Arthur Freed conceived the idea of the film based on the back catalogs of songs written by himself and Nacio Herb Brown. Because many of the songs had been written during the transition from silent films to "talkies", writers Betty Comden and Adolph Green decided that was when the story should be set. When the story morphed into that of a romantic hero with a vaudevillian background surviving the transition period in Hollywood and falling back onto his old song-and-dance habits, Kelly, who was chosen for the lead along with Donen, responded enthusiastically to it. The film was released after a premiere at the Radio City Music Hall on April 11, 1952.
The film was only a modest hit when it was first released. Today, however, it is often regarded as the greatest musical film ever and one of the greatest films ever made.[2] It topped the AFI's Greatest Movie Musicals list, ranked as the fifth-greatest American motion picture of all time in its updated list of the greatest American films in 2007, having ranked as the tenth-greatest in the original 1998 list, and Kelly's rendition of "Singin' in the Rain" ranked third in their list of the greatest film songs. In 1989, Singin' in the Rain was one of the first 25 films selected by the United States Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant".[3] In 2005, the British Film Institute included it in its list of the 50 films to be seen by the age of 14. In 2008, Empire magazine ranked it as the eighth-best film of all time. In Sight & Sound magazine's 2022 list of the greatest films of all time, Singin' in the Rain placed 10th.[4] Previously, it had ranked fourth in their 1982 list and tenth in their 2002 list.
Plot
In 1927, silent film stars Don Lockwood and Lina Lamont attend the premiere of their latest film, The Royal Rascal, produced by Hollywood studio Monumental Pictures. On the red carpet, Don tells the story of his rise to stardom, claiming to have grown up cultured and highly educated. His words are contradicted by flashbacks showing his humble roots as a hoofer, vaudeville musician and stuntman alongside his childhood best friend and longtime collaborator Cosmo Brown (accompanied by the song "Fit as a Fiddle"). Don also expresses his admiration for Lina, feeding rumors of a secret romance between them. In reality, the rumors are a publicity stunt and Don barely tolerates Lina, although she believes that he loves her.
After the premiere, Don is mobbed by fans and escapes by jumping into a passing car driven by Kathy Selden. Kathy reluctantly gives Don a lift. She claims to be a theatre actress and expresses disdain for film acting, particularly Don's hammy performances. Don responds by mocking her acting aspirations, and they part on bad terms.
Don arrives at the afterparty, where Monumental Pictures' CEO R. F. Simpson shows a demonstration of a talking picture,[a] though his guests dismiss it as a fad. A group of chorus girls then performs, Kathy among them ("All I Do is Dream of You"). Furious at Don's teasing, Kathy throws a cake at him, but it hits Lina instead. In the confusion, Kathy runs away.
Three weeks later, Don has searched unsuccessfully for Kathy. Cosmo tries to cheer Don up ("Make 'Em Laugh"). Lina reveals that she had Kathy fired, infuriating Don. Cosmo finds Kathy working as an extra in another Monumental Pictures film ("Beautiful Girl"). Kathy admits to actually being a fan of Don's, while Don professes his love for her ("You Were Meant for Me").
When Monumental's rival, Warner Bros., releases its first talking picture, The Jazz Singer, an enormous hit, R. F. decides he has to convert the next Lockwood and Lamont film, The Dueling Cavalier, into a talkie. Lina and Don take elocution lessons ("Moses Supposes"), but the production is beset with difficulties, most notably Lina's grating, high-pitched voice and unfamiliarity with the new recording technology. The film's preview screening is a failure due to multiple complications, including awkward microphone placements, Don's uninspired improvising[b] and the audio going out of synchronization.
Later that night, Kathy and Cosmo suggest The Dueling Cavalier be turned into a musical ("Good Morning"), and Cosmo, inspired by the film's synchronization error, suggests that Kathy dub Lina's voice. Don happily agrees, then takes Kathy home and dances through her neighborhood in the rain ("Singin' in the Rain"). Don and Cosmo pitch their idea to R. F., changing the title of the film to The Dancing Cavalier and adding a modern framing device ("Broadway Melody"). R. F. approves but tells them not to inform Lina of Kathy's involvement.
