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Egyptian hieroglyphs |
In Egyptian mythology, Imset (also transcribed Imseti, Amset, Amsety, Mesti, and Mesta) is a funerary deity and one of the Four sons of Horus. He is associated with the canopic jars, [1] specifically the one that contained the liver. Because the Egyptians saw the liver as the seat of human emotion, the depiction of Imset was, unlike his brothers, not associated with any animal but always depicted as a mummified human. [2] Isis was considered his protector and Imset himself was recognized as the patron of the direction of the south. Imset was also associated with a broken heart or death due to excess of emotions, thus his name being translated as "the kindly one" in ancient Egyptian.
Hapi, sometimes transliterated as Hapy, is one of the four sons of Horus in ancient Egyptian religion, depicted in funerary literature as protecting the throne of Osiris in the Underworld. Hapi was the son of Heru-ur and Isis or Serqet. He is not to be confused with another god of the same name. He is commonly depicted with the head of a hamadryas baboon, and is tasked with protecting the lungs of the deceased, hence the common depiction of a hamadryas baboon head sculpted as the lid of the canopic jar that held the lungs. Hapi is in turn protected by the goddess Nephthys. When his image appears on the side of a coffin, he is usually aligned with the side intended to face north. When embalming practices changed during the Third Intermediate Period and the mummified organs were placed back inside the body, an amulet of Hapi would be included in the body cavity.
Horus or Heru, Hor, Har in Ancient Egyptian, is one of the most significant ancient Egyptian deities who served many functions, most notably as god of kingship and the sky. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom and Roman Egypt. Different forms of Horus are recorded in history, and these are treated as distinct gods by Egyptologists. These various forms may be different manifestations of the same multi-layered deity in which certain attributes or syncretic relationships are emphasized, not necessarily in opposition but complementary to one another, consistent with how the Ancient Egyptians viewed the multiple facets of reality. He was most often depicted as a falcon, most likely a lanner falcon or peregrine falcon, or as a man with a falcon head.
The Osiris myth is the most elaborate and influential story in ancient Egyptian mythology. It concerns the murder of the god Osiris, a primeval king of Egypt, and its consequences. Osiris's murderer, his brother Set, usurps his throne. Meanwhile, Osiris's wife Isis restores her husband's body, allowing him to posthumously conceive their son, Horus. The remainder of the story focuses on Horus, the product of the union of Isis and Osiris, who is at first a vulnerable child protected by his mother and then becomes Set's rival for the throne. Their often violent conflict ends with Horus's triumph, which restores maat to Egypt after Set's unrighteous reign and completes the process of Osiris's resurrection.
Set is a god of deserts, storms, disorder, violence, and foreigners in ancient Egyptian religion. In Ancient Greek, the god's name is given as Sēth (Σήθ). Set had a positive role where he accompanies Ra on his barque to repel Apep, the serpent of Chaos. Set had a vital role as a reconciled combatant. He was lord of the Red Land, where he was the balance to Horus' role as lord of the Black Land.
Harpocrates was the god of silence, secrets and confidentiality in the Hellenistic religion developed in Ptolemaic Alexandria. Harpocrates was adapted by the Greeks from the Egyptian child god Horus, who represented the newborn sun, rising each day at dawn. Harpocrates's name was a Hellenization of the Egyptian Har-pa-khered or Heru-pa-khered, meaning "Horus the Child". Horus is represented as a naked boy with his finger to his mouth, a realisation of the hieroglyph for "child" (𓀔). Misunderstanding this gesture, the later Greeks and Roman poets made Harpocrates the god of silence and secrecy.
Nut, also known by various other transcriptions, is the goddess of the sky, stars, cosmos, mothers, astronomy, and the universe in the ancient Egyptian religion. She was seen as a star-covered nude woman arching over the Earth, or as a cow. She was depicted wearing the water-pot sign (nw) that identifies her.
Tefnut is a deity of moisture, moist air, dew and rain in Ancient Egyptian religion. She is the sister and consort of the air god Shu and the mother of Geb and Nut.
Duamutef was, in ancient Egyptian religion, one of the four sons of Horus and a protection god of the canopic jars. Commonly he is said to be the son of the god Horus the Elder. Another myth describes Duamutef and his brothers as sons of Osiris. According to this account, they were born from a lily flower which arose from the primaeval ocean.
