World tour by Kylie Minogue | |
Location |
|
---|---|
Associated album | Aphrodite |
Start date | 19 February 2011 |
End date | 14 July 2011 |
Legs | 6 |
No. of shows | 77 |
Box office | $60 million ($81.27 million in 2023 dollars) [1] |
Kylie Minogue concert chronology |
Aphrodite: Les Folies Tour, also known as Aphrodite Live, was the twelfth concert tour by Australian singer Kylie Minogue. It was launched in support of her eleventh studio album, Aphrodite (2010). The tour was officially announced in September 2010, initially with European venues confirmed. Additional British dates were added in January 2011, alongside North American and Asian dates. Australian dates were confirmed in March 2011, and in May of the same year, Minogue announced she would tour Africa for the first time. The stage of the tour was composed of an Ancient Greek temple wall and two runways leading to a B-stage, which included a three-tiered scissor lift surrounded by water fountains. Thirty water jets created by The Fountain People, a tilted rotating platform and aerial performer displays were also part of the staging, paying homage to Greek mythology and culture. Effects and staging were provided by TAIT Towers, who described the stage as "one of the most technically advanced ever built". Fashion designers Dolce & Gabbana created the costumes for the tour.
Aphrodite: Les Folies Tour was described as a "pop spectacle" and was divided into seven segments. The Birth of Aphrodite featured Minogue emerging from the stage atop of a golden conch shell as a goddess. Pegasus included a large prop Pegasus and displayed the singer being pulled around the B-stage on a chariot. Gladiator began with an instrumental interlude and concluded with Minogue left alone on the stage. Celestial Love featured a giant white bust of the singer, concluding with a jazz-inspired section using a tilted rotating platform. Holograph displayed a series of both electro and rock-inspired numbers, followed by The Good Life; during which, Minogue flew across onto the B-stage on the back of a dancer. Fanfare featured a carnival-themed performance, and the encore featured the use of the water jets, fountains, scissor lift and aerial performances.
The tour received critical acclaim, with many praising its high-scale production, as well as Minogue's live vocals and stage presence. Aphrodite: Les Folies was also a commercial success, with a total estimated gross of $60 million. [2] This placed the tour 21st on both Billboard's annual "Top 25 Tours" list for 2011, and Pollstar's "Top 50 Worldwide Tours" list. [3] [4] Given the nature of the show, the tour was officially acknowledged by two names; the tour was promoted as the Aphrodite: Les Folies tour in Europe and Australia, and Aphrodite Live elsewhere.
During an interview in June 2010, Minogue was asked if she was going to tour with Aphrodite. She responded, "Oh yeah! [...] Yes, I have show concepts in mind but I can't tell you yet, because it really is in its infancy [...] But come on, with the name Aphrodite as the launch pad, we're going to have a lot to play with! [...] I would like the tour to be like, you're on that sea... and there are the rushes and the dips, and you're just feeling the love. The vibe that I've put out there with 'All the Lovers', and that I'm getting back, is 'feel love, share love'. That's what I want the show to be." [5]
Aphrodite: Les Folies Tour was officially announced via her website on 6 September 2010. By way of introduction, Minogue stated,
"The reaction to 'Aphrodite' has been absolutely incredible and has inspired me and my creative team to develop a new show that will take all of us on a euphoric journey of joy, excitement and glamour. I can't wait to get on the road and see all my fans in 2011." [6] [7]
Minogue later confirmed she would return to the United States to tour. This became the third time the singer has performed stateside since her breakthrough in 2002. She described her previous feat as one of her best decisions in her career. [8] She further commented, "The last couple of years I've really made the effort to visit a lot of places I'd never toured in before and that was so rewarding, fulfilling and inspiring. I'm a glutton for punishment so I want to do it again and I want to take it even further." [9] In January 2011, Minogue expanded the UK leg of her tour from four to fourteen shows. [10] Further dates were added in Japan and the United States. [11] Australian dates were confirmed in March 2011, and in May of the same year, Minogue announced she would tour Africa for the first time. [12] [13]