Don helps Kathy dub Lina's lines ("Would You"), but Lina is tipped off by another actress. When Lina realizes that Don and Kathy are in love and learns that R. F. intends to give Kathy a screen credit for her dubbing, she gives interviews across Hollywood promoting her (non-existent) vocal talent. A clause in Lina's contract allows her to sue the studio for negative press, so R. F is forced to leave Kathy uncredited and agree to Lina's demand that Kathy continue anonymously dubbing for her.
The premiere of The Dancing Cavalier is a success, but when the audience clamors for Lina to sing live, Don, Cosmo, and R. F. tell her to lip sync into a microphone while Kathy, concealed behind the curtain, sings into a second microphone. While Lina is "singing" ("Singin' in the Rain Reprise"), the men raise the curtain, revealing the ruse. Lina and Kathy both flee, but Don has the audience stop Kathy and proudly announces that she is "the real star of the picture" ("You Are My Lucky Star"). Some time later, Kathy and Don kiss in front of a billboard for their new film, Singin' in the Rain.
Millard Mitchell as R. F. Simpson. The initials of the fictional head of Monumental Pictures are a reference to producer Arthur Freed. R. F. also uses one of Freed's favorite expressions when he says that he "cannot quite visualize it" and has to see it on film first, referring to the "Broadway Melody" sequence.
Stuart Holmes as J. Cumberland Spendrill III, Olga Mara's husband who accompanies her to the premiere of The Royal Rascal
Judy Landon as Olga Mara, a silent screen vamp who attends the premiere of The Royal Rascal
Betty Noyes as the singing voice of Debbie Reynolds on "Would You"[6] and "You Are My Lucky Star"[7]
Julius Tannen as the man demonstrating the technology of talking pictures[8][9]
Jimmy Thompson as the singer of "Beautiful Girl"[10]
Bobby Watson as Don's diction coach during the "Moses Supposes" number
Songs
Singin' in the Rain was originally conceived by MGM producer Arthur Freed, the head of the "Freed Unit" responsible for turning out MGM's lavish musicals, as a vehicle for his catalog of songs written with Nacio Herb Brown for previous MGM musical films of the 1929–39 period.[11] Screenwriters Betty Comden and Adolph Green wrote one entirely new song, "Moses Supposes", with music director Roger Edens providing the music (see below).[12] Freed and Brown wrote a new song for the movie, "Make 'Em Laugh", though it bears a striking resemblance to Cole Porter's "Be a Clown" from another MGM Freed-produced musical, The Pirate (1948). Donen, who had asked the pair to write a song inspired by "Be a Clown", considered the result to be "100% plagiarism".[13] However, Porter never sued for copyright infringement.[14][15]
All songs have lyrics by Freed and music by Brown unless otherwise indicated.[12] Some of the songs, such as "Broadway Rhythm", "You Are My Lucky Star", "Should I?", and especially "Singin' in the Rain" itself, have been featured in numerous films. The films listed below mark the first time each song was presented on screen.
"All I Do Is Dream of You" from Sadie McKee (1934).[12] The arrangement in "Singin' in the Rain" is an up tempo, upbeat, "flapper" version of the song with full instrumentation. In contrast, the "Sadie McKee" version is slower tempo, and appears routinely throughout the film as a love ballad accompanied by a solo ukulele. An instrumental only version with full orchestration is also part of the film's opening and closing theme. An instrumental version was also played on the piano by Chico Marx in the 1935 Marx Brothers film A Night at the Opera.
