actions for achieving social change: boycotting of the most powerful banks in the Federal Reserve System, the major news networks, the military, energy corporations, all political systems; and joining, and supporting The Zeitgeist Movement.
Zeitgeist: Addendum won the 2008 Artivist Film Festival's award for best feature ("Artivist Spirit" category). [18]
Originally, the film was uploaded-released on Google Video. The current video posting on YouTube surpassed 5 million views by late 2013. [19]
Alan Feuer of The New York Times noted that while the first film was famous for alleging that the attacks of September 11 were an inside job, the second, "was all but empty of such conspiratorial notions, directing its rhetoric and high production values toward posing a replacement for the evils of the banking system and a perilous economy of scarcity and debt". [20]
Zeitgeist: Moving Forward is the third installment in Peter Joseph's Zeitgeist film series. The film premiered at the JACC Theater in Los Angeles on January 15, 2011, at the Artivist Film Festival, [21] was released in theaters and online. As of November 2014, the film had over 23 million views on YouTube. The film is arranged in four parts, each containing interviews, narration and animated sequences. [22]
| Zeitgeist: Moving Forward | |
|---|---|
 | |
| Directed by | Peter Joseph |
| Produced by | Peter Joseph |
| Edited by | Peter Joseph |
| Music by | Peter Joseph, Lili Haydn and Yes |
| Distributed by | GMP LLC |
Release date |
|
Running time | 161 minutes |
| Country | United States |
| Language | English |
The film begins with an animated sequence narrated by Jacque Fresco. He describes his adolescent life and his discontinuation of public education at the age of 14 and describes his early life influences.
Part I: Human Nature
Human behavior and the nature vs. nurture debate is discussed, which Robert Sapolsky refers to as a "false dichotomy." Disease, criminal activity, and addictions are also discussed. The overall conclusion of Part I is that social environment and cultural conditioning play a large part in shaping human behavior.
Part II: Social Pathology
John Locke and Adam Smith are discussed in regard to modern economics. The film critically questions the economic need for private property, money, and the inherent inequality between agents in the system. Also seen critically is the need for cyclical consumption to maintain market share, resulting in wasted resources and planned obsolescence. According to the movie, the current monetary system will result in default or hyperinflation at some future time.
Part III: Project Earth
As with Zeitgeist: Addendum, the film presents a "resource-based economy" as advocated by Jacque Fresco discussing how human civilization could start from a new beginning in relation to resource types, locations, quantities, to satisfy human demands; track the consumption and depletion of resources to regulate human demands and maintain the condition of the environment.
Part IV: Rise
The current worldwide situation is described as disastrous. A case is presented that pollution, deforestation, climate change, overpopulation, and warfare are all created and perpetuated by the socioeconomic system. Various poverty statistics are shown that suggest a progressive worsening of world culture.
The final scene of the film shows a partial view of Earth from space, followed by a sequence of superimposed statements; "This is your world", "This is our world", and "The revolution is now".
List of Interviewees
Zeitgeist: Moving Forward received "Best Political Documentary" in 2011 from the Action on Film International Film Festival. [23]
A The Socialist Standard review said the film's use of animation and humor gave it a "well rounded feel", though it criticized the "shaky economic analysis" in the second part of the film, saying "Karl Marx had already undertaken a more scientific analysis", adding, "the analysis is at least on the right track". Regarding transition to the new system proposed in the film, the reviewer noted "there is no mention of how to get from here to there". [24]
In an article, in Tablet magazine, Michelle Goldberg described the film as "silly enough that at times [she] suspected it was [a] sly satire about new-age techno-utopianism instead of an example of it". [3] She describes the 3 Zeitgeist movies as "a series of 3 apocalyptic cult documentaries. [3]
Zeitgeist: The Movie (2007) started the chain of events leading to the formation of the Zeitgeist movement. [3] The group advocates transition from the global money-based economic system to a post-scarcity economy or resource-based economy. VC Reporter's Shane Cohn summarized the movement's charter as: "Our greatest social problems are the direct results of our economic system". [25] Joseph created a political movement that, according to The Daily Telegraph , dismisses historic religious concepts as misleading and embraces a version of sustainable ecological concepts and scientific administration of society. [26] The group describes the current socioeconomic system as structurally corrupt and inefficient in the use of resources. [20] [27] Michelle Goldberg described the Zeitgeist movement as "the first Internet-based apocalyptic cult". [3]
Distributism is an economic theory asserting that the world's productive assets should be widely owned rather than concentrated. Developed in the late 19th and early 20th centuries, distributism was based upon Catholic social teaching principles, especially those of Pope Leo XIII in his encyclical Rerum novarum (1891) and Pope Pius XI in Quadragesimo anno (1931). It has influenced Anglo Christian Democratic movements, and has been recognized as one of many influences on the social market economy.
Socialism is an economic and political philosophy encompassing diverse economic and social systems characterised by social ownership of the means of production, as opposed to private ownership. It describes the economic, political, and social theories and movements associated with the implementation of such systems. Social ownership can take various forms, including public, community, collective, cooperative, or employee. As one of the main ideologies on the political spectrum, socialism is considered as the standard left-wing ideology in most countries. Types of socialism vary based on the role of markets and planning in resource allocation, and the structure of management in organizations.