At the beginning of 2011, Minogue stated that Aphrodite: Les Folies would be her most "extravagant" tour to date. [14] The staging was described by its designers, TAIT Towers, as "one of the most technically advanced ever built". [15] It consisted of a main stage featuring two water pools with ten integrated fountains; both pools were mostly 8 in (0.67 ft) deep, with 36 in (3.0 ft) deep sections to accommodate submersions of the aerialist dancers. [16] A 16 in (1.3 ft)-diameter rotating platform was built into the main stage, which would rake to a 45° angle whilst Minogue and her dancers performed on it. [17] There was also a pool that acted as a B-stage itself, containing a hydraulic three-tier scissor lift at its centre. The two rings were capable of rotating 360°, with the outermost rising 42 in (3.5 ft) above the stage and the innermost rising 109 in (9.1 ft). Featuring 24 fountains, the lift was run by a 15hp hydraulic pump. [16]
The B-stage and the main stage were connected by two runways; each containing six vertical water shooters, two cross-stage water shooters and five arching water jets. The runways featured recycled rubber flooring with drainage holes, where the water drained into sheets of plastic and was emptied into tanks via funnels. Eleven water tanks were situated under the runways and two tanks were situated under the stage. The water was reheated and recirculated through approximately 1π mi (3.1 mi) of hosing. When full with water, the stage weighed 60,000 lb (27 t). [16]
Valued at over $25 million, the show was transported by a crew of in excess of 100 personnel, using a fleet of 25 trucks. [18]
Aphrodite: Les Folies Tour paid homage to Greek mythology and culture, with an aerial act inspired by the musical Spider-Man: Turn Off the Dark. [19] While promoting the tour, Minogue stated the main inspiration of the tour's name was inspired by the MGM film, Ziegfeld Follies (1945). She further commented, "Ziegfeld Folies – I've been crazy about that movie and that period in music dance and film. My show has a bit of that so it became 'Aphrodite Les Folies'." [20] [21] The arena shows featured the elaborate water production, which was removed for the smaller venues in order for the singer provide an intimate show. In these cases, the show was promoted as 'Aphrodite Live'. [22]
During rehearsals for the tour, Minogue remarked, "Rehearsals are well underway and the show is shaping up to be more than I could have wished for. All departments are doing a stellar job and the combined level of expertise is nothing short of mind blowing. My friends, Dolce & Gabbana have designed an amazing wardrobe for me. I'm overwhelmed with the love and talent that is going into this tour and I can't wait for my fans to be part of it." [23]
The Harmonix game Dance Central were announced to be the official sponsors of the European leg of the tour. According to the press release, booths were staged in the lobby areas of the arenas, giving spectators the opportunity to play the game to Minogue's song "Can't Get You Out of My Head". Additionally, a crew were assigned to record both the audience and backstage footage for Minogue's official Facebook page. [24]
The tour received acclaim from entertainment critics. Ed Power from The Daily Telegraph gave the concert a four star rating stating that "Kylie Minogue takes retro chic to dizzying extremes on her new tour. Channelling a hitherto unhinted at passion for Ancient Greece and Rome". Power said that "Through a stunning series of set-pieces Kylie proved herself a peerless conjurer of pop spectacle and demonstrated that, when it comes to the classier brand of arena kitsch, she, not Lady Gaga, remains supreme authority." [26]
Elisa Bray from The Independent gave the concert four stars (out of five) and said that "Minogue's authenticity and down-to-earth persona has always made her the most likeable pop diva. From her earliest fame days as Charlene in Australian soap Neighbours , girly though she remains, Kylie has made the successful transition to show-woman." [27] Ian Gittins from The Guardian commented that "there is no denying the scale of the production. From the moment Minogue rises from the stage reclining in a golden conch shell in a tableau based on Botticelli's Birth of Venus, it's evident that understatement is not on the menu tonight." He praised her live vocals, describing Minogue's voice as "oddly endearing" and concluded by saying that "it is unfortunate that mainstream America has never taken Minogue to its heart. On this flamboyant evidence, nobody is more ready for a Las Vegas residency." [25]