"Broadway Melody" composed of "The Broadway Melody" from The Broadway Melody (1929)[12] and "Broadway Rhythm" from Broadway Melody of 1936 (1935).[12] The music for the "Broadway Ballet" section is by Nacio Herb Brown.[17]
Production
History
Arthur Freed, the head of the "Freed Unit" at MGM responsible for the studio's glossy and glamorous musicals, conceived the idea of a movie based on the back catalog of songs written by himself and Nacio Herb Brown, and called in Betty Comden and Adolph Green from New York to come up with a story to tie the songs together and to write the script. Comden and Green first refused the assignment, as their agent had assured them that their new contract with MGM called for them to write the lyrics to all songs unless the score was by Irving Berlin, Cole Porter, or Rodgers and Hammerstein. After a two-week hold-out, their new agent, Irving "Swifty" Lazar, having looked over the contract, told them that the clause had been entirely an invention of their previous agent, and that there was no such language in the contract. After hearing this, Comden and Green began working on the story and script.[18]
Because many of the songs had originally been written during the time when silent films were giving way to "talkies" and musicals were popular with audiences, Comden and Green came up with the idea that the story should be set during that transitional period in Hollywood, an era they were intimately familiar with. When Howard Keel was mentioned as the possible lead, they tried to work up a story involving a star of Western films who makes a comeback as a singing cowboy, but they kept gravitating to a story about a swashbuckling romantic hero with a vaudeville background who survives the transition by falling back on his abilities as a song-and-dance man, a story which Gene Kelly was well-suited for.[19]
Kelly could not be approached at the time, as he was deeply immersed in An American in Paris (1951), which he was co-choreographing with Stanley Donen, and in which he was starring. Comden and Green continued to work on the script, and had at that time three possible openings for the film: a silent movie premiere, a magazine interview with a Hollywood star, and a star-meets-girl, star-loses-girl sequence. Unable to decide which to use or how to proceed, they had just decided to return their advance to MGM and admit defeat, when Betty Comden's husband arrived from New York and suggested that they combine all three openings into one. The script with the re-written opening was approved by Freed and by MGM's head of production Dore Schary, who had recently replaced Louis B. Mayer.[20]
By this time shooting on An American in Paris had completed, and Freed suggested that Kelly be given the script to read. Kelly and Donen responded enthusiastically, and immediately became involved in re-writes and adjustments to the script. Comden, Green, Kelly, and Donen were all old friends, and the process went smoothly. Besides the Freed-Brown songs, Comden and Green contributed the lyrics to "Moses Supposes", which was set to music by Roger Edens. Shortly before shooting began, "The Wedding of the Painted Doll", which Comden and Green had "painfully wedged into the script as a cheering-up song" was replaced with a new Freed/Brown song, "Make 'Em Laugh",[21] which bore a remarkable resemblance to Cole Porter's 1948 song "Be a Clown".[22]
After Comden and Green had returned to New York to work on other projects, they received word that a new song was needed for a love-song sequence between Kelly and Debbie Reynolds. The original had been a song-and-dance medley involving different sets in different soundstages on the studio lot, but they were asked for a romantic love song set in an empty sound stage, and it was needed immediately. Comden and Green provided such a scene for "You Were Meant for Me" and sent it off to Hollywood.[23]
Revisions from early drafts
Trailer
In an early draft of the script, the musical number "Singin' in the Rain" was to be sung by Reynolds, O'Connor, and Kelly, emerging from a restaurant after the flop preview of The Dueling Cavalier, to celebrate the idea of changing the film into a musical.[24]
Kelly's singing "You Were Meant For Me" to Reynolds on an empty sound stage was not included in that draft. The number was originally conceived as Kelly's singing a medley of other songs to her as they romped around various studio back lot sets.[25]
Rita Moreno was originally to have sung the lead in "I've Got a Feelin' You're Foolin'" with other showgirls, but this ended up as part of the "Beautiful Girl Montage" without her.[26]
Scenes filmed but cut before release
Gene Kelly sang a reprise of "All I Do Is Dream of You" after the party at R.F. Simpson's house when Kelly chases after Reynolds. The song, ending in Kelly's bedroom, was cut from the release version after two previews, and the footage has been lost.[27]
Reynolds's solo rendition of "You Are My Lucky Star" (to a billboard showing an image of Lockwood) was cut after previews.[27] This number has survived and is included on the original soundtrack and DVD version of the film.[28] It also was used in the retrospective film That's Entertainment III.
