Gusset (heraldry)

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Gusset as charge (Fr. Gousset) Gusset demo.svg
Gusset as charge (Fr. Gousset)
Gussets (pair) as 'truncation of the field' Gussets gules (old style) demo.png
Gussets (pair) as 'truncation of the field'

The gusset is a heraldic charge resembling the union of a pile with a pale extending from chief to base (or in the case of a flag typically resembling the union of a pile and a fess extending from hoist to fly). In French heraldry, it has been classed as one of the thirty honorable ordinaries. [1] For an 'inverted' gusset, one issuing from base and extending to the chief, some authors prefer the term graft. [2]

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Other heraldic traditions conceive of the gusset not as this central charge but as a "line of truncation of the field", [3] a flank-like charge similar to the gore or flaunch. A pair of gussets defined this way produce said central form as negative space between them upon the field. Heraldic writers in these traditions describe the gusset as 'line of truncation of the field' as "a traverse line" [4] extending diagonally from the dexter or sinister point of the chief across one-third of the field, then descending in a straight line orthogonal to the base. [5]

Gusset as abatement

In English heraldry, the gusset, in the conception of it as a charge resembling a gore or flaunch, was at one time regarded as an abatement of the field—a mark of dishonor or disgrace. A "sanguine" (blood-red) gusset dexter was said to signify adultery and a gusset sinister of the same tincture, drunkenness. A noble so disgraced could also be compelled to bear both dexter and sinister on their escutcheon. [6] However, heraldic writers emphasized that a pair of gussets in other tinctures, such as metals or furs, was not an abatement at all but a charge "of perfect bearing". [7] But heraldic writers have also dismissed the purported use of the gusset as an abatement as "whimsical" [8] and "probably fanciful", [9] noting that no actual examples of its use were known.

Origin of term

The English word gusset derives from the Norman French 'gousset' meaning literally 'hollow of the armpit'. But in use the word referred not to the body but to a piece of armor. A gousset was small piece of chainmail used in the early 15th century, during the transition from chainmail to plate armor. It covered vulnerable areas not protected by the plate armor of the time—the joints, the hollow of the armpit, elbow, or knee.

Other contemporary uses of the term gusset

In contemporary English, the term gusset refers to a small pieces of fabric used in sewing both to reinforce garments at key points—such as the armpit or crotch—and to help clothing conform to the body. The term is also used in metal work and construction, as 'gusset plate', to denote a piece of metal used to brace the joining of structural elements—such as beams or girders to columns. The term gyron for that (triangular) heraldic charge is said to be derived an Old French word for gusset.

On flags

See also

Gyron
Esquarre (heraldry)
Esquire (heraldry)
Ordinary (heraldry)
Charge (heraldry)
Liste de pièces héraldiques

Related Research Articles

<span class="mw-page-title-main">Heraldry</span> Heraldic achievements design and transmission

Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.

In heraldry, gules is the tincture with the colour red. It is one of the class of five dark tinctures called "colours", the others being azure (blue), sable (black), vert (green) and purpure (purple).

In heraldry, tenné is a "stain", or non-standard tincture, of orange, light brown or orange-tawny colour.

<span class="mw-page-title-main">Tincture (heraldry)</span> Metal, colour, or fur used in heraldic design

Tincture is the limited palette of colours and patterns used in heraldry. The need to define, depict, and correctly blazon the various tinctures is one of the most important aspects of heraldic art and design.

<span class="mw-page-title-main">Variation of the field</span> Heraldic term

In heraldry, variations of the field are any of a number of ways that a field may be covered with a pattern, rather than a flat tincture or a simple division of the field.