James Reed from The Boston Globe gave the Aphrodite Live 2011 concert a favourable review by saying that "all eyes were on Minogue, 42, and she was in regal form as both entertainer and singer." [28] Jason Lipshutz from Billboard gave the concert a positive review saying that "Minogue is still an under-appreciated musical force, and one that should not be missed on an all-too-rare U.S. trek." [29] Santiago Felipe from The Village Voice said that "at the center of it all was Kylie, who was by turns bashful and jokingly chiding and absolutely in command, changing dresses as quickly as some people change their mind, flirting with the audience through performances [...] She might be a bit of a cult popstar in the U.S., but she radiated at maximum wattage throughout the evening". [30]
The show was divided into seven segments; The Birth of Aphrodite, Pegasus, Gladiator, Celestial Love, Holograph, Angel,Brazil Funk and an encore. [31] It began with an overture dubbed "The Birth of Aphrodite", which incorporated elements of "The Carnival of the Animals". Minogue then emerged from the set atop a golden conch shell to sing "Aphrodite". [32] This was followed by "The One", featuring harps rising from the stage and the dancers treating Minogue as though she were a goddess. The singer then performed "Wow", surrounded by dancers dressed as Roman centurions. [33] The second section, Pegasus, began with an instrumental interlude. Minogue then rose from the stage riding a giant golden Pegasus to perform "Illusion"; the song features a breakdown after the bridge where the singer and the dancers perform a dance routine. [25] Following this, "I Believe in You" was performed, where she was pulled around the catwalk on a chariot by four dancers trussed up in leather straps. [33] [34] Gladiator began with Minogue emerging wearing a black crinoline and top hat to sing "Cupid Boy"; this was followed by "Spinning Around" and "Get Outta My Way". Minogue was then left alone to perform a new remix of "What Do I Have to Do". "Everything Is Beautiful" commenced the fourth section, Celestial Love, during which she emerged in front of a white bust of herself. [33] This was followed by a jazz version of "Slow" using the rotating platform, where the singer was surrounded by female dancers fanning her with large feathers. [35]
Holograph, the fifth section, began with "Confide in Me". Minogue wore an asymmetric holographic "Bacofoil ball gown". [33] [25] This was followed by a rock-oriented performance of the hit single "Can't Get You Out of My Head". "In My Arms" was performed next and closed the section. The sixth section, Angel, began with "Looking for an Angel". "Closer" was then performed, where Minogue flew to the B-stage atop of a dancer dressed as an angel, which was followed by Minogue covering the Eurythmics song "There Must Be an Angel (Playing with My Heart)". [25] [36] After this, Minogue talked with the audience and introduced the band before performing a mash-up of "Can't Beat the Feeling" and "Love at First Sight", which was followed by a performance of "If You Don't Love Me". [37] Brazil Funk commenced with "Better the Devil You Know" with Minogue wearing hot pants and an orange jacket. [38] "Better than Today" was performed next, although at some shows it was omitted. Minogue then took requests from the audience and went on to close the main body of the show with "Put Your Hands Up (If You Feel Love)". The encore began with an instrumental intro dubbed "Million Dollar Mermaid", which featured projections of swimmers. This leads into a new remix of "On a Night Like This", which featured water jets. "All the Lovers" closed the show; the water jets, fountains, scissor lift and aerial performances were used. [33]
This set list represents the 11 April 2011 show in London, England. It does not represent all dates throughout the tour. [39]
Act 1: The Birth of Aphrodite
Act 2: Pegasus
Act 3: Gladiator
Act 4: Celestial Love
Act 5: Holograph
Act 6: Angel
Act 7: Brazil Funk
Encore
Date | City | Country | Venue | Opening acts | Attendance | Revenue |
---|---|---|---|---|---|---|
19 February 2011 | Herning | Denmark | Jyske Bank Boxen | — | — | — |
22 February 2011 | Helsinki | Finland | Hartwall Areena | |||
23 February 2011 | Tallinn | Estonia | Saku Suurhall Arena | |||
25 February 2011 | Riga | Latvia | Arēna Rīga | |||
26 February 2011 | Vilnius | Lithuania | Siemens Arena | |||
28 February 2011 | Hamburg | Germany | O2 Hamburg | Frida Gold | 6,786 / 10,249 | $448,384 |
1 March 2011 | Berlin | O2 World | 7,771 / 12,204 | $571,139 | ||
2 March 2011 | Prague | Czech Republic | O2 Arena | — | — | — |
4 March 2011 | Leipzig | Germany | Arena Leipzig | Frida Gold | ||
5 March 2011 | Munich | Olympiahalle | ||||
6 March 2011 | Mannheim | SAP Arena | ||||
8 March 2011 | Milan | Italy | Mediolanum Forum | — | ||
9 March 2011 | Zürich | Switzerland | Hallenstadion | |||
