"Eh, Eh (Nothing Else I Can Say)" | ||||
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Single by Lady Gaga | ||||
from the album The Fame | ||||
Released | January 10, 2009 | |||
Recorded | 2007–2008 | |||
Studio | Cherrytree (Santa Monica, California) | |||
Genre | ||||
Length | 2:57 | |||
Label |
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Songwriter(s) | ||||
Producer(s) | Martin Kierszenbaum | |||
Lady Gaga singles chronology | ||||
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Music video | ||||
"Eh, Eh (Nothing Else I Can Say)" on YouTube |
"Eh, Eh (Nothing Else I Can Say)" is a song by American singer Lady Gaga, from her debut album, The Fame (2008). It was released as the third single from the album in Australia, New Zealand and selected European countries, and the fourth single in France. The song is a calypso-styled, mid-tempo ballad, and is about breaking up with one's old partner and finding someone new. The song peaked at number fifteen on the Australian ARIA Charts and at number nine on the RIANZ charts of New Zealand. It proved to be even more successful in Sweden, where it managed to peak at number two on the Sverigetopplistan chart, as well as in the Czech Republic, France, and Hungary, where it reached the top-ten of their respective charts. "Eh, Eh (Nothing Else I Can Say)" received Gold certifications for its sales in Australia, Denmark, New Zealand, and the United States.
The accompanying Italian-American 1950s-themed music video portrayed Gaga and her friends roaming around the streets of the Little Italy neighborhood of New York City, Gaga riding a Vespa and also singing the song while at home with her boyfriend. The video was noted for its contrasting portrayal of Gaga doing feminine work, as compared to her previous endeavours. She performed "Eh, Eh (Nothing Else I Can Say)" on her first headlining concert tour, The Fame Ball Tour, wearing a black-and-white leotard, and during the first legs of The Monster Ball Tour, while standing inside a giant gyroscope.
"Eh, Eh" was written by Gaga with Martin Kierszenbaum, who also produced the track. It was recorded at Cherrytree Recording Studios in Santa Monica, California. [3] In 2005, Kierszenbaum founded Cherrytree Records along with Jimmy Iovine, then chairman of Interscope Records. After signing a number of artists, he worked with then-unknown Gaga on her debut album, The Fame , producing and writing four songs with her, including the title track. One of these songs was "Eh, Eh (Nothing Else I Can Say)". During recording the track, Gaga fashioned a nickname for Kierszenbaum, called "Cherry Cherry Boom Boom". They kept the nickname in all the four songs they had worked on. Kierszenbaum later carried on the nickname in all his future projects. [4] Other personnel working on the song included Tony Ugval, who did the audio engineering, Robert Orton for audio mixing and Gene Grimaldi, who mastered the song at Oasis Mastering Studios in Burbank, California. [3]
"Eh, Eh (Nothing Else I Can Say)" is credited as a ballad compared to the rest of the dance-fuelled tracks from The Fame. [5] It is a 1980s-influenced synth-pop and bubblegum pop song, [6] [7] while incorporating the "Eh, Eh" hook from Rihanna's single "Umbrella", according to Freedom du Lac from The Washington Post . [8] According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, the song is set in the time signature of common time with a moderate tempo of 94 beats per minute. [9] Gaga's vocal range spans from B3 to C♯5 with the main key in which the song is set being E major. [9] The song follows in the chord progression of E–B–F♯m–E–B–F♯m. [9] Gaga stated that the lyrics of "Eh, Eh (Nothing Else I Can Say)" are about love and she explained that "'Eh, Eh' is my simple pop song about finding someone new and breaking up with the old boyfriend." [10] Writer James E. Perone mentioned in his book The Album: A Guide to Pop Music's Most Provocative, Influential, and Important Creations that with the lyrics, Gaga maintained a focus on transitory relationships. Although the lyrics explain to her former lover that she has found someone new and does not mean to hurt him with the news, the continuous repetition of the phrase "nothing else I can say" solidifies the transient nature of the relationship portrayed. [11]