<span class="mw-page-title-main">Abatement (heraldry)</span> Defacement of a coat of arms

An abatement is a modification of a coat of arms, representing a less-than honorable augmentation, imposed by an heraldic authority or by royal decree for misconduct. The practice of inverting the entire escutcheon of an armiger found guilty of high treason has been attested since the Middle Ages and is generally accepted as reliable, and medieval heraldic sources cite at least one instance of removing an honourable charge from a coat of arms by royal decree as an abatement of honour. Other abatements of honour implied by the addition of dishonourable stains and charges, appearing in late 16th-century texts, have never been reliably attested in actual practice. Additionally, as many heraldic writers note, the use of arms is not compulsory, so armigers are more likely to relinquish a dishonored coat of arms than to advertise their dishonor.

<span class="mw-page-title-main">Fess</span> Ordinary in heraldic blazon in the form of a single, isolated horizontal band

In heraldry, a fess or fesse is a charge on a coat of arms that takes the form of a band running horizontally across the centre of the shield. Writers disagree in how much of the shield's surface is to be covered by a fess or other ordinary, ranging from one-fifth to one-third. The Oxford Guide to Heraldry states that earlier writers including Leigh, Holme, and Guillim favour one-third, while later writers such as Edmondson favour one-fifth "on the grounds that a bend, pale, or chevron occupying one-third of the field makes the coat look clumsy and disagreeable." A fess is likely to be shown narrower if it is uncharged, that is, if it does not have other charges placed on it, and/or if it is to be shown with charges above and below it; and shown wider if charged. The fess or bar, termed fasce in French heraldry, should not be confused with fasces.

<span class="mw-page-title-main">Ordinary (heraldry)</span> Basic geometric charge in heraldry

In heraldry, an ordinary is one of the two main types of charges, beside the mobile charges. An ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge.

<span class="mw-page-title-main">Bend (heraldry)</span> Heraldic ordinary

In heraldry, a bend is a band or strap running from the upper dexter corner of the shield to the lower sinister. Authorities differ as to how much of the field it should cover, ranging from one-fifth up to one-third.

<span class="mw-page-title-main">Charge (heraldry)</span> Heraldic motif; an ordinary or mobile charge (or symbol) in a field

In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.

<span class="mw-page-title-main">Ermine (heraldry)</span> Style of tincture in heraldry

Ermine in heraldry is a "fur", a type of tincture, consisting of a white background with a pattern of black shapes representing the winter coat of the stoat. The linings of medieval coronation cloaks and some other garments, usually reserved for use by high-ranking peers and royalty, were made by sewing many ermine furs together to produce a luxurious white fur with patterns of hanging black-tipped tails. Due largely to the association of the ermine fur with the linings of coronation cloaks, crowns and peerage caps, the heraldic tincture of ermine was usually reserved to similar applications in heraldry. In heraldry it has become especially associated with the Duchy of Brittany and Breton heraldry.

<span class="mw-page-title-main">Blazon</span> Art of describing heraldic arms in proper terms

In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.

<span class="mw-page-title-main">French heraldry</span> The use of heraldic symbols in France

French heraldry is the use of heraldic symbols in France. Although it had a considerable history, existing from the 12th century, such formality has largely died out in France, as far as regulated personal heraldry is concerned. Civic heraldry on the other hand remains a visible part of daily life.

<span class="mw-page-title-main">Dexter and sinister</span> Heraldic terminology indicating relative direction

Dexter and sinister are terms used in heraldry to refer to specific locations in an escutcheon bearing a coat of arms, and to the other elements of an achievement. Dexter indicates the right-hand side of the shield, as regarded by the bearer, i.e. the bearer's proper right, and to the left as seen by the viewer. Sinister indicates the left-hand side as regarded by the bearer – the bearer's proper left, and to the right as seen by the viewer. In vexillology, the equivalent terms are hoist and fly.

A gyron is a triangular heraldic ordinary having an angle at the fess point and the opposite side at the edge of the escutcheon. A shield divided into gyrons is called gyronny, the default is typically of eight if no number of gyrons is specified. The word gyron is derived from Old French giron, meaning 'gusset'. When a single gyron extends across so the tip touches the edge of the coat of arms, forming a square, it is called an esquire.