Wadjet, known to the Greek world as Uto or Buto among other renderings including Wedjat, Uadjet, and Udjo, was originally the ancient local goddess of the city of Dep. It became part of the city that the Egyptians named Per-Wadjet and the Greeks called Buto, which was an important site in prehistoric Egypt and the cultural developments of the Paleolithic. There was also a Per-Wadjet in Upper Egypt.
Canopic jars are containers that were used by the ancient Egyptians during the mummification process, to store and preserve the viscera of their owner for the afterlife. They were commonly either carved from limestone, or were made of pottery. These jars were used by the ancient Egyptians from the time of the Old Kingdom, until the time of the Late Period or the Ptolemaic Period, by which time the viscera were simply wrapped and placed with the body. The viscera were not kept in a single canopic jar: each jar was reserved for specific organs. The term canopic reflects the mistaken association by early Egyptologists with the Greek legend of Canopus – the boat captain of Menelaus on the voyage to Troy – "who was buried at Canopus in the Delta where he was worshipped in the form of a jar". In alternative versions, the name derives from the location Canopus in the western Nile Delta near Alexandria, where human-headed jars were worshipped as personifications of the god Osiris.
This is an index of Egyptian mythology articles.
The Eye of Ra or Eye of Re is a being in ancient Egyptian mythology that functions as a feminine counterpart to the sun god Ra and a violent force that subdues his enemies. The eye is an extension of Ra's power, equated with the disk of the sun, but it often behaves as an independent goddess. This goddess can be equated with several particular deities, including Hathor, Sekhmet, Bastet, Raet-Tawy, and Mut. The eye goddess acts as mother, sibling, consort, and daughter of the sun god. She is his partner in the creative cycle in which he begets the renewed form of himself that is born at dawn. The eye's violent aspect defends Ra against the agents of disorder that threaten his rule. This dangerous aspect of the eye goddess is often represented by a lioness or by the uraeus, or cobra, a symbol of protection and royal authority. The Eye of Ra is similar to the Eye of Horus, which belongs to a different god, Horus, but represents many of the same concepts. The disastrous effects when the eye goddess rampages out of control and the efforts of the gods to return her to a benign state are a prominent motif in Egyptian mythology.
The four sons of Horus were a group of four gods in ancient Egyptian religion, who were essentially the personifications of the four canopic jars, which accompanied mummified bodies. Since the heart was thought to embody the soul, it was left inside the body. The brain was thought only to be the origin of mucus, so it was reduced to liquid, removed with metal hooks, and discarded. This left the stomach, liver, large intestines, and lungs, which were removed, embalmed and stored, each organ in its own jar. There were times when embalmers deviated from this scheme: during the 21st Dynasty they embalmed and wrapped the viscera and returned them to the body, while the canopic jars remained empty symbols.
The royal titulary or royal protocol is the standard naming convention taken by the pharaohs of ancient Egypt. It symbolises worldly power and holy might and also acts as a sort of mission statement for the reign of a monarch.
Qebehsenuef is an ancient Egyptian deity. He is one of the four sons of Horus in Egyptian mythology, the god of protection and of the West. In the preparation of mummies, his canopic jar was used for the intestines. He is seen as a mummy with a falcon head. He was said to be protected by the goddess Serket. The intestine was used in sacrificed animals, by soothsayers, to predict the future, whereas the intestines were also the victims of poison. With death by poison, the canopic jar deity is protected by Serket, who bears the emblem of the scorpion:
[Qebhsennuf saith:] "I am thy son, O Osiris Ani, triumphant. I have come to protect thee. I have collected thy bones, and I have gathered together thy members. I have brought thy heart and I have placed it upon its throne within thy body. I have made thy house to flourish after thee, O thou who livest for ever.
The Mesta was a powerful association of sheep holders in the medieval Crown of Castile.
Ra or Re was the ancient Egyptian deity of the sun. By the Fifth Dynasty, in the 25th and 24th centuries BC, he had become one of the most important gods in ancient Egyptian religion, identified primarily with the noon-day sun. Ra ruled in all parts of the created world: the sky, the earth, and the underworld. He was the god of the sun, order, kings and the sky.
Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world around them. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.
Tyti was an ancient Egyptian queen of the 20th Dynasty. A wife and sister of Ramesses III and possibly the mother of Ramesses IV.
In ancient Egyptian art, the Set animal, or sha, is the totemic animal of the god Set. Because Set was identified with the Greek monster Typhon, the animal is also commonly known as the Typhonian animal or Typhonic beast.