Virtual XI

Last updated

Virtual XI
Iron Maiden - Vitrual XI.jpg
Studio album by
Iron Maiden
Released23 March 1998 (1998-03-23)
RecordedAugust 1997 – February 1998
StudioBarnyard (Essex, England)
Genre Heavy metal
Length53:22
Label EMI
Producer
Iron Maiden studio albums chronology
The X Factor
(1995)		Virtual XI
(1998)		 Brave New World
(2000)
Singles from Virtual XI
  1. "The Angel and the Gambler"
    Released: 9 March 1998
  2. "Futureal"
    Released: 28 July 1998

Virtual XI (pronounced "Virtual Eleven") is the eleventh studio album by English heavy metal band Iron Maiden, released on 23 March 1998. It is the band's second and final album with Blaze Bayley on vocals. It also marks the first album to utilise a slightly modified logo, with the letters R, M, and N the same size as the other letters as opposed to them being extended. This goes on for the next few albums, until The Final Frontier , in 2010.

Contents

Background

Virtual XI is the second and final Iron Maiden album with vocalist Blaze Bayley. 070918--blaze bayley.jpg
Virtual XI is the second and final Iron Maiden album with vocalist Blaze Bayley.

Virtual XI's title is tied in with two extra-musical events: the release of the band's computer game, Ed Hunter , and the fact that the 1998 FIFA World Cup would be taking place in June of that year. [1] Harris explains, "We figure our fans are pretty much the same as we are, with pretty much the same interests, so we thought, 'It's World Cup year in '98. Let's get the football involved in the new album.' And we were already working on a computer game at that time, so we thought, 'Well, let's bring that element into things, too.'" [1] Prior to the album's release, the band organised a publicity tour in which they held football matches across Europe with "guest musicians and pro-footballers from the UK." [2]

While most of the artwork in the album's booklet was taken from the Ed Hunter game, [3] the cover was created by Melvyn Grant. According to Grant, he was asked to design something related to virtual reality, but was later asked to alter the artwork by adding a football game, the band then having decided to link the release with the World Cup. [4] This was also the first album to feature the band's new alternate logo, with the extended ends of the "R", "M", and both "N's" removed. This variant would be used on all future studio albums, live albums (with the exception of Flight 666 and Maiden England '88 ), and singles up until The Final Frontier . Starting with The Book of Souls , the band's 16th studio album, the original logo was reused.

For this album some keyboard parts were performed by band founder/bassist Steve Harris whereas on previous albums all the keyboard parts had been handled by Harris' bass technician, Michael Kenney. [5]

As with their previous world tour, several US shows on the Virtual XI World Tour had to be cancelled as Bayley had vocal issues, [6] although the official reason was instead that he was suffering from a severe allergic reaction to pollen. [7]

This would be the second and final studio album to feature Blaze Bayley, as he resigned from Iron Maiden following a February 1999 announcement that Bruce Dickinson and Adrian Smith, who had left in 1993 and 1990 respectively, would be returning to the line-up. [8]

Songs

Stylistically, Bayley states that Virtual XI "was a more upbeat album [in comparison to its predecessor], because we'd survived the 'X-Factour'... we were a band and, I felt, we were on our way." [9] According to Harris, "Futureal", whose lyrics were written by Bayley, is "about being locked up in virtual reality", and describes it as "a quite straightforward rocker but done Maiden style." [10] Regarding the album's second single, manager Rod Smallwood claims that he "had a bit of a battle with Steve" over releasing "Futureal" instead of "The Angel and the Gambler" as the album's lead single, but "Steve put his foot down." [10] According to Harris, "The Angel and the Gambler" "is the story of these two characters, one guy who's been a bit of a rogue, a fly by night, and an angel who gets sent down to try and put him right – except he isn't having it." [10]

Of the album's remaining songs, "Lightning Strikes Twice" is, according to Harris, "a never say never-type song ... It's a very positive, hopeful song which you can read in lots of different ways." [11] "The Clansman" was inspired by the film Braveheart [12] which Harris states is "about what it's like to belong to a community that you try and build up and then you have to fight to stop having it taken away from you". [11] Speaking about "When Two Worlds Collide", Harris says, "Lyrically, I think Blaze was trying to write about the different sort of worlds he's lived in and maybe about how his world has had to change and adapt to the world of being Iron Maiden's singer." [11] "The Educated Fool" is, according to Harris, about "growing older and everyone expecting you to be wiser but how somehow the older you get and the more you know, the less you have the answers for any of it." [11] "Don't Look to the Eyes of a Stranger" is inspired by Steve Harris' observation, from a parent's point of view, that "every stranger is a possible threat", [13] while "Como Estais Amigos" is a tribute to the soldiers on both sides in the Falklands War; [14] its lyrics were written by Bayley and the music by Gers, making this the first Iron Maiden album where Steve Harris did not write or co-write the final song.

