Brahma Jinalaya, Lakkundi | |
---|---|
Religion | |
Affiliation | Jainism |
Deity | Neminatha |
Festivals | Mahavir Janma Kalyanak |
Location | |
Location | Lakkundi, Karnataka |
Geographic coordinates | 15°23′22.2″N75°42′51.2″E / 15.389500°N 75.714222°E |
Architecture | |
Style | Western Chalukya architecture |
Creator | Attimabbe |
Date established | 1007 CE |
Temple(s) | 1 |
The Brahma Jinalaya, sometimes called as the Greater Jain Temple of Lakkundi, is an early 11th-century Mahavira temple in Lakkundi, Gadag District of Karnataka state, India. The temple is attributed to Attiyabbe (Danacintamani Attimbbe), the wife of the local governor Dandanayaka Nagadeva. It faces east, has a mukhamandapa, a gudhamandapa and its sanctum is covered by a sur-temple style vimana superstructure. The temple is notable for its reliefs depicting Jaina artwork, statues of the Tirthankaras and the two statues of Brahma and Saraswati inside its inner mandapa. [1] [2]
The temple was ruined and mutilated during or after the wars of the 13th-century.[ clarification needed ] It was rediscovered by British archaeologists led by Henry Cousens in "deserted, filthy condition, occupied by a colony of bats" with beheaded Mahavira statue outside. Now cleaned and restored, the Jain temple of Lakkundi is one of many historic Chalukya era Jain and Hindu temples found in Lakkundi. It is the oldest major Jain temple in this region.
Archaeological Survey of India has listed this basadi in the complex in the list of "Must See" Indian Heritage. [3]
Lakkundi is about 12 kilometers southeast of Gadag-Betageri twin city, between Hampi and Goa. It can be reached by India's National Highway 67. The Bramha Jinalaya temple is one of many Jain and Hindu temples found in and around Lakkundi. It is located on the southwest side of the village, near few other historic Jaina temples. [4]
The town of Lakkundi was known as Lokkigundi in medieval times. It was of considerable importance during the 11-12th century A.D. Western Chalukya rule, and hosted a number of Jain and Hindu temples. The Brahma Jinalaya was built in 1007 CE [5] by Attimabbe, wife of Nagadeva, who served as general under both Taila II and Satyashraya Irivabedanga (997-1008 A.D.). [6] The temple represents the second phase of Kalyani Chalukyas art. [7] In 1191 A.D., the noted Hoysala empire king Veera Ballala II made this town an important garrison. [8]
The temple includes several inscriptions that helps date this temple and the gifts it received before the 14th-century. When mentioned, the temple is called Brahma Jinalaya of Lokkigundi in these historic inscriptions. [9] [10]
According to the art historian Adam Hardy, the temple illustrates the "Later Chalukya architecture, mainstream Lakkundi school of mid-11th century with late 11th century superstructure ( shikhara )". [11] The temple has single shrine (ekakuta) connected to a closed mantapa hall via a vestibule ( sukanasi or ardhamantapa) that is connected to another, open mantapa. [12] This temple is one of the fine illustrations of the Western Chalukya architecture. [13] [14] The temple has a garbhagriha, an antarala, a closed navaranga mandapa, and an open pillared mukha-mandapa. Over the garbhagriha is the three storeyed nirandhara vimana with a square griva and sikhara. [9] Above the cornice of these arched niches at regular intervals is a seated Jaina figure. The ceilings are plain and pillars are well decorated. The open mandapa is supported by 32 pillars and pilasters. [3]
According to art critic Percy Brown, these elements are found commonly in all Western Chalukya temples. The building material is soapstone, which according to Percy Brown became the standard in later Hoysala architecture as well. [11] [15] According to art historians Henry Cousens and Om Prakash, the most conspicuous feature of the Western Chalukya temples is the decrease in the size of masonry and the resulting decrease in the overall height of the temples compared to those built by the Badami Chalukyas at Pattadakal. This was a result of a shift in the basic building material, from sandstone to the more workable soapstone (Chloritic Shist). In the coming decades, this transformation was to lead Vesara architecture toward increased ornamentation and articulation. [8] [13]
The temple style is quite similar to the older Shiva temple in Kukkanur, and they represent the transition phase between early Chalukya and Late Chalukya styles. [8] He categorizes the tower over the shrine as Dravidian (south Indian) with a square plan. [8] Kamath classifies it as Vesara because each tier are encrusted with motifs that make the tower more "curvilinear". [16] According to Cousens, the overall structure with its well proportioned tiers and finial ( amalaka , kalasha ) give the superstructure a "majestic" look. Above the cornice are circular niches, each of which holds the image of a Jain saint (Jaina) in relief, with a kirtimukha decoration above. The walls of the shrine have pilasters, with the spaces between them containing, in relief, pavilions, and miniature decorative towers (aedicula) on slender half pilasters. Some miniature towers have niches below them. Overall, decorative ornamentation is taken to a new level compared to earlier temples. [17]