Alexis Petridis from The Guardian noted that "Eh, Eh" bears the influence of early 1990s Europop and "is the first song in a long time that warrants comparison to the œuvre of Ace of Base. [12] Matthew Chisling of AllMusic gave a negative review of the song saying "The Fame has it's[ sic ] 'ballad,' however the breezy 'Eh, Eh' doesn't hold water on this album; rather, it feels dry and lifeless, something which holds this album back". [5] Sal Cinquemani of Slant Magazine said that "the breezy island vibe and soft demeanor of 'Eh, Eh (Nothing Else I Can Say)' is hard to buy when sandwiched between songs like 'Poker Face' and 'Beautiful, Dirty, Rich.'" [13] In another article analyzing Gaga's music video releases, Oscar Moralde from Slant Magazine noted that "Eh, Eh" as a track "is an intriguing case: rather than the tech-assisted sexy-androgynous dance pop that dominates a good chunk of The Fame, it and its sister tracks 'Brown Eyes' and 'Again Again' are evidence of a stripped-down, simpler, sincere Gaga." [14]
Evan Sawdey of PopMatters said that the song is the most embarrassing moment of the album and as a result makes the album come to an intermediate halt thus ruining the "bad-girl party atmosphere". [6] Joey Guerra of the Houston Chronicle said that "Eh, Eh" is a bouncy standout with some vocal personality. He also added that "[It] would have made a killer Spice Girls single." [15] Genevieve Koski of The A.V. Club called the track scaled-back and criticized Gaga's vocal abilities in the song. [16] Jon Caramanica of The New York Times called the song listless. [17] Catherine P. Lewis from The Washington Post called the song a chirpy ballad. [18] Christina Martin from The Meridian Star felt that the song, along with "Summerboy" from The Fame, is breezy and upbeat in nature. [19] Matt Busekroos from Quinnipiac Chronicle said that the song seemed like filler. [20]
"Eh, Eh (Nothing Else I Can Say)" was first released in New Zealand on January 10, 2009, [21] and later in Australia on January 30, 2009. [22] "Eh, Eh" was the second most added song on Australian radio on the week beginning December 15, 2008. It first began to receive airplay on all Today Network stations. The song was confirmed as an Australian single on Lady Gaga's official website on January 15, 2009. [23] An official remix was also posted on her website that day followed by another one featuring the official cover art. On March 5, 2009, a Pet Shop Boys remix—named as "Random Soul Synthetic Mix"—became available for free download on Gaga's Australian website. [24] Synth-pop musician Frankmusik remixed the track for Gaga's 2010 album, The Remix , where he manipulated Gaga's vocals and created a dreamy quality with them, as noted by Nicki Escuedo from Phoenix New Times . [25]
"Eh, Eh (Nothing Else I Can Say)" debuted on the ARIA Singles Chart at number 38 on the issue of January 18, 2009. The following week it climbed to number 32 and ultimately peaked at number 15, on the issue of March 1, 2009, making it Gaga's third single to hit the top twenty there. [26] "Eh, Eh" was later certified Platinum for shipment of 70,000 copies by the Australian Recording Industry Association (ARIA). [27] In New Zealand, "Eh, Eh" debuted at number 40 on the issue dated January 19, 2009. The following weeks it continued its rise on the chart and ultimately peaked at number nine, spending three weeks there, and becoming her third consecutive top ten hit in New Zealand. [28] The song was certified gold on May 24, 2009, by the Recording Industry Association of New Zealand (RIANZ), for shipment of 7,500 copies. [29] The single reached a peak of number seven in France, and sold a total of 52,000 copies according to the SNEP. [30]
On the Billboard issue dated February 21, 2009, "Eh, Eh (Nothing Else I Can Say)" debuted on the Canadian Hot 100 chart at number 68, despite not being released as a single, but dropped off the chart the following week. It entered the chart again for two weeks in August 2010. [31] Although "Eh, Eh (Nothing Else I Can Say)" was not released in the United States, it received a gold certification from the Recording Industry Association of America (RIAA) for selling over 500,000 equivalent units. [32] The song also debuted at number 20 on the Swedish Singles Chart for the issue dated April 2, 2009, and peaked at number two. [33] On the Digital Songs chart of Sweden, it peaked at the top in its fourth week. [34] The song debuted on the Danish Singles Chart at number 28 on May 15, 2009, and peaked at number 14. [35] Due to the moderate chart performance in the European markets, "Eh, Eh" only reached a peak of number 40 on Billboard's European Hot 100 Singles chart. [36]
