Somewhere in Time | ||||
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Studio album by | ||||
Released | 29 September 1986 [1] | |||
Studio |
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Genre | Heavy metal | |||
Length | 51:18 | |||
Label | EMI | |||
Producer | Martin Birch | |||
Iron Maiden studio albums chronology | ||||
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Singles from Somewhere in Time | ||||
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Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Collector's Guide to Heavy Metal | 7/10 [3] |
Kerrang! | [4] |
Sputnikmusic | [5] |
The Daily Vault | A [6] |
Somewhere in Time is the sixth studio album by English heavy metal band Iron Maiden. It was released on 29 September 1986 in the United Kingdom by EMI Records and in the United States by Capitol Records. It was the band's first album to feature guitar synthesisers. [7]
Since its release, Somewhere in Time has been certified platinum by the RIAA, having sold over one million copies in the US. [8] Somewhere on Tour was the album's supporting tour. In 2023, it was made the focus of the Future Past World Tour, alongside 2021's Senjutsu .
Somewhere in Time is the band's first studio effort following the extensive World Slavery Tour of 1984–85, which was physically draining for the group, [9] lasting 331 days and comprising 187 concerts. [10] [11] The resulting exhaustion is credited as the main factor in the complete lack of songwriting contributions from lead vocalist Bruce Dickinson, whose material was rejected by the rest of the band. [12] Dickinson had written several "acoustic-based" songs, explaining that "I felt we had to come up with our Physical Graffiti or Led Zeppelin IV ... we had to get it onto another level or we'd stagnate and drift away", although bassist and primary writer Steve Harris "thought he'd lost the plot completely", surmising that "he was probably more burnt out than anyone at the end of that last tour". [12] On the other hand, the record is also notable for the number of "fully formed" songs written by guitarist Adrian Smith, [13] who wrote both of the album's singles: "Wasted Years" and "Stranger in a Strange Land", the former of which is the only song on the record not to feature synthesisers. [14]
Following the World Slavery Tour, the group were given four months to recuperate, with Harris, Smith and guitarist Dave Murray spending the time experimenting with new equipment. [7] The result was a marked change in sound for Iron Maiden, as it was their first to use guitar synthesisers, although on their next release, 1988's Seventh Son of a Seventh Son , the effects were provided by keyboards instead. [15] Given their time off, this was their first studio album not to be released a year after their previous one, the band insisting that they have more time "to get it right without hurrying for a change", comments Harris. [7] It was also one of their most expensive records, with the bass and drums recorded in the Bahamas, the guitars and vocals recorded in The Netherlands and the mixing taking place in New York. [7]
While the majority of the release's songs have disappeared from the band's live shows shortly after its supporting tour, "Wasted Years" and "Heaven Can Wait" have appeared on several subsequent tours. On 28 May 2023, nearly 37 years after the album's release, Iron Maiden performed "Alexander the Great" live for the first time. [16]
The 2008 tribute CD Maiden Heaven: A Tribute to Iron Maiden , released by Kerrang! magazine, features covers of two of the album's songs; "Wasted Years" by DevilDriver and "Caught Somewhere in Time" by Madina Lake. [17]
Although "space and time" are common themes throughout the release, with songs such as "Wasted Years", "Caught Somewhere in Time", "Stranger in a Strange Land" and "Deja-Vu", the band never intended for it to be a concept album, with Harris stating, "We certainly never went in there and said, 'Right let's write a load of songs on the subject of time.'" [18]
The album opener and demi-title track "Caught Somewhere in Time", written by Harris, is narrated from the point of view of the Devil (or a demon) offering a man a time travel, in exchange for his soul. Adrian Smith's "Wasted Years", the album's leading single, deals with the themes of homesickness and alienation and was partially inspired by Smith's own experiences during the seemingly-unending World Slavery Tour, and is followed by "Sea of Madness", an up-tempo by the same author; speaking of those, Harris highlighted their "optimistic message". [19] "Heaven Can Wait" was one of the first songs completed during the writing process, and Harris stated that it is about a person having an out-of-body experience and fighting it with their determination to live. [19]
