The Ajanta Caves are 30 rock-cut Buddhist cave monuments dating from the second century BCE to about 480 CE in Aurangabad district of Maharashtra state in India. Ajanta Caves are a UNESCO World Heritage Site. Universally regarded as masterpieces of Buddhist religious art, the caves include paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art, particularly expressive paintings that present emotions through gesture, pose and form.
Chandragupta II, also known by his title Vikramaditya, as well as Chandragupta Vikramaditya, was the third ruler of the Gupta Empire in India. Modern scholars generally identify him with King Chandra of the Delhi iron pillar inscription.
Indore is the largest and most populous city in the Indian state of Madhya Pradesh. It is the commercial hub of Madhya Pradesh. It is consistently ranked as the cleanest city in India. It serves as the headquarters of both the Indore District and the Indore Division. It is also considered as the state education hub and houses campuses of both the Indian Institute of Technology and the Indian Institute of Management. Located on the southern edge of Malwa Plateau, at an average altitude of 553 meters (1,814 ft) above sea level, it has the highest elevation among major cities of Central India. The city is 190 km (120 mi) west of the state capital of Bhopal. It is 57 km (35 mi) from Ujjain and 35 km (20 mi) from Dewas. Indore had a census-estimated 2011 population of 1,994,397 and 3,570,295. The city is distributed over a land area of just 530 square kilometres (200 sq mi), making Indore the most densely populated major city in the central province.
Dhar is a city located in Dhar district of the Malwa region in the state of Madhya Pradesh, India. The city is the administrative headquarters of the Dhar district. Before Indian independence from Great Britain, it was the capital of the Dhar princely state.
The Bagh Caves are a group of nine rock-cut monuments, situated among the southern slopes of the Vindhyas in Bagh town of Dhar district in Madhya Pradesh state in central India. These monuments are located at a distance of 97 km from Dhar town. These are renowned for mural paintings by master painters of ancient India. The use of the word "cave" is a bit of a misnomer, since these are not natural, but instead examples of Indian rock-cut architecture.
The Udayagiri Caves are twenty rock-cut caves near Vidisha, Madhya Pradesh primarily denoted to the Hindu gods Vishnu and Shiva from the early years of the 3rd century CE to 5th century CE. They contain some of the oldest surviving Hindu temples and iconography in India. They are the only site that can be verifiably associated with a Gupta period monarch from its inscriptions. One of India's most important archaeological sites, the Udayagiri hills and its caves are protected monuments managed by the Archaeological Survey of India.
The Vakataka dynasty was an ancient Indian dynasty that originated from the Deccan in the mid-3rd century CE. Their state is believed to have extended from the southern edges of Malwa and Gujarat in the north to the Tungabhadra River in the south as well as from the Arabian Sea in the west to the edges of Chhattisgarh in the east. They were the most important successors of the Satavahanas in the Deccan and contemporaneous with the Guptas in northern India.
Pashupatinath Temple at Mandsaur, also referred to as the Mandsaur Shiva temple, is a Hindu temple dedicated to Lord Shiva in Mandsaur, Madhya Pradesh, India. It belongs to Pashupatinath tradition which is one of 6 major tradition within Shaivism. It is located on Shivna River, and is known for its eight-faced Shiva Linga. The temple sculpture is dated to the 5th or 6th century based on inscriptions, with some referring to the site as Dashapura. It is near the Rajasthan border in the historic region of Malwa, about 200 kilometres (120 mi) from Indore, about 340 kilometres (210 mi) west of Udaigiri Caves and about 220 kilometres (140 mi) east of Shamalaji ancient sites, both a significant source of Gupta Empire era archaeological discoveries. The site has been important to dating and the architectural studies of some distant sites such as the Elephanta Caves.
The Abhira era also called the Haihaya era was a Hindu system of year numbering started by the Abhira King Ishwarsena in which the year numbering started at some time from 248-250 CE.
Anupa is an ancient Indian region roughly corresponds to the areas around ancient Mahishmati city in the present-day Madhya Pradesh. The Vayu Purana mentions a janapada (realm) of Anupa, located on the Vindhyaprishtha. The Nasik cave inscription of Gautami Balashri claims that her son Gautamiputra Satakarni's dominion included Anupa. The Junagarh rock inscription of Rudradaman I mentions Anupa as a part of his kingdom.
The Barabar Hill Caves are the oldest surviving rock-cut caves in India, dating from the Maurya Empire, some with Ashokan inscriptions, located in the Makhdumpur region of Jehanabad district, Bihar, India, 24 km (15 mi) north of Gaya.
Waghali, spelled in historical records as Vaghli, is a village in Chalisgaon tehsil of Jalgaon district in the Khandesh region of Maharashtra, India.
The Kalachuris of Mahismati, or the Early Kalachuris, were an early medieval Indian dynasty that ruled present-day Maharashtra, as well as parts of mainland Gujarat and southern Madhya Pradesh. Their capital was located at Mahishmati. Epigraphic and numismatic evidence suggests that the earliest of the Ellora and Elephanta cave monuments were built during the Kalachuri rule.
The Maharajas of Valkha were part of a central Indian dynasty that ruled the historical Valkha region. They are known from several inscriptions dated to the years 38-134 of an unspecified calendar era. Based on the identification of this era with the Gupta era, they are believed to have ruled during 4th and 5th centuries CE. These rulers of Valkha were probably vassals of the Gupta emperors.
The Uchchhakalpa dynasty ruled parts of central India during 5th and 6th centuries. Their territory included north-eastern parts of present-day Madhya Pradesh. Their capital was located at Uchchhakalpa, the present-day Unchehara.
Abdul Kadar Khatri (1961–2019) was an Indian master craftsman of traditional hand block printing known as Bagh Print. He was the son of Ismail Sulemanji Khatri, founder of Bagh print. He along with his father saved the tradition of Textile printing of Bagh from extinction and taken it to new heights. His artifacts have brought laurels to India and particular to Madhya Pradesh state from across the globe by showcasing his exceptional talent in Bagh Print in many countries. His family has been working in the trade of Traditional Bagh Hand Block print since the 7th century.
Devnimori, or Devni Mori, is a Buddhist archaeological site in northern Gujarat, about 2 kilometres (1.2 mi) from the city of Shamlaji, in the Aravalli District of northern Gujarat, India. The site is variously dated to the 3rd century or 4th century CE, or circa 400 CE. Its location was associated with trade routes and caravans in the area of Gujarat. Site excavations have yielded Buddhist artifacts dated prior to 8th-century in the lowest layer, mixed Buddhist and Hindu artwork from the Gurjara-Pratihara period in the middle, topped by Muslim glazed ware attributed to the 14th century. The site was excavated between 1960 and 1963. The site became flooded by the Meswo reservoir, a project started in 1959 and completed between 1971–1972 over the nearby Meshwo River.
Tewar is a village in the Jabalpur district of Madhya Pradesh, India. It is the site of Tripuri, an ancient city-state, and the capital of the later Kalachuris during the 8th–13th centuries.
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose".
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