Pussyhat

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Sewn and knit pussyhats being worn on a plane to Washington, D.C. 2017.01.20 Alaska Air Flight 6 in Pink LAX-DCA 00049 (31620242283).jpg
Sewn and knit pussyhats being worn on a plane to Washington, D.C.

A pussyhat is a pink, crafted brimless hat or cap, created in large numbers by women involved with the United States 2017 Women's March. They are the result of the Pussyhat Project, a nationwide effort initiated by Krista Suh and Jayna Zweiman, a screenwriter and architect located in Los Angeles, to create pink hats to be worn at the march. [1]

Contents

In response to this call, crafters all over the United States began making these hats using patterns provided on the project Web site for use with either a knitting method, crocheting and even sewing with fabrics. [2] [3] The project's goal was to have one million hats handed out at the Washington March. [3] The hats are made using pink yarns or fabrics and were originally designed to be a positive form of protest for Trump's inauguration by Krista Suh. Suh, from Los Angeles, wanted a hat for the cooler climate in Washington, D.C. and made a hat for herself to wear at the Women's March, realizing the potential: "We could all wear them, make a unified statement". [4] One of the project founders, Jayna Zweiman, stated "I think it's resonating a lot because we're really saying that no matter who you are or where you are, you can be politically active." [3] Suh and Zweiman worked with Kat Coyle, the owner of a local knitting supply shop called The Little Knittery, to come up with the original design. The project launched in November 2016 and quickly became popular on social media with over 100,000 downloads of the pattern to make the hat. [5] [1]

Origins

Suh and Zweiman started the project in 2016, while Zweiman was recovering from a head injury. [6] As she could not attend the Women's March during this period, Zweiman wished to create a visual symbol of protest as a contribution. [7]

Designer Kat Coyle intended the Pussyhat to be easily replicable, giving it a simple pattern. Referring to how participants would appear at the Women's March, the project was envisioned as "a sea of pink, with each individual choosing their own shade, yet being part of a collective." [8]

The idea for the Pussyhat Project emerged after the 2016 United States presidential election as a way to create a visible symbol of solidarity for women's rights. Suh and Zweiman, launched the project with the goal of providing pink, cat-eared hats for participants in the Women's March on Washington in January 2017. [9] The project quickly gained momentum, with people around the world knitting and wearing Pussyhat's as a symbol of support for women's rights, reproductive rights, and opposition to the policies of the Trump administration. [10] [ citation needed ]

Name

The creators state that the name refers to the resemblance of the top corners of the hats to cat ears while also attempting to reclaim the term "pussy", a play on Trump's widely reported 2005 remarks that women would let him "grab them by the pussy." [11] [12] Many of the hats worn by marchers in Washington, D.C., were created by crafters who were unable to attend and wished them to be worn by those who could, to represent their presence. Those hats optionally contained notes from the crafters to the wearers, expressing support. They were distributed by the crafters, by yarn stores at the points of origin, carried to the event by marchers, and also distributed at the destination. [13] The production of the hats caused reported shortages of pink knitting yarn across the United States. [14] [15] [16] [17] On the day of the march, NPR compared the hats to the "Make America Great Again" hats worn by Trump supporters, in that both represented groups that had at one point been politically marginalized; both sent "simultaneously unifying and antagonistic" messages; and both were simple in their messages. [18]

Criticisms

Racism and transphobia charges

Critics have insisted that the hats should be evaluated not as a symbolic political parody but instead according to a visual measure of inclusion, that is, by how realistically they represent the anatomy all potential participants. In particular, criticism has noted how the hats do not represent the anatomy of transgender women (who may not have a vulva) or women of color whose "genitals are more likely to be brown than pink". [19]

Professor Cáel Keegan, who teaches Women, Gender and Sexuality Studies at Grand Valley State University in Michigan, said the hat's reference to pink vulvas was politically problematic for trans people: "any time feminism starts centering people based on anatomy, that gets kind of dangerous for trans people" who are also fighting for autonomy over their own bodies. He added that the knitted pink hats also do not reflect the anatomy of transgender women who have not opted for vaginoplasty surgery.

Others have criticized the Pussyhat Project for reflecting white feminist interests more than intersectional feminism or wider radical activism. This critique says it is problematic that the Pussyhat Project "galvanized the interest and action of hundreds of thousands of (white and middle-class) American women." Shannon Black, in an article in Gender, Place & Culture, notes the criticism of the premise of the Pussyhat Project being "as if women's rights are the most important cause in our nation." [20] Critics argue that the participants in the Pussyhat Project represented one demographic group; its strong association with white middle class women could result in other groups feeling left out from an issue that personally affected them as well and discourage their participation.

