| Stan "The Man" Turrentine | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1962 | |||
| Recorded | January 1960 New York City | |||
| Genre | Jazz | |||
| Length | 34:17 | |||
| Label | Time Time 52086 | |||
| Stanley Turrentine chronology | ||||
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| Tiger Tail Cover | ||||
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Stan "The Man" Turrentine is the debut album recorded in 1960 by jazz saxophonist Stanley Turrentine originally released on the Time label in 1962, and subsequently re-released on Mainstream as Tiger Tail. [1] [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [3] |
| The Rolling Stone Jazz Record Guide | [4] |
The Allmusic review by Michael Erlewine states "This tends to be uptempo and mainstream. It lacks the distinctive Turrentine sound that later albums show.". [3]
All compositions by Stanley Turrentine except as indicated
Serenade to a Soul Sister is an album by jazz pianist Horace Silver released on the Blue Note label in 1968, featuring performances by Silver with Charles Tolliver, Stanley Turrentine, Bennie Maupin, Bob Cranshaw, John Williams, Mickey Roker and Billy Cobham.
Blue Hour is a collaboration album by jazz saxophonist Stanley Turrentine and The Three Sounds recorded for the Blue Note label and performed by Turrentine with Gene Harris, Andrew Simpkins and Bill Dowdy. The album was reissued in 2000 with an additional disc of unreleased recordings, as Blue Hour: The Complete Sessions.
ZT's Blues is the fifth album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1961 but not released until 1985 and performed by Turrentine with Tommy Flanagan, Grant Green, Paul Chambers, and Art Taylor.
Jubilee Shout!!! is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1962, but not released until 1986. The selection was originally included on the double LP Jubilee Shouts, together with some tracks later appeared as Comin' Your Way. Said LP, however, omitted some tracks which may be found on the CD editions of both albums.
In Memory Of is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1964 but not released until 1979, and performed by Turrentine with Blue Mitchell, Curtis Fuller, Herbie Hancock, Bob Cranshaw, and Otis Finch.
Mr. Natural is the twelfth album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1964 but not released until 1980 as LT 1075, and performed by Turrentine with Lee Morgan, McCoy Tyner, Bob Cranshaw, Elvin Jones and Ray Barretto.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
The Look of Love is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1968 and arranged by Duke Pearson and Thad Jones.
Always Something There is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1968 and performed by Turrentine with orchestra and strings arranged by Thad Jones.
Another Story is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1969 and performed by Turrentine with Thad Jones, Cedar Walton, Buster Williams, and Mickey Roker.
Straight Ahead is an album by jazz saxophonist Stanley Turrentine, his first recording for the Blue Note label since Another Story in 1969, featuring four performances by Turrentine with Jimmy Smith, George Benson, Ron Carter and Jimmy Madison, and two tracks with Les McCann, Jimmy Ponder, Peter Brown, and Gerrick King.
Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.
Let It Go is an album by jazz saxophonist Stanley Turrentine recorded for the Impuse! label in 1966 and performed by Turrentine with Shirley Scott, Ron Carter and Mack Simpkins. The CD release added four bonus tracks, three of which originally released on Scott's Everybody Loves a Lover recorded in 1964 and featuring Bob Cranshaw and Otis Finch in place of Carter and Simpkins.
Pieces of Dreams is an album by jazz saxophonist Stanley Turrentine, his first recording for the Fantasy label after associations with Blue Note Records and CTI, featuring performances by Turrentine with an orchestra arranged and conducted by Gene Page. The CD rerelease added three additional tracks.
In the Pocket is an album by the jazz saxophonist Stanley Turrentine, his second recorded for the Fantasy label after associations with Blue Note Records and CTI. The album has performances by Turrentine with an orchestra arranged and conducted by Gene Page. It was released in 1975 and has yet to be rereleased on CD.
Speakin' My Piece is an album by American jazz pianist Horace Parlan and his quintet, recorded and released on the Blue Note label in 1960.
On the Spur of the Moment is an album by American jazz pianist Horace Parlan featuring performances recorded and released on the Blue Note label in 1961.
Abbey Is Blue is the fourth album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1959 for the Riverside label.
The Man with the Sad Face is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1976 and featuring performances by Turrentine with an orchestra arranged and conducted by David Van De Pitte. The album consists of Turrentine's versions of many current pop and disco hits.
Nightwings is an album by jazz saxophonist Stanley Turrentine. It was recorded for the Fantasy label in 1977 and features performances by Turrentine with an orchestra arranged and conducted by Claus Ogerman.