After Bruce Dickinson rejoined the band, Iron Maiden continued to play both "Futureal" and "The Clansman" in concert. While "Futureal" was only performed live in 1999, "The Clansman" appeared in the group's setlists until 2003, and later in 2018 during Legacy of the Beast tour. Live recordings of both songs with Dickinson on vocals have been released officially: "Futureal" was issued as a B-side to "The Wicker Man" single, while performances of "The Clansman" can be found on the live albums Rock in Rio and Nights of the Dead . The Rock in Rio recording was also included on Iron Maiden's 2011 compilation CD From Fear to Eternity .

Four songs that were written during the sessions for Virtual XI ended up on its follow-up Brave New World : "Nomad", "Dream of Mirrors", "Mercenary" and "Blood Brothers".

Blaze Bayley recorded solo versions of "Futureal" and "When Two Worlds Collide" on his live album As Live as It Gets , and he regularly performs the album's closing song "Como Estais Amigos" in concert, a song which never appeared on any Iron Maiden setlist. [15]

The track "The Clansman" was sampled by singer Brandy in her song "I Tried". [16]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [17]
Collector's Guide to Heavy Metal 0/10 [18]
Sputnikmusic3.5/5 [19]

Virtual XI was met with mixed to negative reviews from critics. Stephen Thomas Erlewine of AllMusic commented that "on the surface, there's nothing terribly wrong with the record, as it delivers all the crunching riffs and demonic horror of their best records. The problem is that there's nothing memorable about the hooks, riffs, or songs, and there's little visceral energy to the music or production. As a result, it sounds lifeless to all but the most devoted fan." [17] He also stated that Blaze Bayley is "a competent but faceless vocalist". [17]

Track listing

Virtual XI track listing
No.TitleWriter(s)Length
1."Futureal"
3:00
2."The Angel and the Gambler"Harris9:51
3."Lightning Strikes Twice"
4:49
4."The Clansman"Harris9:06
5."When Two Worlds Collide"
  • Murray
  • Bayley
  • Harris
6:13
6."The Educated Fool"Harris6:46
7."Don't Look to the Eyes of a Stranger"Harris8:11
8."Como Estais Amigos"
5:26
Total length:53:22
Japanese limited edition bonus disc [20]
No.TitleWriter(s)Length
1."Blood on the World's Hands" (live)Harris6:05
2."The Aftermath" (live)
  • Bayley
  • Gers
  • Harris
6:43
Total length:12:48

Personnel

Production and performance credits are adapted from the album's liner notes. [21]

Iron Maiden

Additional personnel

Production

Charts

Chart (1998)Peak
position
Australian Albums (ARIA) [22] 98
Austrian Albums (Ö3 Austria) [23] 24
Belgian Albums (Ultratop Flanders) [24] 23
Belgian Albums (Ultratop Wallonia) [25] 44
Canada Top Albums/CDs ( RPM ) [26] 60
Dutch Albums (Album Top 100) [27] 26
Finnish Albums (Suomen virallinen lista) [28] 6
French Albums (SNEP) [29] 12
German Albums (Offizielle Top 100) [30] 16
Hungarian Albums (MAHASZ) [31] 10
Italian Albums (FIMI) [32] 7
Japanese Albums (Oricon) [33] 19
Norwegian Albums (VG-lista) [34] 28
Scottish Albums (OCC) [35] 25
Spanish Albums (AFYVE) [36] 10
Swedish Albums (Sverigetopplistan) [37] 16
Swiss Albums (Schweizer Hitparade) [38] 39
UK Albums (OCC) [39] 16
UK Rock & Metal Albums (OCC) [40] 1
US Billboard 200 [41] 124
Chart (2017)Peak
position
Italian Albums (FIMI) [42] 58
Spanish Albums (PROMUSICAE) [43] 92

Certifications

RegionCertification Certified units/sales
United Kingdom (BPI) [44] Silver60,000‡

‡ Sales+streaming figures based on certification alone.

