"Superstition" | ||||
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Single by Stevie Wonder | ||||
from the album Talking Book | ||||
B-side | "You've Got It Bad Girl" | |||
Released | October 24, 1972 | |||
Recorded | 1972 | |||
Studio | Electric Lady, New York City | |||
Genre | ||||
Length |
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Label | Motown | |||
Songwriter(s) | Stevie Wonder | |||
Producer(s) |
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Stevie Wonder singles chronology | ||||
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Music video | ||||
"Superstition" (Official Audio) on YouTube |
"Superstition" is a song by American singer-songwriter Stevie Wonder. It was released on October 24, 1972, as the lead single from his fifteenth studio album, Talking Book (1972), by Tamla. [7] The lyrics describe popular superstitions [8] and their negative effects.
"Superstition" reached number one in the U.S. Billboard Hot 100 in January 1973 [9] [8] and on the soul singles chart. [10] It was Wonder's first number-one single since "Fingertips, Pt. 2" in 1963. [11] It peaked at number eleven in the UK Singles Chart in February 1973. In November 2004, Rolling Stone ranked the song number 74 on its list of the 500 Greatest Songs of All Time. It was re-ranked number 73 on its 2010 list, [12] and number 12 on its 2021 list. [13] At the 16th Grammy Awards, the song earned Wonder two Grammys: "Best Rhythm & Blues Song" and "Best R&B Vocal Performance, Male". In 1998, the song was inducted into the Grammy Hall of Fame. [14]
In the early 1970s, Wonder was playing most of the instruments on his songs by himself. But he preferred to let other guitarists play on his records, and after he learned that Jeff Beck was an admirer of his, an agreement was quickly made for Beck to become involved in the sessions that became the Talking Book album, in return for Wonder writing him a song.
Between the album sessions, Beck came up with the opening drum beat. Wonder told Beck to keep playing while he improvised over the top of it. He improvised most of the song, including the riff, on the spot. Beck and Wonder created a rough demo for the song that day. [15] [16]
For the recording, Wonder performed the funky clavinet riff on a Hohner Clavinet model C, the Moog synthesizer bass, and the vocals. The song features Steve Madaio on trumpet and Trevor Lawrence on tenor saxophone. [17]
After finishing the song, Wonder decided that he would allow Beck to record "Superstition" as part of their agreement. Originally, the plan was for Beck to release his version of the song first, with his newly formed power trio Beck, Bogert & Appice. But after the trio's debut album was delayed and Motown CEO Berry Gordy predicted that "Superstition" would be a huge hit that would drive sales of Talking Book, Wonder released the song as the Talking Book lead single on October 24, 1972, months before Beck's version was issued in March 1973 on the Beck, Bogert & Appice album. [18]
Cash Box described it as "one of [Wonder's] most impressive releases to date" with an "accent...on funk." [19] James Perone described the clavinet riff as "probably [Wonder's ] most memorable" use of the minor pentatonic scale. [20]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Denmark (IFPI Danmark) [31] | Gold | 45,000‡ |
Italy (FIMI) [32] | Platinum | 50,000‡ |
United Kingdom (BPI) [33] | 3× Platinum | 1,800,000‡ |
‡ Sales+streaming figures based on certification alone. |
Wonder appeared in Bud Light commercials that debuted during Super Bowl XLVII in 2013. As part of the "It's only weird if it doesn't work" campaign, which showed superstitious fans acting compulsively in an effort to guide their teams to victory, Wonder appeared as a witch doctor in New Orleans (where the event took place). These fans would perform numerous superstitious acts in order to receive good luck charms from him. "Superstition," specifically the beginning instrumental portion before Wonder's vocals kick in, plays throughout these commercials. [16]
Stevland Hardaway Morris, known professionally as Stevie Wonder, is an American singer-songwriter, musician, and record producer. One of the most acclaimed and influential musicians of the 20th century, he is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder.
Songs in the Key of Life is the eighteenth studio album by American singer, songwriter and musician Stevie Wonder. A double album, it was released on September 28, 1976, by Tamla Records, a division of Motown. It was recorded primarily at Crystal Sound studio in Hollywood, with some sessions recorded at the Record Plant in Hollywood, the Record Plant in Sausalito, and The Hit Factory in New York City; final mixing was conducted at Crystal Sound. The album has been regarded by music journalists as the culmination of Wonder's "classic period" of recording.
Blow by Blow is Jeff Beck's first album credited to him as a solo artist. It was recorded in October 1974 and released via Epic Records in 1975. An instrumental album, it peaked at No. 4 on the American Billboard 200 and was certified platinum by the RIAA.
Talking Book is the fifteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on October 27, 1972, by Tamla, a subsidiary of Motown Records. This album and Music of My Mind, released earlier the same year, are generally considered to mark the start of Wonder's "classic period". The sound of the album is sharply defined by Wonder's use of keyboards and synthesizers.
Innervisions is the sixteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on August 3, 1973, by Tamla, a subsidiary of Motown Records. A landmark recording of Wonder's "classic period", the album has been regarded as completing his transition from the "Little Stevie Wonder" known for romantic ballads into a more musically mature, conscious, and grown-up artist. On the album, Wonder continued to experiment with the revolutionary T.O.N.T.O. synthesizer system developed by Malcolm Cecil and Robert Margouleff, and Innervisions became hugely influential on the future sound of commercial soul and black music.
"Sir Duke" is a song composed and performed by Stevie Wonder from his 1976 album Songs in the Key of Life. Released as a single in 1977, the track topped the U.S. Billboard Hot 100 and Black Singles charts, and reached number two in the UK Singles Chart, his joint biggest hit there at the time. Billboard ranked it as the No. 18 song of 1977.
