The Larkin Building was an office building in Buffalo, New York, noted for innovations that included central air conditioning, built-in desk furniture, and suspended toilet partitions and bowls. Located at 680 Seneca Street, it was demolished in 1950.
Designed in 1903 by Frank Lloyd Wright and built in 1904–1906 for the Larkin Soap Company, the five-story dark-red brick building used pink-tinted mortar and steel-frame construction. Sculptor Richard Bock provided ornamentation for the building. [1]
The Larkin Soap Company was founded in Buffalo in 1875 by John D. Larkin. Among the principals were Larkin, Elbert Hubbard, and Darwin D. Martin. By the early years of the twentieth century, the company expanded beyond soap manufacturing into groceries, dry goods, china, and furniture. Larkin became a pioneering, national mail-order house with branch stores in Buffalo, New York City and Chicago. [2] Due to their growth, the company decided to expand its complex in Buffalo, New York in 1902. At the time it commissioned its headquarters, Larkin was prosperous and the high price [a] for a well-designed, innovative building was not a barrier. The company, known for its generous corporate culture, also commissioned Wright to design row houses for its workers, which were never built. [4]
The first floor plan was of lobby and mail grouping, the second floor consisted of the typewriter operators' department, the third floor was the mail department, the fourth floor was the mail room, and the fifth floor consisted of a restaurant and kitchen, balconies, and a conservatory.
A 100-rank Möller pipe organ was housed in the central court with the pipe chambers located on the upper level and the console located in a shallow pit on the main floor. [5]
Exterior details of the 200-foot-long (61 m) by 134-foot-wide (41 m) building were executed in red sandstone; the entrance doors, windows, and skylights were of glass. Floors, stairs, doors, window sills, partitions, desk tops and plumbing slabs were used with magnesite for sound absorption. For floors, cement was mixed with excelsior and poured, over a layer of felt to impart its resiliency. Magnesite was also used for sculptural decoration on the piers surrounding the light court and for panels and beams around the executive offices at the south end of the main floor. Wright designed much of the furniture, the chairs were made out of steel and hung from the tables to make cleaning the floors easy. The interior walls were made of semi-vitreous, hard, cream colored brick. A 76-foot-tall (23 m) light court was located in the center of the building which provided natural sunlight to all of the floors. Between its support piers ran fourteen sets of three inspiration words each, such as: GENEROSITY ALTRUISM SACRIFICE, INTEGRITY LOYALTY FIDELITY, IMAGINATION JUDGEMENT INITIATIVE, INTELLIGENCE ENTHUSIASM CONTROL, CO-OPERATION ECONOMY INDUSTRY.
Architectural historian Vincent Scully Jr. wrote of the structure:
Vertical brick piers and wall planes ... made possible the splendid integration of space, structure, and massing which Wright achieved in the Larkin Company Office Building at Buffalo, of 1904. In space the building was conceived of as facing inward, with a glass-roofed central hall rising the entire height and with horizontal office floors woven around it. The pattern of piers and walls which makes these spaces is clearly unified in both plan and section. The vertical piers rise uninterruptedly inside, and the horizontal planes of the office floors are kept back from their edges, so that they seem, once more, to be woven through them. ... At the same time, the stiff verticals of the interior of the Larkin Building continued to recall the challenge of the exterior, so that the occupant could not feel himself to be simply inside a shell. The sequence was an emotional one and a progress: challenge, bafflement, compression, search, and finally, surprise, release, transformation, and recall. It was almost a Baroque progression, but its methods were stiffer and harder, befitting the industrial program which they praised. Significantly enough, the building also recalled the Romantic-Classic projects of the first revolutionary architects of the later eighteenth century, particularly in the harshness of its forms but even in the rather underscaled world globes which were flaunted upon its exterior. [6]
Wright said of the building:
It is interesting that I, an architect supposed to be concerned with the aesthetic sense of the building, should have invented the hung wall for the w.c. (easier to clean under), and adopted many other innovations like the glass door, steel furniture, air-conditioning and radiant or 'gravity heat'. Nearly every technological innovation used today was suggested in the Larkin Building in 1904.