<span class="mw-page-title-main">Side (heraldry)</span>

The side, or flank, is a heraldic ordinary resembling a pale that has been displaced to either the dexter or sinister edge of the field. Pierre-Barthélemy Gheusi, following M. Aug. Tailhades, groups the sides with the chief and base as ordinaries that are affixed to an edge of the field by their longest side.

<span class="mw-page-title-main">Base (heraldry)</span>

The base, more formally the terrace in base or champagne, is a heraldic charge that occupies the lower third of the field. It is in that sense the inverse correlate of the chief. In French heraldry, the champagne is considered an ‘honourable ordinary’, but in English heraldry it is frequently omitted from lists of the ‘honourable ordinaries’, and grouped, if at all, with the subordinaries. The diminutive of the base, occupying one half the height of the ordinary, is termed ‘plaine’ in French heraldry. Another, now less common, English language term for the base is the ‘Foot’, a usage the recalls the Germanic Schildfuß, Danish skjoldfod, or Dutch schildvoet.

<span class="mw-page-title-main">Fillet (heraldry)</span>

In English-language heraldry, the fillet is considered a diminutive of the chief. It is defined as occupying one fourth the width of the chief and typically positioned at its bottom edge. When so positioned the chief is blazoned as supported by the fillet; but, when the chief is charged by the fillet, as when the fillet positioned at its top edge or middle, the chief is blazoned as surmounted. In French heraldry, terms for this charge are divise and filet en chef. The term chef retrait has also been used. The fillet or divise placed beneath the chief is of a different tincture than the field, evidently to avoid violations of the rule of tincture.

<span class="mw-page-title-main">Esquarre (heraldry)</span> Heraldic charge

Esquarre is a name for both a heraldic ordinary and a set of related mobile charges. As an ordinary, the Esquarre is defined as a charge that borders a quarter on its two interior edges abutting the field. The Esquarre isolates the quarter from the rest of the field. De Galway suggested that the Esquarre is employed when both quarter and field are the same tincture. The shape of the ordinary is likened to a carpenter's square, a tool formed of two arms joined perpendicularly. When the two arms are of unequal length, the term potence (Fr.) is also used, a term likening the form of this variant to a joined post and crossbeam, or gallows/scaffold.

<span class="mw-page-title-main">Esquire (heraldry)</span> Anglophone heraldry charge

The Esquire is a heraldic charge that is classed as a subordinary in Anglophone heraldry. Its form is defined as resembling the Gyron, as formed of a right triangle; but, with the difference that whereas the Gyron extends from the outer edge of the field to the center, the Esquire extends across the whole of the field, from one edge to its opposite.

References

  1. Gheusi, Pierre-Barthélemy (1892). Le blason héraldique: Manuel nouveau de l'art héraldique de la science du blason et de la polychromie féodale d'après les règles du moyen age avec 1300 gravures et un armorial. Paris: Librairie de Firmin Didot et c. p. 40.
  2. Gough, Henry; Parker, James (1894). A Glossary of Terms Used in Heraldry (New ed.). Oxford and London: J. Parker and Co. p. 718.
  3. Gough, Henry; Parker, James (1894). A Glossary of Terms Used in Heraldry (New ed.). Oxford and London: J. Parker and Co. p. xii.
  4. Bailey, Nathan (1724). An universal etymological English dictionary. E. Bell. p. 978.
  5. Newton, William (1846). Display of Heraldry. London: William Pickering. p. 392.
  6. Newton, William (1846). Display of Heraldry. London: William Pickering. p. 393.
  7. Guillim, John (1724). A Display of Heraldry. London. p. 457.
  8. Guillim, John (1724). A Display of Heraldry. London. p. 12.
  9. Whitmore, William Henry (1866). The Elements of Heraldry: Containing an Explanation of the Principles of the Science and a Glossary of the Technical Terms Employed. New York: W. J. Widdleon. p. 40.