Hotter than July is the nineteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on September 29, 1980, by Tamla, a subsidiary of Motown Records. Wonder primarily recorded the album in Los Angeles, California, at Wonderland Studios, which he had recently acquired. The album peaked at number three on the Billboard Top LPs & Tapes chart and was certified Platinum by the Recording Industry Association of America (RIAA) on February 3, 1981. It was Wonder's most successful album in the UK, where it peaked at number two on the UK Albums Chart and produced four top-10 singles. Music videos were produced for the album's first, third, and fourth singles.
"Trampled Under Foot" is a song by English rock group Led Zeppelin. A funk-influenced piece with John Paul Jones on clavinet, it was included on their 1975 album Physical Graffiti. The song was released as a single in several countries and was frequently performed in concert.
"Family Affair" is a 1971 number-one hit single recorded by Sly and the Family Stone for the Epic Records label. Their first new material since the double A-sided single "Thank You "/ "Everybody Is a Star" nearly two years prior, "Family Affair" became the third and final number-one pop single for the band. In 2021, Rolling Stone magazine ranked the song 57th on their list of the 500 Greatest Songs of All Time. The cover version by John Legend, Joss Stone, and Van Hunt, won the Grammy Award for Best R&B Performance by a Duo or Group with Vocals at 49th Annual Grammy Awards.
American musician Stevie Wonder has released 23 studio albums, three soundtrack albums, four live albums, 11 compilations, one box set, and 91 singles. His first album, The Jazz Soul of Little Stevie, was released in 1962 when he was 12 years old, and his most recent, A Time to Love, was released in 2005. Wonder has had ten US number-one hits on the pop charts, as well as 20 R&B number one hits, and has sold over 100 million records, 19.5 million of which are albums; he is one of the top best-selling music artists of all time with combined sales of singles and albums. Wonder has 30 main album releases, all of which are single albums, apart from Songs in the Key of Life, which was released as a double album with a bonus four track EP. There are 11 official compilation albums; in addition, a box set, The Complete Stevie Wonder, was released in 2005. Wonder is eighth on the list of artists with the most number-ones on the US Billboard Hot 100.
"Higher Ground" is a song written by Stevie Wonder which first appeared on his 1973 album Innervisions. The song reached number 4 on the Billboard Hot 100 and number 1 on the US Hot R&B Singles chart. Wonder wrote and recorded the song in a three-hour burst of creativity in May 1973. The album version of the song contains an extra verse and runs 30 seconds longer than the single version. The unique wah-wah clavinet sound in the song was achieved with a Mu-Tron III envelope filter pedal. The bass line is provided by a Moog synthesizer and using overdubs, Wonder played all instruments on the track, including drums and percussion.
Beck, Bogert & Appice is the only studio album by the rock band Beck, Bogert & Appice, released on March 26, 1973. The group was a power trio featuring guitarist Jeff Beck, bassist Tim Bogert, and drummer Carmine Appice.
"You Are the Sunshine of My Life" is a 1973 single released by Stevie Wonder. The song became Wonder's third number-one single on the Billboard Hot 100 chart and his first number-one on the Easy Listening chart. It won Wonder a Grammy Award for Best Male Pop Vocal Performance, and was nominated for both Record of the Year and Song of the Year. This song was the second single released from the 1972 album entitled Talking Book, which stayed at number one on the R&B albums chart for three weeks.
"You Haven't Done Nothin" is a 1974 funk single by Stevie Wonder, taken from his album Fulfillingness' First Finale and featuring background vocals by the Jackson 5. The politically aware song became Wonder's fourth Number-1 pop hit and his tenth Number-1 soul hit. It also reached Number 1 in Canada. In the UK the single spent five weeks on the chart, peaking at Number 30.
"Do I Do" is a song written and performed by American singer and songwriter Stevie Wonder, first released in 1982 on the compilation album, Stevie Wonder's Original Musiquarium I (1982). The single peaked at #2 on the US Billboard soul chart and #13 on the Billboard Hot 100. On the Billboard dance chart, "Do I Do" reached number one for two weeks. Overseas, it reached #10 in the UK.
"Another Star" is a song written and performed by Stevie Wonder from his 1976 album Songs in the Key of Life. It is the final track on side four of the double LP. The flute player Bobbi Humphrey appears in the last section of the song.
"I Don't Know Why" is a song by American singer-songwriter Stevie Wonder, from the 1968 album For Once in My Life. It was released as a single on January 28, 1969, with "My Cherie Amour" on the B-side. A few months later, the single was re-issued with sides reversed because of the growing popularity of "My Cherie Amour", which became a Top Ten hit.
"Living for the City" is a 1973 single by Stevie Wonder from his Innervisions album. It reached number 8 on the Billboard Hot 100 chart and number 1 on the R&B chart. Rolling Stone ranked the song number 104 on their 2004 list of the "500 Greatest Songs of All Time".
"I Ain't Gonna Stand for It" is the second single from Stevie Wonder's 1980 album, Hotter Than July. It reached number four on the Billboard R&B singles chart and number 11 on the Hot 100. It also hit number 10 on the UK Singles Chart. The song is famous for Wonder's imitation of a seasoned country-and-western crooner and his inspiring drumming. Charlie and Ronnie Wilson of The Gap Band provide backing vocals on the song. It was covered by Eric Clapton in 2001.
Yvonne Lowrene Wright was an American songwriter and vocalist best known for co-writing with Stevie Wonder in the 1970s. Their songs appear on the albums Music of My Mind, Talking Book, Fulfillingness' First Finale, and Stevie Wonder's Journey Through "The Secret Life of Plants".
The drums came first: one of pop's most instantly recognizable intros tapped out on one of the tightest-ever snares leading into an indelible funk groove of swung 16th notes.
And yet "Superstition" is still a soul song, with its perfectly timed horn stabs...