11 March 2011 | Toulouse | France | Zénith de Toulouse | |||
12 March 2011 | Barcelona | Spain | Palau Sant Jordi | Matinée | ||
14 March 2011 [lower-alpha 1] | Amnéville | France | Galaxie Amnéville | — | ||
15 March 2011 | Paris | Palais Omnisports de Paris-Bercy | ||||
17 March 2011 [lower-alpha 2] | Amsterdam | Netherlands | Heineken Music Hall | |||
18 March 2011 | Oberhausen | Germany | König Pilsener Arena | Frida Gold | ||
19 March 2011 | Antwerp | Belgium | Sportpaleis | — | 12,153 / 14,511 | $756,761 |
22 March 2011 | Dublin | Ireland | The O2 | The Ultra Girls | — | — |
23 March 2011 | ||||||
25 March 2011 | Cardiff | Wales | Motorpoint Arena | 8,420 / 8,800 | $771,549 | |
26 March 2011 | ||||||
28 March 2011 | Glasgow | Scotland | SECC Concert Hall 4 | 18,500 / 20,250 | $1,882,260 | |
29 March 2011 | ||||||
30 March 2011 | ||||||
1 April 2011 | Manchester | England | Manchester Evening News Arena | 44,578 / 45,000 | $4,449,280 | |
2 April 2011 | ||||||
4 April 2011 | ||||||
5 April 2011 | ||||||
7 April 2011 | London | The O2 Arena | 70,100 / 70,500 | $6,754,860 | ||
8 April 2011 | ||||||
9 April 2011 | ||||||
11 April 2011 | ||||||
12 April 2011 |
Date | City | Country | Venue | Opening acts | Attendance | Revenue |
---|---|---|---|---|---|---|
23 April 2011 | Chiba | Japan | Makuhari Event Hall | Verbal Anoraak Mademoiselle Yulia | — | — |
24 April 2011 | ||||||
25 April 2011 | Osaka | Osaka-jō Hall | — |
Date | City | Country | Venue | Opening acts | Attendance | Revenue |
---|---|---|---|---|---|---|
28 April 2011 | Montreal | Canada | Bell Centre | DJ Stéphan Grondin | 4,891 / 6,114 | $456,262 |
29 April 2011 | Boston | United States | Agganis Arena | Richie LaDue | 2,694 / 3,749 | $253,987 |
30 April 2011 | Fairfax | Patriot Center | — | 3,246 / 4,821 | $307,722 | |
2 May 2011 | New York City | Hammerstein Ballroom | DJ Randy Bettis | 7,451 / 9,120 | $721,161 | |
3 May 2011 | DJ DeMarko! | |||||
4 May 2011 | DJ Tracy Young | |||||
6 May 2011 | Atlanta | Fox Theatre | — | 2,838 / 4,515 | $248,686 | |
7 May 2011 | Sunrise | BankAtlantic Center | 4,000 / 4,441 | $253,756 | ||
8 May 2011 | Orlando | Hard Rock Live | DJ Scott Robert | 2,011 / 2,723 | $155,555 | |
10 May 2011 | Houston | Verizon Wireless Theater | — | 1,831 / 3,202 | $156,915 | |
12 May 2011 | Mexico City | Mexico | Palacio de los Deportes | — | — | |
14 May 2011 | Guadalajara | Auditorio Telmex | ||||
16 May 2011 | Monterrey | Arena Monterrey | ||||
18 May 2011 | Grand Prairie | United States | Verizon Theatre | Erik Thoresen | 2,239 / 2,989 | $218,105 |
20 May 2011 | Los Angeles | Hollywood Bowl | Kaskade | 9,052 / 9,986 | $809,146 | |
21 May 2011 | San Francisco | Bill Graham Civic Auditorium | — | 5,670 / 6,074 | $482,455 | |
22 May 2011 | Las Vegas | The Colosseum at Caesars Palace | DJ Morningstar | 4,062 / 4,062 | $445,612 |
Date | City | Country | Venue | Opening acts | Attendance | Revenue |
---|---|---|---|---|---|---|
3 June 2011 | Brisbane | Australia | Brisbane Entertainment Centre | Gypsy & The Cat | 15,540 / 22,686 | $2,442,780 |
4 June 2011 | ||||||
7 June 2011 | Sydney | Sydney Entertainment Centre | 26,689 / 30,000 | $3,730,000 | ||
8 June 2011 | ||||||
11 June 2011 | ||||||
14 June 2011 | Melbourne | Rod Laver Arena | 25,598 / 27,600 | $3,510,740 | ||
15 June 2011 | ||||||
16 June 2011 | ||||||
18 June 2011 | Adelaide | Adelaide Entertainment Centre | 8,537 / 8,537 | $1,124,185 | ||
22 June 2011 | Perth | Burswood Dome | 12,626 / 15,000 | $1,608,139 |
Date | City | Country | Venue | Opening acts | Attendance | Revenue |
---|---|---|---|---|---|---|
25 June 2011 | Bangkok | Thailand | IMPACT Arena | — | — | — |
27 June 2011 | Bogor | Indonesia | SICC Auditorium | |||
29 June 2011 | Singapore | Singapore Indoor Stadium | ||||
1 July 2011 | Hong Kong | China | HKCEC Hall 5BC | |||
3 July 2011 | Taipei | Taiwan | TWTC Nangang Exhibition Hall | |||
5 July 2011 | Quezon City | Philippines | Araneta Coliseum |
Date | City | Country | Venue | Opening acts | Attendance | Revenue |
---|---|---|---|---|---|---|
8 July 2011 | North West | South Africa | Sun City Super Bowl | — | — | — |
9 July 2011 | ||||||
10 July 2011 | ||||||
13 July 2011 | Cape Town | Grand Arena | ||||
14 July 2011 |
Kylie Ann Minogue is an Australian singer, songwriter, and actress. Referred to as the "Princess of Pop", she has been recognised in music and fashion as a style icon. Her accolades include two Grammy Awards, four Brit Awards and eighteen ARIA Music Awards. She is the highest-selling female recording artist from Australia, having sold over 80 million records worldwide. In 2024, Time named her one of the most influential people in the world.