"The Loneliness of the Long Distance Runner" was based on the 1962 British film of the same name and tells the story of a boy reflecting on long-distance running as a way to evade both physically and emotionally from his situation; [19] in 2017, the song was quoted by Paula Radcliffe (2005 World Champion in the discipline) in a clip about the mental and physical faculties a long-distance runner needs, in the context of the BBC coverage of the 2017 World Championships in Athletics. [20] The album's second single, "Stranger in a Strange Land", was inspired to Smith by the true story of a sailor disappeared during an expedition to the North Pole and found years later perfectly preserved in ice, and draws its title from a 1959 Robert Heinlein book. [19] "Dejà Vu", the only co-written song in the tracklist, is about the psychological sensation of déjà vu, whereby someone feels a strong sense of recolletion despite the context makes it uncertain or impossible. [21] The album's closing track, "Alexander the Great (356–323 BC)", is a chronological narration of the life and conquers of Alexander the Great, the King of Macedon from 356 to 323 BC and conqueror of a great portion of Eastern Mediterranean and Asia Minor. [22]
The cover for Somewhere in Time, created by the band's then-regular artist Derek Riggs, displays a muscular cyborg-enhanced Eddie in a futuristic, Blade Runner -inspired environment. [23] Much like the cover of Powerslave, the wraparound album cover holds a plethora of references to earlier Iron Maiden albums and songs, [24] such as:
References on the back include:
Riggs came up with all the in-jokes and references and it took him 3 months to complete the 15x32 inch painting. The process wore him out completely as he underestimated the complexity of the artwork and said he would never paint anything this convoluted ever again. [28]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Caught Somewhere in Time" | Steve Harris | 7:22 |
2. | "Wasted Years" | Adrian Smith | 5:06 |
3. | "Sea of Madness" | Smith | 5:42 |
4. | "Heaven Can Wait" | Harris | 7:24 |
No. | Title | Writer(s) | Length |
---|---|---|---|
5. | "The Loneliness of the Long Distance Runner" | Harris | 6:31 |
6. | "Stranger in a Strange Land" | Smith | 5:43 |
7. | "Deja-Vu" |
| 4:55 |
8. | "Alexander the Great" | Harris | 8:35 |
Total length: | 51:18 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Reach Out" (The Entire Population of Hackney cover) | Dave Colwell | 3:31 |
2. | "Sheriff of Huddersfield" (based on Urchin's "Life in the City") |
| 3:35 |
3. | "That Girl" (FM cover) |
| 5:07 |
4. | "Juanita" (Marshall Fury cover) |
| 3:47 |
Total length: | 16:00 |
Production and performance credits are adapted from the album liner notes. [29] [30]
Chart (1986-1987) | Peak position |
---|---|
Australian Albums (Kent Music Report) [31] | 23 |
Austrian Albums (Ö3 Austria) [32] | 10 |
Canada Top Albums/CDs ( RPM ) [33] | 15 |
Dutch Albums (Album Top 100) [34] | 2 |
Finnish Albums (The Official Finnish Charts) [35] | 1 |
German Albums (Offizielle Top 100) [36] | 9 |
Italian Albums ( Musica e dischi ) [37] | 14 |
Japanese Albums (Oricon) [38] | 16 |
New Zealand Albums (RMNZ) [39] | 5 |
Norwegian Albums (VG-lista) [40] | 8 |
Swedish Albums (Sverigetopplistan) [41] | 6 |
Swiss Albums (Schweizer Hitparade) [42] | 22 |
UK Albums (OCC) [43] | 3 |
US Billboard 200 [44] | 11 |
Chart (1998) | Peak position |
---|---|
German Albums (Offizielle Top 100) [45] | 8 |
Chart (2010-2013) | Peak position |
---|---|
Finnish Albums (Suomen virallinen lista) [46] | 42 |
German Albums (Offizielle Top 100) [47] | 95 |
Greek Albums (IFPI) [48] | 39 |
Norwegian Albums (VG-lista) [49] | 26 |
Swedish Albums (Sverigetopplistan) [50] | 34 |
Chart (2019-2021) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders) [51] | 158 |
Belgian Albums (Ultratop Wallonia) [52] | 47 |
Hungarian Albums (MAHASZ) [53] | 20 |
Italian Albums (FIMI) [54] | 60 |
Portuguese Albums (AFP) [55] | 28 |
Scottish Albums (OCC) [56] | 40 |
Spanish Albums (PROMUSICAE) [57] | 39 |
UK Rock & Metal Albums (OCC) [58] | 4 |
Region | Certification | Certified units/sales |
---|---|---|
Brazil (Pro-Música Brasil) [59] | Gold | 100,000* |
Canada (Music Canada) [60] | 2× Platinum | 200,000^ |
Germany (BVMI) [61] | Gold | 250,000^ |
Japan (RIAJ) [38] | Gold | 100,000 [38] |
United Kingdom (BPI) [62] | Gold | 100,000^ |
United States (RIAA) [63] | Platinum | 1,000,000^ |
* Sales figures based on certification alone. |
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