In the steamy "Vamp Dance" segment of the "Broadway Melody Ballet" with Cyd Charisse and Gene Kelly, reviewers from both the Production Code and the Catholic Legion of Decency objected to a brief, suggestive pose or movement between the dancers. Although there is no precise documentation of what or where it was, close examination of footage toward the end of the dance shows an abrupt and noticeable cut to both visual and audio when Charisse is wrapped around Kelly, indicating the probable location.[29]
Other notes
Reynolds's singing in two songs was dubbed by Betty Noyes, one of them when Kathy is shown dubbing Lina Lamont, while her high notes and taps were dubbed in the entire film. Although the film revolves around the idea that Kathy has to dub for Lina's piercing voice, in the scene where Kathy is portrayed recording a line of Lina's dialogue during the movie within a movie The Dancing Cavalier, Hagen's normal voice was used, because it was preferred over Reynolds'.[6][7][30] Donen once explained that Reynolds' "mid-western" accent was not right for this one scene, preferring Hagen's natural, cultured speaking voice.[31]
In the sequence in which Gene Kelly dances and sings the title song while spinning an umbrella, splashing through puddles and getting soaked with rain, Kelly was sick with a 103°F (39°C) fever.[32][33] The water used in the scene caused Kelly's wool suit to shrink during filming.[34] A common myth is that Kelly managed to perform the entire song in one take, thanks to cameras placed at predetermined locations. However, this was not the case; filming the sequence took two to three days.[35] Another myth is that the rain was mixed with milk in order for the drops to show up better on camera; but the desired visual effect was produced, albeit with difficulty, through backlighting.[36][37]
Debbie Reynolds was not a dancer when she made Singin' in the Rain; her background was as a gymnast.[28] Kelly apparently insulted her for lacking dance experience, which upset her. Later, when Fred Astaire was in the studio, he found her crying under a piano. On hearing what had happened, Astaire volunteered to help her with her dancing. Kelly later admitted that he had not been kind to Reynolds and was surprised that she was still willing to talk to him afterwards. After shooting the "Good Morning" routine, which had taken from 8:00a.m. until 11:00p.m. to shoot,[38] Reynolds' feet were bleeding.[28] Years later, she said "Singin' in the Rain and childbirth were the two hardest things I ever had to do in my life."[39]
Donald O'Connor, a four-pack-a-day smoker at the time, had to stay in bed in the hospital for several days after filming the "Make 'Em Laugh" sequence.[35][40]
Most of the costumes from this film were eventually acquired by Reynolds and became part of her massive collection of original film costumes, sets, and props. Many of these items were sold at a 2011 auction in Hollywood. While most were sold to private collectors, Donald O'Connor's green check "Fit As a Fiddle" suit and shoes were purchased by Costume World, Inc. They are now on permanent display at the Costume World Broadway Collection Museum in Pompano Beach, Florida.[41]
Reception
According to MGM records, during the film's initial theatrical release, it made $3,263,000 in the US and Canada, and $2,367,000 internationally, earning the studio a profit of $666,000.[42] It was the tenth-highest-grossing movie of the year in the US and Canada.[43][44]
Critical response
Bosley Crowther of The New York Times wrote: "Compounded generously of music, dance, color spectacle and a riotous abundance of Gene Kelly, Jean Hagen and Donald O'Connor on the screen, all elements in this rainbow program are carefully contrived and guaranteed to lift the dolors of winter and put you in a buttercup mood."[45]Variety was also positive, writing: "Arthur Freed has produced another surefire grosser for Metro in Singin' in the Rain. Musical has pace, humor, and good spirits a-plenty, in a breezy, good-natured spoof at the film industry itself ... Standout performances by Gene Kelly and Donald O'Connor, especially the latter, enhance the film's pull."[46]Harrison's Reports called it "top-notch entertainment in every department – music, dancing, singing, staging and story".[47]Richard L. Coe of The Washington Post called it "yet another fresh and breezy, colorful and funny musical" from Gene Kelly, adding, "Of the players there's not a dud in the lot, from Kelly's facile performing to the brief but electric dance appearance by Cyd Charisse, a swell partner for him."[48]