In response to such criticisms, one of the two women who initiated the project responded: “I never thought that by calling it the ‘pussyhat’ that it was saying that women’s issues are predicated on the possession of the pussy.”" [21] The creators, one of whom is Asian American, have said that the hat was not intended as a realistic representation of anatomy and that the color pink was meant to play on strong association of pink with femininity, as well as "caring, compassion, and love". [22]

Representation issues

Racism and transphobia charges have generated concern surrounding who was welcome to adorn a pussyhat. "While the project states that 'people with any genital anatomy can be feminists,' the context in which it does so leaves it ambiguous as to whether individuals that identify as men, and not as women, are included in their assertion." [23] As a result, the question of whether men could wear a pussyhat as a visual sign of solidarity with the Women’s March and feminism arose. [23]

Playful nature

In addition, some critics have noted that the pussyhat’s emphasis on being “cute, kitsch, and crafty” may “discourage more critical modes of thinking and acting” and take away from the seriousness of the issue of women’s rights. [20] The creation may also come across as both too playful and feminine which may have resulted and continue to result in the dismissal of the project. [24]

Vulgarity

As a result of the immense outreach of the Pussyhat Project, local yarn and knitting supply stores experienced an influx of customers. However, several store owners expressed their frustrations with the Pussyhat. In a viral Facebook post that received international attention, one store owner stated, “With the recent women’s march on Washington, I ask that if you want yarn for any project for the women’s movement that you please shop for yarn elsewhere. The vulgarity, vile and evilness of this movement is absolutely despicable. That kind of behavior is unacceptable and is not welcomed at The Joy of Knitting.” [25] In a media interview, she also stated “I think if you want to get your point across you need to do it the right way and I just think that walking around dressed as a vulva is gross.” [25] Many agreed with the store owner’s point that the hat’s name was too vulgar and inappropriate and thus discredited the project.

Pussyhats were featured months after the 2017 march on the Missoni fashion runway. [26] Models were outfitted with pink hats combined with zigzag-striped ribbing as they walked the runway, and at the end of the show, Angela Missoni and celebrities wore the hats as well. She called the collection "pink is the new black" and donated some of the proceeds from the collection to the American Civil Liberties Union and the UN Refugee Agency. [27]

The hats appeared on the covers of Time magazine and The New Yorker . [28] The New Yorker had a painting of an African-American woman wearing a knit pussyhat, flexing her bared arm on its February 6, 2017, cover, in the style of the woman on the 1943 We Can Do It! poster (often mistakenly referred to as Rosie the Riveter). The painting, named "The March", was created by Abigail Gray Swartz, who marched in Augusta, Maine. The image was subsequently made available for sale on prints, mugs, t-shirts and other items. [29]

Saturday Night Live had several skits in which pussyhats appeared. Its January 21, 2017, episode showed a distressed Russian woman putting on a hat and tiptoeing behind Vladimir Putin as he talked about Russia's recent "purchase" of the United States via the election. [30] Another episode, hosted by Jessica Chastain, showed Aidy Bryant in the audience wearing a pussyhat. [31]

Related Research Articles

Crochet is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread, or strands of other materials. The name is derived from the French term crochet, which means 'hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, bone or even plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time.

<span class="mw-page-title-main">Knitting</span> Method of forming fabric

Knitting is a method for production of textile fabrics by interlacing yarn loops with loops of the same or other yarns. It is used to create many types of garments. Knitting may be done by hand or by machine.

<i>Pussy</i> Term with multiple meanings

Pussy is an English noun, adjective, and—in rare instances—verb. It has several meanings, as slang, as euphemism, and as vulgarity. Most commonly, it is used as a noun with the meaning "cat", "coward", or "weakling". In slang, it can mean "vulva or vagina" and less commonly, by synecdoche, "sexual intercourse with a woman". Because of its multiple senses including both innocent and vulgar connotations, pussy is often the subject of double entendre.

<span class="mw-page-title-main">History of knitting</span>

Knitting is the process of using two or more needles to pull and loop yarn into a series of interconnected loops in order to create a finished garment or some other type of fabric. The word is derived from knot, thought to originate from the Dutch verb knutten, which is similar to the Old English cnyttan, "to knot". Its origins lie in the basic human need for clothing for protection against the elements. More recently, hand knitting has become less a necessary skill and more of a hobby.

<span class="mw-page-title-main">Fiber art</span> Artworks made of textile materials

Fiber art refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility.

<span class="mw-page-title-main">Revolutionary Knitting Circle</span>

The Revolutionary Knitting Circle (RKC) is an international activist group that engages in craftivism, focusing on knitting and textile handicrafts to promote social change. Established in Calgary, Alberta, Canada, by Grant Neufeld in 2000. The group uses knitting to contrast with the ideas that protests are violent and the ways in which police handle the protests. The movement has expanded, with groups forming in various regions of the United States and Europe.

