| Paifang | |||||||||||||||||||||||||||
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 Paifang in Shunfengshan Park in Foshan | |||||||||||||||||||||||||||
| Chinese | 牌坊 | ||||||||||||||||||||||||||
| Literal meaning | memorial archway gate | ||||||||||||||||||||||||||
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| Pailou | |||||||||||||||||||||||||||
| Simplified Chinese | 牌楼 | ||||||||||||||||||||||||||
| Traditional Chinese | 牌樓 | ||||||||||||||||||||||||||
| Literal meaning | memorial archway edifice | ||||||||||||||||||||||||||
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A paifang,also known as a pailou,is a traditional style of Chinese architectural,often used in arch or gateway structures.
The word paifang (Chinese :牌坊; pinyin :páifāng) was originally a collective term for the top two levels of administrative division and subdivisions of ancient Chinese cities. The largest division within a city in ancient China was a fang (坊;fāng),equivalent to a current day ward. [1] Each fang was enclosed by walls or fences,and the gates of these enclosures were shut and guarded every night. Each fang was further divided into several pai (牌;pái;'placard'),which is equivalent to a current day (unincorporated) community. Each pai,in turn,contained an area including several hutongs (alleyways).
This system of urban administrative division and subdivision reached an elaborate level during the Tang dynasty,and continued in the following dynasties. For example,during the Ming dynasty,Beijing was divided into a total of 36 fangs. Originally,the word paifang referred to the gate of a fang and the marker for an entrance of a building complex or a town;but by the Song dynasty,a paifang had evolved into a purely decorative monument.
During the Tang dynasty,it was called a wutoumen (烏頭門;wūtóumén;'black top gate'),because the top of the two posts were painted black. A wutoumen was reserved for officials of rank 6 or higher.
The construction of wutomen was standardized in the Yingzao Fashi of the mid Song dynasty. [2] It consisted of two posts and a horizontal beam forming a frame and two doors. By the Ming and Qing dynasties,it was called a pailou or paifang,and evolved into a more elaborate structure with more posts and gates,with a superstructural gable on top;the highest rank was a five gate-six post-eleven gable pailou.
It has been theorized that the paifang gate architecture was influenced by Buddhist torana temple gates. [3] [4] Paifang have traditional Chinese architectural characteristics such as multi-tiered roofs,various supporting posts,and archway-shapes of traditional gates and towers. [5] [6]
Paifang come in a number of forms. One form involves placing wooden pillars onto stone bases,which are bound together with wooden beams. This type of paifang is always beautifully decorated,with the pillars usually painted in red,the beams decorated with intricate designs and Chinese calligraphy,and the roof covered with coloured tiles,complete with mythical beasts—just like a Chinese palace. Another form of paifang is in the form of true archways made of stone or bricks;the walls may be painted,or decorated with coloured tiles;the top of the archways is decorated like their wooden counterparts. Yet another form of paifang,built mainly on religious and burial grounds,consists of plain white stone pillars and beams,with neither roof tiles nor any coloured decoration,but feature elaborate carvings created by master masons. Another form is in the Han dynasty style,and is two matching towers,such as in Beihai.
Outside of China,the paifang has long been the symbol of Chinatowns. The largest outside of China is in the United States: Friendship Archway at 14.50 m (47 ft 7 in) tall and 23 m (75 ft) wide,completed in 1986 at H and 7th in Washington D.C.'s Chinatown. [7] In Europe,the largest paifang spans Nelson Street in Liverpool,completed in 2000 and standing 13.5 m (44 ft) tall. [8] The first paifang in the United States was raised in 1915 as a temporary installation for the Chinese pavilion of the Panama–Pacific International Exposition in San Francisco, [9] and the oldest still standing was erected in 1938 for Los Angeles,Chinatown West Gate on Hill Street; [10] it was listed as a city Historic-Cultural Monument (#825) along with its counterpart,Chinatown East Gate (1939,#826) in November 2005. [11] The paifang at the entrance to Ottawa's Chinatown was decorated by Chinese artists using Chinese materials and techniques. [12]
In the past,"Chastity Paifang" were given to widows who remained unmarried till death,praising what was seen as loyalty to their deceased husbands.[ citation needed ]
A gate or gateway is a point of entry to or from a space enclosed by walls. The word derived from old Norse "gat" meaning road or path;But other terms include yett and port. The concept originally referred to the gap or hole in the wall or fence,rather than a barrier which closed it. Gates may prevent or control the entry or exit of individuals,or they may be merely decorative. The moving part or parts of a gateway may be considered "doors",as they are fixed at one side whilst opening and closing like one.
A torii is a traditional Japanese gate most commonly found at the entrance of or within a Shinto shrine,where it symbolically marks the transition from the mundane to the sacred and a spot where kami are welcomed and thought to travel through.
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Thian Hock Keng,is a temple built for the worship of Mazu,a Chinese sea goddess,located in Singapore. It is the oldest and most important temple of the Hokkien (Hoklo) people in the country. Another shrine at the back is Buddhist dedicated to Guanyin,the Mahayana Buddhist bodhisattva of mercy.
Liang Sicheng was a Chinese architect and architectural historian,known as the father of modern Chinese architecture. His father,Liang Qichao,was one of the most prominent Chinese scholars of the early 20th century. His wife was the architect and poet Lin Huiyin. His younger brother,Liang Siyong,was one of China's first archaeologists.
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The Yingzao Fashi is a technical treatise on architecture and craftsmanship written by the Chinese author Li Jie,the Directorate of Buildings and Construction during the mid Song Dynasty of China. He revised many older treatises on architecture from 1097 to 1100. By 1100,he had completed his own architectural work,which he presented to Emperor Zhezong of Song. The emperor's successor,Emperor Huizong of Song,had the book published in 1103 to provide architectural standards for builders,architects,literate craftsmen,and the engineering agencies of the central government. Li Jie was then made the Director of Palace Buildings. Thereafter,Li helped oversee the construction of administrative offices,palace apartments,gates and gate-towers,the ancestral temple of the Song Dynasty,along with numerous Buddhist temples.
Ancient Chinese wooden architecture is a style of Chinese architecture. In the West it has been studied less than other architectural styles. Although Chinese architectural history reaches far back in time,descriptions of Chinese architecture are often confined to the well known Forbidden City with little else explored by the West. Although common features of Chinese architecture have been unified into a vocabulary illustrating uniquely Chinese forms and methods,until recently data has not been available. Because of the lack of knowledge of the roots of Chinese architecture,the descriptions of its elements are often translated into Western terms and architectural theory,losing their unique Chinese meanings. A cause of this deficiency is that the two most important Chinese government architecture manuals,the Song dynasty Yingzao Fashi and Qing Architecture Standards have never been translated into any Western language.
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Architecture of Jiangxi refers to the traditional masonry houses,residential compounds,monuments,and academies built in Jiangxi of East China.
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Media related to Paifang at Wikimedia Commons