Pauline Kael, the long-time film critic for The New Yorker, said of the film "This exuberant and malicious satire of Hollywood in the late twenties is perhaps the most enjoyable of movie musicals – just about the best Hollywood musical of all time."[49]Roger Ebert placed Singin' in the Rain on his Great Movies list, calling the film "a transcendent experience, and no one who loves movies can afford to miss it."[50]
On review aggregator Rotten Tomatoes, the film has a perfect 100% approval rating based on 64 reviews, with an average rating of 9.3/10. The website's critical consensus reads: "Clever, incisive, and funny, Singin' In The Rain is a masterpiece of the classical Hollywood musical."[51] On Metacritic, the film has a weighted average score of 99 out of 100, based on 17 critics, indicating "universal acclaim".[52] The film made each site's list of best-rated films, ranked 46th on Rotten Tomatoes (as of 2021)[53] and 9th on Metacritic.[54]
Admiration in the film industry
Betty Comden and Adolph Green report that when they met François Truffaut at a party in Paris, Truffaut was very excited to meet the authors of Chantons Sous la Pluie (as Singin' in the Rain was titled in French). He told them that he had seen the film so many times that he knew it frame by frame, and that he and fellow director and screenwriter Alain Resnais, among others, went to see it regularly at a small Parisian movie theatre where it sometimes ran for months at a time.[49]
In 1989, Singin' in the Rain was among the first 25 films chosen for the newly established National Film Registry for films that are deemed "culturally, historically or aesthetically significant" by the United States Library of Congress and selected for preservation.[75]
Singin' in the Rain has appeared three times on Sight & Sound's list of the ten best films of all time, in 1982, 2002 and 2022. Its position in 1982 was at number 4 on the critics list; on the 2002 critics' list, it was listed as number 10, and it tied for 19 on the directors' list; on the 2022 critics' list, it was listed again as number 10.[76][4] In 2008, Singin' in the Rain was placed on Empire's 500 Greatest Movies of All Time List, ranking at #8, the highest ranked G-rated movie on the list.[77]
Home media
The 40th Anniversary Edition VHS version released in 1992 include a documentary, the original trailer, and Reynolds' solo rendition of "You Are My Lucky Star", which had been cut from the final film.[78]
According to the audio commentary on the 2002 Special Edition DVD, the original negative was destroyed in a fire. Despite this, the film was digitally restored for its DVD release. A Blu-ray Ultimate Collector's Edition was released in July 2012. A Ultra HD Blu-ray was released on April 26, 2022.
The digital version of the film is currently available to stream on HBO Max.[79]
The musical Singin' in the Rain was adapted from the motion picture, and the plot of the stage version closely adheres to the original. Directed and choreographed by post-modern choreographer Twyla Tharp, the opening night cast at the London Palladium in 1983 starred Don Correia as Don Lockwood, Mary D'Arcy as Kathy Selden, Richard Fancy as Roscoe Dexter, Faye Grant as Lina Lamont, and Peter Slutsker as Cosmo Brown. The musical opened on July 2, 1985, at the Gershwin Theatre after 39 previews, and ran for 367 performances, closing on May 18, 1986.[80]
A comic book adaptation was published as Eastern Color Movie Love #14 (April 1952).[81]
1979 – In Alien, Sigourney Weaver's main character Ellen Ripley quietly sings parts of "You Are My Lucky Star" to herself while hiding from and preparing to fight the eponymous antagonist.
1983 – In the television special Paddington Goes to the Movies, Paddington Bear performs a version of Gene Kelly's famous dance from the film.[83]
2012 – In the film Silver Linings Playbook, Jennifer Lawrence's character is inspired by a clip of Donald O'Connor and Gene Kelly dancing to "Moses Supposes" from Singin' in the Rain.
2013 – The anime short Gisoku no Moses features a young female ghost dancing with a pair of haunted dance shoes to the tune of "Moses Supposes".[85]
2015 – In the romantic drama film Brooklyn, Tony Fiorello (Emory Cohen) takes Eilis Lacey (Saoirse Ronan) out on a date to see the film. In the next scene, he emulates Gene Kelly's iconic swinging on the lamppost.[86]
Eugene Curran Kelly was an American dancer, actor, singer, director and choreographer. He was known for his energetic and athletic dancing style and sought to create a new form of American dance accessible to the general public, which he called "dance for the common man". He starred in, choreographed, and, with Stanley Donen, co-directed some of the most well-regarded musical films of the 1940s and 1950s.
Mary Frances "Debbie" Reynolds was an American actress, singer and entrepreneur. Her acting career spanned almost 70 years. Reynolds performed on stage and television and in films into her 80s.