"Come into My World" is a song recorded by Australian singer Kylie Minogue for her eighth studio album, Fever (2001). Written and produced by Cathy Dennis and Rob Davis, "Come into My World" is a dance-pop song in which the singer pleads to her lover to come into her world. "Come into My World" was released as the fourth and final single from Fever on 4 November 2002.
"Spinning Around" is a song by Australian singer Kylie Minogue for her seventh studio album, Light Years (2000). Written by Ira Shickman, Osborne Bingham, Kara DioGuardi and Paula Abdul, the song was initially meant to be recorded by Abdul for her own album, but was given to Minogue after the plan never came to fruition. Produced by Mike Spencer, the disco-influenced dance-pop song was then released in Australia and the UK as the lead single from Light Years on 19 June 2000, through Mushroom Records and Parlophone. Lyrically, the song addresses the theme of reinvention, with Minogue claiming that she has changed as a person and learned from the past.
"Red Blooded Woman" is a song recorded by Australian singer Kylie Minogue for her ninth studio album, Body Language (2003). Written by Johnny Douglas and Karen Poole and produced by the former, it is a hip hop and synth-pop track containing a vocoded "Boy! Boy!" hook and backing vocals from a choir, and was released by Parlophone as the second single from the album on 1 March 2004.
Showgirl: The Greatest Hits Tour was the eighth concert tour by Australian singer Kylie Minogue. It was launched in support of her second major greatest hits compilation, Ultimate Kylie (2004) and visited Europe. It began on 19 March 2005 in Glasgow, Scotland at SECC Concert Hall 4 and concluded on 7 May 2005 in London, England at the Earls Court Exhibition Centre. The tour was announced on 24 October 2004, promoted by 3A Entertainment in Europe and Frontier Touring in Asia and Australia. Showgirl: The Greatest Hits Tour was intended to be a celebration of both Minogue's career and long-term relationship with her audience.
KylieFever2002 was the seventh concert tour by Australian pop singer Kylie Minogue, in-support of her eighth studio album, Fever (2001). The tour began on 26 April 2002 with four consecutive dates at the Cardiff International Arena in Wales, concluding on 16 August 2002 with five dates at Melbourne's Rod Laver Arena, playing a total of 38 shows in Europe and the UK and 11 in Australia.
"Butterfly" is a song by Australian recording artist Kylie Minogue from her seventh studio album Light Years (2000). The song was written by Minogue and Steve Anderson at Real World Studios, Wiltshire in 1999. Minogue recorded her vocals at Cello Studios, Los Angeles in January 2000 with American DJ Mark Picchiotti, who subsequently produced the track in Chicago. "Butterfly" is a contemporary house, dance-pop, and EDM track that portrays spiritual freedom and joy of life. Although Light Years was not released in the US, "Butterfly" was issued as a promotional single through Blueplate Records and its sublabel Blue² Records, both of which are owned by Picchiotti.
The Arizona Financial Theatre is a multi-use theatre in Downtown Phoenix, Arizona. The venue seats 5,000 people.
"In My Arms" is a song recorded by Australian singer Kylie Minogue for her tenth studio album X (2007). It was written by Minogue, Paul Harris, Julian Peake, and its producers Calvin Harris and Richard "Biff" Stannard. The song was released as the third single from X on 13 February 2008, by Parlophone.