<span class="mw-page-title-main">Craftivism</span> Form of activism centered on practices of craft

Craftivism is a form of activism, typically incorporating elements of anti-capitalism, environmentalism, solidarity, or third-wave feminism, that is centered on practices of craft - or what has traditionally been referred to as "domestic arts". Craftivism includes, but is not limited to, various forms of needlework including yarn-bombing or cross-stitch. Craftivism is a social process of collective empowerment, action, expression and negotiation. In craftivism, engaging in the social and critical discourse around the work is central to its production and dissemination. Practitioners are known as craftivists. The word 'craftivism' is a portmanteau of the words craft and activism.

Barbara G. Walker is an American author and feminist. She is a knitting expert and the author of over ten encyclopedic knitting references, despite "not taking to it at all" when she first learned in college. Other topics she has written about are religion, New Age, the occult, spirituality, and mythology.

<span class="mw-page-title-main">UK Hand Knitting Association</span>

The UK Hand Knitting Association (UKHKA) is a not-for-profit British organisation dedicated to promoting hand knitting in the UK. Through a variety of initiatives and the assistance of a nationwide network of volunteers who pass on their skills, the UKHKA focus on ensuring a vibrant future for all aspects of yarn crafts.

<span class="mw-page-title-main">Stitch 'n Bitch</span> Name for some social knitting groups

Stitch 'n Bitch is a name that has been used to refer to social knitting groups since at least World War II. Before the slang term "Stitch 'n Bitch" was used, groups of women in the 1940s would join to knit and talk in organized Stitch and Bitch clubs. The term was further used in the 1980s as part of the book Social History of American Knitting by Anne Macdonald. It is partly due to the book's success that the modern day Stitch 'n Bitch knitting groups have emerged in cities around the world. The groups, mainly women, meet to knit, stitch and talk. Typically, attendees knit, though others crochet, and still others engage in cross-stitching, embroidery, and other needlecraft. Nowadays, the groups have been analyzed by scholars as expressions of resistance to major political, social and technological change in Western societies. However, political discussion is not unusual at these events, and at least some participants are proponents of progressive, liberal, and/or leftist social and political change. Furthermore, the term Stitch 'n Bitch is now used by women from across the globe to connect with others in the virtual space seeing as the term has re-emerged in a world where the public sphere is the cyberspace.

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Hand knitting is a form of knitting, in which the knitted fabric is produced by hand using needles.

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<span class="mw-page-title-main">Yarn bombing</span> Type of graffiti or street art

Yarn bombing is a type of graffiti or street art that employs colourful displays of knitted or crocheted yarn or fibre rather than paint or chalk. It is also called wool bombing, yarn storming, guerrilla knitting, kniffiti, urban knitting, or graffiti knitting.

Jimmy Beans Wool is an American yarn retailer. The company is headquartered in South Meadows, a neighborhood in Reno, Nevada. Other physical locations include a yarn-dyeing facility in Fort Worth, Texas, a sewing team in Vietnam, and a manufacturing facility in India. Jimmy Beans Wool ships to over 60 countries.

<span class="mw-page-title-main">2017 Women's March</span> Worldwide political rallies for womens rights

The Women's March was a worldwide protest on January 21, 2017, the day after the first inauguration of Donald Trump as the president of the United States. It was prompted by Trump's policy positions and rhetoric, which were and are seen as misogynistic and representative as a threat to the rights of women. It was at the time the largest single-day protest in U.S. history, being surpassed 3 years later by the George Floyd protests. The goal of the annual marches is to advocate legislation and policies regarding human rights and other issues, including women's rights, immigration reform, healthcare reform, disability justice, reproductive rights, the environment, LGBTQ rights, racial equality, freedom of religion, workers' rights and tolerance. According to organizers, the goal was to "send a bold message to our new administration on their first day in office, and to the world that women's rights are human rights".

<span class="mw-page-title-main">Women's March on Seattle</span> Seattle-based protest

The Women's March on Seattle was the Seattle affiliate of the worldwide 2017 Women's March protest on January 21, 2017. Newspapers including The Seattle Times said it was Seattle's largest protest march in history.

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<span class="mw-page-title-main">2018 Women's March</span> Protest March in January 2018

The 2018 Women's March was a global protest that occurred on January 20, 2018, on the anniversary of the 2017 Women's March.

Kirk Andrew Dunn is an actor, writer, and fibre artist best known for his use of texture and colour in knitting, and most particularly, for the giant triptych installation, "Stitched Glass," and the one-man show he co-wrote and tours about that work, The Knitting Pilgrim.

References

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  2. "Main website page". PussyHatProject.com. Archived from the original on January 24, 2017. Retrieved January 25, 2017.
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