Dhaky and Meister call the temple as the Great Jaina temple of Lakkundi, thereby differentiating it from other minor Jaina temples of Lakkundi. [9]
There are several notable freestanding sculptures in the temple: [2] [9]
In addition to these sculptures, reliefs of Jaina goddesses and apsaras are depicted on the pillars. On the door lintel at the entrance to the vestibule, an image of Gajalakshmi (Hindu goddess Lakshmi with elephants on either side) is shown like other historic temples of Jainism. [22] [20]
Lakkundi Utsav is two-day annual cultural event organised annually. The event has main stage with temples as the background, is named 'Daana Chintamani Attimabbe Vedike' after 11th century queen Attimabbe. [23]
The temple is protected as a monument of national importance by the Archaeological Survey of India (ASI). [24] Karnataka government has announced setting up Lakkundi Development Authority for the development of Lakkundi at cost of Rs. 3 crores. [25] More than 50 ruined, mutilated Jain and Hindu sculpture, 3 inscriptions were discovered during tourist facility development and site restoration efforts at the nearby Naganatha temple – another Jain temple. Some of these sculpture are on display near the Brahma Jinalaya temple in a shed, conserved by the ASI. [26]
Pattadakal, also called Raktapura, is a complex of 7th and 8th century CE Hindu and Jain temples in northern Karnataka, India. Located on the west bank of the Malaprabha River in Bagalkot district, this UNESCO World Heritage Site is 23 kilometres (14 mi) from Badami and about 9.7 kilometres (6 mi) from Aihole, both of which are historically significant centres of Chalukya monuments. The monument is a protected site under Indian law and is managed by the Archaeological Survey of India (ASI).
Hindu temple architecture as the main form of Hindu architecture has many varieties of style, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the garbha griha or womb-chamber, where the primary Murti or the image of a deity is housed in a simple bare cell. For rituals and prayers, this chamber frequently has an open space that can be moved in a clockwise direction. There are frequently additional buildings and structures in the vicinity of this chamber, with the largest ones covering several acres. On the exterior, the garbhagriha is crowned by a tower-like shikhara, also called the vimana in the south. The shrine building often includes an circumambulatory passage for parikrama, a mandapa congregation hall, and sometimes an antarala antechamber and porch between garbhagriha and mandapa. In addition to other small temples in the compound, there may be additional mandapas or buildings that are either connected or separate from the larger temples.
Aihole, also referred to as Aivalli, Ahivolal or Aryapura, is a historic site of ancient and medieval era Buddhist, Hindu and Jain monuments in Karnataka, India that dates from the sixth century through the twelfth century CE. Most of the surviving monuments at the site date from the 7th to 10th centuries. Located around an eponymous small village surrounded by farmlands and sandstone hills, Aihole is a major archaeological site featuring over one hundred and twenty stone and cave temples spread along the Malaprabha river valley, in Bagalakote district. Hunagunda Taluk Distance 35 km
Lakkundi, also referred to as Lokkugundi, was a major city prior to the 14th century, and is now a village in Gadag District of Karnataka, India. By 10th century, it was already a major economic and commerce center with mint operations for South India, one mentioned in Kannada and Sanskrit inscriptions and texts. By 12th century, many Hindu and Jain temples had been consecrated here, along with public infrastructure such as stepwells and water reservoirs. Among the major temples are the Brahma Jinalaya (oldest), Mallikarjuna, Lakshminarayana, Manikeshwara, Naganatha, Kumbheshvara, Nanneshwara, Someshwara, Narayana, Nilakanteshwara, Kasivisesvara, Virabhadhara, Virupaksha, and others. As its importance and wealth grew, Lakkundi became one of the capitals of the Hoysala Empire.
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Western Chalukya architecture, also known as Kalyani Chalukya or Later Chalukya architecture, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style.
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