The Italian-American 1950s-inspired music video, directed by Joseph Kahn, was shot back to back with the video for the song "LoveGame" on the weekend of January 9–10, 2009, in Los Angeles. [37] About the video, Gaga explained: "I wanted to show a different side of myself — perhaps a more domestic girly side. And I wanted to create beautiful, stunning '50s futuristic fashion imagery that would burn holes in everyone's brains." [38] She further clarified that for the fashion aspects in the video she wanted to go in an opposite direction to her usual image. She wanted a yellow based wardrobe believing the color to become a big hit in the fashion world in 2009. [39]
The video starts out showing Little Italy, an icon of the Madonna and Child, and then Gaga riding a Vespa. The first twenty seconds are mainly full of camera shots of different men, Gaga, and the city. The singer roams around with some friends, laughing and joking in a restaurant, while she stands on the seat. [38] Gaga then comes from around the block walking with her friends in pace and singing in the camera. Next, she is shown sleeping in a bed, and waking up to reveal pink high-heeled shoes. She sings and cooks for a man in a house while dancing. [38] She irons clothes while the man is on the phone screaming at someone. The two harlequin Great Danes who appear at the start of her "Poker Face" music video, also appear in this one. Finally she lies on a sofa with her legs up on the man. One of the last scenes shows her in a yellow dress made of flowers and wearing a yellow watch while singing to the song with a unique hairstyle which shows her hair pulled up and folded over. Then the camera quickly goes back to her in bed. [38]
David Balls from Digital Spy noted Gaga's homage to her Italian-American roots in the video, but wondered if Gaga would "overexpose herself" with the video. [40] Like his review of the single, Moralde found the video to be complementing the simplistic composition of the song. He believed that with the videos for previous singles, "Just Dance" and "Poker Face", Gaga's persona was established, but with the video for "Eh, Eh" she traversed her persona from the original Stefani Germanotta that she was born, to the character Lady Gaga. [14] He explained: "What's striking about it is how much it feels like Lady Gaga is playacting: the video has a nostalgic, dreamlike tone. Set in a stylized pastel 1950s Little Italy, the video plays heavily with stereotypical and historical shorthand as it displays moustached chefs, macho men in wife beaters, cute Vespas, and spaghetti and meatballs." He noted that with all of these activities, Gaga created an essential fashion dollhouse, by playing feminine characters. [14]
But Gaga addressed the viewer directly in the video while singing the song, which led Moralde to deduce that "She's not in the moment, but is instead playing a feminized role in a dreamlike space; this quality is accentuated by the bright and blown-out color palette, and the numerous shots of Gaga in bed or sleeping. The cumulative effect is that it asserts the Lady Gaga of the previous videos to be the real one, and the Gaga in 'Eh, Eh' is a character that she is playing." [14] His view was shared by Chris Kingston from The Harvard Crimson who noted during the release of the music video for Gaga's 2010 single "Telephone", that the video shows "the crazy party girl we know [...] actually has a weirdly girlish, domestic side." [41] In The Oxford Handbook of Sound and Image in Digital Media, author Carol Vernallis divided Gaga's persona into three categories. The personality portrayed in the "Eh, Eh" video was named as "Friendly Peer" archetype; someone with a girl-next-door image and approachable behavior. [42]