Aphrodite is the eleventh studio album by Australian singer Kylie Minogue. It was released on 30 June 2010 by Parlophone. In 2009, Minogue began working with British electronic music producer Stuart Price, who served as the executive producer of the album. The two collaborated with various producers and writers on the album, including Jake Shears, Calvin Harris, Sebastian Ingrosso and Pascal Gabriel. Aphrodite follows a musical approach similar to Minogue's previous albums and is primarily a dance-pop and disco-pop record. It draws influences from various dance-based genres including electropop, club and rave music.
"All the Lovers" is a song recorded by Australian recording artist Kylie Minogue for her eleventh studio album, Aphrodite (2010). It was released by Parlophone on 11 June 2010 as the lead single from the album. The song was written by Jim Eliot and Mima Stilwell and produced by the former; Stuart Price, provided additional production. "All the Lovers" started out as a midtempo song with influences of electropop music. The lyrics of the song serve as an invitation to the dance floor and an assertion that Minogue's past relationships do not "compare" to the one she shares with her present lover.
"Get Outta My Way" is a song recorded by Australian recording artist Kylie Minogue for her eleventh studio album Aphrodite (2010). "Get Outta My Way" was written and produced by Mich Hansen, Lucas Secon, Damon Sharpe, Peter Wallevik, Daniel Davidsen alongside Stuart Price, who served as an additional producer. Due to popularity, the song was released as the second official single worldwide on 27 September 2010 by Parlophone. "Get Outta My Way" is a dance-pop and electropop song with disco influences. The lyrics of the song discusses Minogue's decision in moving on from a relationship and beginning a new one immediately.
"Better Than Today" is a song recorded by Australian singer Kylie Minogue for her eleventh studio album, Aphrodite (2010). The track was originally written and produced by Nerina Pallot and Andy Chatterley for Pallot's 2009 extended play, Buckminster Fuller EP. It was re-recorded by Minogue in 2009, and received additional production by Stuart Price. Musically, "Better Than Today" is a dance-pop song that emulates other styles using guitars, synthesizers and drum programming.
"Aphrodite" is a song by Australian recording artist Kylie Minogue, taken from her eleventh studio album of the same name (2010). Written and produced by Nerina Pallot and Andy Chatterley, the song was included as the title track on the album, which was released on 5 July 2010. It was later included in the track list of Minogue's seventh extended play, A Christmas Gift, which was released on 1 December 2010. The song is a dance-pop track in which Minogue personifies herself as Aphrodite, the Greek goddess of love, beauty, pleasure, and procreation.
"Put Your Hands Up (If You Feel Love)" is a song recorded by Australian singer Kylie Minogue for her eleventh studio album, Aphrodite (2010). The song was released as the fourth and final single from the album on 29 May 2011. Its release was heralded by the Pete Hammond remix, published on YouTube months before as promotion for the album and Minogue's Aphrodite World Tour. Initially scheduled to be part of the tour edition of her Aphrodite album, the single was first released in Japan on 29 May 2011 as a digital bundle including a new track called "Silence".
The Anti Tour was the thirteenth concert tour by Australian recording artist Kylie Minogue, as part of the "K25" project. The tour began on 18 March 2012 in Melbourne, Australia at the Palace Theatre and concluded on 3 April 2012 in London, England at the Hammersmith Apollo, consisting of four shows in Australia and three shows in the United Kingdom.
Anthony Joseph Testa is an American choreographer, creative director, educator and dancer.
The Kiss Me Once Tour was the fourteenth concert tour by Australian singer Kylie Minogue. It was launched in support of her twelfth studio album, Kiss Me Once (2014) and visited Europe, Australia and Middle East. Rumours of plans to tour arose as early as July 2013, after Minogue signed to Roc Nation. The tour was officially announced in March 2014, with the first European dates revealed. Australian dates were announced in June of the same year. The staging, inspired by Bauhaus architecture and club settings, was considered less elaborate and more simple than her previous tours and featured a runway, a B-stage and a series of structural beams. Costumes for the tour were created by fashion designers Jean Paul Gaultier, Julien Macdonald, William Wilde, Marchesa and Dolce & Gabbana. Effects were provided by ER Productions.
Aphrodite Les Folies – Live in London is the sixth live album by Australian singer Kylie Minogue.
The Tension Tour is the upcoming sixteenth headlining concert tour by Australian recording artist Kylie Minogue. It will commence on 15 February 2025 in Perth, Australia, and is set to conclude on 26 August 2025 in Monterrey, Mexico, consisting of 67 shows.