Adolph Green was an American lyricist and playwright who, with long-time collaborator Betty Comden, penned the screenplays and songs for musicals on Broadway and in Hollywood. Although they were not a romantic couple, they shared a unique comic genius and sophisticated wit that enabled them to forge a six-decade-long partnership. They received numerous accolades including four Tony Awards and nominations for two Academy Awards and a Grammy Award. Green was inducted into the Songwriters Hall of Fame in 1980 and American Theatre Hall of Fame in 1981. Comden and Green received the Kennedy Center Honor in 1991.
Betty Comden was an American lyricist, playwright, and screenwriter who contributed to numerous Hollywood musicals and Broadway shows of the mid-20th century. Her writing partnership with Adolph Green spanned six decades: "the longest running creative partnership in theatre history." The musical-comedy duo of Comden and Green collaborated most notably with composers Jule Styne and Leonard Bernstein, as well enjoyed success with Singin' in the Rain, as part of the famed "Freed unit" at MGM.
Stanley Donen was an American film director and choreographer. He received the Honorary Academy Award in 1998, and the Career Golden Lion at the Venice Film Festival in 2004. Four of his films have been inducted into the National Film Registry at the Library of Congress.
That's Entertainment! is a 1974 American compilation film released by Metro-Goldwyn-Mayer to celebrate the studio's 50th anniversary. The success of the retrospective prompted a 1976 sequel, the related 1985 film That's Dancing!, and a third installment in 1994.
"Singin' in the Rain" is a song with lyrics by Arthur Freed and music by Nacio Herb Brown. Doris Eaton Travis introduced the song on Broadway in The Hollywood Music Box Revue in 1929. It was then widely popularized by Cliff Edwards and the Brox Sisters in The Hollywood Revue of 1929. Many contemporary artists had hit records with "Singin' in the Rain" since its release, including Cliff Edwards, Earl Burtnett and Gus Arnheim in 1929 alone.
Singin' in the Rain is a stage musical with story by Betty Comden and Adolph Green, lyrics by Arthur Freed, and music by Nacio Herb Brown. Adapted from the 1952 movie of the same name, the plot closely adheres to the original. Set in Hollywood in the waning days of the silent screen era, it focuses on romantic lead Don Lockwood, his sidekick Cosmo Brown, aspiring actress Kathy Selden, and Lockwood's leading lady Lina Lamont, whose less-than-dulcet vocal tones make her an unlikely candidate for stardom in talking pictures.
Cover Girl is a 1944 American musical romantic comedy film directed by Charles Vidor, and starring Rita Hayworth and Gene Kelly. The film tells the story of a chorus girl given a chance at stardom when she is offered an opportunity to be a highly paid cover girl. It was one of the most popular musicals of the war years.
That's Entertainment, Part II is a 1976 American compilation film released by Metro-Goldwyn-Mayer and a sequel to That's Entertainment! (1974). Like the previous film, That's Entertainment, Part II was a retrospective of famous films released by MGM from the 1930s to the 1950s. Some posters for the film use Part 2 rather than Part II in the title.
The Pirate is a 1948 American musical film produced by Metro-Goldwyn-Mayer. It stars Judy Garland and Gene Kelly with costars Walter Slezak, Gladys Cooper, Reginald Owen, The Nicholas Brothers, and George Zucco, with the music in the film written by Cole Porter.
"Make 'Em Laugh" is a song first featured in the 1952 MGM musical film Singin' in the Rain, performed by Donald O'Connor as the character Cosmo Brown. Written by Arthur Freed and Nacio Herb Brown, the song is closely based on Cole Porter's "Be a Clown" from the Freed-produced 1948 MGM musical film The Pirate, in which it was sung by Gene Kelly and Judy Garland. In the song, Cosmo explains that he loves making people laugh, and quotes back to the inspiring words of a man named Samuel J. Snodgrass, his dad and his grandpa.
Conrad Salinger was an American arranger, orchestrator and composer, who studied classical composition at the Paris Conservatoire. He is credited with orchestrating nine productions on Broadway from 1931 to 1938, and over seventy-five motion pictures from 1931 to 1962. Film scholar Clive Hirschhorn considers him the finest orchestrator ever to work in the movies. Early in his career, film composer John Williams spent much time around Salinger.