"Eh, Eh" was first performed in a beatbox version at the Cherrytree Studios and was released on Gaga's first EP, The Cherrytree Sessions . [43] "Eh, Eh" was majorly performed at Gaga's The Fame Ball Tour in the second segment. Gaga was dressed in a white body plate leotard with black lightning shaped stripes and wore a hat made of toppled dominoes. [44] [45] As the performance of previous song "Money Honey" ended Gaga appeared on the stage beside Space Cowboy on a Vespa whence the music for "Eh, Eh" starts. The backdrops change to reveal lightning shapes in contrast to the sunny nature of the song. [46] Gaga sang the song in its actual form backed by vocals from DJ Space Cowboy who spun the music from a corner of the stage. [44] As the song reached the chorus Gaga asked the crowd to join her while singing and wave their arms. [46] The New York Times called the live performance listless. [17] However, The Hollywood Reporter said of the performance that, "In an age of too much information, one of the most refreshing things about Gaga is her mystery. She often hid behind shades, and her mostly incomprehensible, coy and semi-robotic stage patter did little to tell us who's that Lady." [47]
Gaga also performed the song at the 2009 Glastonbury Festival. Although the show was part of The Fame Ball Tour, many elements were different from usual tour dates. For "Eh Eh", Gaga wore a pyrotechnic bra that fired sparkle-flames from her breast area while singing the chorus. [48] In September 2009, Gaga appeared in French television show Taratata , where she performed "Eh, Eh" on the piano, while wearing a red mask. [49] "Eh, Eh" was also performed during the original version of The Monster Ball Tour, where the song signified the singer's rebirth as she descended from the top amidst white lights and mechanical fog. [50] She wore a giant human sized gyroscope around her, which was developed by the Haus of Gaga and was named "The Orbit". The song was removed from the setlist in early 2010. [51]
Australian CD Single (Extra Limited Edition) [22]
French CD Single (Limited Edition) [52]
iTunes Remix Single [22]
Italian iTunes download [53]
| iTunes Remix EP [1]
|
Credits adapted from the liner notes of The Fame. [3]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
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Australia (ARIA) [27] | Platinum | 70,000‡ |
Denmark (IFPI Danmark) [70] | Gold | 7,500^ |
New Zealand (RMNZ) [29] | Gold | 7,500* |
Sweden (GLF) [71] | Gold | 10,000^ |
United States (RIAA) [32] | Gold | 500,000‡ |
* Sales figures based on certification alone. |
Region | Date | Format | Version | Label | Ref. |
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Australia | January 10, 2009 | Digital download | Original | Interscope | [72] |
New Zealand | [21] | ||||
Denmark | February 20, 2009 | Random Soul Synthetic mix | [73] | ||
Various | March 16, 2009 | Electric piano and human beat box version | [74] | ||
June 15, 2009 | Remixes EP | [1] | |||
France | September 7, 2009 | CD | Original | Polydor | [75] |
Martin Kierszenbaum, also known by his pseudonym Cherry Cherry Boom Boom, is an American record executive and record producer. He founded Cherrytree Records in 2005, a record label and management company through which he has signed artists including Lady Gaga, Sting, Keane, LMFAO, Disclosure, Ellie Goulding, Far East Movement, Feist, La Roux, the Knux, Robyn, Keane, t.A.T.u., and Natalia Kills. He has been credited on releases by Madonna, Mylène Farmer, Tokio Hotel, Feist, Ai, Samantha Fish, and Alexandra Burke.
Stefani Joanne Angelina Germanotta, known professionally as Lady Gaga, is an American singer-songwriter and actress. She is known for reinventing her image and showcasing versatility in entertainment. Gaga started performing as a teenager by singing at open mic nights and acting in school plays. She studied at Collaborative Arts Project 21 before leaving to pursue a music career. After a contract cancellation by Def Jam Recordings, Gaga worked as a songwriter for Sony/ATV Music Publishing. In 2007, she signed with Interscope Records and KonLive Distribution. Her breakthrough came the following year with her debut studio album, The Fame, and its number-one singles "Just Dance" and "Poker Face". The album was later reissued along with The Fame Monster (2009), which yielded the successful singles "Bad Romance", "Telephone" and "Alejandro".