— Frank Lloyd Wright as quoted by Kaufmann, Edgar, ed. An American Architecture, pp. 137–138.
In 1939 the Larkin Company made interior modifications and moved retail operations into the building. In 1943, the firm's fortunes were in decline and it was forced to try to sell the building. [b]
The Larkin Administration Building was foreclosed upon for back taxes in 1945 by the city of Buffalo. The city tried to sell the building over the next five years and considered other uses. [7] In 1949 the building was sold to the Western Trading Corporation, which announced plans to demolish it for a truck stop. [7] It did so in 1950 despite countrywide editorial protests; [3] however, no truck stop was ever constructed.
The demolition crew used a wrecking ball to tear down the building. A demolition worker was serious injured when a portion of the building collapsed unexpectedly, trapping him under rubble. [8]
On November 16, 1949, architect J. Stanley Sharp stated in the New York Herald-Tribune:
As an architect, I share the concern of many others over the destruction of Frank Lloyd Wright's world-famous office building in Buffalo. It is not merely a matter of sentiment; from a practical standpoint this structure can function efficiently for centuries. Modern engineering has improved upon the lighting and ventilation systems Mr. Wright used, but that is hardly excuse enough to efface the work of the man who successfully pioneered in the solving of such problems. The Larkin Building set a precedent for many an office building we admire today and should be regarded not as an outmoded utilitarian structure but as a monument, if not to Mr. Wright's creative imagination, to the inventiveness of American design.
The destruction of all but one pillar of the Larkin Administration Building is tragic in the architecture community. Hopefully, in the future we will consider the value of a significant building such as this, and work to preserve it.
A single brick pier along a railroad embankment was one of the few features of Wright's original building that remained after its demolition; the site became a parking lot with a marker and an illustrated educational panel. [9] In 2002, the Larkin Development Group began to acquire properties in the neighborhood, [10] and revitalized the area over the next decade. [11]
In 2015, the new owners of the Administration Building site, The Larkin Center of Commerce, erected a "ghost" pier at the Seneca Street side of the wall that connected two of the fence piers. The ghost pier was built of etched glass the same size and location as the brick fence pier that once stood in its place. The ghost pier is supported on the concrete and stone base of the original construction. Inside the glass pier a small section of off white brick is visible. These are reclaimed bricks from the interior of the building. The sidewalks on Seneca Street reflect the locations of the major features of the building including the width of the atrium, fence piers and main entry. Granite markers inlaid in the sidewalk mark these locations. Two additional interpretive markers flank the ghost pier.
Extensive Larkin Company records and photographs survive in the library collection of the Buffalo History Museum. [12]
Frank Lloyd Wright Sr. was an American architect, designer, writer, and educator. He designed more than 1,000 structures over a creative period of 70 years. Wright played a key role in the architectural movements of the twentieth century, influencing architects worldwide through his works and mentoring hundreds of apprentices in his Taliesin Fellowship. Wright believed in designing in harmony with humanity and the environment, a philosophy he called organic architecture. This philosophy was exemplified in Fallingwater (1935), which has been called "the best all-time work of American architecture".
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The Ward W. Willits House is a home in Highland Park, a suburb of Chicago in Illinois, United States. Designed in 1901 by architect Frank Lloyd Wright, the Willits house is considered one of the first of the great Prairie School houses. The house presents a symmetrical facade to the street and has a cruciform plan, with four wings extending out from a central fireplace. In addition to stained-glass windows and wooden screens that divide rooms, Wright also designed the furniture for the house.
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The Johnson Wax Headquarters is the corporate headquarters of the household goods company S. C. Johnson & Son in Racine, Wisconsin, United States. The original headquarters includes two buildings designed by Frank Lloyd Wright: the Administration Building, completed in April 1939, and the Research Tower, completed in November 1950. The headquarters also includes the Golden Rondelle Theater, relocated from the 1964 New York World's Fair, in addition to Fortaleza Hall and The Commons, a memorial to Samuel Curtis Johnson Jr.. Both of the original buildings were widely discussed when they were completed, and they have been depicted in several exhibits and media works. In addition, the original headquarters has received the American Institute of Architects' Twenty-five Year Award and has been designated as a National Historic Landmark.