It's Always Fair Weather is a 1955 American musical satire directed by Gene Kelly and Stanley Donen. The film was scripted by Betty Comden and Adolph Green, who also wrote the show's lyrics, with music by André Previn. It stars Kelly, Dan Dailey, Cyd Charisse, Dolores Gray, and dancer/choreographer Michael Kidd in his first film acting role.
On the Town is a 1949 American Technicolor musical film with music by Leonard Bernstein and Roger Edens and book and lyrics by Betty Comden and Adolph Green. It is an adaptation of the Broadway stage musical of the same name produced in 1944, although many changes in the script and score were made to the original stage version; for instance, most of Bernstein's score was dropped in favor of new songs by Edens, who felt that the majority of Bernstein's music was too complex and too operatic for film audiences. This caused Bernstein to boycott the film.
Take Me Out to the Ball Game is a 1949 American Technicolor musical film produced in the Arthur Freed unit of MGM. It stars Frank Sinatra, Esther Williams, Gene Kelly, Betty Garrett, Edward Arnold and Jules Munshin, and was directed by Busby Berkeley. The title and nominal theme is taken from the unofficial anthem of American baseball, "Take Me Out to the Ball Game." The film was released in the United Kingdom as Everybody's Cheering.
I Love Melvin is a 1953 American Technicolor musical romantic comedy film directed by Don Weis, starring Donald O'Connor and Debbie Reynolds.
"Good Morning" is a song with music by Nacio Herb Brown and lyrics by Arthur Freed, originally written for the film Babes in Arms (1939) and performed by Judy Garland and Mickey Rooney.
Rudolph Herman Behlmer was an American film historian and writer. Born and raised in San Francisco, California, he was an expert in the history and evolution of the motion picture industry.
Stanley Donen was an American film director and choreographer, and occasionally worked in the American theater. He has directed 28 feature films and worked on various other films or television projects, often as a choreographer. He began his career in the chorus line on Broadway for director George Abbott, where he befriended Gene Kelly. Shortly afterwards he moved to Hollywood and collaborated with Kelly on numerous films as a choreographer until they became co-directors on his feature film debut On the Town. In 1952 Donen and Kelly co-directed the musical Singin' in the Rain, regarded as one of the greatest films ever made. He went on to direct hit films for several decades thereafter, many of which are currently regarded as classics. He has won numerous awards for his life's work, most notably an Honorary Academy Award in 1998 and a Career Golden Lion from the Venice Film Festival in 2004.
References
Informational notes
↑ This scene pays homage to the original 1921 DeForest Phonofilm demonstration, featuring DeForest explaining the system.
↑ Feltenstein, George (2002). "Producer's Note", included in the liner notes of the Music from the original motion picture soundtrack (deluxe edition) Singin' in the Rain double CD by Rhino Entertainment and Turner Classic Movies
↑ Betty Comden and Adolph Green (2002). The story Behind Singin' in the Rain: Now It Can be Told, reprint of the Singin' In the Rain screenplay introduction, originally published in 1972, included in the liner notes of the Music from the original motion picture soundtrack (deluxe edition) Singin' in the Rain double CD by Rhino Entertainment and Turner Classic Movies.
↑ "The Basics: Was There Really Milk in Singin' in the Rain?". genekellyfans.com. June 24, 2011. Archived from the original on August 19, 2014. Gene Kelly himself described what happened in several interviews, including American Film (1979): 'Shooting the title number was just terrible for the photographer Hal Rossen[sic]. He had to backlight all the rain and then he had to put frontlight on the performer. That was as tough a job as I've ever seen, because you can't photograph in rain and see it.'"
↑ Perry, Patrick (January–February 2003). "On Tour with Debbie Reynolds: Feisty and Fit Actress Speaks Out About An All-Too-Common Problem – Overactive Bladder". The Saturday Evening Post.
↑ Mankiewicz, Ben (2017) "Intro to Singin' in the Rain 65th Anniversary Theatrical Release" Accessed: January 15, 2017
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