"Just Dance" is the debut single by American singer Lady Gaga. She co-wrote the song with Akon and his producer RedOne. It also features vocals from Colby O'Donis and was released on April 8, 2008, as the lead single from Gaga's debut studio album, The Fame. The song was written by Gaga in 10 minutes as "a happy record". "Just Dance" lyrically speaks about being intoxicated at a club.
"Poker Face" is a song by American singer Lady Gaga from her debut studio album, The Fame (2008). It was released on September 23, 2008, as the album's second single. It is a synth-pop song in the key of G♯ minor, following in the footsteps of her previous single "Just Dance", but with a darker musical tone. The main idea behind the song is bisexuality and was a tribute by Gaga to her rock and roll boyfriends. The song's lyrics feature various sexual innuendos.
American singer Lady Gaga has released five solo studio albums, two collaborative studio albums, three film soundtracks, three remix albums, two compilation albums, four EPs, two live albums, 40 singles, and 14 promotional singles. Gaga made her debut in August 2008 with the studio album The Fame, which peaked at number two in the United States, where it was subsequently certified triple Platinum, while topping the charts in Austria, Canada, Germany, Switzerland, and the United Kingdom. Its first two singles, "Just Dance" and "Poker Face", reached number one in Australia, Canada, the United Kingdom, and the United States, and for the latter, becoming the world's biggest single of the 2009 calendar year. The album spawned three more singles: "Eh, Eh ", "LoveGame" and "Paparazzi". The latter reached the top ten in many countries worldwide, and number one in Germany.
The Fame is the debut studio album by American singer Lady Gaga. It was released on August 19, 2008, by Interscope Records. After joining KonLive Distribution and Cherrytree Records in 2008, Gaga began working on the album with different producers, primarily RedOne, Martin Kierszenbaum, and Rob Fusari. Musically, The Fame is an electropop, synth-pop, and dance-pop record that displays influences from 1980s music. Lyrically, it visualizes Gaga's love of fame in general, while also dealing with subjects such as love, sex, money, drugs, and sexual identity. The album was primarily promoted through The Fame Ball Tour and multiple television appearances, and was reissued as a deluxe edition with The Fame Monster on November 18, 2009.
The Fame Ball Tour was the debut concert tour by American singer Lady Gaga, in support of her debut studio album The Fame (2008). North American shows began in March, followed by dates in Oceania and a solo trek through Europe. Dates in Asia soon followed, as well as two performances at England's V Festival and two shows in North America that had been postponed from April. Gaga described the tour as a traveling museum show incorporating artist Andy Warhol's pop-performance art concept. Tickets were distributed for charity also. Alternate versions of the show with minimal variations were planned by Gaga to accommodate different venues.
"LoveGame" is a song released by American singer Lady Gaga from her debut studio album, The Fame (2008). Produced by RedOne, the track was released as the album's third single in North America and Europe and the fourth single in Australia, New Zealand, and Sweden after "Eh, Eh ". "LoveGame" was also released as the fourth single in the United Kingdom, after "Paparazzi".
"Paparazzi" is a song by American singer Lady Gaga from her debut studio album, The Fame (2008). It was released as the album's fifth and final single by Interscope Records. Gaga wrote and produced the song with Rob Fusari. The song portrays Gaga's struggles in her quest for fame, as well as balancing success and love. Musically, it is an uptempo techno-pop and dance-pop ballad whose lyrics describe a stalker following somebody to grab attention and fame.
The Fame Monster is a reissue of American singer Lady Gaga's debut studio album, The Fame (2008), and was released on November 18, 2009, through Interscope Records. Initially planned solely as a deluxe edition reissue of The Fame, Interscope later decided to release the eight new songs as a standalone EP in some territories. The decision was also because Gaga believed the re-release was too expensive and that the albums were conceptually different, describing them as yin and yang. The deluxe edition is a double album featuring the eight new songs on the first disc and The Fame on the second disc. A super deluxe edition was released on December 15, 2009, holding additional merchandise, including a lock from Gaga's wig.