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References

  1. 1 2 Wall, Mick (2004). Iron Maiden: Run to the Hills, the Authorised Biography (3rd ed.). Sanctuary Publishing. p. 320. ISBN   1-86074-542-3.
  2. ↑ Paterson, Lawrence (2009). Blaze Bayley: At the End of the Day. Blaze Bayley Recordings Ltd. p. 72.
  3. ↑ Popoff, Martin (2005). "Reality Check". Metal Hammer Presents: Iron Maiden 30 Years of Metal Mayhem: 49.
  4. ↑ "Melvyn Grant Interview for the Iron Maiden Italian Fanzine 'Eddie's'". Melvyn Grant. Archived from the original on 27 February 2017. Retrieved 27 November 2011.
  5. ↑ "Iron Maiden Virtual XI credits". AllMusic . Rovi Corporation . Retrieved 27 September 2011.
  6. ↑ Wall, Mick (2004). Iron Maiden: Run to the Hills, the Authorised Biography (3rd ed.). Sanctuary Publishing. p. 322. ISBN   1-86074-542-3.
  7. ↑ Paterson, Lawrence (2009). Blaze Bayley: At the End of the Day. Blaze Bayley Recordings Ltd. p. 84.
  8. ↑ Saulnier, Jason (30 April 2010). "Blaze Bayley Interview: Iron Maiden Singer talks Wolfsbane". Music Legends. Retrieved 24 May 2013.
  9. ↑ Paterson, Lawrence (2009). Blaze Bayley: At the End of the Day. Blaze Bayley Recordings Ltd. p. 69.
  10. 1 2 3 Wall, Mick (2004). Iron Maiden: Run to the Hills, the Authorised Biography (3rd ed.). Sanctuary Publishing. p. 317. ISBN   1-86074-542-3.
  11. 1 2 3 4 Wall, Mick (2004). Iron Maiden: Run to the Hills, the Authorised Biography (3rd ed.). Sanctuary Publishing. p. 318. ISBN   1-86074-542-3.
  12. ↑ Young, Simon. "The Rest of the Beast". Kerrang! Legends (2): 124–126.
  13. ↑ Wall, Mick (2004). Iron Maiden: Run to the Hills, the Authorised Biography (3rd ed.). Sanctuary Publishing. p. 319. ISBN   1-86074-542-3.
  14. ↑ Paterson, Lawrence (2009). Blaze Bayley: At the End of the Day. Blaze Bayley Recordings Ltd. p. 70.
  15. ↑ "Como estais amigos by Blaze Bayley Concert Statistics | setlist.fm". setlist.fm.
  16. ↑ "Pop Singer Brandy Samples Iron Maiden". Blabbermouth.net . 29 June 2004. Retrieved 28 November 2011.
  17. 1 2 3 Erlewine, Stephen. Iron Maiden – Virtual XI at AllMusic. Retrieved 26 June 2011.
  18. ↑ Popoff, Martin (1 August 2007). The Collector's Guide to Heavy Metal: Volume 3: The Nineties. Burlington, Ontario, Canada: Collector's Guide Publishing. p. 213. ISBN   978-1-894959-62-9.
  19. ↑ Stagno, Mike (11 June 2006). "Iron Maiden – Virtual XI". Sputnikmusic. Retrieved 26 June 2011.
  20. ↑ "Iron Maiden = アイアン・メイデン* - Virtual XI = バーチャル・イレブン". Discogs . 18 March 1998. Retrieved 15 July 2020.
  21. ↑ Virtual XI (Media notes). Iron Maiden. EMI. 23 March 1998.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  22. ↑ Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 138.
  23. ↑ "Austriancharts.at – Iron Maiden – The X Factor" (in German). Hung Medien. Retrieved 22 April 2018.
  24. ↑ "Ultratop.be – Iron Maiden – Virtual XI" (in Dutch). Hung Medien. Retrieved 22 April 2018.
  25. ↑ "Ultratop.be – Iron Maiden – Virtual XI" (in French). Hung Medien. Retrieved 22 April 2018.
  26. ↑ "Top RPM Albums: Issue 3535". RPM . Library and Archives Canada. Retrieved 22 April 2018.
  27. ↑ "Dutchcharts.nl – Iron Maiden – Virtual XI" (in Dutch). Hung Medien. Retrieved 22 April 2018.
  28. ↑ "Iron Maiden: Virtual XI" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved 22 April 2018.
  29. ↑ "Le Détail des Albums de chaque Artiste – I". Infodisc.fr (in French). Archived from the original on 22 October 2014. Retrieved 9 June 2012.Select Iron Maiden from the menu, then press OK.
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  31. ↑ "Album Top 40 slágerlista – 1998. 15. hét" (in Hungarian). MAHASZ. Retrieved 16 September 2021.
  32. ↑ "History" (in Italian). FIMI . Retrieved 3 June 2022. With "Ricerca per" set on "Titolo", search "Virtual XI" and then click "Classifiche".
  33. ↑ Oricon Album Chart Book: Complete Edition 1970–2005 (in Japanese). Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN   4-87131-077-9.
  34. ↑ "Norwegiancharts.com – Iron Maiden – Virtual XI". Hung Medien. Retrieved 22 April 2018.
  35. ↑ "Official Scottish Albums Chart Top 100". Official Charts Company . Retrieved 1 November 2021.
  36. ↑ Salaverri, Fernando (2005). Sólo éxitos: año a año, 1959–2002 (in Spanish) (1st ed.). Spain: Fundación Autor-SGAE. ISBN   84-8048-639-2.
  37. ↑ "Swedishcharts.com – Iron Maiden – Virtual XI". Hung Medien. Retrieved 22 April 2018.
  38. ↑ "Swisscharts.com – Iron Maiden – Virtual XI". Hung Medien. Retrieved 22 April 2018.
  39. ↑ "Iron Maiden | Artist | Official Charts". UK Albums Chart. Retrieved 22 April 2018.
  40. ↑ "Official Rock & Metal Albums Chart Top 40". Official Charts Company. Retrieved 24 May 2023.
  41. ↑ "Iron Maiden Chart History (Billboard 200)". Billboard. Retrieved 22 April 2018.
  42. ↑ "Italiancharts.com – Iron Maiden – Virtual XI". Hung Medien. Retrieved 22 April 2018.
  43. ↑ "Spanishcharts.com – Iron Maiden – Virtual XI". Hung Medien. Retrieved 22 April 2018.
  44. ↑ "British album certifications – Iron Maiden – Virtual XI". British Phonographic Industry.
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