Political economy is a branch of political science and economics studying economic systems and their governance by political systems. Widely studied phenomena within the discipline are systems such as labour markets and financial markets, as well as phenomena such as growth, distribution, inequality, and trade, and how these are shaped by institutions, laws, and government policy. Originating in the 18th century, it is the precursor to the modern discipline of economics. Political economy in its modern form is considered an interdisciplinary field, drawing on theory from both political science and modern economics.
The New World Order (NWO) is a term used in several conspiracy theories which hypothesize a secretly emerging totalitarian world government. The common theme in conspiracy theories about a New World Order is that a secretive power elite with a globalist agenda is conspiring to eventually rule the world through an authoritarian one-world government—which will replace sovereign nation-states—and an all-encompassing propaganda whose ideology hails the establishment of the New World Order as the culmination of history's progress. Many influential historical and contemporary figures have therefore been alleged to be part of a cabal that operates through many front organizations to orchestrate significant political and financial events, ranging from causing systemic crises to pushing through controversial policies, at both national and international levels, as steps in an ongoing plot to achieve world domination.
Artivism is a portmanteau word combining art and activism, and is sometimes also referred to as Social Artivism.
Post-scarcity is a theoretical economic situation in which most goods can be produced in great abundance with minimal human labor needed, so that they become available to all very cheaply or even freely.
The Great Transformation is a book by Karl Polanyi, a Hungarian political economist. First published in 1944 by Farrar & Rinehart, it deals with the social and political upheavals that took place in England during the rise of the market economy. Polanyi contends that the modern market economy and the modern nation-state should be understood not as discrete elements but as a single human invention, which he calls the "Market Society".
Zeitgeist is the intellectual fashion or dominant school of thought of a certain period.
Jacque Fresco was an American futurist and self-described social engineer. Self-taught, he worked in a variety of positions related to industrial design.
Post-capitalism is in part a hypothetical state in which the economic systems of the world can no longer be described as forms of capitalism. Various individuals and political ideologies have speculated on what would define such a world. According to classical Marxist and social evolutionary theories, post-capitalist societies may come about as a result of spontaneous evolution as capitalism becomes obsolete. Others propose models to intentionally replace capitalism, most notably socialism, communism, anarchism, nationalism and degrowth.
Anti-consumerism is a sociopolitical ideology. It has been described as "intentionally and meaningfully excluding or cutting goods from one's consumption routine or reusing once-acquired goods with the goal of avoiding consumption". The ideology is opposed to consumerism, being a social and economic order in which the aspirations of many individuals include the acquisition of goods and services beyond those necessary for survival or traditional displays of status.
George Edward Griffin is an American author, filmmaker, lecturer, and a conspiracy theorist. Griffin's writings promote a number of right-wing views and conspiracy theories regarding politics, defense and health care. In his book World Without Cancer, he argued in favor of a pseudo-scientific theory that asserted cancer to be a nutritional deficiency curable by consuming amygdalin. He is the author of The Creature from Jekyll Island (1994), which advances debunked conspiracy theories about the Federal Reserve System. He is an HIV/AIDS denialist, supports the 9/11 Truth movement, and supports the specific John F. Kennedy assassination conspiracy theory that Oswald was not the assassin. He also believes that the Biblical Noah's Ark is located at the Durupınar site in Turkey.
The Venus Project is a 501(c) nonprofit organization founded by architect and social engineer Jacque Fresco. Fresco, along with his partner Roxanne Meadows, founded this project with a socioeconomic model to develop a resource-based economy for human beings utilizing technology.
The Artivist Film Festival & Awards is an international film festival and awards ceremony dedicated to recognizing activist efforts of filmmakers, specifically in the areas of human rights, child advocacy, environmental preservation, and animal rights.
Peter Joseph is an American independent filmmaker and activist. He is best known for the Zeitgeist film series, which he wrote, directed, narrated, scored, and produced. He is also the founder of the related Zeitgeist Movement. Other work by Joseph includes the 2017 book The New Human Rights Movement: Reinventing the Economy to End Oppression.
The Zeitgeist Movement is an activist movement established in the United States in 2008 by Peter Joseph. The group is critical of market capitalism, describing it as structurally corrupt and wasteful of resources. The group dismisses historic religious concepts as misleading, and embraces sustainable ecology and scientific administration of society. VC Reporter's Shane Cohn summarized the movement's charter as: "Our greatest social problems are the direct results of our economic system".
Michael Craig Ruppert was an American writer and musician, Los Angeles Police Department officer, investigative journalist, political activist, and peak oil awareness advocate known for his 2004 book Crossing The Rubicon: The Decline of the American Empire at the End of the Age of Oil.
Mounqaliba is a 2010 album by Belgian singer Natacha Atlas. Co-produced by Samy Bishai, it was inspired by the poems of Indian poet Rabindranath Tagore. In addition to original works, it also contains covers of Françoise Hardy and Nick Drake songs. The album also features composers Zoe Rahman and Jocelyn Pook.
Morris Albert Copeland was an American economist who criticized 20th-century macroeconomic theory, and who contributed to the development of modern flow of funds theory.
The Great Reset Initiative is an economic recovery plan drawn up by the World Economic Forum (WEF) in response to the COVID-19 pandemic. The project was launched in June 2020, and a video featuring the then-Prince of Wales Charles was released to mark its launch. The initiative's stated aim is to facilitate rebuilding from the global COVID-19 crisis in a way that prioritizes sustainable development.
Best Feature – Artivist Spirit: "Zeitgeist: Addendum" directed by Peter Joseph
| |||||||||||||
