George Orson Welles was an American director, actor, writer, and producer who is remembered for his innovative work in film, radio, and theatre. He is considered to be among the greatest and most influential filmmakers of all time.
Around the World in Eighty Days is an adventure novel by the French writer Jules Verne, first published in French in 1872. In the story, Phileas Fogg of London and his newly employed French valet Passepartout attempt to circumnavigate the world in 80 days on a wager of £20,000 set by his friends at the Reform Club. It is one of Verne's most acclaimed works.
Kiss Me, Kate is a musical with music and lyrics by Cole Porter and a book by Bella and Samuel Spewack. The story involves the production of a musical version of William Shakespeare's The Taming of the Shrew and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi. A secondary romance concerns Lois Lane, the actress playing Bianca, and her gambler boyfriend, Bill, who runs afoul of some gangsters. The original production starred Alfred Drake, Patricia Morison, Lisa Kirk and Harold Lang.
John Houseman was a Romanian-born British-American actor and producer of theatre, film, and television. He became known for his highly publicized collaboration with director Orson Welles from their days in the Federal Theatre Project through to the production of Citizen Kane and his collaboration, as producer of The Blue Dahlia, with writer Raymond Chandler on the screenplay. He won the Academy Award for Best Supporting Actor for his portrayal of Professor Charles W. Kingsfield in the 1973 film The Paper Chase. He reprised the role of Kingsfield in the 1978 television series adaptation.
Cradle Will Rock is a 1999 American historical drama film written, produced and directed by Tim Robbins. The story fictionalizes the true events that surrounded the development of the 1937 musical The Cradle Will Rock by Marc Blitzstein; it adapts history to create an account of the original production, bringing in other stories of the time to produce a social commentary on the role of art and power in the 1930s, particularly amidst the struggles of the labor movement at the time and the corresponding appeal of socialism and communism among many intellectuals, artists and working-class people in the same period.
Around the World in 80 Days is a 2004 American action adventure comedy film based on Jules Verne's 1873 novel of the same name and remake of the movie of the same name of 1956. It stars Jackie Chan, Steve Coogan, Cécile de France and Jim Broadbent. The film is set in the nineteenth century and centers on Phileas Fogg (Coogan), here reimagined as an eccentric inventor, and his efforts to circumnavigate the globe in 80 days. During the trip, he is accompanied by his Chinese valet, Passepartout (Chan). For comedic reasons, the film intentionally deviated wildly from the novel and included a number of anachronistic elements. With production costs of about $110 million and estimated marketing costs of $30 million, it earned $24 million at the U.S. box office and $48 million worldwide, making it a box office failure. It also received generally negative reviews from critics, mainly for lacking similarities to the original book.
Phileas Fogg is the protagonist in the 1872 Jules Verne novel Around the World in Eighty Days. Inspirations for the character were the American entrepreneur George Francis Train and American writer and adventurer William Perry Fogg.
Fifty Million Frenchmen is a musical comedy with a book by Herbert Fields and music and lyrics by Cole Porter. It opened on Broadway in 1929 and was adapted for a film two years later. The title is a reference to the hit 1927 song "Fifty Million Frenchmen Can't Be Wrong" by Willie Raskin, Billy Rose, and Fred Fisher, which compared free attitudes in 1920s Paris with censorship and prohibition in the United States. The musical's plot is consistent with the standard boy-meets-girl plots of musical comedies of the first half of the twentieth century.
The Mercury Theatre was an independent repertory theatre company founded in New York City in 1937 by Orson Welles and producer John Houseman. The company produced theatrical presentations, radio programs and motion pictures. The Mercury also released promptbooks and phonographic recordings of four Shakespeare works for use in schools.
Around the World in 80 Days is a 1956 American epic adventure-comedy film starring David Niven, Cantinflas, Robert Newton and Shirley MacLaine, produced by the Michael Todd Company and released by United Artists.
Too Much Johnson is a 1938 American silent comedy film written and directed by Orson Welles. An unfinished film component of a stage production, it was made three years before Welles directed Citizen Kane, but it was never publicly screened. It was shot to be integrated into Welles's Mercury Theatre stage presentation of William Gillette's 1894 comedy, but the film sequences could not be shown due to the absence of projection facilities at the venue, the Stony Creek Theatre in Connecticut. The resulting plot confusion reportedly contributed to the stage production's failure.
Paris is a musical with the book by Martin Brown, and music and lyrics by Cole Porter, as well as Walter Kollo and Louis Alter (music) and E. Ray Goetz and Roy Turk (lyrics). The musical, which premiered on Broadway in 1928, was Porter's first Broadway hit. The musical introduced the song "Let's Do It, Let's Fall in Love" sung by the show's star, Irene Bordoni. The story involves a young man from a very proper family in Newton, Massachusetts whose mother is horrified by his intention to wed a French actress.
Jean Passepartout is a fictional character in Jules Verne's novel Around the World in Eighty Days, published in 1873. He is the French valet of the novel's English main character, Phileas Fogg. His surname translates literally to "goes everywhere", but “passepartout” is also an idiom meaning "skeleton key" in French. It can also be understood as a play on the English word passport—or its French equivalent passeport.
Stefan Artur Schnabel was a German-American actor who worked in theatre, radio, films and television. After moving to the United States in 1937 he became one of the original members of Orson Welles's Mercury Theatre repertory company. He portrayed Dr. Stephen Jackson on the CBS daytime TV series The Guiding Light for 17 years.
Happy New Year is a musical with a book by Burt Shevelove and music and lyrics by Cole Porter.
Jack Carter was an American actor. He is known for creating the role of Crown in the original Broadway production of Porgy (1927), and for starring in Orson Welles' stage productions, including Macbeth (1936) and Doctor Faustus (1937). He appeared in a few motion pictures in the 1930s and 1940s.
Howard Irving Smith was an American character actor with a 50-year career in vaudeville, theatre, radio, films and television. In 1938, he performed in Orson Welles's short-lived stage production and once-lost film, Too Much Johnson, and in the celebrated radio production, "The War of the Worlds". He portrayed Charley in the original Broadway production of Death of a Salesman and recreated the role in the 1951 film version. On television, Smith portrayed the gruff Harvey Griffin in the situation comedy, Hazel.
Arthur Margetson was a British stage and film actor and radio broadcaster. He was also a composer of music and lyrics, and an impersonator of performers such as G P Huntley, Alfred Lester, and Harry Weldon.
David Anthony Stuart Atkinson was a Canadian baritone and New York Broadway actor/singer. Most of his career was spent performing in musicals and operettas in New York City from the late 1940s through the early 1970s, although he did appear in some operas and made a few television appearances. In 1952 he created the role of Sam in the world premiere of Leonard Bernstein's Trouble in Tahiti. From 1956-1962 he was a leading performer at the New York City Opera where he starred in several musicals and appeared in the world premieres of several English language operas. His greatest success on the stage came late in his career: the role of Cervantes in Man of La Mancha which he portrayed in the original Broadway production, the 1968 national tour, and in the 1972 Broadway revival.
This is a comprehensive listing of the theatre work of Orson Welles.
There isn't one person, I suppose, in a million, who knows that I was ever in the theatre.