The Darwin D. Martin House is a historic house museum in Buffalo, New York. The property's buildings were designed by renowned architect Frank Lloyd Wright and built between 1903 and 1905. The house is considered to be one of the most important projects from Wright's Prairie School era.
The George F. Barton House was designed by Frank Lloyd Wright, built 1903–1904, and is located at 118 Summit Avenue in Buffalo, New York. The Barton House is part of the larger Darwin D. Martin House Complex, considered to be one of the most important projects from Wright's Prairie School era.
The Wainwright Building is a 10-story, 41 m (135 ft) terra cotta office building at 709 Chestnut Street in downtown St. Louis, Missouri. The Wainwright Building is considered to be one of the first aesthetically fully expressed early skyscrapers. It was designed by Dankmar Adler and Louis Sullivan and built between 1890 and 1891. It was named for local brewer, building contractor, and financier Ellis Wainwright.
The Pope–Leighey House, formerly known as the Loren Pope Residence, is a suburban home in Virginia designed by American architect Frank Lloyd Wright. The house, which belongs to the National Trust for Historic Preservation, has been relocated twice and sits on the grounds of Woodlawn Plantation, Alexandria, Virginia. Along with the Andrew B. Cooke House and the Luis Marden House, it is one of the three homes in Virginia designed by Wright.
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The William R. Heath House was designed by Frank Lloyd Wright, built from 1903 to 1905, and is located at 76 Soldiers Place in Buffalo, New York. It is built in the Prairie School architectural style. It is a contributing property in the Elmwood Historic District–East historic district and a City of Buffalo landmark.
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The Walter V. Davidson House, located at 57 Tillinghast Place in Buffalo, New York, United States, was designed by Frank Lloyd Wright and built in 1908. It is an example of Wright's Prairie School architectural style. The house is a contributing property to the Parkside East Historic District, a neighborhood laid out by renowned American landscape architect Frederick Law Olmsted in 1876, and also a City of Buffalo landmark.
The Architecture of Buffalo, New York, particularly the buildings constructed between the American Civil War and the Great Depression, is said to have created a new, distinctly American form of architecture and to have influenced design throughout the world.
The David and Gladys Wright House is a residence at 5212 East Exeter Boulevard in the Arcadia neighborhood of Phoenix, Arizona, United States. Designed by Frank Lloyd Wright in an organic style for his son David and daughter-in-law Gladys, it was built from 1950 to 1952. In the 2010s, the house was one of four remaining buildings designed by Frank Lloyd Wright in Phoenix and one of nine such buildings in Arizona. In addition to the main house, the site includes a small guesthouse to the northeast. It is listed on the National Register of Historic Places.
John Durrant Larkin was an American business magnate who pioneered the mail-order business model, developed the marketing strategy of offering premiums to customers, introduced revolutionary employment innovations, and commissioned Frank Lloyd Wright's first major public work, the Larkin Administration Building.
The Larkin Company, also known as the Larkin Soap Company, was a company founded in 1875 in Buffalo, New York as a small soap factory. It grew tremendously throughout the late 1800s and into the first quarter of the 1900s with an approach called "The Larkin Idea" that transformed the company into a mail-order conglomerate that employed 2,000 people and had annual sales of $28.6 million in 1920. The company's success allowed them to hire Frank Lloyd Wright to design the iconic Larkin Administration Building which stood as a symbol of Larkin prosperity until the company's demise in the 1940s.
Larkinville, also known as The Hydraulics, is an area of Buffalo, New York located near downtown, South Buffalo and Canalside. Once an industrial neighborhood, it is now home to offices, shops, and a public gathering space called Larkin Square that regularly features food trucks, events, and concerts. The current form of the neighborhood came as a result of the gentrification of the former headquarters complex of the Larkin Soap Company, which includes the Larkin Terminal Warehouse, and other abandoned warehouses nearby.
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