Hitmixes is the second extended play (EP) by American singer Lady Gaga, released on August 25, 2009. Featuring remixes of songs from Gaga's debut album, The Fame (2008), the album was only released in Canada, by Universal Music Canada. Hitmixes features mixes from various musicians, including RedOne and Space Cowboy, who previously worked with Gaga. The EP hosts 1980s-influenced and house remixes. Hitmixes received positive reviews from the Calgary Herald and Blare Magazine, and peaked at number eight on the Canadian Albums Chart.
"Bad Romance" is a song by American singer Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Gaga wrote and produced the song with RedOne. Following an unauthorized demo leak, Gaga premiered the song's final version during the finale of Alexander McQueen's 2010 Paris Fashion Week show in October 2009 and released it as the lead single from The Fame Monster later that month. Musically, it is an electropop and dance-pop song with a spoken bridge. Inspired by German house and techno, the song was developed as an experimental pop record. Lyrically, Gaga drew from the paranoia she experienced while on tour and wrote about her attraction to unhealthy romantic relationships.
"Christmas Tree" is a song by American singer Lady Gaga. It was released on December 16, 2008, for digital download. It was written and produced by Gaga, Martin Kierszenbaum, and Space Cowboy, who also provides guest vocals. Musically, "Christmas Tree" is a Christmas song with dance-pop and synthpop influences. It samples the classic Christmas song "Deck the Halls", as well as briefly using the lyrics "Rum pum pum pum" from the Christmas song "The Little Drummer Boy" in its intro. Lyrically, the song uses sexual innuendos.
"Telephone" is a song by American singer Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Featuring American singer Beyoncé, it was released as the EP's second single on January 26, 2010. Gaga and Rodney Jerkins wrote and produced "Telephone", with additional songwriting by LaShawn Daniels, Lazonate Franklin and Beyoncé. Gaga originally wrote the song for Britney Spears, who recorded a demo. "Telephone" conveys Gaga's fear of not finding time for fun given the increasing pressure for her to work harder as an artist. Musically, the song consists of an expanded bridge, verse-rap and a sampled voice of an operator announcing that the phone line is unreachable. Beyoncé appears in the middle of the song, singing the verses in a "rapid-fire" way, accompanied by double beats.
"Speechless" is a song by the American singer Lady Gaga from her extended play (EP), The Fame Monster (2009). The song was written by Gaga to convince her father to undergo open-heart surgery for his malfunctioning aortic valve and remind her younger fans to appreciate their parents. "Speechless" is about Gaga's fear of death. A rock power ballad, the song has elements of 1970s rock, blues rock, glam rock and country music.
"Dance in the Dark" is a song by American singer Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). It is about a woman who prefers to have sex in the dark as she is insecure in her body. Having met such women while working on the MAC AIDS Fund, Gaga said that the song is not about freedom, but rather the assurance that she understood their feelings. A Europop track, it contains retro and new wave music influences, and begins with a stuttering introduction. It includes a spoken interlude, where Gaga lists famous dead people.
"Alejandro" is a song by American singer Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Written and produced by Gaga and RedOne, it was released on April 20, 2010, as the third single from the EP. Interscope Records intended the track "Dance in the Dark" to be the EP's third single after "Alejandro" initially received limited airplay, but Gaga insisted on the latter. A synth-pop track with Europop and Latin pop beats, it opens with a sample from the main melody of Vittorio Monti's "Csárdás". The song was inspired by Gaga's fear of men and is about her bidding farewell to her Latino lovers named Alejandro, Roberto and Fernando.
The Cherrytree Sessions is the first extended play by American singer Lady Gaga. It consists of three acoustic versions of "Poker Face", "Just Dance", and "Eh, Eh ". The EP was released on February 3, 2009, initially released only through Borders stores and via digital download, and was later reissued on CD in August 2010.
The Remix is a remix album by American singer Lady Gaga. Released in Japan on March 3, 2010, it contains remixes of the songs from her first studio album, The Fame (2008), and its reissue, The Fame Monster (2009). A revised version of the track list was prepared for release in additional markets, beginning with Mexico on May 4, 2010. Remixers on the album include Pet Shop Boys, Passion Pit and The Sound of Arrows.